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Five Important Questions Artists Should Ask Before SXSW 2022

The return of SXSW is right around the corner. Are you prepared? These questions will reveal the truth!

After two long years away, SXSW is returning to the streets of Austin, TX, this March for a long-awaited reunion with the global music community. While the wildly popular event will continue to offer online participation opportunities, the world’s largest gathering of musicians and music professionals is ready to usher in a new, in-person age. How many will attend this year’s event remains unclear, but thousands are expected.

Whether this is your first or fifteenth SXSW, there is never a good reason to descend on the streets of Austin without first having a plan. Traveling to SXSW is expensive, so you want to be sure you’re getting the most out of your time and finances. It’s easy to spend a week in Texas going broke and come home with nothing to show (aside from sunburn and a hangover). You and your career deserve better, so if you’re going to make the journey to Austin, you better ask yourself these questions first:

Whether this is your first or fifteenth SXSW, there is never a good reason to descend on the streets of Austin without first having a plan. Traveling to SXSW is expensive, so you want to be sure you’re getting the most out of your time and finances. It’s easy to spend a week in Texas going broke and come home with nothing to show (aside from sunburn and a hangover). You and your career deserve better, so if you’re going to make the journey to Austin, you better ask yourself these questions first:

1. Do you know your travel plans and budget for the week?

Budgeting and planning a trip can be a headache, which is why many people choose to procrastinate nailing down the details of any journey until the last possible moment. If you want to make this SXSW the most successful it can possibly be you need to know your plan of attack as soon as possible. Book a flight (while you still can), lock in your lodging, and discuss amongst everyone coming with what your daily budget will be. Many events offer free food and drink, but those seeking water or actual meals will need cash to satiate their cravings.

Beyond budgeting financially, you will also want to begin discussing how you plan to use your time in the city of Austin. Create a calendar, fill in every event you need to attend, and then review the list and slim it down until only the essential events remain. Once that is complete, work together with your band members and anyone else going to Austin with you to devise ways to promote your music and any performances you may have during the week. Assign each other tasks and brainstorm various approaches you can take to gain the public’s attention.

2. Speaking of promotion, how are you going to get the word out about your music?

Over 1000 artists perform during the week of SXSW, and more than 90% will walk away without seeing any change in their careers. We could go back and forth about the reason for this, but more often than not, it boils down to how much attention the individual act can bring to themselves during the week. If your promotion plan is social media updates and handbills, you probably will not see a tremendous impact on your career trajectory following the festival. If, however, you begin researching innovative marketing techniques for 2019 and apply them to your efforts in Austin, the sky is the limit. Creativity is key to success, and when you’re surrounded by literally thousands of creative people, it takes something extra special to stand out from the herd. Do not let your art become part of the majority.

3. Are you focusing on your efforts on quality or quantity?

Some bands believe the key to being noticed at SXSW is to play as many shows as humanly possible, but the real way to take your career to the next level is far simpler: Connect with the audience. Whether you play one show or ten, it only takes one person with the right connections to notice your music for your career to change overnight. Do not stress over the number of gigs you have or the time allotted, but instead, focus on delivering the highest caliber performance possible when the time comes. Remember: It only takes one person to change your world.

4. What are you doing right now to promote your time in SXSW?

Every successful marketing campaign begins long before the thing being promoted takes place.

The entire list of artists showcasing at official SXSW events was recently released, which means everyone with a publicist on their team is already at least one email into their promotional efforts for Austin. As an independent artist with few festival appearances under your belt, it would be a good idea to begin promoting and otherwise advertising your presence at SXSW as soon as possible. Reach out to bloggers, share your latest music, and let them know you would love to meet up if they’re coming to SXSW. You don’t need to sell them right away, but you should at least make them aware of your plans. It won’t be long until publications begin compiling the ‘must-see’ bands of SXSW, and with a little luck, your group could make the cut. Click here for some additional tips on contacting members of the press.

5. What goals do you have for SXSW?

Before heading to SXSW, the worst thing you could do is to tell yourself that one trip to Austin will change your life forever. We’re not saying such things will not happen because they most definitely could, but the odds are incredibly stacked against you. Set achievable goals that will help you further your efforts in the long run instead of focusing on short-term success. If you want to play to 50 people, do whatever you can to bring 50 people to your show. If you’re going to find a manager, order business cards and make plans to network whenever time allows.

