Categories
Artist Advice Business Advice Editorials News

How The Coronavirus Will Change The Music Business

The coronavirus is changing life as we know it, so we are predicting what happens once life returns to something that resembles normalcy.

It is time to accept that life as we know it is changing. The current quarantine and self-isolation efforts will end, but there is no going back. The music business, as well as the world, will have to accept we are entering a new reality where everyone will apply the knowledge and experiences from this unprecedented period to everything that follows.

Where the music business goes from here is anyone’s guess, but we have some ideas about three key aspects of the industry that we wanted to share:

Live Music:

Do you miss concerts? Of course, you do! Everyone misses live music, especially those in the industry whose livelihood depends on those performances taking place. The conversation around coronavirus has been about what’s already happening, which is the cancellation and postponement of events. Those changes kickstarted a domino effect that led to instability for countless professionals and musicians alike, all of whom are unsure when they will able to see music fans again.

We don’t believe the return to live music will be fast or instantaneous. The most likely return scenario involves various regions being cleared or approved for large gatherings. Venues will host ‘soft open’ events that host a limited number of guests to generate cash as quickly as possible. Local acts and cover bands will probably be among the first to perform outside of any major metro areas.

Fans are excited about live music returning. They may also be hesitant to enter a crowded space. We now understand how people contract Covid-19, and as a result, people may think twice before returning to venues en masse. That could lead to a short-term lull in ticket sales and lower guarantees, but remember, it’s only temporary.

Recorded music:

People are, thankfully, still releasing music. That said, many artists and groups are choosing or being forced to delay their upcoming releases until the coronavirus pandemic begins to slow.

Their reasons are numerous. Some artists are unable to get the physical products they need. Others are unable to create the promotional materials they need. Still others, especially those with high-profile releases through major labels, are unable to market their releases in a manner that ensures a return on investment for those that make their career possible.

We’re predicting a massive Fall release calendar. There will be multiple delayed releases from major artists finally reaching fans at the same time as material from artists who’ve always planned on releasing in the fall. That glut of content is going to force consumers to choose between releases, both for purchase and streaming purposes. Who will survive, and what will be their sales (or, more specifically, sales-equivalents)? Only time will tell.

Music jobs:

Anyone following our job board knows there are plenty of companies hiring during this time. There is always work, and there are still people looking for talented professionals to complete that work.

There are also a lot of people in our business who are suddenly out of work. Whether that is short or longterm remains to be seen, but once live music returns, there will no doubt be a hiring spree throughout the industry. Those hoping to secure the best opportunities should use the time they have right now to refine their skills, update their resumes, and do whatever they can to position themselves for success down the line. The competition is always fierce, but the next wave of opportunities will be different.

Something else to consider is how this time is informing the way businesses will operate in the future. Many companies are learning they don’t need large offices or a massive staff to succeed. People are adapting to the current conditions, and even though they miss the quote/unquote normalcy of the past, these adaptations may last for a long time, even after ‘shelter in place’ orders are over.

For more coronavirus coverage and music industry advice, take time to subscribe to our YouTube channel!

Categories
Industry News News

Rammstein Singer Till Lindemann In ICU With COVID-19

Longtime Haulix client and friend Till Lindemann of Rammstein has caught the virus currently sweeping the globe.

The virus known as Covid-19 continues to infect hundreds of thousands around the globe. Data from earlier today, March 27, reveals there are more than 400,000 active cases worldwide. The vast majority are likely to recover, but thousands will no doubt die, which makes the need for everyone to do their part immensely important.

Throughout the week, there have been numerous high-profile cases of Covid-19 making headlines. Actor Tom Hanks and British Prime Minister Boris Johnson are probably the most notable, but as the disease continues to spread, more public figures are becoming infected. 

Today, German publication Bild broke the news that Rammstein vocalist Till Lindemann is currently in the ICU. The fiery frontman is battling Covid-19 alongside many others since being admitted to the hospital following the band’s March 15 performance in Moscow. 

Doctors initially believed Lindemann was suffering from pneumonia. He entered quarantine shortly after admittance and remains there at this time. That said, the report says he is on the mend, and there is hope he will make a full recovery.

Rammstein has a massive European tour in June and July, followed by a North American tour scheduled for late summer, which as of now, are both still on despite coronavirus concerns independent of Lindemann’s illness.

