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11 Albums You Should Include In Your #MWE Picks This Month

We have been discussing #MWE, otherwise known as Music Writer Exercise, a lot in recent weeks. The program, which was originally promoted by writer Gary Suarez over Twitter, aims to diversify the conversations currently taking place in the music writer community by challenging critics to listen to one album every single day that they have never heard before. Critics are asked to listen to the records they themselves choose and then summarize their thoughts on each release with a single tweet that includes the hashtag #MWE. This makes it possible for other writers and music fans to follow each individual’s journey, and in theory increases the likelihood of others taking a chance on those same releases. In a time when it seems everyone is racing to be the first to comment on the next big single or album from pop’s upper echelon, #MWE exists to remind us that there are countless albums worthy of discussion, and even more worthy of our attention.

With the second week of #MWE now underway we thought we would do our part to open our friends and colleagues minds to releases we feel often go under-appreciated by the industry at large. These albums, which cover numerous decades and genres, are the records we recommend to anyone looking for something other than what is currently popular in culture today. They are the albums that made us the people we are today, and each has made an impact on our lives in its own unique way. We cannot promise you will feel the same about any one release as us, but we can guarantee you will not forget the material you hear, and we feel that alone is an accomplishment, especially  in the age of over-saturation.

After you read our list, please feel free to comment with recommendations of your own, both for us and the readers of the Haulix blog. We want this space to be a place where anyone looking for something to discover can find the next album or group that makes them sit back and appreciate art for the astounding thing it is. Be it metal, folk, country, rock, pop, emo, electronic, or some combination of them all, tell us an album you love and we will do our best to find time to experience it before #MWE ends.

Like hip-hop/rap? Why not try….

MC Lars – Zombie Dinosaur LP (Listen)

For over a decade now MC Lars has been writing, recording, and performing some of the most thought-provoking raps ever laid to tape. His influences range from hip-hop’s greatest icons to the most underrated characters on The Simpsons and everything in between. His latest release, The Zombie Dinosaur LP, combines everything that makes Lars great to deliver a one-of-a-kind listening experience that is impossible to forget. Whether you’re jumping up and down to “Where Ya Been Lars” or losing yourself to the Game Of Thrones inspired track “Dragon Blood” there is never a dull moment on this release.

Travis Scott – Owl Pharaoh (Listen)

Before Travis Scott became a name suburban moms recognized because of “Antidote” he was an internet sensation thanks to a crazy good mixtape title Owl Pharaoh. Featuring thirteen tracks, as well as guest appearances from industry contemporaries like A$AP Ferg, Wale, and Meek, Mill, the mixtape established Scott’s presence in the industry as an innovative lyricist with a unique perspective on life and music. Owl Pharaoh traces the origins of Scott’s now signature sound, and it offers further proof that he due to make a huge impact on that industry in the years ahead.

Clipse – Lord Willin’ (Listen)

Okay, so maybe Lord Willin’ is not considered an overlooked classic in most circles, but it is an album that is unfamiliar to those who have only just recently discovered the immense talent of Pusha T. Lord Willin is the record that introduced Pusha T and his brother Malice to the world, thanks in no small part to the success of “Grindin,” and it plays just as great today as it did when the album first hit shelves in August 2002. If you have been looking for a rap record that fits the cold of winter just as well as the height of summer, Lord Willin’ has everything you need and more.

Enjoy alternative rock/pop punk? Why not try….

Jet Lag Gemini – Fire The Cannons (Listen)

Researchers will probably spend the better part of the next millennia trying to understand why Jet Lag Gemini were never the biggest band in post-2000s punk. Every release in the band’s catalog is worthy of praise, but they peaked with Fire The Cannons and its infectious lead single, “Run This City.” You may remember the group from your older sibling’s long lost MySpace page, but now you too can take the time to familiarize yourself with their most celebrated release. It’s everything you would expect to find in a band that could headline Warped Tour, only with more heart and far less gimmicks.

Calibretto 13 Enter The Danger Brigade (Listen)

Folk punk has been around so long no one can really tell you when it began. If we had to guess, it probably happened while some aspiring folk artists was writing angsty songs about an ex-love or a dispute with their parents gone awry, but whatever the case the genre appears to be here to stay. Calibretto 13 were the premiere folk punk group on Tooth And Nail Records at the turn of the century, but for one reason or another they never broke through in a big way with the label’s fans. We still spin the group’s debut every few weeks around HQ, and now thanks to services like Spotify you can too.