SXSW works for those who know how to work it, and the first step to doing that is understanding you get out of your efforts what you put in. Those who do the work necessary to play at their absolute best and go out of their way to be creative with marketing are going to get further than the band with great hooks and zero following. It’s that simple.

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Artist Advice Editorials Industry News News

How To Improve Word-Of-Mouth For Your Music

Your music is a conversation starter, so why isn’t anyone talking about it? We can improve your word-of-mouth in three easy steps.

Take a look at any content promising to make you a more successful musician, and they will tell you that conversation is everything. You need people to start talking about your music and never stop, which is an incredibly hard feat for even veteran musicians to achieve. After all, who can name any musician they think about all the time? Between movies and media, the news, work, interpersonal relationships, and the general sense of anxiety that comes from living in a prolonged global pandemic, most people have a very limited capacity to care about anything music-related, let alone a single artist or group.

But don’t fret! Understanding the state of reality will be your key to long-term success. There will always be more you can do, but the same is true for everyone! Ariana Grande and Justin Bieber woke up today with the same problem you currently face: How do I make my fans care enough to promote my music on my behalf?

The battle for attention is, in many ways, the great equalizer. Major labels may have more money to throw at their attention problems, but history has repeatedly shown that money alone cannot make people care about artists. That level of connection requires something real, and cash cannot fabricate realness.

As the Northern hemisphere slowly transitions from winter to spring, now is the perfect time to refine your efforts to encourage more word-of-mouth promotion. If you need advice, don’t worry. We’re right here to help you.

The big question: How do I raise word-of-mouth for my music?

The answer is both complicated and straightforward. There are simple things every artist can do, which we outline for you below, but to make the most of these tips, you will need to add a personal twist. Every artist is different, and the same is true for the fans of every artist. No two fanbases are alike. To empower your fans to the best of your abilities, you will need to try (and most likely fail with) new approaches to the tips below until you discover what works best for you and your audience.

Identify your most engaged fans, and treat them well

Not all fans are the same. Some people like your music but don’t follow your socials and probably can’t be persuaded to buy an album they can access for pennies on streaming services. Other fans may follow you online and attend shows, but they wouldn’t go out of their way to engage with you or see you rise above genre peers. But your best fans — your most valuable followers — will go above and beyond the efforts of your other fans without being asked. They will line up hours before doors despite knowing the show is not sold out. They will share your new single on their social media without reaching out to them. Your most valuable fans feel your success will be their success in some small way. You getting ahead means that they’re getting ahead, and people who think that way about your career are the ones you need most.

Finding your most valuable fans is easy. Watch your mentions on social networks, read fan mail, and look at who lines up to attend your shows. Identify who those followers are and make them feel as important as you know they are, preferably without initially asking anything of them. Tell them you appreciate their support, reply to their questions, engage with their comments, follow them online. Do what you can to let them know they matter to you, and they will work even harder to raise awareness for your art.

Keep your social media presence updated and engaging

It’s hard to promote someone bad at promoting themselves. Empowering fans to promote you begins with promoting yourself in a way that connects with people on a personal level. That includes but is not limited to maintaining your presence on social media. That means posting regularly, yes, and posting things that let people connect with the artists behind the music. Showcase your personality, talk about something you’re interested in, and don’t be afraid to broadcast yourself using Facebook, Instagram, or TikTok’s live capabilities. 

When people feel engaged with you personally, they also feel a deeper connection to the music you create. Everyone wants to see their friends get ahead, so do whatever you can to establish a friendly relationship with the people who enjoy your music. Again, it’s all about making people feel they are a part of your journey. Their success is your success and vice versa. Does one of your fans have a birthday today? Tweet at them! Did someone land a new job that allows them to buy tickets or merchandise? Let them know you’re proud of their work ethic!

Make great stuff

This tip is relatively straightforward. People promote stuff they like, so make the best stuff you possibly can. People also know when your heart isn’t behind something, and if they sense that might be true for your latest creation, they will not feel inclined to promote it. Make the best things you can with your skills, devote every last drop of yourself to the process, and a response will come. Do anything less, and you will be doomed to obscurity forever.

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The Problem With Facebook Ads [VIDEO]

Social media advertising was once the way of the future, but recent changes have thrown the industry into a tailspin that artists should avoid at all costs.

Everywhere you look, marketers are telling businesses and freelancers that social media advertising is the future. “Use Facebook ads,” they say. “Everyone is on Facebook!” After all, no other ad platform allows harnessing the power of the internet’s best tracking tools to promote the song you wrote in your childhood bedroom.

