MySpace may not have maintained good backups of the media hosted on their servers, but a community of digital saviors have banded together to share nearly half a million songs previously thought lost forever.
Less than a month after MySpace confirmed the loss of over 50 million songs uploaded to the social media platform between 2003 and 2015, a group of dedicated music fans have delivered the internet a gift. 490,000 songs once hosted by MySpace are now available once more thanks to a community of so-called ‘digital hoarders’ who maintain deep and meticulously curated music libraries.
The ‘Myspace Dragon Hoard (2008-2010)‘ was published on Monday, April 1. The songs included were originally gathered by an anonymous academic study conducted between 2008 and 2010. You can stream the material using this link.
The music collection is arranged by the filenames assigned by MySpace’s Content Delivery Network, the key of which is in the metadata. file in this collection. MD5 and SHA hashes are also provided from the original and included in the main directory. There is no other information about the origin of this collection at this time.
If you’re afraid the material included may disappear again, downloads of the entire collection are available. At over 1.3 terabytes of mp3 files named by the Content Delivery Network of Myspace, this collection can best be described as unwieldy. Therefore, it has been left as a set of ZIP files (created by the Info-ZIP program) that can be browsed and viewed by using the “view content” links in the general item directory.
SoundCloud is joining Spotify as the latest streaming giant to offer distribution services.
SoundCloud is joining Spotify as the latest streaming giant to offer distribution services.
A good CEO can change everything. With the right person in power, a company can go from the brink of failure to being widely considered an essential component of its industry in a relatively small amount of time. They can also change public perception, raise awareness, and discover new revenue streams that do not alienate users or further complicate a product.
SoundCloud CEO Kerry Trainor cannot is unstoppable. Two years after reports of the platform’s demise began to circulate throughout the industry, Trainor’s guidance has helped the company bring in over $100 million in revenue annually, as well as many significant updates that have raised the profile and utility of Soundcloud to new heights.
Trainor’s next move may change everything. This week, SoundCloud announced the beta launch of SoundCloud Premier, a distribution service that will allow artists to upload their music to numerous streaming platforms, including Apple Music and Spotify. The company hopes the service, which is the first to be built directly into a streaming platform, will make SoundCloud a kind of ‘mission control’ for artists on the rise. Musicians can now choose from their uploaded tracks and albums and distribute to all major music services while keeping 100% of their rights and payouts (SoundCloud takes nothing) and getting streamlined payments directly from SoundCloud.
SoundCloud Premier is available at no additional cost to all eligible Pro and Pro Unlimited subscribers who are 18 years of age or older, creators of original music, have zero copyright strikes, and at least 1,000 monetizable track plays. Eligible creators can expect eligibility notifications via email and in-product notifications over the next few weeks.
In the meantime, you can learn more here. If you think you’d be eligible but haven’t gone Pro, you can upgrade now, and the company will contact you if/when you qualify. In addition to one revenue stream that reigns supreme, you’ll get the pro tools to level up your career, so that you can grow your audience and make even more music to distribute.
Spotify playlists are shaping the future music business, but reaching the curators of the most influential lists is often incredibly difficult. We can help.
Disruption has long been the name of the game when it comes to success in the digital space. Uber and Lyft destroyed the need for taxis, much like how Amazon Prime’s 2-day deliveries have undercut the success of box stores such as Wal-Mart and Target.
In music, disruption tends to happen all at once. iTunes, for example, changed the music industry overnight. As soon as people were aware of an alternative method for accessing music they could not be convinced to return to their old habits. Streaming services followed years later, with Spotify leading the pack as the latest and most efficient way to enjoy every song you’ve ever known at a price point those dealing with physical products (CDs, cassettes, etc) could never match.
Throughout all these evolutions, however, one area of music has remained largely untouched. Distribution, specifically as it relates to digital stores, has long been controlled by a few select companies (Tunecore, CDBaby) that offer access to placement on anywhere from one to several hundred digital stores in exchange for a percentage of the artists’ revenue. These companies have especially thrived in the streaming era as the demand to be available everywhere has never been higher (or more difficult to achieve without a third party help).
