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How A&P Reacts Built A YouTube Empire [VIDEO]

The wildly popular father-son review duo known as A&P Reacts share their secrets to success in an all-new ‘fast five’ interview with Haulix.

If you’ve spent any time on YouTube, you’ve undoubtedly seen the hordes of reaction channels that exist in response to virtually any product or piece of entertainment you can name. Some channels review beauty products, and others cover toys. Some even cover music, which we’re going to talk about today.

Music reaction and reviews channels are, by and large, all the same. From one to five people (or more) gather in front of a camera while enjoying a notable artist’s latest song/video. If it’s a reaction, the people on camera consume the song/video in real-time while capturing their response. Hearing/seeing the music is far less likely if it’s strictly a review, but the commentary remains.

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A short time ago, Pedro Almeida sought a way to connect with his teenage son. A lifelong fan of metal, Pedro believed his son could similarly benefit from the genre, and together the pair launched an unassuming YouTube channel called A&P Reacts. A couple of years and hundreds of heavy metal reviews later, the channel boasts more than 76,000 subscribers and has yet to monetize. For them, it’s all about the music and the togetherness. Everything else is a distant second.

Now, the father-son duo is gearing up for their biggest adventure yet. In the coming month, Pedro and his son will be headed to Iceland to judge a battle of the bands in connection with the Wacken Music Festival. This is the second time the team has traveled internationally because of their channel, and we have a feeling it won’t be the last.

In the latest edition of our ‘Fast Five’ interview series, Music Biz host James Shotwell chats with Pedro Almeida about his channel, its growth, and where he sees reaction channels going in the future. Pedro’s goals for his videos are among the purest we’ve heard, but make no mistake—The Almeidas plan to see how big their channel can become. Check it out:

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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Five Uncomfortable Truths About Music Discovery

Every platform wants to help with music discovery, but what does that mean? Let’s discuss the reality behind music’s buzziest term.

Every artist I meet dreams of being discovered. They imagine themselves receiving a phone call or a direct message from someone in a position of influence with money and power who offers them whatever they want to create their art. It’s the same fantasy held by every musician and creative since the dawn of time, and despite our best efforts to streamline the process, discovery remains a dream for many.

But what is music discovery? In the simplest terms, discovery refers to finding and/or hearing an artist for the first time. It refers to the moment an artist goes from being a complete unknown to someone the listener may later recognize. The moment of discovery is when connections are made, fandoms launch, and artists first begin to see the fruit of their label. 

In 2022, there are more ways to discover music than ever. Listeners can utilize multiple streaming platforms, dive into artists’ playlists, enjoy algorithmic internet radio, find songs playing in public via Shazam, and—as always—exchange mixes with their closest friends. That doesn’t account for countless music blogs and publications, charts, and other social metrics one could use to learn who is hot in entertainment right now.

As the avenues for music discovery have increased and the barriers to accessing music decreased, the number of artists vying for your attention has reached an all-time high. That in itself isn’t bad. Everyone who desires to make and promote music should be able to do so easily. However, the impact of that demand for attention on consumers is something we still don’t fully understand.

Think about it for a second. As a consumer, you always want to find the next great thing. It’s instinctual. We cannot help being this way. It doesn’t matter if we’re discussing restaurants or bathroom cleaners; people want the best. The same is true in music. We love the artists we love and have preferences, but a part of us is always looking for the next song or album or person or group that can make us feel alive all over again. 

So, consumers want the next thing great song or artist as fast as possible, and more artists than ever are promoting more songs than ever to meet that demand. What could go wrong?

In short, burnout. On both ends.

Artists are becoming so conditioned to the constant churn of the modern industry that they abandon material almost as soon as it is released. It’s as if the three-to-six-month promotional cycle that precedes an album’s release is the only push the songs will receive outside of the artist’s subsequent touring. When those shows end, they will release more music, and it too will be largely forgotten in a few months.

