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Haulix New Music Recommendations for December 11, 2020

New York hardcore heroes Cro-Mags and Ohio’s Foxy Shazam are just two groups with thrilling new music releases this week.

Life will probably never be the same as it was before the COVID pandemic took the world by storm. Mourning the loss of the world we knew is normal, but it’s important to recognize all the good that continues to exist. Each new week brings us music that has the potential to change countless lives, and this week’s batch of new releases is no exception. There are too many good records for us to mention, but here are four we believe everyone should experience. This is the best new music of the week.

Foxy Shazam – Burn (EEEOOOAH)

Ohio’s Foxy Shazam emerges from a half-decade long hiatus with Burn, an album as wild and unpredictable as its members. Lead by the singular voice of Eric Nally; the band expands on their signature blend of punk and classic rock to create a sprawling sonic landscape of endless possibilities. There are songs here that will reassure you the chaos of 2020 won’t last forever and others the delight in watching the world burn. It’s the kind of album that deserves to not only be heard but experienced, and we are cursing this awful year for robbing us of the opportunity to see the band perform. 2021 may be better, but even if it isn’t, at least Foxy Shazam is back and better than ever.


Cro-Mags – 2020
(Mission Two)

When former Victory Records’ head Tony Brummel launched Mission Two Entertainment, the Cro-Mags were the first band to join his roster. A longtime favorite band of Brummel, Cro-Mags lay the foundation for a rebellious future with 2020, their second release in this wretched year. The New York hardcore legends do what they do best on this release, taking down everyone and everything that stands between them and absolute freedom. The title track may be the most ferocious of the bunch, with thunderous drums and hypnotic riffs, but we’d wager it’s the aptly titled “Chaos In The Streets” that listeners will be returning to for years to come. 


Less Than Jake –
Silver Linings (Pure Noise)

Another album that feels fitting of the year we’ve just endured, Silver Linings finds ska-punk legends Less Than Jake at the top of their game. The raucous opener, “The High Cost Of Low Living,” sets the stage for a record that urges the audience to find joy wherever they can. That energy continues throughout the release thanks to “Keep On Chasing,” “Dear Me,” and “Move,” all of which blends hopeful optimism with Less Than Jake’s knack for humorous self-deprecation. You may feel like there is nothing left to cheer for in the world, but the music contained in this release argues otherwise. We may always mess up, forget who we are, and lose our way, but Silver Linings reminds us that somedays, just being alive is worthy of celebration. Put this record on and forget everything else. Your problems won’t go away, but after spending an hour with Less Than Jake, your troubles might not seem so bad.


The Inferno Doll – Sacrifice

It can be hard to describe the forward-thinking metal of The Inferno Doll without using cliche phrases like wicked, witchy, or occult. Vocalist and songwriter Laura Vargas has crafted a darkly entertaining collection of material that channels the energy of a summoning ritual and offers it to listeners willing to submit to whatever ethereal beast may answer their cries for help. It’s a hypnotic voyage into the spiritual realm that is equal parts catchy and demonic but only in the best possible ways. 

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Better Noise Music Makes Mediabase History

Better Noise, the label behind groups such as Five Finger Death Punch and Papa Roach, is riding high on a wave of praise and record-breaking success.

Within the same week that Billboard named Better Noise Music #1 Mainstream Rock Label of 2020 for the first time in the history of the Mediabase Active Rock Chart, the same record label has been #1 for three years in a row. Mediabase acknowledged Allen Kovac’s Better Noise Music historical achievement in the 2020 year-end radio charts released today, December 9th. Better Noise Music not only maintained its #1 ranking, but the label also saw 34% growth from 12% market share to 16.1% of all Active Rock airplay. Five Finger Death Punch has also been named #1 Active Rock Artist of the Year for 2020. 

The label achieved the record-breaking feat with two number ones from Five Finger Death Punch, two number ones from Bad Wolves, and another from Papa Roach in the top spot. A further 5 tracks made the top 10, from Mongolian rockers The Hu, breakthrough Country Rock act Cory Marks, From Ashes to New, and Fire From The Gods. 

