Categories
Industry News News

This Week In Music (June 17, 2022)

From surprise albums by Beyonce and Drake to YouTube’s take on Spotify Wrapped, we’ve gathered all the music news you need to know.

Three weeks into June, and life has yet to disappoint. As the temperatures continue to rise and more artists hit the road with summer sunsets on their minds, something about the season feels shockingly normal. As long as you don’t look at the news or spend too much time on social media, there is plenty to love about life at the moment. We have great music, new opportunities, and another day to chase our dreams. What more could you want?

We cannot ease your workload or give you more hours in the day, but we can help you stay informed. Below you’ll find the biggest stories of the week, all covered by the best outlets in tech and entertainment. Click around, learn what’s happening, and use the weekend to prepare for the end of the month.

But let’s be honest. There is no way we can hope to cover everything that happens. If you see a headline we missed that people need to know, please do not hesitate to send james@haulix.com an email. We’ll include your links in the next update.

THE BIGGEST MUSIC NEWS OF THE WEEK

Drake Drops Surprise Seventh Album, ‘Honestly, Nevermind’

Drake surprised followers Thursday with news that new music was coming and so it did.

“Honestly, Nevermind” dropped at midnight and has begun its race up the charts.

The album features Drake mostly singing instead of rapping.

“I let my humbleness turn to numbness at times letting time go by knowing I got the endurance to catch it another time,” he wrote in an editor’s note on his Apple Music artist page. “I work with every breath in my body cause it’s the work not air that makes me feel alive.”


YouTube Music Unveils Season Recap Playlists to Compete with Spotify Wrapped

YouTube Music has launched a new feature called seasonal recaps, a culmination of your top artists, songs, albums and playlists. “Spring Recap” will be the first recap that users can try. This acts as an expansion of its 2021 Recap experience introduced last year.

According to the company, it received positive feedback after rolling out its annual recap the previous year, wrote YouTube Product Manager Ayshaw Khan in a blog post. The recap, inspired by Spotify Wrapped, had offered users a look back at their year on the app. Now, YouTube is taking the concept further with seasonal rundowns.

“Similar to the 2021 Recap, you’ll find your personalized content in the Spring Recap landing page on the YouTube Music app along with your personalized Spring Recap playlist,” Khan wrote. “Want to tell your friends about your favorite songs of the Spring? Easily share your Spring Recap playlist and stats by simply tapping the arrow at the bottom of your stats card.”


Songclip Announces Strategic Partnership With the NMPA to Bring Music Licensing and Compliance to the App Marketplace

Songclip, the world’s only patented music clip company, today announced a strategic partnership with The National Music Publishers’ Association (NMPA), the trade association representing all American music publishers and their songwriting partners. The partnership aims to facilitate music licensing and compliance within the global app marketplace.

During the NMPA’s Annual Meeting at New York’s Lincoln Center on June 15, 2022, NMPA President & CEO David Israelite outlined the NMPA’s app initiative to cease and desist applications who provide unlicensed music to their users and an enforcement plan of action to combat music infringement within the global app marketplace. Israelite also announced that Songclip will be a strategic partner of NMPA to facilitate licensing across the app marketplace.

Songclip works in partnership with the major labels, publishers and more than 7,500 independent licensing entities to provide a streamlined solution for licensing and integrating music “as a feature” within consumer applications. The Songclip API seamlessly integrates into any app, manages and facilitates search, catalog & compliance, licensing, royalty payments and reporting.

“We are excited to partner with Songclip in our effort to ensure applications use music legally and responsibly,” says NMPA President and CEO, David Israelite.


Beyoncé announces new album ‘Renaissance’

Beyoncé is back.

Beyoncé Knowles-Carter has announced a new album, titled Renaissance, out July 29 according to a new listing for a Renaissance CD and products on her website. Several streaming services, including TIDAL and Spotify, also announced the forthcoming Beyoncé release on social media. No further details about the new album have been released.

Rumors of a new 2022 release first started to spread online June 9 after Beyoncé removed her profile pictures across all of her social media pages, with her highly organized fanbase the Beyhive theorizing the avatars signaled new material on the horizon.


Spotify Will Reduce Hiring By 25%

Spotify is reducing its new hiring by 25 percent as recession fears mount, according to an internal memo obtained by Bloomberg. It is unclear which parts of the business will be most affected.

Spotify is far from the only tech company to reevaluate its staffing as the stock market tumbles. Twitter and Meta each announced some degree of hiring freeze last month, and Netflix made headlines in April for its layoffs, particularly at in-house fan site Tudum.

During Spotify’s investor presentation last week, CEO Daniel Ek emphasized the company’s growth not only in subscriptions but in verticals beyond music like podcasting and, soon, audiobooks. But chief financial officer Paul Vogel did hint at the event that staffing could be affected by economic conditions.


SONG OF THE WEEK: I Prevail – “Body Bag”

Categories
Artist Advice Editorials Haulix Industry News News

VIDEO: What artists can learn from Beyoncé’s Homecoming special

Beyoncé is a once in a generation talent, but there is something artists and professionals at every level of music can learn from her latest documentary.

It is hard to imagine anyone connected to the internet is unaware that Beyoncé recently released her first concert film. Homecoming arrived exclusively on Netflix in mid-April and immediately became a global sensation. The film, which takes an in-depth look at Bey’s 2018 headlining performance at Coachella, has been hailed by critics and fans alike as a definitive piece of pop culture history. It’s a time capsule of sorts, highlighting two performances that confirmed the legend of Beyoncé and secured her place in pop music history for generations to come.

Unfortunately, no amount of work you or I will ever do can make us Beyoncé. She is a singular force of nature that never has and never will be duplicated. We can, however, learn from the experiences documented in Homecoming and become better music professionals.