Meanwhile, listeners look to playlists such as Spotify’s New Music Friday and Discover Weekly as the go-to destinations for new music. If an artist doesn’t make it into one of the very limited spots on this list, they have to hope an influencer with a decent playlist following or a massive brand uses their song. Otherwise, it’s up to fate and luck and whatever good word-of-mouth that artist has been able to build.

But that is an incomplete picture of discovery.

Music discovery extends far beyond release week. The long tail of music promotion is never-ending, and the proof is everywhere. Catalog streams are on the rise, as are catalog sales. Industry professionals realize that all material has value in the digital age, and they are scrambling to find ways to promote the content they’d previously left to rust.

Before you fall victim to thinking your opportunity to be discovered has already come and gone, please remember these five cold hard truths about music discovery.

1. Discovery Takes Time.

How many tweets do you see on a given day? If not tweets, how about Instagram stories? You probably don’t know the answer, and neither do I, but we can estimate it’s a lot. We flip by dozens or even hundreds of updates every day from friends and strangers alike, but how many can you remember? I’m willing to bet the answer is not that many.

The digital age has programmed us to believe that momentary, flash in the pan success can be leveraged into a career. We think that all we need is one good tweet or post or song or TikTok to take before everything is gravy for the foreseeable future. While there may be some truth in certain rare cases, it is far from the norm.

Let’s pretend a new listener hears your song via their Discovery Weekly playlist, which is algorithmically generated by Spotify based on a user’s previous consumption. That first listen is of the utmost importance. It has to grab their attention and hold it long enough to make them look at who is behind it. That alone can plant the seed of fandom, but it may still be weeks or months, or even years from development. 

Winning fans in 2022 is an ongoing effort in engagement that spans virtually every aspect of your career. You might send a great tweet that leads to 100 new followers. Of those, maybe half will click a link to your next single. Perhaps one-third of those that click will listen to the full song and—if you’re lucky—check out other music. This process repeats with every tweet, post, and TikTok you share. It happens with every gig you play, song you release, and behind-the-scenes photograph that makes its way online. The process is never-ending, and you never know how far along someone is in their journey. All you can do is stay on the path.

2. Discovery is not linear.

The first time you hear a song is rarely the moment you become a fan of the artist behind it. Fandom is something deeper than general admiration, and again, it takes time to develop. I may like your song the first time I hear it, but it could take years for me to hear another track or see you live. 

Many artists get frustrated with the way social media has busied their schedules. Rather than focusing on songwriting and performance, most artists now also need to consider marketing, branding, etc. What these artists don’t realize is that message they share and any piece of content they create is a reminder to everyone who ever heard their name in passing that they exist. Like Billboards, the stuff you put into the world does as much to introduce you to people as it reminds them you exist. Your next tweet might remind someone you have an album out. It sounds crazy, but it’s true!

3. Going viral isn’t enough.

I hear from musicians every week who dream of going viral. “If I can get that kind of attention,” they tell me, “I won’t let anyone down!”

Anyone can go viral. It may not seem that way right now, but it’s true. Platforms like TikTok recognize the value in catapulting random accounts into the spotlight, and they’re engineering their algorithms to look for opportunities to highlight otherwise unknown creators. 

That said, going viral probably won’t change your life. You may get a boost in streams and general meetings with labels or management, but unless you’re prepared to respond to your viral moment most of the hype will come and go before you can blink. The boost in streams will be nice, no doubt, but it won’t last.

4. Consistency Matters

Getting people to notice you takes at least three things:

  • Quality content (photos, videos, tweets, etc.)
  • Catchy Songs
  • A consistent presence

Making quality content is as easy as logging online in today’s world. There are hundreds of sites that will tell you what to post, when to post, and they can even help you post it. 

Catchy songs are slightly more difficult, but technology has advanced to such a point that recording your track can be done from virtually anywhere. 

Consistency is a skill that only time can develop. Making one great piece of content is hard. Making one-hundred pieces of content is equally hard, but there are tricks you’ll learn to simplify the process.

For those getting started, don’t rush anything. Release one song at a time to maximize the value of that track. Create lyric videos, music videos, alternate music videos, behind-the-music vignettes, behind-the-scenes photos, lyric sheets, and anything else you can think of to make people look at your music. 