The Money Pit – Yeti (Listen)

One of 2015’s best releases, the debut album from The Money Pit blends classic punk ethos with the chilled out vibes of Southern California to create an exciting listening experiences that goes down like lemonade on a hot summer’s day. Most people don’t associated punk music with dancing, or at least not in the classic sense of the word, but we believe no one will be able to resist tapping their toes and grooving along with this infectious mix of material. “Killing Time In Hawaii” may be the best song of last year. You decide.

Candy Hearts – All The Ways You Let Me Down (Listen)

At the risk of giving it more credit than some may say its rightfully due, we believe All The Ways You Let Me Down to be one of the catchiest pop punk albums of the last decade. Despite several irresistible singles and months of promotional touring the band behind the record, Candy Hearts, are still struggling to establish themselves as an industry staple. That is, to be quite honest, total bullshit. This band rocks and so does everything they have release, including each and every track on this album. We were sold by “Michigan,” but you could choose any song and find a good excuse to never listen to anything else ever again.

Need something a little heavier? Why not try….

See You Next Tuesday – Intervals (Listen)

There was a time just over half a decade ago when grindcore was still a happening genre filled with promising bands capable of supporting themselves with live shows and whatever album sales they could muster. It pains us to say that time has since passed, but the music created during that time endures, and few artists offered more chaotic musing than those of Michigan’s See You Next Tuesday. Intervals was intended to be the album that helped the band to their career to the next level, but an extremely early leak derailed those plans and forced the band to scramble in order to recouped lost sales. No additional releases ever surfaced, but this incredibly short album has never left our digital library. If you like your music to be unpredictable, look no further than this record when considering your next #MWE selection.

Blood Brothers – Young Machetes (Listen)

We encounter a lot of people who tell us they know people who admire The Blood Brothers, but that they have never made time for the group themselves. It’s stories like this that justify the existence of #MWE as it provides an opportunity for people to dig into older releases they may have never previously had an excuse to spin. Any record in the Blood Brothers’ catalog would surely make for an interesting listening experience, but there is something so wonderfully mesmerizing about Young Machetes that it had to be the album we chose to promote in this feature. If you can make it through “Love Rhymes With Hideous Car Crash” without falling head over heels for this group you may need to check your pulse and ensure you are, in fact, among the living.

Showbread – No Sir, Nihilism Is Not Practical (Listen)

Zombies, horror movies, and an unquenchable thirst for religion. Sound like an odd mix? Don’t take our word for it, just make time this month to discover the debut album from the now defunct hard rock masterminds known as Showbread. Much like The Blood Brothers, Showbread was a band that found a way to reinvent themselves on essentially every track they ever released. No two tunes sound the same, yet when heard in the order they portray a vivid and colorful world that is hard to leave. Try “Mouth Like A Magazine” and see if you can resist listening to more. Go on, we dare you.

Need something a bit more classic? Why not try….

Bob Seger & The Silver Bullet Band – Live Bullet (Listen)

The Haulix staff would not be what it is today with the music of Bob Seger. The Michigan native was one of the first artists we were exposed to in our youth, and as we have each aged our appreciation for the man who taught us about “Night Moves” has only continued to grow. Live Bullet captures Seger and his band during one of their most successful tours, and all these years later you still feel as if you were present for the recorded show every time the record plays. Maybe this is due to the fact the album was recorded analog style, with no bells or whistles being used to clean up the show, but it’s also due in part to the indescribable power of the music itself. Seger has written more hits than we could hope to name off the top of our head, and on this release he performs many of his biggest songs with a band that is just as talented as the man himself. If you want to experience the true power of raw rock and roll, please give Live Bullet a bit of your time.

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Every Independent Musician Needs A Patreon Account

Here’s something you have probably heard said every single year for as long as you can remember: The music industry is not what it once was. The various meanings behind this cliche are far too numerous to count, but more often than not those complaining about the changing of the tides are referencing the changes in consumer behavior and how that impacts the bottom line. Albums are still being made and sold, but not at the same rate the were even a decade ago, and there is now an entire generation of young people who have never needed to enter a record store in order to find music from their favorite artists. Heck, it’s possible record stores don’t even carry the artists kids enjoy today because many modern musicians are releasing everything online in order to forge a direct connection with the audience. Who needs a middle man when you have MP3s, right?

