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Get Back On Track With Your 2022 Goals [VIDEO]

With so much going on in 2022, it’s easy to lose focus and fall behind on your goals. Let us help get you back on track in ten minutes or less.

2022 is proving to be a tough year. While the music industry is looking to the future with bright eyes and hopeful hearts, there is no clear recovery path. Many are wondering if they’ll be able to tour this year, while fans are left to ponder whether or not the albums they pre-ordered in 2021 will ever reach their mailbox. Everyone is a little upset, but with nobody specific to blame, the industry feels frustrated.

But I bet you started this year feeling optimistic about the future. After two long years of pandemic delays and setbacks, you entered 2022 with goals and a plan to achieve them. Maybe you even watched our video for tips and tricks to getting ahead. If so, thank you!

Then, somewhere between January 1 and now, you lost your way. Maybe you fell behind on your weekly goals or had a setback in your personal life that demanded your full attention. Whatever the case, where you are now and how you feel about reaching your goals is less than ideal. You may even fear you’ve already spoiled any chance of seeing your dreams comes true.

Fear not! The Music Biz team is here to help. In this video update, host James Shotwell offers advice and support to those who fear falling short of their goals for the new year. You may need to make some adjustments, but there is plenty of time to take your career to the next level in 2022, and we’ll be here to support you every step of the way.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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The Five People You Meet At Every Music Conference

From aspiring superstars to industry veterans, music conferences provide unique opportunities to network with your peers. 

Music conferences are making a comeback in 2022. After two years of postponements and digital reimagining, several conference organizers are eyeing the spring and later months as a perfect time to gather again. COVID-19 may have other plans, of course, but only time will tell.

Many readers have asked us about the usefulness of music conferences in the past. We answer that conferences—like every industry networking event, party, or similar happening—give back what you put into them. If you go with goals in mind and a plan to achieve them, the sky is your limit. You won’t get far if you go with no plan and emphasize watching sets over meeting people. You may have fun, but your career won’t budge.

With that in mind, we felt it might be helpful to illustrate the types of people you’re most likely to meet at a music conference. Some are helpful, others are fun, and a few might ruin your life. 

We plan to bring you more coverage of conferences and how to navigate them in the months ahead. Follow Haulix on Twitter and Facebook, so you never miss another update.

The Up And Comer

Most music conferences cater to up-and-coming artists and aspiring professionals looking to take the next step in their careers. What that step is and how the conference helps them attain it will vary, but these artists will comprise most of those in attendance. Be sure to wear something with pockets because these individuals will give you everything from business cards to USB drives, sampler CDs, postcards, and anything in between to (hopefully) forge a connection with you. 

Should you talk to them?

Yes! These people make up your peer group, and you never know when someone will become a connection that changes your life. Even if they can’t help your career, they might make great music, or maybe they’re decent people. The point is—these people are there to make friends. Be someone who befriends them.


The Industry “Big Shots” (AKA Headliners)

Every music conference looks to its big-name guest speakers as a way to prove its effectiveness. Organizers know that more people will attend a panel featuring an employee from Spotify than one featuring a guy who knows a lot about Spotify. It doesn’t matter if that employee’s job doesn’t directly involve artists; the brand association still sells.

You’ll see the industry big shots arriving shortly before their panel and sipping whatever free refreshments are offered to VIPs. They will speak as much as they need to at their panel and will be flooded with “quick chat” requests as soon as the event ends. Do they possess the ability to change your career trajectory? Probably not! Will that matter to most up-and-comers? Nope!

Should you talk to them?

Don’t wait twenty minutes for thirty seconds of head-nodding while you pass off a business card, but if you see an opportunity for real conversation—Yes! But keep your expectations low. These individuals are highly sought after at these events, but their influence and knowledge may not be what you expect. 


The Industry Pros (AKA Lifers)

The industry pros, otherwise known as lifers, fill out most panels and serve as one-on-one advisers at any music conference. These individuals work in behind-the-scenes roles at companies with varying levels of brand recognition. They make a good living working with talented artists and have perhaps the best work-life balance of anyone in attendance. They more than make up for what they lack in mainstream influence with kindness, knowledge, and experience, so give them a chance.

Should you talk to them?

Absolutely. Industry pros are full of usable, honest information. They are also the most likely professionals at the event to give you their time and attention, which you would be wise not to waste.


The Brand Ambassador (AKA Swag God)

Though participating companies vary between events, every music conference has a marketplace area where vendors can display their latest products. Most conferences have a variety of music stores, gear manufacturers, music schools, and recording studios on hand, and almost all of them will be regional. These companies pay to be on-site, and they are always easy to find.

Should you talk to them?