Through it all, remain consistent. If you’re going to share photos, make sure they look good. Double-check that your videos are always exporting in 1080p or higher. Check your grammar. Etc. Etc. Etc.

5. Algorithms are your friend, not your foe.

In a world where artists fight to make people believe a song is worth more than $0.004 per stream, it’s easy to understand why many take issue with streaming services and the algorithmic recommendation engines behind them. However, I think that mindset blinds us to the unique opportunity of the modern age. Everything is everywhere, and almost everyone has access to it all the time. The distance between learning of an artist and consuming everything they’ve made is almost nonexistent.

Nobody has time to sort through everything, and most wouldn’t know how if they did. Algorithms help us cut through the noise to find music closely resembling what we already enjoy. Whether it’s recommending you to three or three thousand people doesn’t matter as much as the fact it’s recommending you at all. Streaming services could easily charge for that kind of exposure. Instead, they understand the value in discovery, even if they don’t care to admit it. 

Try reframing your relationship with algorithms like this:

Every day, at all hours, there are computers worldwide working to match people with songs they might enjoy. Those machines promote you while you eat, sleep, shower, and go to the movies. They do not take holidays or weekends off, and they never have to leave early for a dentist appointment. Algorithms work for you even when you’re not working on music at all, and honestly, who or what else in your life can claim the same? Nothing!

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Editorials Industry News News

This Week In Music (March 25)

From Pusha T’s lyrical battle with McDonald’s to Rock’s presence at Lollapalooza, it’s been another wild week in the music business.

Spring is here, and music professionals everywhere are scrambling to prepare for the busiest summer of the 2020s. After two years of lockdown, people are ready to get in the pit and try to love someone, and musicians are more than happy to oblige. We’re doing our part to contribute to the chaos, and we hope the same is true for you. Whether it’s a good week or a bad one, you made it this far, which should be a pride point. There’s always tomorrow.

We cannot ease your workload or give you more hours in the day, but we can help you stay informed. Below you’ll find the biggest stories of the week, all covered by the best outlets in tech and entertainment. Click around, learn what’s happening, and use the weekend to prepare for the end of the month.

But let’s be honest. There is no way we can hope to cover everything that happens. If you see a headline we missed that people need to know, please do not hesitate to send james@haulix.com an email. We’ll include your links in the next update.


THE BIGGEST STORIES OF THE WEEK

Pusha T and Arby’s partner for “Spicy Fish Diss” aimed at McDonald’s Filet-O-Fish sandwich “I’m Loving It” tagline

Pusha T is coming back at McDonald’s with extra beef. The rap icon says he only received one check for writing the Golden Arches’ long-running “I’m Lovin’ It” jingle, and he’s now out for revenge with the new Arby’s cut, “Spicy Fish Diss.”

The actual credit for “I’m Lovin’ It,” is famously disputed. When the song first appeared in a 2003 commercial, Justin Timberlake sang the hook and Pusha T rapped, while Pharrell Williams, Tom Batoy, Franco Tortora, and Andreas Forberger received credit for writing the tune. But in 2016, marketing CEO Steve Stoute revealed that Clipse — Pusha T and his brother No Malice — were the authors of that irresistible, “Ba da ba ba ba.”

Pusha T agrees. “I am solely responsible for the ’I’m Lovin‘ It’ swag and the jingle of that company,” he told Rolling Stone. “That’s just real. I am the reason.”


The return of rock continues as Metallica, Green Day, Lorna Shore, Turnstile, and more appear on Lollapalooza lineup

Lollapalooza is back for another year in Chicago, this time pulling in metal legends Metallica to top the entire bill for the music weekend, while Green Day and Machine Gun Kelly are also among the “big letter” names atop the 2022 lineup.