There was another historic first for the label as Bad Wolves’ two number ones this year gave them the title as the first band to have 5 songs #1 in a row in Active Rock. On their way to another chart-topper, their latest single “Learn To Walk Again” is spending its third week in the Top 10, joined this week by Five Finger Death Punch’s “Living The Dream.”  

Allen Kovac – “The A&R at Better Noise Music is second to none, combining that with data science and fan engagement allows us to lean in when the data shows that a track is working for the listeners, and that’s good for radio, streaming, the artist and the label.” 

 Senior VP of Promotions, Jackie Kajzer’s success was acknowledged by Steve Kline/Better Noise COO “Jackie’s incomparable work ethic and passion for artist development makes her the best in the business. We look forward to her impactful contribution to our marketing mix in 2021 as we continue to push boundaries by breaking more new artists while expanding the growth and diversity of our established roster.” 

Sample week – 3rd Quarter Top 10 streams 

Jackie Kajzer has been instrumental in making the established acts succeed at radio and promoting the next generation of active rock artists.  I’m so grateful to my friends at rock radio for supporting our Better Noise Artists. I’m proud of the job we’ve done in Artist Development and the diversity of our roster. Thanks again to rock radio for expanding the sound of the format with artists like The Hu, Fire From the Gods, Cory Marks and of course with core artists like Five Finger Death Punch and Papa Roach.” 

The Better Noise Music tracks that went top 10 in 2020: 

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What Artists Can Learn From Greta Van Fleet [VIDEO]

Michigan’s Greta Van Fleet is one of the most successful and most often criticized bands on the planet. Following their lead is something every aspiring artist should consider.

There are far more talented rock bands vying for attention right now than anyone can hope to cover. The vast majority of these musicians will spend their entire careers caught somewhere between local hotshot and moderate success. Some may write songs capable of changing the world, but the likelihood that anyone outside their circle hears those tracks is relatively low. The reasons for that frustrating fact are numerous, but studying Greta Van Fleet can explain how artists can position themselves for breakout success.

Hailing from a part of Michigan known more for its holiday spirit than its music, Greta Van Fleet became an international sensation in 2017 thanks to a nonstop touring schedule and two promising EPs. Almost overnight, the world of rock was divided into two groups: People who appreciate the group’s throwback sound and those who feel the young men from the midwest were ripping off several legendary acts. You probably have an opinion, and we’re not attempting to convince you otherwise.

Parts of the rock music community continues to debate the band’s quality to this day. Still, the general public has made their opinion known by pushing the band into sold-out amphitheater performances and spending their hard-earned cash buying their music. There’s also the band’s four GRAMMY nominations, as well as numerous glowing reviews from the global music community.

Greta Van Fleet has reached a level of success that any group of musicians would kill to achieve, and that popularity is not a fluke. The band and their team work incredibly hard, and there are lessons from their rise that can help other musicians build lasting careers with devoted fans.

First and foremost, Greta Van Fleet understands branding. One look at the band’s photos, videos, or logo, and you immediately know what type of music they perform. Their marketing efforts sell the promise of a specific image and sound that the group delivers on through everything they do. It’s a textbook example of “what you see is what you get,” and in a time when the competition is fierce, there is something to be said for giving people exactly what they want.

Likewise, the band isn’t afraid to embrace their influences. Millions of rock fans worldwide would give anything to hear more material from the legendary bands of the 60s and 70s that laid the foundation for everything that came after. Those groups, by and large, are no longer releases new music. That leaves a void that Greta Van Fleet is happy to fill. That doesn’t mean that they’re compromising their artistic vision or writing inauthentic music. In reality, the group is doing exactly what they want. They wish to be as big as the bands that people never forget, and they’re following the blueprint of those acts in hopes of becoming a similarly iconic group.

