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How Dorothy Brought Her Rock Dreams To Life On New Album

Gifts From The Holy Ghost is Dorothy’s biggest record yet, and today, she tells us the secrets to her rock and roll success.

Six years after bursting onto the international stage, Dorothy is reaching new heights with Gifts From The Holy Ghost, a game-changing rock record.

Ask people why they believe rock ‘n’ roll is dead, and you’re likely to get various responses. Some will tell you there are no new ideas, but others will blame the system and say legacy acts receive too much attention for up-and-comers to get ahead. Both responses are wrong. Rock is alive and well; you just have to know where to look, as anyone who has discovered Dorothy can attest.

Dorothy’s breakout release, ROCKISDEAD, arrived to critical acclaim in 2016. Bursting at the seams with memorable riffs and a vocal performance no one could deny, the record put Dorothy and her band on the fast track to genre success. It was the kind of album that signals the birth of a new presence, but it was an incomplete version of the artist Dorothy would become.

Fast-forward to 2020, and Dorothy is nearing the end of the promotional cycle for her second record, 28 Days In The Valley, when the world forever changed. The outbreak of the COVID-19 pandemic forced musicians everywhere off the road and, in doing so, threw the recording and release schedules of all artists into an uncertain state. Dorothy had material ready to go and knew she had time on her hands. So, rather than rush the project, she took advantage of her time home and focused on creating her best work to date.

Gifts From The Holy Ghost is the most complete version of Dorothy’s artistic vision yet. Every element of the record has been methodically developed, from the art to the music itself. It all comes together to deliver a complete listening experience unlike anything else in rock music today. 

Last week, Music Biz host James Shotwell hopped on a call with Dorothy to discuss the changes she made—and didn’t make—to ensure Gifts From The Holy Ghost became the record it did. Dorothy shares her past marketing experience, including the conflicting messages artists often receive and shares advice for those struggling to find their way. She even teases what the future holds for her and her band.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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Industry News News

This Week In Music (May 6, 2022)

From Bad Bunny’s surprise announcement to Soundcloud’s latest acquisition, it’s been another unpredictable week for music news.

April showers gave way to May flowers and a whirlwind week of music news we won’t soon forget. Maybe it’s the warm weather and sunshine or the upcoming summer festival season, but the music biz is thriving at the moment. Deals are being made, hits are being released, and technology is further decreasing the time it takes to go from thinking about your favorite artist to interacting with them. Isn’t the future amazing?

We cannot ease your workload or give you more hours in the day, but we can help you stay informed. Below you’ll find the biggest stories of the week, all covered by the best outlets in tech and entertainment. Click around, learn what’s happening, and use the weekend to prepare for the end of the month.

But let’s be honest. There is no way we can hope to cover everything that happens. If you see a headline we missed that people need to know, please do not hesitate to send james@haulix.com an email. We’ll include your links in the next update.

THE MUST-READ MUSIC NEWS OF THE WEEK:

SoundCloud acquires Musiio, an AI music curator, to improve discovery

An online audio sharing platform and streamer, SoundCloud has acquired Musiio, an AI music curation company. With Musiio’s team and technology, SoundCloud plans to strengthen its music discovery features. The terms of the deal are undisclosed.

Based in Singapore and founded in 2018, Musiio built an AI that can “listen” to music faster than any human possibly could, tag the audio and curate playlists. The technology helps predict which songs a listener would want to hear next, and if users spend more time on SoundCloud, then the company ultimately profits.


Major labels control 70% – 87% of tracks on major Spotify playlists

Spotify claims equal access to its playlists, but a new data analyisis by industry consultancy Music Tomorrow shows just how dominate the major labels are of the larger official Spotify playlists.

In its Made to be Found report released earlier this year, Spotify said that in 2020 and 2021 more than 150,000 artists were added to a Spotify offical playlists for the first time.

Deeper in the report, the company found major labels accounted for nearly 70% of the tracks added to Spotify’s ‘New Music Friday’ playlist -30% for UMG and19% each for Sony Music and WMG.

The control majors have over playlists is made clearer when you look at rap. On Spotify’s top hip-hop playlists ‘Rap Caviar’ and ‘Get Turnt’ major label dominance jumped to 86% and then to 87% on the ‘Today’s Top Hits’ and ‘Pop Rising’ playlists.


Spotify Island launches in Roblox, a first for any streaming platform

Roblox fans, pack your bags—Spotify is entering your world. Today, we are introducing Spotify Island, a paradise of sound where fans and artists from all over the world can hang out and explore a wonderland of sounds, quests, and exclusive merch. 