While Lollapalooza has always prided itself on providing an eclectic lineup, there is plenty of hard rock and metal to see over the four day weekend at Chicago’s Grant Park July 28-31. In addition to the three aforementioned acts, fans will be able to take in sets from Idles, Turnstile, Willow, Royal Blood, Maneskin, Dashboard Confessional, Wet Leg, The Wombats, The Regrettes, Kennyhoopla, Gayle, Taipei Houston, Giovannie and the Hired Guns, Lorna Shore and Meet Me @ the Altar among many other acts.


Shazam Adds Concert Discovery Feature

Shazam, an app popular for identifying the music source by just listening to a few seconds of audio, has added another cool trick to its kitty. The Apple-owned app now offers a neat concert discovery feature that doles out information about any upcoming concerts and tickets for a nearby show featuring the song it just looked up, or the artist behind it.

Talking about artists, Shazam users can now head over to an artist’s page in the app to check out time and venue details of their upcoming live shows, tour calendar, and other relevant concert details. Moreover, there’s also an option to mark the dates of interest in one’s own calendar.

The dedicated concert pages are now available on the official Shazam website, and in the mobile apps for both Android and iOS. The app is sourcing all that information from Bandsintown, a platform for cataloging music events used by everyone from music fans to artists and event managers.


SONY and Roblox partner for 24KGoldn concert

Roblox and Sony announced that music artist 24kGoldn will perform a virtual concert inside the platform for user-generated content.

It’s just one more sign that brands and musical performers are drawn to Roblox’s platform, which attracts more than 55 million people a day. And Roblox wants to expand beyond games to broader entertainment as part of its mission to provide a metaverse for fans. Roblox is a pretty good contender for the metaverse, the universe of virtual worlds that are all interconnected, like in novels such as Snow Crash and Ready Player One.

The 24kGoldn El Dorado Concert Experience will take place in Roblox on Friday, March 25 at 4 p.m. Pacific time.


Spotify and Google announce User Choice Billing Option

Today, we are excited to announce a new chapter in our partnership with Google: a multiyear agreement that represents a first-of-its-kind option in payment choice and offers opportunities for both consumers and developers.  

Users who’ve downloaded Spotify from the Google Play Store will be presented with a choice to pay with either Spotify’s payment system or with Google Play Billing. For the first time, these two options will live side by side in the app. This will give everyone the freedom to subscribe and make purchases using the payment option of their choice directly in the Spotify app. Spotify will continue to freely communicate with users about our Premium subscription service, promote discounts and promotions, and give listeners on our Free tier the ability to convert to Premium directly in the app. 

Over the coming months, Spotify will work with Google’s product and engineering teams to build this new experience, and we’ll roll out in countries around the world. Working together, the companies will test and learn, jointly exploring product innovations across the Android platform. We anticipate launching the first iteration of User Choice Billing later this year.  


SONG OF THE WEEK: Morgan Wade – “Take Me Away”

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News

Should You EVER Work For Free? [Video]

Every Musician and music professional receives offers to work for free, but is that so-called ‘exposure’ ever worth the effort? Let’s discuss.

Every single person working in music right now has been asked to work for free at some point in their career. Most are asked to work without pay regularly, especially if they’re a musician, and many take low-to-no pay gigs because they believe such opportunities will lead to brighter days down the road.

But does it pay to work for free? In certain cases, yes.

As Music Biz host James Shotwell explains in our latest video, there are times in every phase of your career when it makes sense to work for free. Determining which tasks to take on and which to turn down is as easy as answering three simple questions:

  1. Does the person hiring want me specifically, or am I just another name on the list?
  2. Does the offer present an opportunity to further develop my craft OR raise my profile?
  3. How do I feel about the people asking me to work for free?

You will know if an offer is right for you by answering these questions, but if you’re still unsure, our video provides more advice and details to help make things clear:

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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5 Lessons From The Pandemic That Artists Need To Remember

The pandemic still isn’t over, but life is beginning to feel somewhat normal, so let’s make sure we don’t forget everything we learned over the last two years.