Greta Van Fleet also understands the digital age. They know that everyone has a voice and that success is often determined by the number of people talking about your music. The group has faced more criticism than any mainstream rock act since Nickelback or Creed, but they don’t let that get them down. They understand that there are millions of musicians people could discuss. People talk about them, which means they are getting clicks, streams, views, etc. The volume of conversation matters more than its contents, at least to an extent, so long as people keep talking, the band continues to thrive.

The last point worth making is that the band’s success would not be possible without leveraging their fans’ support. The group’s rise in popularity came after they turned to friends, family, and listeners to fund a live EP way back in 2014. That release leads to licensing the helped kickstart GVF’s ascent through the world of rock, but it may never have existed without the band first asking their audience for support. The group invited their fans to play a pivotal role in their journey, and their followers obliged. That level of transparency has helped the group create a community around their music, unlike any other fandom in rock today. It’s all because they were open about their need for assistance.

Point being: It’s okay to need help. Fans want to see you succeed, and if you ask them to support you, they will probably do what they can to assist in whatever you hope to achieve.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Join today and receive a one-month free trial of the same service Bruce Springsteen, Slipknot, blink-182, and thousands more trust to share their music with the press. Visit http://haulix.com/signup​ for details.

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Mina Caputo Appears On The Latest Inside Music Podcast

Life Of Agony founder Mina Caputo stops by Inside Music to discuss her new solo record and much, much more.

The goal of every musician is to develop a singular voice. Being the best of all-time barely compares to being your true self. Authenticity is something you cannot package and sell, but it does more for your soul than analytics or sales figures ever can. It’s the kind of thing people spend their entire lives pursuing, and even then, only a select few pull it off.

Mina Caputo is a revolutionary voice in rock. For more than two decades, Mina has consistently released engaging and challenging music that is hard to classify yet fiercely relatable. She touches on the pains of existence without wallowing in the despair of being. She writes songs that tackle the topics that matter to her, and she’s historically unwilling to compromise. 

Best known as the voice behind Life Of Agony, Mina is also a celebrated solo artist with numerous albums. These works provide Mina space to further explore her artistic capabilities while giving fans a steady stream of fresh content whenever LoA takes a break. It’s rare to find anyone capable of making two or more projects work, but Mina makes it seem easy.

Recently, Mina stopped by Inside Music to discuss her career, her critics, and how she became a vocal supporter of doing whatever you want with the limited time we have on this planet. Some may consider her views to be incendiary, but they are true to her feelings, which is what Mina aspires to achieve in every act of self-expression. Enjoy. 

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TikTok May Soon Allow Videos Up To Three-Minutes Long [VIDEO]

With the most global downloads of any social media platform, TikTok is looking to evolve in new and exciting ways during 2021.

It’s good to be the best. TikTok is the largest social media platform on the planet. Every day, thousands of clips from the popular service are shared on competing platforms, and many of those videos earn millions of views. Kombucha Girl? That was TikTok. Lil Nas X and “Old Town Road”? TikTok gave us that as well. The career of “Mood” rapper 24kgoldn? TikTok heard him first.

The threat of bans hasn’t stopped the company’s growth, and many believe 2021 will be TikTok’s biggest year yet. Now, rumors are exploding only that TikTok will abandon its one-minute time limit for clips in preference of longer content. A recent report says the company is experimenting with allowing users to create content up to three-minutes in length. There is no release date at this time, and additional details are scarce, but it seems clear the TikTok will be evolving in the new year.

With this Music Biz News update, host James Shotwell explains the latest rumors. He also weighs the pros and cons of such changes, as well as the surprising reasons Bytedance may be looking to evolve. For more music industry news and perspective, subscribe!

Brought to you by Haulix, the music industry’s leading promotional distribution platform. Join today and receive a one-month free trial of the same service Bruce Springsteen, Slipknot, blink-182, and thousands more trust to share their music with the press. Visit http://haulix.com/signup​ for details.