We know many are suffering from the impact of the novel coronavirus. Our goal with our coverage is not to spread fear but to educate one another on the state of the industry, as well as where we go from here. The world is changing, but together, we will continue to forge ahead with high hopes and great empathy.

Categories
Industry News News

How Spotify is responding to COVID-19

After taking the time to consider its options, Spotify has rolled out a series of announcements relating to COVID-19 and its efforts to support musicians.

It’s no secret that Covid-19 has thrown most of the music industry into turmoil. Artists are currently unable to tour, which has hurt revenue and promotional efforts, and many don’t know whether or not to continue with plans to release new material. Add to this the fact that manufacturers of physical media (CDs/Vinyl) are closing to slow the spread of the disease and streaming seems to be slowing, and many are wondering what will be the next problem to arise.

Since fears of the novel coronavirus forced musicians off the road in early March, there have been persistent calls for the streaming industry to offer relief. Some have called for Spotify to raise royalty rates, while others have been asking for a lump sum donation to relief organizations. The Swedish company responded to those demands earlier today, March 25, but probably not in the way many anticipated.

In a post on the company’s official blog, Spotify announced plans to match donations to select artist relief organizations up to $10 million. Additionally, Spotify “made contributions to public health organizations and donated ad inventory and platform space to share news and health information with our users,” the post revealed. “We’ve also created a dedicated COVID-19 hub providing our listeners with a go-to place for news and information. And importantly, all the while, we’re continuing to support the health, safety, and livelihoods of our employees. Check out the below graphic for more information—and know that our support will continue to evolve.”

Spotify is also rolling out a new feature to artists. The company will soon unveil a donation button that can be added to any artist profile to direct fans to support that musician directly. That is not the same as a tip jar, which would allow people to contribute via Spotify. The new tool will redirect listeners to a third-party site of the artist’s choosing to support that musician during this difficult time.

If you’re a Spotify for Artists user interested in this feature, please sign up here, and the company will email you when it’s ready.

Categories
Artist Advice Business Advice Editorials Industry News News

How Coronavirus Is Changing Music Consumption [Video]

With every artist unable to tour for the foreseeable future due to coronavirus concerns, all eyes are on music streaming and the revenue it (hopefully) produces.

Coronavirus has left countless musicians off the road, out of work, and struggling to make ends meet. The dependency on album sales and streaming has never been as high as it is now, but startling data brought to light by Rolling Stone (and other sources) say that music streams are declining.

According to numbers from Alpha Data, the data analytics provider that powers the Rolling Stone Charts, streams in the United States actually fell last week, failing to offset a far more grim downturn in digital and physical album sales.

During the week of March 13 through March 19, the same week most businesses and restaurants were forced to close, streams dropped 7.6 percent, to under 20.1 billion. Programmed streams on services like Pandora dropped 9 percent to just under 3.5 billion, while on-demand streams (audio and video) dropped 7.3 percent to 16.6 billion.

The sales side of music did not far any better. Digital song sales dropped 10.7 percent to 3.9 million, which is the lowest one-week total since Alpha Charts began tracking the sales. Physical album sales plummeted 27.6 percent and digital album sales dropped 12.4 percent. Album sales declining is nothing new, but these changes are closer to jumping off a cliff than rolling down a hill.

What the charts fail to reveal, however, are the likely reasons for these changes. With businesses closed and more people working from home, commutes have temporarily dissipated. The vast majority of listening time for individuals can be attributed to time spent in their cars, but most have nowhere to go right now. People also have limited time to themselves at home, as everyone (spouses, partners, kids) is home together. Finding time to listen to an album in full or even music in general, is difficult.

But fear not! As host James Shotwell explains in the latest episode of Music Biz, there are still reasons to keep hopes high. Some areas of music are thriving in the streaming age, and there remains a huge audience of devoted music fans who are constantly seeking the next song that makes them feel good. Your music may very well end up being the soundtrack to someone’s quarantine, and that possibility is all the reason anyone should need to keep going.

More importantly, the panic and existential dread people feel right now is temporary. As people come to understand and accept our new reality they will once again turn to music. It’s music, not film or television or video games, that offers hope for a better tomorrow. You have a role to play in the recovery, and we are going to be with you every step of the way.

