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The Five People You Meet At Every Music Conference

From aspiring superstars to industry veterans, music conferences provide unique opportunities to network with your peers. 

Music conferences are making a comeback in 2022. After two years of postponements and digital reimagining, several conference organizers are eyeing the spring and later months as a perfect time to gather again. COVID-19 may have other plans, of course, but only time will tell.

Many readers have asked us about the usefulness of music conferences in the past. We answer that conferences—like every industry networking event, party, or similar happening—give back what you put into them. If you go with goals in mind and a plan to achieve them, the sky is your limit. You won’t get far if you go with no plan and emphasize watching sets over meeting people. You may have fun, but your career won’t budge.

With that in mind, we felt it might be helpful to illustrate the types of people you’re most likely to meet at a music conference. Some are helpful, others are fun, and a few might ruin your life. 

We plan to bring you more coverage of conferences and how to navigate them in the months ahead. Follow Haulix on Twitter and Facebook, so you never miss another update.

The Up And Comer

Most music conferences cater to up-and-coming artists and aspiring professionals looking to take the next step in their careers. What that step is and how the conference helps them attain it will vary, but these artists will comprise most of those in attendance. Be sure to wear something with pockets because these individuals will give you everything from business cards to USB drives, sampler CDs, postcards, and anything in between to (hopefully) forge a connection with you. 

Should you talk to them?

Yes! These people make up your peer group, and you never know when someone will become a connection that changes your life. Even if they can’t help your career, they might make great music, or maybe they’re decent people. The point is—these people are there to make friends. Be someone who befriends them.


The Industry “Big Shots” (AKA Headliners)

Every music conference looks to its big-name guest speakers as a way to prove its effectiveness. Organizers know that more people will attend a panel featuring an employee from Spotify than one featuring a guy who knows a lot about Spotify. It doesn’t matter if that employee’s job doesn’t directly involve artists; the brand association still sells.

You’ll see the industry big shots arriving shortly before their panel and sipping whatever free refreshments are offered to VIPs. They will speak as much as they need to at their panel and will be flooded with “quick chat” requests as soon as the event ends. Do they possess the ability to change your career trajectory? Probably not! Will that matter to most up-and-comers? Nope!

Should you talk to them?

Don’t wait twenty minutes for thirty seconds of head-nodding while you pass off a business card, but if you see an opportunity for real conversation—Yes! But keep your expectations low. These individuals are highly sought after at these events, but their influence and knowledge may not be what you expect. 


The Industry Pros (AKA Lifers)

The industry pros, otherwise known as lifers, fill out most panels and serve as one-on-one advisers at any music conference. These individuals work in behind-the-scenes roles at companies with varying levels of brand recognition. They make a good living working with talented artists and have perhaps the best work-life balance of anyone in attendance. They more than make up for what they lack in mainstream influence with kindness, knowledge, and experience, so give them a chance.

Should you talk to them?

Absolutely. Industry pros are full of usable, honest information. They are also the most likely professionals at the event to give you their time and attention, which you would be wise not to waste.


The Brand Ambassador (AKA Swag God)

Though participating companies vary between events, every music conference has a marketplace area where vendors can display their latest products. Most conferences have a variety of music stores, gear manufacturers, music schools, and recording studios on hand, and almost all of them will be regional. These companies pay to be on-site, and they are always easy to find.

Should you talk to them?

Yes! They’re good people. Whether or not you ask them for anything depends on your goals. Are you interested in a music school, or are you in the market for new gear? If so, then, by all means, support these individuals. If you are looking for a job, you might also engage these participants. However, if your goal is to land a deal or bring major attention to your career, these individuals are not the answer. 


The ‘Guru’ (Scammers)

Music conferences rely on inexperienced independent artists with disposable income to survive, which is the same target market as every scammer in music. Whether they’re promising inclusion on Spotify editorial playlists or guaranteeing exposure to major label A&R in exchange for a small discovery fee, so-called industry ‘gurus’ are everywhere at conferences. These individuals rarely appear on panels, but you will find them holding court in every networking space with artists unaware they are being talked into a scam. 

Should you talk to them?

No. While a guru will boost your confidence and inflate your ego to make you more susceptible to their con, these individuals have nothing to offer you as a career or peer. These are bottom feeders searching for easy targets to make a quick buck off of before moving on to the next conference in the next mid-sized city. Avoid them at all costs.

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Haulix Industry News News

We’ll see you at LAUNCH Music Conference 2019

Haulix makes a return to LAUNCH Music Conference next month, and we hope to see you there!

Music conferences are where the future of the industry is discovered. Whether you’re an aspiring professional looking for a job or a rising artist seeking new opportunities, conferences can serve as a stepping stone to the next phase of your career.