This week, Spotify announced a new development that threatens to challenge this distribution market. Beginning September 20th the streaming service began allowing a select number of indie artists to upload their music directly to Spotify themselves, marking a stark shift in the way distribution works throughout the industry. Artists who do this are also paid directly from Spotify, meaning they no longer have to share a portion of their revenue with distribution providers.
With this service, artists who control their copyrights and do not have label or distribution agreements in place can log into their Spotify For Artists account, upload their music, fill in relevant metadata information, preview how the upload will look on their page and set the song to go live at a pre-scheduled time.
As for payments, Billboard recently broke down how a partnership with Stripe will help not only get artists paid, but provide insight into their longterm revenue development:
Through payment-processing provider Stripe, Spotify will facilitate royalty payments, which will be accounted each month. In an email, a rep for Spotify clarified that artists who directly upload their music will receive 50 percent of Spotify’s net revenue (the service will also account to publishers and collection societies) and will keep 100 percent of royalties on that music. Artists will be able to track historical payments, as well as see projections for future payments, and track when those will be deposited in their bank accounts.
“One of the things we’ve heard from the tests is this level of transparency really helps artists be able to plan and budget for the future as well as connect their overall performance on Spotify – how their music is performing, how their fans are discovering their music – using all those existing tools along with these additional tools to release music and get paid,” Anoliefo says. “There’s not that much information needed other than the music and the metadata associated with it, and then we’ll take care of the rest.”
The idea of cutting out the middleman from distribution seems like a win-win for everyone except the hundreds employed by distro services. Whether or not Spotify’s plan will be imitated by Amazon, Apple Music, and other leading streaming services remains to be seen, but as each company competes to be the most popular platform it’s likely they will continue to empower artists and further develop their relationships with them. Follow Haulix on Twitter for updates.
What do you think should happen with digital distribution? Send your thoughts and questions to james@haulix.com.
Good afternoon, everyone. Thank you for taking a some time out of your day to spend with us. We try our hardest not to take too much time away from our educational efforts for self-promotion, but when considering the updates and developments that have taken place in recent months we thought it might be a good time to remind the world why we’re so good at what we do.
This blog exists to promote the future of the music industry, and to do that we need input from people like you and your music-loving friends. If you have any questions about the content in this article, or if you have an artist you would like to see featured on this blog, please contact james@haulix.com and share your thoughts. We can also be found on Twitter and Facebook.
The music industry has changed a lot over the last fifteen years, and that evolution has largely been guided by technology. When Napster went live, everything we knew about the business and how it functioned up to that point was no longer relevant. A new age had dawned, and it was on those in power to react – fast. We could go on and on about things that should or should not have happened at that point in time, but the hard truth is that almost fifteen years later we are still trying to find solutions for the problems that plagued us just after Y2K fears began to subside. There is no end to digital piracy in sight, but we wholeheartedly believe that through Haulix record labels and independent artists alike have a fighting chance against music pirates. Here’s why:
SECURITY
First and foremost, Haulix offers one of, if not the most secure platform for digital distribution available today. Through a combination of advanced watermarking technology, permissions, encryption, and secure traffic techniques we are able securely host, distribute, and track your media while you focus on promoting the material itself.
What is a watermark? Good question. Watermarks contain user specific information that allows us to identify which contact specifically downloaded or streamed a file through Haulix. On average, each track will contain 15-20 watermarks which can survive most attacks such as re-encoding and conversion. Additionally, you have fine grained control over how many times they can stream or download a promo. All traffic in and out of Haulix is SSL encrypted (like bank websites). Haulix automatically prepares your tracks for watermarking and when a contact downloads or streams an album, the injection process is performed in seconds.
AUTOMATED PIRACY/LEAK TAKEDOWNS
This feature only launched in the last couple months, but it has quickly become one of our most popular tools in the battle against leaks. Our ‘Piracy Takedown’ tool, when activated, crawls the web seeking unwanted files and links to files featuring watermarked content from Haulix clients. When that content is located, our system automatically distributes takedown notices and tracks the results so clients will know when their content copyrighted has been taken down.
This process does not happen once or twice, but repeatedly for as long as a client is a member of Haulix. For more information on this tool and how it can help your efforts to battle leaks, click here.