Life is returning to normal. At least, life is beginning to look a lot like it did before the COVID-19 pandemic brought global economies to their knees and forced everyone to stay away from everyone else. As vaccination rates rise and more data becomes available about the spread of the novel coronavirus, artists and fans are finally reuniting. There are, however, several lessons from the last two years that artists should carry with them.

There is no point in working yourself to death. Take breaks.

Whether we’re talking about touring or creative exercises, artists itching to get “back into the swing of things” would be wise to remember fans’ devotion over the last two years. Many artists saw their audiences grow through basic marketing techniques without touring. Artists and industry professionals alike learned that it is possible to develop a career without spending 200+ days a year touring or incurring the mental/physical hardships that accompany life on the go.

Remember how you kept fans engaged with your music over the last twenty-four months as you look to book future tours. Think about the conversations you had and the memories you made while the so-called “traditional industry” was on a break. You don’t have to fall back into old industry habits to succeed. The last year provided you with the opportunity to find new ways to sustain your career. Stick with them.

Just because you’re ready to tour doesn’t mean your audience will be at the show.

The vast majority of music fans have already returned to live music. They’ve gathered in venues, sometimes in masks, and felt that exciting-yet-awkward discomfort of being surrounded by complete strangers. They may have panicked once or twice as they remembered how people shunned such behaviors for the last two years, but most are happy to be back.

Still, some are staying home. Governments and cultures may be insisting people act as if everything is normal, but millions of immunocompromised people are still at risk. People are still scared.

Additionally, many people who enjoy your music do not live where you can tour. These individuals have spent the last two years with the same amount of access to you as everyone else, which strengthened their connection to your music. If you let that engagement lapse, their passion for your music may dwindle.

As we head back out into the world, please make it a point to continue engaging with fans who can only connect with you through the internet. You may need to brainstorm ways to maintain that connection, but those efforts will be worthwhile. Your digital audience can be the best ambassadors for your music or the most outspoken. Nurture that relationship without demanding they risk their lives, and they will thank you for it.

Still sitting on a COVID song? Still writing about the pandemic? Stop it. Shelve it. Put it away.

Many artists spent the last two years writing and recording new material. Nobody can blame a musician for being influenced by the surreal state of existence, but that does not mean that the masses are prepared for COVID-related songs or albums. Much like how many years need to pass before Hollywood produces a movie about a significant historical event, listeners need time to process and recover from COVID before they’ll be interested in seeing it dissected through art. We all spent the last year thinking about the pandemic, and many people would like a break. Don’t be the artist that tries to unite us through reflections on something we’re all still experiencing. Instead, find a personal angle to detail your experiences and build your material from there. What happened to YOU in the last two years? How did YOUR relationships change? What made the previous year unique for YOU, and what did YOU learn from it?

Livestream Events Are Here To Stay

Networking Matters.

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How Undeath Is Resurrecting American Death Metal [Video]

Undeath vocalist Alex Jones appears in the latest Music Biz ‘Fast Five’ interview to discuss music promotion, branding, and more.

When was the last time you heard people talking about death metal? I don’t mean you and your friends hanging around chatting. I’m asking when, if ever, you can recall hearing death metal disgust in the wild? The genre has been around for decades, yet I’m willing to bet you don’t often hear it discussed.

American death metal is in the midst of a revival, unlike anything the genre has seen in decades. Determining why this is happening or how it came to be is anyone’s guess, but there is a new wave of fans and musicians fiercely passionate about music, art, and everything in between. These individuals and groups are ushering in a new era of death metal that is more inclusive, exciting, and fun. It’s serious music that doesn’t always take itself too seriously, and perhaps no group better personifies this idea right now than New York band Undeath.

After bursting onto the international stage with 2020’s Lesions Of A Different Kind, Undeath quickly ascended through the metal underground with propulsive jams that expertly blend ultraviolent lyricism with equally brutal musicianship. The band toured as much as the pandemic allowed but spent most of their time crafting the material that would carry them into the next chapter of their career.

That album, It’s Time…To Rise From The Grave, hits shelves this April with a cacophony of heavy themes and sounds sure to please and disturb in equal measure. It’s a fitting continuation for Undeath and one that leaves plenty of room for the band to explore on future releases.