But if we’re being honest, we all know social media advertising is a lie. Advertising implies that the point of the message is to reach people who are otherwise unaware of your existence. Social media advertising does accomplish that, but its core purpose—at least on Facebook and Instagram—is to charge brands and creators for access to their fans.

Want to reach 100% of your audience without spending a dime? Click here.

On average, a post made from a Facebook page will reach slightly more than 5% of its total following. That percentage does not account for people outside the page’s following who may see the post, which can vary greatly depending on the engagement. If creators wish to reach the other 95%, Meta says you must pay for reach, and that’s the catch-22 that everyone in entertainment has been fighting against for over a decade.

Now, there’s a new monster on the horizon. As Music Biz host James Shotwell explains in this video, Facebook has an Apple problem. Recent updates to Apple’s security features have given users the ability to stop advertisers from tracking them, throwing the Facebook ad algorithm into a tailspin. As the company scrambles for solutions, its stock is plummeting, and anyone still advertising is finding their marketing spend reaches fewer people than ever.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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This Week In Music (February 18, 2022)

From YouTube’s Ad Revenue to Kanye’s plans to keep ‘Donda 2‘ off streaming platforms, it’s been another crazy week in the music business.

After six weeks of uncertainty, it’s safe to say the music business is back in action at full capacity. The second full week of February has been filled with major shifts in tech, massive tour announcements, and new insight into the possibilities of Web3 that give us hope for the future of our industry.

We cannot ease your workload or give you more hours in the day, but we can help you stay informed. That is why we are thrilled to introduce This Week In Music, a brand new weekly column highlighting the best and most talked-about stories throughout the music industry. Each Friday, we will post links to various need-to-know articles and information. 

But let’s be honest. There is no way we can hope to cover everything that happens. If you see a headline we missed that people need to know, please do not hesitate to send james@haulix.com an email. We’ll include your links in the next update.


The Biggest Stories In Music This Week

Spotify’s Joe Rogan Problem Continues (For A Third Week)

Just when the controversy surrounding Joe Rogan and Spotify was beginning to quiet this week, a new report from The New York Times has thrown gas on the fire. According to the story, sources inside the streaming giant now say that Rogan’s exclusivity deal was worth north of $200 million—more than $100 million more than previously reported.

Spotify notoriously pays artists roughly $0.004 per song stream. Based on that, it would take approximately 50 BILLION song streams for a musician to make that much money from Spotify.

You could also consider that 50 billion songs are streamed before Spotify pays $200 million to musicians, but the company had no issue paying one person that much for their podcast.


Kanye West says Donda 2 won’t be available on streaming services

Kanye West will release his highly-anticipated new album Donda 2 on February 22 (2-22-22). To date, two songs allegedly off the project have found their way online (“Eazy” and “City of Gods”), but fans may have to work harder to hear the full project. According to West’s Instagram post on Thursday, February 17, Donda 2 will only be available for Kanye’s stem player.

Donda 2 will only be available on my own platform, the Stem Player,” he wrote. “Not on Apple Amazon Spotify or YouTube. Today artists get just 12% of the money the industry makes. It’s time to free music from this oppressive system. It’s time to take control and build our own.” An order page for the Stem Player is currently live; it currently costs $200.


Ticketmaster and Snapchat partner on Ticketmatcher

Snapchat is partnering with Ticketmaster to launch a new way for users to discover live entertainment events within the Snap Map, the company announced on Wednesday. The new feature will be accessible through a new in-app Mini. For context, Snap Minis are third-party programs that live inside Snapchat’s Chat section. The new “Ticketmatcher Mini” matches users with events they might be interested in based on their preferences.

To get started, users can access the Ticketmatcher Mini through the rocket icon in the Chat section of the app. From there, users will be promoted with a brief survey to gauge their interests. The app will then display suggested upcoming shows based on your preferences that you can swipe left and right to browse through. The company sees this as a reimagined dating app that pairs users with interesting events as opposed to partners.


YouTube Ad Revenue Turns Heads

YouTube has long been one of the leading music discovery and consumption sources. The industry loves how easy the platform makes it to stream your favorite artists and discover similar new talent. However, YouTube also offers the lowest royalty rates of any digital music service, which has been a thorn in the side of musicians and professionals alike for years.