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Michigan Independent Venues and Promoters Form New Trade Association

The newly formed group will continue the Save Our Stages fight to prevent music venues from going under before the COVID-19 pandemic ends.

Several Michigan-based independent music venues and promoters have joined forces to form the ​Michigan Independent Venue & Promoter Association​ (​MIVPA​). The first of its kind in Michigan and one of only a handful throughout the country, the MIVPA is a state trade association to offer members an opportunity for networking and collaboration in the post-pandemic live music ticketed events music scene. Over 70 live music venues in Michigan have been closed since March due to COVID-19, with many hundreds of festivals and concert events delayed indefinitely due to the pandemic. To date, there has been no Federal or State of Michigan assistance that can provide adequate or appropriate assistance to venues and promoters. The MIVPA wants to change that on the state level.

The Intersection in Grand Rapids, Seven Steps Up Live Music + Events in Spring Lake, Kalamazoo State Theater, and the Historic Masonic Temple Bay City stepped forward with representatives to form the MIVPA. Many other Michigan venue and festival operators have already joined and others have expressed interest in hearing more about the newly formed group.

The initial priority for the organization is already in motion. MIVPA has engaged lobbying firm Kelley Cawthorne out of Lansing to help get legislation written and passed for a $10,000,000 fund to be used for grants to assist Michigan live music venues and promoters.

“This new organization gives us a collective voice,” says Scott Hammontree, managing partner of The Intersection in Grand Rapids and one of the co-founders of MIVPA. “Our venues and fans have made enough noise to get the attention of some legislators. We hope the new organization and lobbying efforts help complete a bridge to the other side of this.”

There are only a couple of states and communities that have trade associations for live music venues and promoters. The fiercely independent industry has rarely seen collaboration among venues and promoters. The incorporators believe the time has come for that to change. Once the COVID-19 fund has been

established, the new trade association will turn their efforts to find ways the collective voice can help in other aspects of the industry as they re-open.

The MIVPA will encourage all Michigan supporters of live music to visit ​SaveMIStages.com​ to write letters of support to state-level elected officials, asking them to set aside $10 million for a newly created #SaveMIStages Fund, which will be distributed among active Michigan music venues to help with overhead costs and ensure that these community spaces aren’t lost forever.

“We know people are tired and that pandemic fatigue is real,” says Hammontree. “We are fatigued, too. But if we can pull the venues together and get our venue fans to do one more big push, we think concerts will be a reality in 2021 in music venues all across Michigan. “

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Six Important Lessons Artists Should Learn From 2020 [VIDEO]

As we prepare to leave 2020, it’s time we look back and see what musicians everywhere can learn from this wild, unpredictable year.

If you’re reading this, congratulations! You overcame the monster known as 2020 and will most likely live to tell others of your experiences. You are an artist or industry professional who watched the music business crumple like discarded paper but kept on keeping on despite all signs that any semblance of normalcy will return anytime soon. You are a fighter, and we applaud your continuing efforts to make moves while the entertainment industry remains stuck in the mud.

It’s easy to complain about the last ten months. We’ve become quite good at criticizing this year and many of the people living through it alongside us, but today, we want to do something different. As much as this year has hurt, it has also taught us a great deal about the music business and what it takes to keep our heads above water. We are all better off for having gone through this experience, or at least, we hope that is the case.

In this Music Biz update, host James Shotwell reflects on 2020 and the lessons learned from existing through it. He urges artists to apply the takeaways from the last twelve months to the future. REMEMBER: Our time is limited, but our capacity for growth is endless.

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Spotify Wrapped For Artists 2020 Includes New Insights

Spotify’s viral Wrapped feature, which shares performance data for the year, gives artists more insights into their audience.

It’s December once again, which means Spotify users worldwide are beginning to share their Wrapped stats. The Wrapped feature helps listeners understand their behavior platform, and it allows artists to understand how their music performs. It’s a unique piece of marketing that has helped set the streaming giant apart from its competition, and starting today, December 2, 2020, Wrapped features are available to everyone.