CUSTOMIZATION
There are more bands, labels, and pr outlets in existence today than ever before, which means the amount of pitches and messaging being thrown at writers is also at an all-time high. Haulix recognizes this, and through our state of the art messaging system we have created tools that allow our clients to present their upcoming release(s) however they see fit. We love to focus on the backend of things so that publicists, labels, and bands can put their efforts into promotion. We know that in order to do that to the best of their abilities our clients need to be in control of how their content is no only dispersed, but presented. From the “promo” pages where your music securely lives online, to the email you will send when inviting press to experience your material, there are dozens of ways our product can be customized to fit your needs. Want to use a color theme or still image as the background to your “promo” page and/or emails? No problem! Want to limit the number of times an album can be streamed or downloaded by any particular individual? We can do that too.
ORGANIZATION & ANALYTICS
Expanding on an aspect of our service mentioned in the previous points, Haulix also helps distribute content. Through our one-of-a-kind email system our clients are able to create contact lists ( or upload their existing contacts), organize them into groups however they see fit, send personalized messages, and access analytics on their contacts engagement with various promos with ease. You’ll know who read your message, which ones accessed the material, and how they engaged with it once on the promo page. We also track downloads.
JOURNALIST APPROVED
All of these tools would mean nothing if journalists did not like our product. After all, at the end of the day it is the writers who are on Haulix the most, and it is through Haulix that writers engage with unreleased music. If their user experience was bad it could have a negative impact on their view of the record. Worse, it could impact how they view a particular label/pr firm as a whole.
Haulix has been receiving the praise of journalists worldwide since launching in the mid-2000s. We listen to their opinions on everything from our site design to the functionality of our product and work with them to better our efforts over time. We don’t want to pat ourselves on the back too much, so I’ll let the writers who engage with Haulix on a regular basis speak for themselves:
“I’ve been using Haulix for the past three years and most of the websites that I have written for use Haulix too. It is efficient and of course, highly recommended.” – Lav Nandlall, Heavy Metal Duchess
"I always get a little extra excited when I see I have new music through Haulix because I know I can jam it in mere seconds with no hassles.” – Jameson Ketchum, Substream Music Press
“I’ve been using Haulix for the past 3 years and a half and that’s still where I enjoy receiving promo music. Aside from the fact that I can download my music on it, it keeps things organized by expeditor, due dates are visible and it’s all simple and clear.” – Mariam Bouabid(Plug-In)
“Haulix takes all of the hassle out of receiving new music. It simply combines everything on one page and provides you with promo pictures, bios, videos and whatever else. Since most of the publicists we work with tend to use it, it’s nice to be able to quick switch back to your full catalog of promos you’ve received.” – Drew Maroon, MindEqualBlown.net
“I prefer a watermarked (to keep be accountable of course) zip download with high quality mp3s. Now I don’t always get that, so I roll with what I get. Haulix is cool because you can download and stream and it has the capability of supplying high quality stuff if the label/PR people provide it.” – Drew Beringer, Absolutepunk.net
“I want tracks I can stream, and preferably download too — I’m a New Yorker and do a lot of my listening on the subway, where streaming isn’t an option. Haulix is straightforward and intuitive.” – Jesse Richman, PropertyOfZack.com
INDUSTRY APPROVED
Journalists are not the only ones who enjoy Haulix. Many of our clients have been with us for years, and they are not shy about sharing their satisfaction with our product:
“We have always been looking for a great place to allow us to share our music with those that need it early, but in a safe way. Haulix was that answer for us, and we will be lifelong customers of theirs.” – Chris Hansen, No Sleep Records
"I love the security aspect as well as the ability to truly track what people are doing with the promos. It takes the guessing game out of, “…well I spent a bunch of money to send a ton of packages out that I hope made it to their final destination… and I’m hoping these folks answer their emails and phone calls when I reach out to check on the packages.” You can see what’s going on, you can reference whether someone got their email, opened it, even listened to it or downloaded it, etc. And my favorite – the ability to create reports to follow up with people based on what they’ve done with the promo.” – Natalie Cammillo, Adrenaline PR
"Leaks aren’t 100% preventable but there are ways to insuring you stop leaks from coming from you. I’m a big user and supporter of Hauled. 90% of the writing world is familiar with Haulix and how it’s watermarked with each writer’s info. So that’s a good preventative.” – Rey Roldan, Another Reybee Production