In this Music Biz update, host James Shotwell chats with Undeath vocalist Alex Jones for the latest edition of our ‘Fast Five’ interview series. Jones speaks about music promotion, artist branding, merchandising, and more as a timer counts down. There’s even some discussion about the state of death metal today. Check it out:

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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This Week In Music (March 18, 2022)

From Spotify’s headline-grabbing sponsorship to TikTok’s latest feature, its been another wild week in the music business.

The third full week of March 2022 did not disappoint. While thousands gathered in Texas for South by Southwest, the biggest companies in music made moves that will shape the future of our business. From new ways to connect with fans to the latest billion-dollar valuation, the stories we’ve gathered this week showcase an industry very much in a state of evolution.

We cannot ease your workload or give you more hours in the day, but we can help you stay informed. Below you’ll find the biggest stories of the week, all covered by the best outlets in tech and entertainment. Click around, learn what’s happening, and use the weekend to prepare for what the end of the month will hold.

But let’s be honest. There is no way we can hope to cover everything that happens. If you see a headline we missed that people need to know, please do not hesitate to send james@haulix.com an email. We’ll include your links in the next update.


The biggest stories in music this week

Spotify’s $310m Barcelona sponsorship is more than it ever paid an artist in royalties.

This week (March 15), Spotify announced that it had struck a major four-year sponsorship agreement with Barcelona. The deal will see Spotify’s logo splashed across the Spanish football/soccer giant’s shirts from July 1, resulting in the world-famous stadium, the Camp Nou, being rebranded with Spotify’s name.

The cost of this sponsorship? $310 Million.

Our friends at MBW decided to see which, if any, artists had made that much money from streaming their music on Spotify. The answer may (not) surprise you.


Linktree valued at $1.3billion (and its worth every cent)

Linktree, the company that makes landing pages that can provide a host of links to other sites and is most popular on Instagram, TikTok, and Twitter, has been valued at $1.3 billion.

Who knew that websites that only allow users to put one URL in their profiles (think Twitter, Instagram, and TikTok) would end up spawning a startup worth over a billion dollars? While it is entirely reliant on these services retaining this limitation, it hasn’t stopped Linktree’s continued success at finding funding at incredible valuations for a company with what is basically one subscription-based product.

That said, Linktree claims it has helped 1.7 million people drive 1.2 billion clicks to commerce-related websites in the last year alone.


TikTok is rolling out a Snapchat-style Stories feature

Snapchat’s stories feature has revolutionized social media. The short-lived update feature for friends and followers has been copied by virtually every other social media platform in existence, including—as of this week—TikTok.

In a statement provided to TechCrunch, TikTok noted that “Currently, we’re expanding a pilot test, which provides creators with additional formats to bring their creative ideas to life for the TikTok community,” although that doesn’t say how many users are currently included in the test or what the future rollout of the feature will look like.

Adding a video or photo to a story works extremely similarly to taking a photo or video for TikTok’s standard feature, with the same editing tools, effects, filters, and sounds. Unlike a regular TikTok video, though, stories won’t show up directly on your profile or feed and disappear after 24 hours.


Global Recorded Music Revenue Hit $28.8 Billion in 2021, According to Midia

Global recorded music revenues are estimated to have grown by 24.7%, to $28.8 billion in 2021. That’s according to a new report from Midia, published today (March 18), a few days ahead of the release of IFPI’s Global Music Report. Midia says that the 24.7% increase in 2021 represented the market’s “largest annual growth in modern times”.


WinAmp joins the NFT marketplace, and its founder hates it

Announced to widespread derision on Wednesday, Winamp will auction off the media player’s original skin as a one-of-one NFT on OpenSea, with bidding to start on May 16 and run until May 22. It then intends to sell 20 more artworks starting from May 23, all of them duplicated around 100 times to create 1997 NFTs in total (a nod to the year the program launched). Each will cost 0.08 ETH, which is approximately $225 at the current conversion rate, so if all 1997 NFTs are sold it would total almost $450,000. 