Yes! They’re good people. Whether or not you ask them for anything depends on your goals. Are you interested in a music school, or are you in the market for new gear? If so, then, by all means, support these individuals. If you are looking for a job, you might also engage these participants. However, if your goal is to land a deal or bring major attention to your career, these individuals are not the answer. 


The ‘Guru’ (Scammers)

Music conferences rely on inexperienced independent artists with disposable income to survive, which is the same target market as every scammer in music. Whether they’re promising inclusion on Spotify editorial playlists or guaranteeing exposure to major label A&R in exchange for a small discovery fee, so-called industry ‘gurus’ are everywhere at conferences. These individuals rarely appear on panels, but you will find them holding court in every networking space with artists unaware they are being talked into a scam. 

Should you talk to them?

No. While a guru will boost your confidence and inflate your ego to make you more susceptible to their con, these individuals have nothing to offer you as a career or peer. These are bottom feeders searching for easy targets to make a quick buck off of before moving on to the next conference in the next mid-sized city. Avoid them at all costs.

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Are You Ready For A Music Publicist? [Video]

A great music publicist can make people stop and pay attention to your art, but it can be difficult to get them to care about your career.

Publicists are among the hardest-working people in entertainment. Whether you’re a career musician hoping to make people care again or a new artist trying to capture the world’s attention, great music PR can do wonders for your visibility.

But there is a catch—sort of. Publicists can only work with what you give them, and many artists don’t know what PR needs or wants. Most assume a publicist will tell them what they need, but that isn’t true. If a publicist has to ask for something, you’re already behind.

For example, let’s say you reach out to a publicist inquiring about their interest in working your next release but forget to include the release date, music, or artwork. That publicist then has to make a choice. They can either do some research into who you are, what you make, and when you might be releasing music, or they can skip your message and move on to something more actionable. Every publicist is unique, but you can guess which of those two options is most likely to be chosen.

In this Music Biz update, host James Shotwell shares what publicists are looking for when seeking new clients. He gives you everything you need to make sure publicists open your emails, click the links, and return your calls. If that’s what you’re looking for, then click play, and enjoy! We can’t guarantee results, but we can put you in a position to succeed.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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Everything Publicists Need From Musicians in 2022 [VIDEO]

Hiring a great music publicist can change the trajectory of your entire career, but only if you’re ready for them. We can help.

We’ve spent over a decade helping record labels, independent artists, and publicists worldwide share new music with influencers. We cannot tell you how many campaigns we’ve witnessed, but enough have come and gone that we feel confident in saying that we’ve seen nearly every variation of an album/single/tour rollout imaginable. If we have learned anything from this time, no two campaigns are alike, and most have no idea what they’re doing.

But we understand that the cause of this problem involves us. Like many other blogs and voices in music, we have spent decades telling artists to go independent. Many have listened to us, and quite a few have found success. Others, however, have tried to go it alone and wound up worse off than before. Why? The answer varies, but one thing is always true: The person behind the promotional campaign wasn’t up to the challenge of promoting new music/tour dates in the current industry landscape.

We believe in independent artists. We believe everyone should make the music that fulfills them, and we urge musicians to release music themselves whenever it makes sense. 

That said, we also believe in asking for the help you need. Adding a publicist or manager to your team at the right time can make all the difference in your career. But how do you know when you’re ready for something like that? Well, today we have an answer.

In the latest Music Biz update, host James Shotwell breaks down the key things every publicist is looking for when considering whether or not to work with a new client. These answers are pulled from conversations with music PR from the worlds of rock, pop, metal, and hip-hop. Their responses may not shock you, but they will ensure you are prepared to make a big impact with your next campaign. Check it out:

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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How To Reach New Audiences on Instagram in 2022

You’ve got an Instagram account, and your fans know it exists. Now what? We can help.

Boasting more than 1.3 billion active monthly users, Instagram is now the fourth most popular social media service globally. Every day, worldwide, millions of people open the app repeatedly in hopes of seeing a new post or Story update from their favorite friends and content creators. Those same people are looking for new accounts to follow, and that’s where this article comes in.

Building an audience on any social media platform in 2022 is a challenge. Most people have been online the majority of their lives, and many have used Instagram for over a decade. They know what they want and where to find it, so that’s what they do. Breaking those individuals out of their normal behavior patterns on the app is highly unlikely. Convincing someone there is another account they need to follow requires creativity, so today, we will share five small changes you can make right now to attract new followers using tools already available on IG.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

Don’t have time for the video? No worries! Here are five quick tips for building an audience on Instagram in 2022.

Instagram Collabs. No artist is an island. Every musical act has peers, and those peers have followers whose lives would benefit from following you. The problem is, how do you convince them to change? Instagram Collabs allow users to co-author a post or Reel with another Instagram user. That content can then be shared on both collaborators’ pages, including mentions/tags of everyone involved.