You cannot stop the changing of the tides just like you cannot stop the constant evolution of consumer behavior. The best anyone in music or entertainment can hope to do is adapt, and even that is far easier said than done. There are hundreds of ways to engage music fans in 2016, from Twitter and Facebook, to more niche platforms like Tumblr or Periscope. The key for the longest time has been for artists to find where their fans already exist and connect with them there, but thanks to the emergence of Patreon a new way to engage has arisen, and it has benefits for fans and artists alike that no other platform can offer.

Patreon, for those unfamiliar with the service, is a way to get paid for creating the things you’re already creating (videos, songs, etc.). Fans pledge a few bucks per month OR per thing you release, and then you get paid every month, or every time you release something new (whether it’s on SoundCloud, YouTube, your own website, or anywhere). In exchange for their contributions, fans receive the content you create, as well as access to a contributor only portal that is controlled by you, the content creator. This space can be used to send updates regarding new projects, links to free downloads, or anything else you can think to share with those who give a damn about what you desire to create. Unlike other social networks or sales platforms, Patreon provides a space for creators to connect directly with those who are financially supporting their dreams, and in turn fans are able to see the result of their contributions.

The appeal of Patreon should be clear already, but as further proof of the service’s ability to help artists further their career I want to take a brief look at the Patreon page created by rapper MC Lars. Anyone familiar with the world of alternative hip-hop would know MC Lars has been a creative force in music for over a decade at this point, and in that time he has toured the world several times over while releasing a slew of albums, EPs, and singles through various record labels and imprints. Lars has been working for years to have more control in the distribution of his music, and thanks to Patreon he now has that power. Fans who contribute to MC Lars’ page are committing to give Lars money for every single song he releases, and in exchange the rapper has promised to release two new songs every month. Some tracks will be from upcoming releases, but others will be exclusive to Patreon backers. In addition to this offering, Lars has created contribution tiers that offer additional rewards for people who choose to pledge more per song. Everything from a digital discography download to a concert held in a contributor’s backyard are available, and it’s likely new rewards will be added in time.

For a better idea of what Lars has planned, here’s the man himself explaining the purpose of his Patreon page:

Lars’ page has been up for less than a month, but already has commitments from contributors totaling nearly $800 per song he releases. While we could debate the amount of money generated from a typical single all day, $800 in exchange for a new track you don’t have to promote or really market in any way at all is quite the deal. At two songs a month, Lars is already poised to bring in $1500 a month from Patreon. Add to this money he receives from touring and merch sales and you have a reliable source of income that is highly likely to grow in time. Even if it doesn’t, which would be absurd, Lars is going to bring in more than $15,000 from Patreon alone in 2016.

I cannot promise you will see the same kind of response from your audience as Lars has seen from his, but every penny counts. Patreon makes it possible for creators to connect with their most dedicated fans and further their own artistic endeavors with the knowledge there is an audience willing to pay for whatever they create. This helps not only alleviate stress, but costs as well, which ultimately allows you, the creator, to focus more of your time and energy on your craft.


James Shotwell is the Marketing Coordinator for Haulix. He is also a professional entertainment critic, covering both film and music, as well as the co-founder of Antique Records. Feel free to tell him you love or hate the article above by connecting with him on Twitter. Bonus points if you introduce yourself by sharing your favorite Simpsons character.

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Inside Music Podcast #52 – MC Lars

On this episode of INSIDE MUSIC, host James Shotwell calls MC Lars to discuss his new album, The Zombie Dinosaur LP. Lars and James go way back, but like most friends in the music business they rarely have a chance to sit down and chat with one another. This conversation covers the release of Lars’ new record, the inspiration behind the material, and the future outlook of the nerdcore community. The Zombie Dinosaur LP is available now.

The music you hear in this episode is pulled directly from Vanna’s most recent album, Void, which is available now.

You may already know this, but ‘Inside Music’ is now available on iTunes! Click here to subscribe.

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