This week, the industry got an idea of how much revenue YouTube generates from its content. According to a report from MBW, YouTube is making close to $100 million every day from ad revenue. In fact, having generated $20.21 billion from ads in the first nine months of 2021 and $8.63 billion in Q4YouTube’s total ads business across the 12 months of 2021 raked in a whopping $28.84 billion.


The Music Industry Still Fears Piracy in 2022

Remember Napster? The idea of downloading illegal MP3s of a new album when services such as Spotify and Apple Music exist may seem anachronistic in 2022. Still, piracy is a threat many continue to fear. As Forbes highlighted this week, a recent report found piracy in 2021 was up more than 15% compared to 2020, and many believe it will continue to worsen.


Snoop Dogg ends Super Bowl week having sold $44 million in “Stash Box” NFTs

It must be nice to be Snoop Dogg. Not only is the living rap legend a beloved pop culture icon worldwide, but he recently celebrated the release of his twentieth studio album, bought Death Row Records, and performed during one of the most critically-acclaimed Super Bowl halftime shows of all time. That alone is worthy of celebration, but Snoop also found success this week in the metaverse. According to reports, Snoop’s “Stash Box” NFT collection, which was released alongside his album, has generated more than $40 million in sales this week. That’s going to fill a lot of doggy bags.


Song Of The Week: Simple Plan- “Ruin My Life” feat. Deryck Whibley 

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Get Back On Track With Your 2022 Goals [VIDEO]

With so much going on in 2022, it’s easy to lose focus and fall behind on your goals. Let us help get you back on track in ten minutes or less.

2022 is proving to be a tough year. While the music industry is looking to the future with bright eyes and hopeful hearts, there is no clear recovery path. Many are wondering if they’ll be able to tour this year, while fans are left to ponder whether or not the albums they pre-ordered in 2021 will ever reach their mailbox. Everyone is a little upset, but with nobody specific to blame, the industry feels frustrated.

But I bet you started this year feeling optimistic about the future. After two long years of pandemic delays and setbacks, you entered 2022 with goals and a plan to achieve them. Maybe you even watched our video for tips and tricks to getting ahead. If so, thank you!

Then, somewhere between January 1 and now, you lost your way. Maybe you fell behind on your weekly goals or had a setback in your personal life that demanded your full attention. Whatever the case, where you are now and how you feel about reaching your goals is less than ideal. You may even fear you’ve already spoiled any chance of seeing your dreams comes true.

Fear not! The Music Biz team is here to help. In this video update, host James Shotwell offers advice and support to those who fear falling short of their goals for the new year. You may need to make some adjustments, but there is plenty of time to take your career to the next level in 2022, and we’ll be here to support you every step of the way.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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The Five People You Meet At Every Music Conference

From aspiring superstars to industry veterans, music conferences provide unique opportunities to network with your peers. 

Music conferences are making a comeback in 2022. After two years of postponements and digital reimagining, several conference organizers are eyeing the spring and later months as a perfect time to gather again. COVID-19 may have other plans, of course, but only time will tell.

Many readers have asked us about the usefulness of music conferences in the past. We answer that conferences—like every industry networking event, party, or similar happening—give back what you put into them. If you go with goals in mind and a plan to achieve them, the sky is your limit. You won’t get far if you go with no plan and emphasize watching sets over meeting people. You may have fun, but your career won’t budge.

With that in mind, we felt it might be helpful to illustrate the types of people you’re most likely to meet at a music conference. Some are helpful, others are fun, and a few might ruin your life. 

We plan to bring you more coverage of conferences and how to navigate them in the months ahead. Follow Haulix on Twitter and Facebook, so you never miss another update.

The Up And Comer

Most music conferences cater to up-and-coming artists and aspiring professionals looking to take the next step in their careers. What that step is and how the conference helps them attain it will vary, but these artists will comprise most of those in attendance. Be sure to wear something with pockets because these individuals will give you everything from business cards to USB drives, sampler CDs, postcards, and anything in between to (hopefully) forge a connection with you. 

Should you talk to them?

Yes! These people make up your peer group, and you never know when someone will become a connection that changes your life. Even if they can’t help your career, they might make great music, or maybe they’re decent people. The point is—these people are there to make friends. Be someone who befriends them.