Example: Let’s say you’re planning to tour with three other bands later this year. You can create collaborative content with the various other artists/musicians and share that content to boost one another’s followings and your fans’ familiarity with the other bands on tour.

Instagram Reels. Since their introduction, Reels have proven to be one of the best tools for exposure. We recommend consistently sharing Reels that align with your niche to reach new audiences via Instagram’s suggested content feeds (aka the ‘Explore Page’). Artists should be making at least one Reel per week, though 2-3 would generally be better. You should also include 3-5 relevant hashtags in your captions to help the Reels algorithm categorize your content. OH! And don’t forget to share a preview of your latest Reel to your feed to boost reach.

Instagram Carousel Posts. The goal of Instagram is to keep you on Instagram. The company wants its users to spend as much time as possible on the app each day, and its algorithm aims to achieve this goal by promoting content that encourages that behavior. A perfect example of this is carousel posts, which are main feed posts containing two or more photos or videos. The presence of a carousel post encourages users to swipe between images, which keeps them on the app a split-second longer than a normal post. That might not seem like a big deal, but it adds up over time.

Adding A Keyword To Your Instagram Name Field. We’ll be the first to admit this one is a little weird, but it works! By adding a common search term to your Instagram name field, users can increase the likelihood their content appears on the Explore Page. 

Example: Let’s say you’re a young country artist trying to build a following around your music via Instagram. Rather than have your name appear as ‘John Smith,’ you should instead try “John Smith, Country Artist.” The IG algorithm will detect that phrase and consider promoting your account to any users who commonly interact with content it identifies as being similar to “country artist.”

Giveaways. Never underestimate the power of free stuff. People love free stuff, and most will complete a few basic tasks to receive something for nothing. Giveaways of any kind can make a huge impact on your Instagram. Not only does it boost engagement from your existing fans, but contests requiring entrants to share content in their feed or stories will also give the giveaway host a massive boost in exposure. 

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Should You Quit Spotify? [Video]

It seems every week someone suggests artists quit or boycott Spotify, but is leaving the most popular streaming service a good idea?

With growing calls for change and threats of protests/boycotts, Spotify is the fastest-growing and most debated music streaming platform on the planet. Some artists love the access it provides music lovers worldwide, while others believe easy access leads to lower financial support. There are arguments for both sides, and we’re not here to tell you which one is correct.

Recently, a Music Biz viewer shared an article calling for a Spotify boycott. The article suggested that artists trick the platform’s algorithm into larger payouts per complete song stream. Essentially, musicians would splice their songs into theirs, which they would then upload in place of single-track streams. When someone streams all three parts of a track, artists will earn roughly 1.2 cents, which is the rate paid by Spotify competitor Tidal per stream.

While good for artists, Tidal has an estimated 1-5 million subscribers. Spotify, by comparison, has more than 125 million.

That idea is one of many proposed in response to Spotify’s seeming refusal to negotiate their royalty rate. Others have suggested that artists quit altogether, theoretically for negotiations (though it would admittedly require a high volume exodus).

But is quitting Spotify a good idea? Music Biz host James Shotwell has an answer.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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How To Support Your Favorite Artists in VR

A recent feature from the developers at ForeVR Games offers a glimpse at the many ways artists can earn money in VR.

The age of virtual reality, or VR, is finally upon us. With the introduction of consumer-friendly headsets, millions of people worldwide are spending part of their lives immersed in virtual environments that offer sights and experiences that are impossible in our reality. The so-called ‘metaverse,’ which aims to meld our existence with a virtual landscape, is becoming increasingly tangible with each passing day. That trend is likely to continue for the foreseeable future.

But where does music fit? The music industry has barely wrapped its collective consciousness around the digital age, and now we’re confronted with another new, strange, and vaguely-defined landscape bursting with potential but limited by access and general public awareness.

The biggest opportunities in VR right now exist for a select few. Billie Eilish, for example, has a partnership with Beat Saber, one of the platform’s most popular games. That’s a great deal for someone with an already massive reach, but most artists are not in a position to negotiate similar arrangements for their catalog.

While we continue to hunt for opportunities that every artist can leverage in the virtual space, we have found two ways musicians are already able to earn revenue through VR:

ForeVR Games’ Creative Jukebox System

One developer leading the charge for change, ForeVR Games, has found a clever solution to help artists enter the VR space. In their current game, ForeVR BOWL, and the upcoming ForeVR DARTS, ForeVR Games allows users to play music from an in-game connected to YouTube. Users can stream music on YouTube while enjoying ForeVR products, and in turn, their favorite artists receive a small royalty for the play. Users can choose from pre-made playlists or browse for the perfect song.

YouTube royalties are notoriously small (about $0.008 per view), but any amount is better than nothing, which the majority of the virtual space provides.