Categories
Industry News News

Disc Makers starts making face shields in response to COVID-19 crisis

New Jersey’s premiere compact disk manufacturing company is temporarily pivoting its business to help COVID-19 responders.

The world has changed. In the last two weeks since Coronavirus infections began skyrocketing in the US, the touring industry has come to an abrupt halt and physical sales have plummeted in part due to stores and retailers closing after being identified as ‘non-essential’ businesses. Thousands are out of work with no clear timeline for new opportunities, and everyone is trying to find some way to do their part in quickening the recovery process.

Like many businesses in the US, 73-year-old Disc Makers, one of the country’s largest manufacturers of CDs, DVDs, USBs, and other physical media, saw demand for its products drop due to the COVID-19 crisis. Hearing of the shortages in medical supplies, and wanting to help out during this national emergency, the company has quickly pivoted to making protective face shields for medical testing and other uses.

“We are used to making stuff. There’s a crying need in the country for protective gear, and face shields were the quickest item we could ramp up to make,” states company CEO Tony van Veen. “Our manufacturing team is shifting over to full-time production. It’s the right thing to do for our community, and our staff is eager to help out in any way they can during this turbulent moment in our country’s history.”

Disc Makers’ face shields will be assembled and packaged in its Pennsauken, NJ facility. The company is starting to ship its initial model now and expects to continue to evolve product design and selection depending on demand. For more information, please contact faceshields@discmakers.com.

Categories
Artist Advice Business Advice Editorials News

Releasing Music During Coronavirus: Is It Smart? [VIDEO]

There are a lot of ways musicians can try getting ahead during Coronavirus, but what are the best ways to accomplish that without upsetting the general public?

Most music analysts will tell you that artists have three main revenue streams: Recorded music (and streaming), merchandise, and performances. They will also tell you that performance revenue makes up the most significant part of most artists’ annual income, which is why the current state of things is so scary for so many.

On this episode of Music Biz, host James Shotwell shifts focus from the things we cannot control, to the things we can. Touring is on hold for the foreseeable future, but there are still many ways artists can engage with fans and build their careers. But what is the ‘right’ decision to make when so many are worried about the state of the world?

Recently, one of our followers asked whether or not it would be smart to move forward with plans to release new music during the coronavirus outbreak. It’s understandable to question whether or not your creative expression will be well-received, but we encourage everyone to continue pushing forward. The world needs music now more than ever. Musicians are in a unique position to offer healing and comfort on a global scale that no one else can match.

The proof that we need music is present throughout the history of our species. Before there were cities or roads or even houses, people would gather around fires and make noise together to celebrate existence. That noise, a very primitive version of music, was a symbol of hope and togetherness. It was something people looked forward to every moment of every day. Time has brought many changes, but people everywhere still cling to music for hope. Music brings us together, even in isolation, and provides a soundtrack to get us through our collective pain.

Categories
Industry News News

Bandcamp Waiving Revenue Share On All Sales This Friday, March 20

Bandcamp is taking significant steps to support its massive community by waiving its claim to any revenue generated through sales this Friday.

With touring made impossible by the spread of Covid-19, musicians and the music industry behind them are depending on fans to stream and buy music in the weeks (possibly months) ahead. There have already been calls for Spotify to help artists by increasing its royalty rates, but the Swedish company has remained silent on the matter. Thankfully, one streaming service is getting behind the talent that makes its platform possible.

Bandcamp will waive all revenue shares this Friday, March 20. A statement from the company sent to members of the media this morning, March 19, reads:

“The Covid-19 pandemic has hit artists especially hard as tours and shows are canceled for the foreseeable future. To help support those impacted, we’re waiving our revenue share on all sales this Friday, March 20, from midnight to midnight PST. If you are able, please join us in putting some much needed money directly into artists’ pockets.”

In the simplest terms, every dollar spent on Bandcamp this Friday, March 20, will go directly to musicians. If you spend five dollars on a new release, the artist responsible for that record will receive all five dollars.

This week has been incredibly tricky for countless industry professionals, and there are no signs of relief on the horizon. The self-isolation and quarantines required to stop the spread of Covid-19 could very well stretch into June or July, if not longer. Couple that information with the knowledge most musicians are unable to work their “day jobs” because the service industry has also shut down, and you have a recipe for stress that will affect many, if not all, of the artists you love.