The Industry “Big Shots” (AKA Headliners)

Every music conference looks to its big-name guest speakers as a way to prove its effectiveness. Organizers know that more people will attend a panel featuring an employee from Spotify than one featuring a guy who knows a lot about Spotify. It doesn’t matter if that employee’s job doesn’t directly involve artists; the brand association still sells.

You’ll see the industry big shots arriving shortly before their panel and sipping whatever free refreshments are offered to VIPs. They will speak as much as they need to at their panel and will be flooded with “quick chat” requests as soon as the event ends. Do they possess the ability to change your career trajectory? Probably not! Will that matter to most up-and-comers? Nope!

Should you talk to them?

Don’t wait twenty minutes for thirty seconds of head-nodding while you pass off a business card, but if you see an opportunity for real conversation—Yes! But keep your expectations low. These individuals are highly sought after at these events, but their influence and knowledge may not be what you expect. 


The Industry Pros (AKA Lifers)

The industry pros, otherwise known as lifers, fill out most panels and serve as one-on-one advisers at any music conference. These individuals work in behind-the-scenes roles at companies with varying levels of brand recognition. They make a good living working with talented artists and have perhaps the best work-life balance of anyone in attendance. They more than make up for what they lack in mainstream influence with kindness, knowledge, and experience, so give them a chance.

Should you talk to them?

Absolutely. Industry pros are full of usable, honest information. They are also the most likely professionals at the event to give you their time and attention, which you would be wise not to waste.


The Brand Ambassador (AKA Swag God)

Though participating companies vary between events, every music conference has a marketplace area where vendors can display their latest products. Most conferences have a variety of music stores, gear manufacturers, music schools, and recording studios on hand, and almost all of them will be regional. These companies pay to be on-site, and they are always easy to find.

Should you talk to them?

Yes! They’re good people. Whether or not you ask them for anything depends on your goals. Are you interested in a music school, or are you in the market for new gear? If so, then, by all means, support these individuals. If you are looking for a job, you might also engage these participants. However, if your goal is to land a deal or bring major attention to your career, these individuals are not the answer. 


The ‘Guru’ (Scammers)

Music conferences rely on inexperienced independent artists with disposable income to survive, which is the same target market as every scammer in music. Whether they’re promising inclusion on Spotify editorial playlists or guaranteeing exposure to major label A&R in exchange for a small discovery fee, so-called industry ‘gurus’ are everywhere at conferences. These individuals rarely appear on panels, but you will find them holding court in every networking space with artists unaware they are being talked into a scam. 

Should you talk to them?

No. While a guru will boost your confidence and inflate your ego to make you more susceptible to their con, these individuals have nothing to offer you as a career or peer. These are bottom feeders searching for easy targets to make a quick buck off of before moving on to the next conference in the next mid-sized city. Avoid them at all costs.

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News

This Week In Music (February 11, 2022)

Snoop Dogg buys Death Row Records, Spotify CEO Daniel Ek defends his decisions, and more in this week’s music news roundup.

The first full week of February 2022 did not disappoint. It seems like every day this week, one or more major stories rocked the music world. From the ongoing controversy surrounding Spotify and its questionable investments in podcast hosts to some of the biggest revenue numbers since pre-COVID, this week made an impact felt in every corner of the industry.

We cannot ease your workload or give you more hours in the day, but we can help you stay informed. That is why we are thrilled to introduce This Week In Music, a brand new weekly column highlighting the best and most talked-about stories throughout the music industry. Each Friday, we will post links to various need-to-know articles and information. 

But let’s be honest. There is no way we can hope to cover everything that happens. If you see a headline we missed that people need to know, please do not hesitate to send james@haulix.com an email. We’ll include your links in the next update.


The Biggest Stories In Music This Week

Snoop Dogg buys Death Row Records

A full-circle moment for the history books occurred earlier this week, and it’s one music students will be studying for years to come. Rapper-entrepreneur Snoop Dogg, who rose to fame during the 1990s on Death Row Records, has acquired the label’s brand from MNRK Music Group, which is controlled by private equity funds managed by the investment firm Blackstone, the firm announced on Wednesday.


Spotify’s Cancellation Page Traffic Spikes as “Rogan” Controversy Continues

Say what you will about the current debate surrounding Joe Rogan and Spotify. Still, it is incredibly rare for any media-related story to dominate headlines for more than a week. The traffic to the cancellation page for Spotify Premium has jumped in recent weeks as the audio streaming company faces a wave of backlash over its support for podcaster Joe Rogan, an analytics firm told CNN. The analytics firm, SimilarWeb, told CNN Tuesday night that it had seen traffic to the cancellation page spike 196% week-over-week in its most recent set of data.