We have promoted a number of festivals over the years, but the one event we never miss is LAUNCH Music Conference. Taking place in Lancaster, PA every April, LAUNCH has continually proven itself to be an event where dreams grow closer to becoming a reality for musicians and professionals alike. We’ve seen first-hand the difference an appearance at LAUNCH can make, and that’s why we make it a point to contribute to their efforts with each passing year.


This year, Haulix Director of Customer Engagement James Shotwell will be on hand at LAUNCH all weekend long. He will be speaking as part of a panel, as well as meeting with those interested in learning more about our promotional distribution services. James will also be sharing his experiences at the event through our social media, this blog, and our budding YouTube Channel.

LAUNCH takes place April 25-28, 2019. You can view the full panel lineup, as well as a list of artists performing during the conference, over at the official LAUNCH website. Tickets are on sale now.

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Artist Advice Business Advice Editorials Haulix News

VIDEO: A beginner’s guide to music conferences

Music conferences can break artists and change careers, but only if attendees are prepared for the event.

There is nothing like a great music conference. For one or more days, aspiring professionals and rising artists alike come together to discuss the latest trends and developments in the industry. There’s often a lot of live music as well, and the performances on display can attract the attention of gatekeepers from the world of entertainment.

That said, no conference attendance is guaranteed to change someone’s career. The factors that dictate the value of attending a music conference are many, but there are steps individuals can take to position themselves (or their group) for success. In this video, Music Biz host James Shotwell breaks down what music conferences are, how to prepare for them, and where you can catch him speaking in 2019.

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Would You Attend A Conference For Music Bloggers?

Working in the music industry has provided me with the opportunity to attend numerous industry conferences, panels, and events. I’ve spoken at some places, but more often than not I’ve sat in the same crowd alongside many of you, hoping something would be said on stage that related to my career. What I have found however, is that the vast majority of music conferences do not put much time or effort into engaging music writers, despite the fact a good portion of these events are attended and covered by people currently trying their best to make a living with words. I think a change is needed, and I’m writing this today to see if I am alone in my belief.

I believe we need a yearly music blogger conference. This event would start as a one day gathering, but in time it would ideally become something much bigger. The day would be filled with panels, workshops, and a keynote from an influential industry figure, as well as a few performances to cap off the night. I have brainstormed a few topics/events to provide a better idea of what might be covered at this event:

  • Monetization Is The New Selling Out: Making money without betraying your readers
  • How To Handle Controversy: A beginner’s guide to breaking news, checking facts, and telling the whole story.
  • You’re Here To Work: Maintaining professionalism at shows and events
  • Tour Sponsorships: What are they, what do they entail, and why should I care?
  • Embracing Video: A crash course in creating great visual content
  • Branding: The Dos and Don’ts of Marketing Your Blog
  • Keeping Exclusives Exclusive: Making the most of every premiere you get
  • Conflicts Of Interest: How to keep your projects separate, yet equal
  • It’s Bigger Than Me: Building a community with your readers
  • Stop Asking Bad Questions: Interviews tips, tricks, and pitfalls

These are literally the first things that came to mind, but I think it provides a good range of topics and possibilities. Given the number of controversies that have arisen in 2015 alone, the need for a formal workshop on properly reporting such stories is very much needed in blogging right now. Likewise, I think we all have seen a blogger who was less than professionals when covering a live event. Maybe they want a selfie with the band, or maybe they blow off interviews to catch their favorite artists’ set. Whatever the case, we need to try and stop that trend before a select few make us all look like fools.

Having given almost a decade of my life to music blogging, nothing bothers me more than when people treat my chosen career path as a hobby or something to be laughed at. I have dedicated myself fully to this craft for a very long time, and though I am still not where I want to be I take great pride in everything I have accomplished. I know many of you do as well, which is why we should find a way to come together as an industry and push for real, meaningful change. I know not everyone who needs a conference like this will attend, but simply have the option available to people would be better than what we have now, which is essentially nothing.

I understand that the beauty of blogging stems from its ability to give anyone a voice, but as music writers trying to make a living with our words we need to hold ourselves and our peers to higher standards than simply doing whatever makes us happy. If we want people to take us seriously then we need to be serious about what is happening in our industry as well as what we as individuals are doing to make it better. So far, I see a lot of people complaining that things need to change, but no one is actually doing anything to make a difference. I want to change that, but only if you are willing to help me make it happen.

So tell me, what do you think?


James Shotwell is the Marketing Coordinator for Haulix. He is also a professional entertainment critic, covering both film and music, as well as the co-founder of Antique Records. Feel free to tell him you love or hate the article above by connecting with him on Twitter. Bonus points if you introduce yourself by sharing your favorite Simpsons character.

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