If you have money to spend right now, please consider buying music on Bandcamp this Friday. If you don’t have the cash to spare, please continue streaming music whenever possible. Every stream and every cent matters. Do your part, and together, we can make it through this turbulent time.

Categories
Industry News News

Code Orange draw over 10,000 viewers for release show livestream while playing empty venue

After canceling their album release show over Coronavirus concerns, Code Orange found a way to deliver a game-changing solution to concert restrictions.

Coronavirus concerns have canceled or delayed virtually every concert and sporting event scheduled for March and early April. The vast majority of musicians and touring crew members are currently out of work, and there is no clear timeline on when their jobs will resume. It could be three weeks, or it could be two months. Some say it could be even longer, but we are doing our best to keep hopes high.

Rock band Code Orange is one of many artists whose plans were derailed by the spread of Coronavirus in the last week. The group’s long-promoted new album, Underneath, released on Friday, March 13. The band planned a massive release show for Saturday, March 14, in their home state of Pennsylvania to celebrate the album, but then the virus hit and put the safety of everyone into question.

Understanding the need to keep themselves, their crew, and their fans safe, Code Orange quickly developed a workaround. The band would still perform their release show where they booked months prior, but there would be no openers and no audience. Instead, Code Orange would partner with a video team to present their full performance over Twitch, a popular live-streaming platform, for free. 

On Saturday night, Code Orange took the stage with a production that included lights and custom video animations. The livestream blended multiple camera angles with video overlays showcasing the animation that was created exclusively for the Underneath release. 

Watch LAST ONES LEFT: Fear of the End // 3.14 9pm EST from codeorangeofficial on www.twitch.tv

More than 10,000 people watched the livestream as it happened, and thousands more have viewed the performance in the hours that followed. That figure is far higher than the capacity of the venue and much larger than the attendance at any traditional Code Orange show. The band also received numerous donations from viewers before and after the performance, though the specific amount given is not available to the public.

Through their creative thinking, Code Orange is already changing the way many in music are looking at the problem currently facing musicians. Touring may not be possible for the foreseeable future. However, high-quality broadcasts like the experience created by Code Orange could create a new revenue stream for any musician or group able to stream a performance. 

There is another perk to live streaming events, and that is the ability to create new fans and sell additional tickets. Many people likely watched Code Orange for the first time because of their Twitch performance, and those who enjoyed the set are now more likely to stream their music, buy merchandise, or see the band on tour. Current fans also have a new reason to love the group. Their quick-thinking in this situation should instill fans’ faith in the band’s lasting appeal moving forward.

Streaming performance is nothing new, but the technology has struggled to find a broad audience. While several platforms have found an audience by broadcasting acoustic and stripped-down performance, which are easier to capture, the majority of full-band performances are only available through high-profile festival streams. That is due in large part to cost, but those prices are dropping.

Categories
Haulix News

Petition Seeking Covid-19 Federal Aid Package for Events Industry Gains Popularity

Now more than ever, the events industry needs our support. Thankfully, thousands of music and sports fans are working to make that happened.

A new petition on Change.org is calling for federal aid to help the thousands of events industry employees who are currently out of work due to Covid-19. The petition, which went live late Thursday night, can be found here.

A statement from the petition organizers reads:

The 1st domino is falling…

The past month has seen an unprecedented number of event cancelations in the US and worldwide. The Covid-19 virus is nothing like anything we have faced in our modern economic times.  The purpose of this petition is to sound the alarm on a massive economic catastrophe that is transpiring in our nation. 

Many times, friends and family are surprised to learn the vast encompassing nature of the live events and business meetings industry and all it entails, so it is no surprise that the media has given little coverage to the economic devastation that has already begun to transpire.  Many people don’t realize the vast number of roles and jobs in our industry including meeting planners, account executives, sales, warehouse managers, producers, project managers, drivers, operations managers, executives, administrative staff, technicians, stagehands, general labor and service workers along with many more that work behind scenes to bring people and businesses together every day of the year never-ceasing 24/7, until now…

Currently, the live events and business meetings industry is in free fall and headed toward a complete collapse with no end in sight.  There are already strong ripples of this impact to the transportation and hospitality industry (hotels, conference centers, restaurants, etc.) that rely on our industry which have received media and governmental attention, but no mention of the larger losses that are reaching into the billions and billions of dollars, and continuing to climb by the minute, in the live events and business meetings industry.