Meanwhile, Rumble, a video startup, offered Rogan $100 million for a four-year exclusive deal involving podcast. Rogan declined the deal, which was similar to the amount Spotify reportedly paid for his podcast and recommitted to the streaming giant in the process.


Big 3 Major Labels Report MASSIVE 2021 Paydays

Our friends at MBW have spent the last several weeks crunching numbers related to industry earnings in 2021. This week, the site found that the big three labels—WMG, Universal, and SONY—made a combined $20 BILLION last year.

Here’s how the ‘Big Three’ did it:

  • Warner Music Group (which announced its calendar Q4 figures today) generated USD $5.58 billion across its global music publishing and recorded music divisions in calendar 2021, according to MBW’s calculations;
  • Sony Corp (which announced its calendar Q4 figures last week) generated USD $7.49 billion across its global music publishing and recorded music divisions in calendar 2021, according to MBW’s calculations
  • Universal Music Group generated USD $7.21 billion across its global music publishing and recorded music divisions in just the first nine months of 2021 – not including Q4 – according to MBW’s calculations;
  • All of that combined comes to a sweet, sweet $20.28 billion.

Rock Band The Pocket Gods protest Spotify by releasing 1,000 track album comprised entirely of 30-second songs

Longtime Haulix clients The Pocket Gods have developed a unique solution to their problems with Spotify. The English rock band is currently making headlines with plans to record and release a 1,000 track album comprised entirely of 30-second songs. The tracks are long enough to be counted as legitimate streams by Spotify but run much shorter than the average song.


Rock And Roll Hall Of Fame Announces Nominees for 2022 Class

The Rock and Roll Hall of Fame announced its 2022 nominees on Wednesday (Feb. 2), revealing the 17 acts eligible for induction into the Rock Hall’s Class of 2022.

Indie auteur Beck, rock hitmaker Pat Benatar, art rocker Kate Bush, new wave oddballs Devo, new wave chart-toppers Duran Duran, hip-hop heavyweight Eminem, synth-pop duo Eurythmics, heavy metal fixtures Judas Priest, Afrobeat pioneer Fela Kuti, political rock outfit MC5, proto-punks New York Dolls, country legend Dolly Parton, rap-metal outfit Rage Against the Machine, R&B hitmaker Lionel Richie, pop singer-songwriter Carly Simon, alt hip-hop icons A Tribe Called Quest and pop vocal pro Dionne Warwick are all nominated for the Rock and Roll Hall of Fame’s Class of 2022.


SONG OF THE WEEK: Mammoth WVH – “Epiphany”

Wolfgang Van Halen may be the song of rock’s greatest guitarist, but the debut album from Mammoth WVF proved the young rocker has more than enough talent to escape his legendary father’s shadow. The record speaks to a life lived in the space between reality and the fiction we sell ourselves in the media. It’s a dense and, at times, heartbreaking account of giving your all in search of something you may never find, and we cannot get enough.

This week, Mammoth WVH gave the song “Epiphany” a proper single push by releasing the track’s official video. Check it out:

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YouTube Growth Hacks For Musicians [Video]

YouTube can be a powerful force for music discovery and fan engagement, but most artists don’t know how to make the most of it. We can help

Let’s be honest: The music industry is divided on YouTube. The popular video platform is free to use and has spent a full decade being ranked as the best music discovery platform. However, YouTube has also come under fire for underpaying musicians.

A report from 2017 found that a musician hoping to earn minimum wage from YouTube alone would need at least 2.4 million video views per month. That view count is far above the number of streams required to make the minimum wage through Spotify, Apple Music, Amazon Music, or other services.

Another report from January 2022 found that YouTube pays an average of $0.002 per view to musicians. Only two services, Deezer ($0.0011) and Pandora ($0.00133 per stream), pay less.

Still, the music industry needs YouTube. The brand name is synonymous with online video, and everyone looking for video clips will come to YouTube before searching anywhere else. Nobody can deny YouTube’s popularity regardless of how you feel about its policies and royalty rates.

The same can be said for millions of music fans. Listeners will browse YouTube for official streams and videos before turning to other streaming services. To abandon the platform would mean alienating a massive potential audience.