In this episode of Music Biz 101, host James Shotwell breaks down three lessons artists from all walks of life can learn from the artist and her film, as well as how music professionals can improve their skills by joining the BeyHive. Take a look:

Homecoming is available now on Netflix worldwide.

Categories
News

Music 24/7: A Conversation With Electric Bodega

In the world of internet remix kings there are few names more recognizable than Electric Bodega. The product of a collaboration between two music wizards, Mike Cash and DJ Klutch, Electric Bodega has been providing the world with club-ready remixes of music’s biggest hits for the better part of the last half decade. At the dawn of the new year, the group took their musical pursuits one step further by sharing their first original material, “Faded,” with the world. That single came with the announcement of the group’s debut EP, which will soon be available, and we knew we could not wait any longer to talk to the duo about their current projects and future musical ambitions. So, emails were sent, schedules exchanged, and right before the start of February we hopped on the phone and made this feature happen.

It’s hard to explain what it is about Electric Bodega’s music that we find so endless fascinating, but we know the recipe to their success begins with energy. The material Electric Bodega creates, be it a remix or an original, always carries enough energy to wake a coma patient, and we mean that in the best way possible. It is impossible to hear the music of Electric Bodega without immediately feeling your spirits life and your feet begin to move. They are a cure for the modern blues, and with their debut EP right around the corner they seemed poised to be everyone’s favorite DJ/production duo by the end of 2016. Take time now and get familiar with their story:

Haulix: Thank you both for taking time to speak with me today. How is New York handling the winter?

Electric Bodega: We’re in Staten Island right now. Its been crazy so far, but you never really know what is going to happen. They amp the weather up for weeks and then nothing happens, or it rains (laughs).

H: How has 2016 been treating you so far? Seems like you’ve been pretty busy since you dropped “Faded” right around the beginning of the new year.

EB: Yea, things have been good for us so far. We’ve been trying to get our debut EP together, which is pretty much done right now, but that has been taking a lot of our time. We have this other single, “Locked Up,” out right now. It’s also on the EP.

H: I was reading about that song. Can you tell me a little more about it?

EB: Yea, so with this record we linked up with Netousha Monroe, who is the featured guest, and we basically built the song around her performance. It’s a song that has been a favorite of ours for a minute now, and we are really excited to share it with the public. Compared to “Faded,” it’s still a club record, but I would say this is more of a song for the ladies. It’s on more of an RnB vibe where “Faded” was more of a turn-up record. We really want this record to showcases everything we are capable of.

H: Let’s talk about the EP a bit more. You said the record is basically finished at this point?

EB: Yea, we were just in the studio doing some mixing, but everything else is pretty much complete. We were hoping to have the full EP out by the end of January, but “Faded” started to gain some traction and we didn’t want to rush out the record if we didn’t have to right away. We’re looking to have the record out by the end of February now, but its all for a good reason. “Faded” has been getting love from places like Hot97, so we feel we can spread everything out a bit.

H: Just to be clear, this is the first proper EP from Electric Bodega?

EB: Yes. This is the first EP from us, and it contains all original material.

H: Is this something you have been working towards for a long time? I know remixes have pretty much been your bread and butter for a few years, so I’m curious if original material is what you want to pursue more and more in the years ahead.

EB: Definitely. The remixes, for us, were more of a way to get our names on the map. It is way easier to get someone to take a chance on a remix of a popular song than it is to sell them on original ideas. That is how Electric Bodega came to be, in a way. We were both getting a bunch of love through remix work, that’s where we come from, and we eventually to combine our skills. This EP made sense now. People have been feeling our work for a bit, and sometime last year we really felt like we reached a point where focusing on our original material was what we had to do in order to grow. We want to collaborate with artists, and it can be hard to get people on your remix. We’ve had a few big names, like French Montana, but with original material we’re hoping to do even more collaborations moving forward.

H: I’m sure remixes will stay play a part in your career, right?

EB: Of course. We’re working on two big remixes while we speak.

H: Can you tell me the songs?

EB: One is a Hopsin track, and then the other is The Weeknd’s “Might Not Make It.”

H: What is the usual turnaround time for a remix?

EB: I think we’re pretty quick. We basically decide to work on something and we do 90% of the record in one night, then it takes up to a week for us to do the other 10% (laughs). It’s a really fast process for us now, but after that first big push it can take us a couple days to finish things up and make sure everything is just how we want it to be.

H: With everything you have planned material wise for 2016, can we expect to see Electric Bodega hitting the road as well?

EB: We’re definitely trying to take our show on the road. We have been in talks with people from Arizona, California, and everywhere else. We will get out there eventually.

H: What would you say are your main goals for the year ahead?

EB: Touring, Grammys. We’re really trying to spread our brand and push more original material. As a group we have been known for our remixes, so we’re excited to see how people react to us once they hear our EP. I don’t think it sounds like anything we’ve done, and as a result it’s going to take people by surprise. We’re more than remix artists, and that will be clear once we get this material out there.

H: One more thing before you go. When we started promoting the fact we were having this chat with you people begged us to ask whatever became of the Electric Bodega Soundcloud account. You had a thriving page once, but it’s no longer available?

EB: [in unison] They’re the worst. A lot of people are going through this right now, a lot of producers, but they just pulled it. They pulled everything from our page in one big move. We do have a meeting with them about getting it back up soon, but yea – they took it down like they have many other pages.

We are on Audiomack, and while it isn’t as big as Soundcloud it is a very dope platform and company that we have been able to work with a lot so far. If and when we have our Soundcloud back we will still keep our Audiomack page, and everything we have released to date is available there, as well as downloads. We probably won’t be allowed to post remixes on Soundcloud anyways, so using Audiomack might be a better option.

Exit mobile version