SONG OF THE WEEK: Bad Wolves – “If Tomorrow Never Comes”

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Industry News News

How To Define Your Sound (And Talk About It)

To promote your music, you have to know how to talk about it. Let us help you find the best way to define your sound.

Every artist wants to tell you about their music, but how many can tell you what they sound like? Comparisons to their heroes and influences aside, most musicians stumble when trying to describe their art.

That phenomenon is nothing new, but it is a problem. For most recorded music history, there were only five or six genres. Artists were either rock, pop, country, hip-hop, folk, or jazz. Other genres existed, of course, but most artists were categorized in one of those groups.

Now we live in the digital age. Data is the name of the game. Every person in every platform categorizes virtually everything into little boxes that help them understand what they’re consuming. There are no more rock artists or pop artists. These days, musicians belong to far more specific niche communities. There are glitch pop bands and Japanese hair metal groups. If you spend enough time online, you’ll likely find country metal bands and vocalists who only sing lounge covers of Hungarian rap songs.

Knowing how to talk about your music has never been more important. Whether discussing algorithmic recommendations or developing marketing campaigns for a new release, it all starts with understanding your sound. If you don’t know how to tell others what you’re doing or creating, how can you expect anyone else to do it? You are the base of knowledge for all things related to your music, so you best know how to sell yourself to the uninformed.

In this Music Biz update, host James Shotwell explains the importance of classification in the modern music industry. He discusses how the way we organize music impacts our relationship with it and even offers advice for those unaware of how to define their sound. The key thing to remember is that your art is ever-changing. Your sound will change as you develop, and you need to be aware of those changes to adjust your marketing, branding, etc., to match your artistic evolution.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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How Simple Plan Built A Pop-Punk Legacy [Interview]

Simple Plan drummer Chuck Comeau chats with Music Biz host James Shotwell about the secret to his band’s longevity in this brisk, five-minute interview.

Pop-punk is not a genre ruled by legacy acts. Pop-punk is for the youth, or at least, that’s what people once thought. When the genre went mainstream in the early 2000s, industry analysts and critics assumed that tastes would change as people age. Two decades later, people who fell in love with bands like blink-182 and Green Day while still in middle school are now parents sharing those records with their children.

In other words, you make teens become adults, but you can’t make people stop liking pop-punk.

Simple Plan is one of the very few pop-punk acts that have remained active and together for more than a decade. Over twenty years into their career, the band continues to release music and tour the world. Their video for their latest single, “Ruin My Life,” has accrued more than 1.3 million views in its first three weeks of release.

They are lifers in the truest sense, and today, we’re going to learn how that happened. In this video, Simple Plan drummer Chuck Comeau chats about his band’s legacy and the secret to their success with Music Biz host James Shotwell as part of our ongoing five-minute interview series.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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Amp is Reinventing Radio, But Will Anyone Listen? [Video]

Does the world need another social media app? According to the folks at Amazon Amp, the answer is an ecstatic “Yes!”

Remember Clubhouse? Near the beginning of the pandemic, Clubhouse became the hot social media platform people needed in their lives, offering drop-in audio conversations and unique access to celebrities. The hype was so great that virtually every major digital company has tried to copy Clubhouse’s success, and Amazon is no exception.

This month, Amazon gave the world Amp, a clubhouse competitor with one unique feature: music licenses. Unlike Clubhouse and all of its knock-offs, Amp users can choose from millions of free-to-use songs to include in their broadcasts. In other words, it gives people the ability to host their own radio show without ads or fancy equipment. Users can even take calls from their audience.

Cool as it may be, the idea behind Amp is not necessarily new. As host James Shotwell explains in this Music Biz update, the concept of turning everyone into a DJ has been tried multiple times over the last decade. Each time, a small portion of the population adapts to the new technology, but everyone else ignores it. Eventually, over time, the hype dies, and people move on.

Will Amp be an exception to this trend? Can Amazon give the world a good reason to download another social media app? Let’s discuss.

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