In this Music Biz update, host James Shotwell tells artists to fight YouTube’s system by growing their channel with original, regularly scheduled content. He offers advice to improve your channel, promote your content, develop ideas, and set long-term goals. If you want 2022 to be the year your Youtube following skyrockets, then this video is for you.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.


Need help growing your YouTube channel but cannot access the video above? Don’t worry! Our friends at Hypebot recently published a great article on the same topic.

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Three Easy And Affordable Ways To Start A Fan Club

With more competition for our attention than ever, fan clubs offer artists guaranteed ways to reach their most devoted fans.

Everyone knows about the importance of engagement in social media, but what about reach? Engagement proves people want your content, but reach plays a big role in determining who decides whether or not to engage with your posts. 

Think of reach as the number of unique people who see your content. In a perfect world, every one of your followers would see every piece of content you posted. That’s not the world we live in. Here, roughly 5-7% of your total following may see any post. 

But what can you do? After all, increasing your reach on any social media platform comes with a price. Digital advertising promises to get your content in front of more people, including your fans, in exchange for as much money as you’re willing to pay. If you have $10 and 100 followers, for example, you may be able to reach more than 10% of your following. But if you have $10 and 10,000 followers, your reach may only increase by 1-2%. In other words, it’s all relative.

Fan clubs are the answer. If you are a musician making music in 2022, you can create a fan club. There may only be one or two members, and you may be related to them, but fan clubs make it easy to directly reach your most engaged followers for little to no money. You may not think you’re big enough or important enough to warrant a fan club, but we don’t tolerate that kind of negative self-talk around these parts.

If you’ve made it this far, then you’re looking to start a fan club as soon as possible. That’s great! Here are three surprisingly simple ways to begin directly engaging your core audience and developing a community around your music in a matter of minutes.

Newsletters Never Say Die!

We told you about the surprisingly powerful reach of newsletters back in January, but did you know they also make a great fan club? Join Mailchimp, Substack, or any popular newsletter service for cheap or low-cost options to reach up to several hundred fans directly via email. From there, grab your registration link and share it everywhere your fans live online. You should also make a signup sheet for your upcoming gigs. Don’t be afraid to work the line before the show, searching for new signups. You never know who might be in attendance!

Start a Private Facebook Group

Everyone we know has a love-hate relationship with Facebook. It’s the one app that most people are likely to have an account on, but the platform’s immense popularity has made user timelines so cluttered that most ignore them altogether. Pages aren’t much better, with organic reach shrinking by the month. The last place for any community to truly thrive on Facebook is its private groups, which allow anyone to create and maintain a space for interaction and announcements. Most artists have fan clubs created by fans on the site, but launching an official fan club gives fans a one-stop-shop for all your news and puts YOU in control of the space. If someone acts up, kick them out! If you need help with something, ask! Facebook groups are free, easy to use, and exist on one of five sites that the average person visits daily. Groups may not be perfect, but they’re hard to beat for the price and power!

Go The Professional Route with Patreon

For any artist looking to create a space to share exclusive content with fans, Patreon (and its competitors) may be the solution. The popular platform allows anyone to create fan clubs and charge for access. You can have one flat rate for all subscribers or offer different tiers, each with special perks. The setup and execution of this option are more involved than the previous two, but for those prepared to do the work such an undertaking requires, it’s more than worth the effort. 

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Are You Ready For A Music Publicist? [Video]

A great music publicist can make people stop and pay attention to your art, but it can be difficult to get them to care about your career.

Publicists are among the hardest-working people in entertainment. Whether you’re a career musician hoping to make people care again or a new artist trying to capture the world’s attention, great music PR can do wonders for your visibility.

But there is a catch—sort of. Publicists can only work with what you give them, and many artists don’t know what PR needs or wants. Most assume a publicist will tell them what they need, but that isn’t true. If a publicist has to ask for something, you’re already behind.

For example, let’s say you reach out to a publicist inquiring about their interest in working your next release but forget to include the release date, music, or artwork. That publicist then has to make a choice. They can either do some research into who you are, what you make, and when you might be releasing music, or they can skip your message and move on to something more actionable. Every publicist is unique, but you can guess which of those two options is most likely to be chosen.

In this Music Biz update, host James Shotwell shares what publicists are looking for when seeking new clients. He gives you everything you need to make sure publicists open your emails, click the links, and return your calls. If that’s what you’re looking for, then click play, and enjoy! We can’t guarantee results, but we can put you in a position to succeed.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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