Spotify is the first music-streaming brand to have a presence on Roblox, a virtual universe where users can create and play games and share experiences with friends. Through this interactive world, we’re creating a place where fans can link up and create new sounds together, hang out in digital spaces, and gain access to exclusive virtual merch. Spotify Island is an audio oasis that has it all. 

Roblox users can mingle with artists, complete interactive quests, and unlock exclusive content. Players can also enjoy an immersive audio experience by creating music and exploring sounds at the virtual beat-maker stations powered by Soundtrap. The island will have other musical Easter eggs at every turn for eagle-eyed users to discover. Users can even climb to the top of “The Charts” by collecting points.


Bad Bunny shocks music world with surprise album, Un Verano Sin Ti, due out today (May 6)

After making his first-ever appearances at Tuesday’s Met Gala, Latin superstar Bad Bunny is preparing to release his fifth studio album “Un Verano Sin Ti,” or “A Summer Without You,” at 9 p.m. Pacific on Thursday. It is the follow-up to 2020’s “El Último Tour del Mundo,” which became the first all-Spanish-language album to reach No. 1 on the Billboard 200.

The Grammy-winning Puerto Rican singer released the new album’s artwork and track list on Wednesday morning.

Modeled after a mixtape, “Un Verano Sin Ti” will contain 23 songs split into two “sides.” Featured artists include Puerto Rican reggaetón MCs Chencho Corleone, Tony Dize and Jhay Cortez, as well as rising pop star Rauw Alejandro and indie darlings the Marías and Buscabulla. The Colombian cumbia-pop duo Bomba Estéreo will also guest on a track titled “Ojitos Lindos.”

The album will close with the balmy “Callaíta,” his 2019 summer jam with star producer Tainy.


SONG OF THE WEEK: Stray From The Path – III

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UnitedMasters Launches Beat Exchange

The future of buying and selling beats is now a click away, thanks to the forward-thinking team at UnitedMasters.

UnitedMasters, the “record label in your pocket” for independent artists, has announced the release of Beat Exchange, a curated marketplace to buy and sell beats. The Beat Exchange connects producers with UnitedMasters’ 1.5 million independent artists while providing them with best-in-class tools to upload and manage a personal beats storefront.

UnitedMasters artists now have access to buy or license beats from both emerging and established producers like 3x Grammy Award-winning producer Hit-Boy (Nas, Drake, Beyonce)́ , Turbo (Gunna, Travis Scott, Lil Baby), Sham “Sak Pase” Joseph (Kodak Black, Rihanna, SAINt Jhn), Kato On The Track and David Morse who is currently on Billboard Hot 100 for Lil Durk’s song “Headtaps.”

The new offering is designed to simplify browsing for beats when looking for specific sounds (genre, mood, instrument, etc.) and drive discovery through editorial playlists that highlight both emerging and established producers. The Beat Exchange is available on desktop app and the UnitedMasters mobile app which is available now for download on iPhone and Android.

“Producers determine the sounds of our era, and yet they often get overlooked. Our goal has always been to give independent artists the best-in-class tools to build sustainable and successful music industry careers. Now we’re not only giving producers the access to artists but the recognition they deserve as creators,” said UnitedMasters Founder and CEO Steve Stoute. “The Beat Exchange is another way we’re challenging the status quo, by directly connecting brilliant artists and producers so they can continue taking ownership of their creative journeys.”

“I got my start making beats in my bedroom and putting them online on Myspace,” said Hit-Boy. I know the struggle and how hard it can be as an emerging producer. Working with UnitedMasters, I want young producers and artists to have what I didn’t. UnitedMasters will give emerging producers the right tools, exposure, and access to brands to help their careers blow up.”

Beat Exchange serves as an intuitive platform for producers to upload and sell their beats, unlocking multiple paths to earning from their beats. The marketplace will offer producers what UnitedMasters has always provided for independent artists — a bridge to major brands through exclusive opportunities and partnerships to generate new revenue streams. Beat Exchange also provides producers valuable exposure leveraging UnitedMasters’ community of over 1.5 million artists.

Beat Exchange will provide participating producers with:

  • Ownership: Option to keep 100% of beat sales and enjoy exclusive benefits by joining UnitedMasters SELECT program, or keep 90% of sales with no up-front fee
  • Licensing: A choice of three licensing templates – Non-Exclusive, Exclusive, or Buyout – and the ability to customize sale needs including price and length of term
  • Brands + Sync: Exclusive opportunities to monetize or license your beats with the world’s biggest brands like ESPN and the NBA with additional opportunities to get your beats featured in television shows, movies, video games, and more
  • Curated Discovery: Designed to simplify browsing, beats are artfully curated by specific sounds(genre, mood, instrument, etc.) and editorial playlists will drive discovery

Coinciding with the launch of Beat Exchange, UnitedMasters is also releasing “Who Made The Beat?” —  a new content series, presented by Crown Royal 18, spotlighting top producers in the industry sharing the backstories behind the first hit record that put them on the map. Episodes will feature Slade Da Monsta on Cardi B’s “Press,” Phonix Beats on J. Cole’s “No Role Modelz,” Mr. DJ on OutKast’s iconic “Ms. Jackson,” and more.  This series will underscore how the right producer and artist collaboration can catapult the careers of both creators; demonstrating the powerful potential of UnitedMasters new marketplace.