Spotify (AKA – “the browser method”)

Spotify, the current leader in music consumption, is largely absent in VR, and the streaming giant had yet to release a native app at this post. Quest 2 users, the largest segment of the VR community, can only access Spotify through the device’s internet browser. Still, that method does allow listeners to play their favorite music inside various VR games and environments.

Same Content, Different Platform

Speaking of Youtube and Spotify, you can access virtually all browser-based music platforms through Oculus. There is also a growing community of indie VR developers making browser-based titles that leverage music, though their licensing agreements (or lack thereof) can be hard to find.

While it may seem like musicians will have an uphill battle building communities in the virtual space, it is important to remember that VR is relatively new. Virtual reality is one of the fastest-growing entertainment segments right now. Still, it will take time for developers to create apps and platforms that utilize the full capabilities of the equipment. Early adopters benefit from learning how to best use and navigate the virtual landscape before everyone else tries to jump on the bandwagon 1-2 to years from now.

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Bobby Bones Exposes The Truth About Radio’s Top Songs

Nationally syndicated radio host Bobby Bones is pulling back the curtain on radio politics, and the music industry doesn’t know how to react.

Bobby Bones, the host of the nationally syndicated Bobby Bones Show, recently made waves in the music community for sharing industry secrets about radio’s top songs. According to Bones, the decision about who gets to be the number one artist on any given day or week is made entirely by music’s biggest labels. Along with leading radio broadcast companies, those companies work together to pick and choose who becomes tomorrow’s next star. Listener input is minimal.

“Here’s the truth about Number One songs on the radio: It’s basically politics,” Bones said, strolling through a sunny park in a clip that had more than 36,000 likes a day later. “They trade them out like baseball cards. A record label will talk to another record label and go ‘Ok, I’ll give you this Number One on this date, you give me that Number One on that date.’ Which really, it should just be the song that’s the most wanted, the most listened to, the song that people demand. That should be the only Number One song.”

But Bones didn’t stop there. In a series of videos originally shared to his TikTok account, Bones describes the day-to-day operations of most radio stations, including the thinking behind what songs get played and how often they appear in rotation. It’s the honest look at radio you never knew you needed, and it’s likely to make you rethink your music industry goals.

In this Music Biz update, host James Shotwell shares Bobby Bones’ comments and offers additional insight into the inner workings of the music business. He also shares a fresh perspective for young artists who feel the revelations in Bones’ videos make it less likely that they will succeed. Check it out!

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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TikTok Is Now More Important Than YouTube For Musicians. Here’s Why

A new report finds Bytedance-owned TikTok is quickly overtaking YouTube as the world’s leading video platform.

TikTok’s users now spend more time each month watching content than YouTube users, according to a report from app analytics firm App Annie. In the US, ByteDance’s app first overtook YouTube in August last year, and as of June 2021, its users watched over 24 hours of content per month, compared with 22 hours and 40 minutes on YouTube.

The difference is even more apparent in the UK: TikTok overtook YouTube in May last year, and users there now reportedly watch almost 26 hours of content a month, compared to less than 16 on YouTube.

App Annie’s report’s reliance on Android user data may not accurately represent mobile users as a whole, but then again, it easily could. TikTok has witnessed a meteoric rise in recent years, and its influence as a music discovery platform has grown with it. Virtually every story about a new viral music sensation begins with a TikTok video in 2021. YouTube only enters the conversation later, after budgets and executives get involved.

In this Music Biz update, host James Shotwell shares insights from App Annie’s report to explain why artists hoping to maximize the value of their time should focus on TikTok instead of YouTube. Such a suggestion goes against over a decade of conventional music marketing thinking, but it’s a necessary change to meet the evolving demands of audiences. Video is dead! Long live video.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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What Artists Can Learn From Kanye West’s Donda Rollout

After five weeks of chaotic promotion, Donda is finally here. What can artists learn from Kanye’s latest album rollout?

Kanye West is a creative person. Other labels fit, like artist or producer, but he does more than that. Kanye makes music, clothing, videos, shoes, and more. He goes above and beyond to bring his wild ideas to life, which has made him an inescapable force in our culture. Love him or hate him; you always know what Kanye is doing.

The rollout for Kanye West’s tenth studio album, Donda, was something special. West hosted three live “listening party” events across five weeks, each with unique set designs and fresh music. Fans witnessed the evolution of the music right before their eyes, and many tuned in to each event with high expectations of what might happen. These events were, for lack of a better term, legitimate culture events. They were talking points for everyone from fans to cable news commentators, and it seems anyone you ask has an opinion to share. If that’s not the sign of a successful rollout, then we don’t know what is.

In this Music Biz update, host James Shotwell looks for the positive among an undeniably divisive album rollout. He uses the things Kanye does well to educate artists about what really matters when marketing a record. You might not have billions to spend on promotion, but you can do more than you imagine possible. We’ll let him explain the rest.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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