Last year, we ran an article on ways Spotify could improve Wrapped for Artists. We highlighted that the data provided didn’t have much value for musicians, even if it is fun to look at. Wrapped 2020 took our advice and now features additional information on user behavior, including a list of users who frequently share an artist’s music.

An example of Wrapped’s new insights for artists

A message posted to the Spotify blog regarding the release of Wrapped For Artists 2020 reads:

As an all too eventful 2020 winds down, it’s only right to take a moment to reflect on this extraordinary and challenging year as well as the strides you’ve made in the midst of it all.

When we talk about 2020 in the years to come, we’ll, of course, tell a story of a pandemic, protests, and politics — but it will also be a story of resilience and the persistence of human connection. With the year coming to a close, it’s time to celebrate the essential bond between artists and fans with Wrapped.

Starting today, artists and their teams can access their 2020 Artist Wrapped, a personalized summary of your year on Spotify that will tell you how your music connected with fans around the world. To access Wrapped, all you have to do is log in to your Spotify for Artists page on the web or mobile. If you haven’t claimed your account, don’t worry, you can do that here and then check out your Wrapped after. As long as you’ve had more than three listeners before October 31st, there’s a Wrapped experience waiting for you at Spotify for Artists.

What are you waiting for? Head over to Spotify for Artists and review your 2020 stats!

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The Best Time To Release Your Music [VIDEO]

Ignore anyone who claims to know the right time to release your music. Finding the perfect date involves more than calendars and educated guesses.

Whenever we discuss releasing music with artists, we first ask them to consider the reality of music promotion today. There are millions of artists vying for attention across a vast landscape of streaming platforms, blogs, influencers, and social media apps. Competition is at an all-time high, and no matter when you choose to release your music, there will be an unknown amount of musicians all over the world who are eyeing the same date.

It’s okay if you feel intimidated. Releasing music can be scary, regardless of the competition. Most musicians at every level of success feel that fear. It fuels an entire industry of influencers, insiders, and other so-called marketing gurus who make a living tell people the “secrets” to success. But the truth is that no one can tell you the perfect release date to release your music because no such date exists. Finding the right time for you is a formula, which we’re happy to share.

The first thing you need is the music. Is the single or album you’re hoping to release the best work you can create? Is it recorded, mixed, and mastered? Does it meet not only your standards for a quality release but that of your fans? Are you sure that you cannot produce a better version of the material you want to share, at least right now? If so, congrats! You’re one step closer to finding a release date.

The next thing you need is promotional materials. Like music, the need for this content is obvious, but many artists approach it in a manner that is detrimental to their upcoming release’s success. Instead of picking a date and rushing to meet that deadline, musicians should focus first on gathering the materials they need to maximize the impact of their release. Get the artwork, photos, videos, song clips, video teasers, scheduled social posts, email newsletter copy, and anything else you need ready before you announce a release date. Please make a list of everything you want for your promotional rollout and check off each item as you complete it. Then, place those materials in a folder, Dropbox, or Google Drive that you and the rest of your team can access at a moment’s notice.

Once you have these elements in place, finding a date is a matter of estimating how long you need to make as many people aware of your upcoming release. Massively successful artists like Ariana Grande, for example, can surprise their fans with extremely fast rollouts for new material because their audience is always demanding new work. Rising artists, however, often need more time to build momentum for a new song or record. Figuring out what amount of time works best for you is dependent on many factors, including the size of your audience, the number of promotional materials you have to share, and the goal of the release. A four to six-week rollout is normal. It is also about half the length of most campaigns from a decade ago. Audiences are increasingly distracted, so lengthy campaigns come with a risk of losing interest, but shorter campaigns may not turn enough heads. It would be best to find what works for you and the materials or plans you have to maximize engagement. It may take several releases to nail down your approach, but it’s worth the effort to get it right.

So, when is the right date? We can’t say! It’s different for everyone.

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