Dedicated to empowering music creators, UnitedMasters has developed a platform where artists can streamline their creative process all within one app, including purchasing beats for their next track, distributing and promoting their music, accessing tools to engage fans, and exploring monetization partnerships with some of the world’s biggest brands.

UnitedMasters is available for download on iPhone and Android devices. Anyone can browse and buy beats on the Beat Exchange by visiting unitedmasters.com/beat-exchange on any mobile or desktop web browser.

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How The HSRA Is Training The Next Generation of Music Leaders

Take an inside look at how Minnesota’s High School for Recording Arts Vocational Discovery program uses Haulix to teach students about the music industry.

GRAMMY Award-winning and NAACP Image Award-nominated group Sounds of Blackness are celebrating the release of their latest single, “Juneteenth Celebration,” with a little help from Haulix and the High School of Recording Arts. The track, written and produced by Music Director Gary Hines, was recorded at Atomic K Studios and Winterland Studios in Minneapolis earlier this year.

Promoting the new track is a group of students from the Vocational Discovery program, a paid extension of Minnesota’s High School For The Recording Arts in partnership with Rock The Cause Records. The students in this program use Haulix to share new releases with the industry at large and, in doing so, sharpen their skills for careers later in life. The “Juneteenth Celebration” campaign will include promotion to Gospel, Urban, College, and NPR radio formats and over 1300 Black American media contacts.

Sounds of Blackness, 2022

“What we’re really doing here is teaching these young people how to become communications specialists or communications occupations specialists,” explains Vick Vern Award-winning educator and Rock The Cause Records founder Scott Herold. “We use the Haulix platform to teach them business writing, [such as] writing press releases, media communications, how to service news stories, music, and video, to the media, how to build relationships with media contacts, and how to use Haulix as a tool to effectively—and more importantly, cost-effectively—deliver new media to radio, television, podcasters, and everyone we want to build relationships with who can benefit from the content we are providing to them.”

Over the last four years, more than 60 historically underserved populations of youths have learned to use Haulix as part of the school’s paid Vocational Discovery program. Students earn $15 per hour as paid interns for Rock The Cause Records and communicate daily with media professionals worldwide through the promotional distribution service.

“We mentor our young people to use Haulix because many of them are artists themselves,” says Herold. “They want to understand how to get their content to the media, and Haulix is a very cost-effect way to deliver that media. It’s also very user-friendly compared to other services. If you’re an independent artist or label, this is the best, most cost-effective way to share your music. The customer service is also fantastic. I can email the team on a Sunday night, and I will hear back right away. It’s a great way to learn about the industry.”

Herold’s efforts have already paid off. Since starting his program, Herold’s students have worked on promotional campaigns for more than three dozen releases from local and national artists. Students have also worked on film and book release campaigns.

While promoting the previous Sounds of Blackness single, “Time for Reparations,” HSRA students were able to secure airplay at more than 60 stations nationwide, including 26 BDS reporting. The song was also nominated for a 2022 NAACP Vision Award.

When asked if musicians ever question the involvement of his pupils, Herold laughs. “It’s always an interesting subject to broach because a lot of artists worry about you turning their album over to an intern instead of some top person, but when you explain the program and who these young people are, and the results they’re getting, most artists say, “You know what? It’s the 21st century, and I want to support those kids. After what we’ve seen in this country with the civil rights uprising, the killing of George Floyd, and the disparities we have in America today, many artists are on board. They realize that if they can help [these students] out and connect with them through their music, they want to do that.”

High School For The Recording Arts is a pioneering force in education. Dubbed “hip-hop high” for its first-in-the-world approach to connecting with at-risk youth through a hip-hop music program, the HSRA is a tuition-free school where students learn about the music business and other creative endeavors. You can learn more about the HSRA and its programs on the school’s official website.

“We’re always looking for new projects to work on,” adds Herold. “We’re also looking for other companies to partner with for careers for these young people. We have young people ready to work for other PR firms. We can take the first 90 or 120 days and have them paid for by a county or federal program, so you get an opportunity to know the intern before you bring them on permanently.”

He continues, “We’re also looking for donations from the private sector, like artists, musicians, or anyone that wants to support the program. You can reach me at rockstar@irockthecause.org or email me at scottherold@hsra.org.”

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