While many of our industry-wide advocacy organizations representing the events industry have proposed compelling reasons why the events must go on the time has come that our industry’s livelihood must be completely sacrificed to save lives.  Limiting the spread of the virus is the only way to slow and mitigate its massive health and financial impact on our nation.

Many tears of fear, anger, and dread have been shed today, and in the previous month, by all our families knowing the monumental cost of our sacrifice to help save our nation from the spread of the virus.  Those outside our industry, they are not aware that our industry is comprised significantly of hundreds of thousands of small business and millions of workers and contractors who have already lost most income over the last month and will not have any income for the next 6 months or more to spare the spread of the virus.  These are financial losses that will never be recovered.

Our families are already facing a long list of economic catastrophes: losing our homes, retirements, being able to pay bills, extreme debt/bankruptcy, providing food for our children and paying for much-needed health insurance.  Most of our families either pay for our insurance ourselves as independent contractors or will be laid off due to a complete lack of work in our industry. 

Small businesses are facing bankruptcy and have already been forced to layoff staff.  Proposed government aid of low-interest loans can only help a business slow bankruptcy, but not fund a workforce where no revenue can be generated during this period of time.

While the fear is dire for our industry, the economic fallout from our collapse can potentially dwarf that of the 2008 recession and mortgage market collapse.  We are an industry almost 2.5 times the size of GM with total yearly revenues of in excess of $337 Billion in 2016 compared to
$125 Billion for GM in 2019. 

All of our families, due to lost income, are now no longer consumers, but survivors.  If not addressed quickly and forcefully, the financial ramifications will spread to other sectors of our economy as tens of millions of consumers will focus on survival spending habits.

However, beyond the hard numbers of our industries losses is a two-fold scenario of economic collapse that will create collateral losses across all businesses and entities in the United States.  Over the last 50 years, our economy has relied heavily on professional collaboration, information exchange, and communication on a national and international level.  Every day millions of business leaders, professionals, and experts from every field meet together to learn and collaborate. By 2020, we surely have dwarfed the 2016 annual figure of 1.9 million meetings with 251 million participants/attendees.  

For the next 6 months, we are looking at monumental setbacks for all businesses across the board in professional collaboration and business development.  These setbacks are due to not being able to attend business meetings be it large conventions, tradeshows, trainings, product launches, and the list goes on.  If the live events and business meetings industry which is the invisible fabric that ties our US business culture together is not able to recover quickly then all industries will be delayed in their recovery efforts as well.  The potential economic losses are almost incalculable at this point.

This is a minimal synopsis of the crisis at hand, but clearly shows a daily expanding imbalance in the economy in such a large sector that is now about to be the first domino to topple the rest of the chain.  We are calling for immediate federal action to protect the Live Events and Business Meetings Industry from total collapse and save the rest of our economy for the collateral damage.  We need Congress and the executive branch to take immediate action.

We are in need of an aid package to support us in order to survive and recover the pandemic and economic catastrophe.  The aid package should include, but not be limited to:

  • Emergency Medicare Health insurance – to cover our uninsured business owners,  contractors, and laid-off employees
  • An additional $200 Billion in low interest federally backed business liquidity loans – the initial $50 Bill has already been surpassed in current sustained losses just to our industry.
  • $100 Billion in Employee Retention Grants – these types of grants are being offered in New York City, currently the low-interest loans and differed payroll tax are not able to avoid widespread layoffs. as a service-based economy of live events and business meetings cannot sustain taking on the level of debt to support employees without any ability to perform revenue-generating activities during this time of a large gathering shutdown.


*The dollar figures are based conservative view based on 4 to 8 months of disruption, additional months of potential complete industry disruption would warrant increased aid.

We the undersigned plead with our elected officials to hear our warnings and cries for help as we not only see our own plight but also the plight of the entire economy we will bring down with us.

Haulix believes in the mission of this petition, and our entire staff is signing in solidarity with our events industry family. The music industry is at its best when it feels like a community, and communities show up for one another in times of crisis.

Exit mobile version