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10 New Albums You Should Cover In May 2016

Depending on where you live it may be hard to tell, but summer is fast-approaching, and with the rising temperatures comes an avalanche of new music competing for your attention and blog coverage. We cannot and should not tell you how to run your blog, but if you’re the kind of writer looking for the best of the best to share with your audiences then we know of a few upcoming releases you should definitely keep your eye on. These records criss-cross genres, but each one adds something special to the global music community that we believe is worthy of coverage.

Also, just so you don’t start believing we claim to have final say over everything that is good or bad, please know we are always in the market for new discoveries ourselves. It’s rare that more than a day or two passes without someone pitching us new music, and we do our best to hear everything that arrives in our inbox. If you know of a great record on the horizon that is not mentioned in the list below, please comment and add your suggestion. We will definitely make time to listen, and who knows? Maybe you will be responsible for kickstarting the development of future blog content down the line.

Anyways, here are our picks for the must hear albums of May 2016:

The Obsessives – My Pale Red Dot (May 6)

It is incredibly hard to summarize the sound of The Obsessives in a paragraph, let alone a single sentence, but their music can best be likened to carefree indie punk with often gut-wrenching themes. The band’s latest EP is a testament to their ability to take a wealth of diverse influences and channel them into something entirely unique. There is no other group in the world that could write or perform the way The Obsessives do, and this release sets the bar extremely high for everything they may do in the future.

Astronautilus – Cut The Body Loose (May 13)

If you have yet to listen to Astronautilus on our podcast, what are you waiting for? The Minneapolis based emcee is set to release his label debut for SideOneDummy Records this month, and we’ll be the first to tell you it is a serious contender for our favorite record of 2016. Cut The Body Loose celebrates the human spirit and mankind’s unique ability to accomplish pretty much anything we set our mind to. It’s the inspirational rap album to end all inspirational rap albums, and it’s coming out on one of the most punk labels in existence today. Don’t sleep on this record.

Pierce The Veil – Misadventures (May 13)

There are very few bands in alternative music today who are able claim they have maintained a singular narrative throughout the career, but Pierce The Veil can. The California rock act has been teasing the release of their fourth studio album for the better part of two years and the wait finally ends later this month. So far, early singles like “Texas Is Forever” and “Circles” tease a diverse offering that pushes the lyricism and technical prowess of the band. Whether or not it can top their other records remains to be seen, but we certainly hope it will.

Modern Baseball – Holy Ghost (May 13)

Modern Baseball are to pop-punk in 2016 what The Wonder Years were back in 2010. Having ascended through nearly every rung of the alternative underground as if they were propelled by jet fuel, the band is now in a place where mainstream publications are knocking on their door. Still, the material that makes up their third full-length is perhaps their most personal offering to date. The record addresses mental health, religion, and the stress distance places on relationships with an unabashed sense of realism that can shake you to your core. This makes for a challenging listen, but also a rewarding one, and at just twenty-eight minutes in length the album makes repeat listens incredibly easy to justify.

Head Wound City – A New Wave Of Violence (May 13)

This band features both Jordan Billie and Cody Votolato of The Blood Brothers. Do we really need to say more? Head Wound City has been a force for raw rock and roll goodness since the mid-2000s, but their musical output has sadly been pretty minimal. That changes this month when A New Wave Of Violence arrives in stores, and our hopes for the record could not be higher. Those who loved Billie and Votolato’s work with Blood Brothers will not be disappointed by this group’s sound, but those who disliked the band may find something to enjoy as well. This is not a knock-off as much as it is a variant that was inspired by acts that a lot of older alternative and hard rock fans still care about. 

Tiny Moving Parts – Celebrate (May 20)

Minnesota rock purveyors Tiny Moving Parts have been in a league all their own since day one, and their latest record, Celebrate, cements their place as kings of the indie rock underground. Ripe with finger tapping, riffs, and hooks that just won’t quit, the third album from TMP features their longest and most creative songs. That said, the album barely cracks thirty-minutes in length, so though the songs are longer the nonstop party vibe of previous records is still present. There are no radio cuts on this record, but the band’s songwriting has taken an ever-so-slight turn toward the more accessible that should help them recruit a new group of devoted fans without alienating longtime supporters.

Hit The Lights – Just To Get Through To You (May 20)

2016 marks the ten-year anniversary of Hit The Lights’ debut album arriving in stores, and the band is celebrating their success by releasing a one-of-a-kind acoustic EP that features reworked version of classic songs, as well as a new track called “Lighthouse” that is sure to become a fan favorite. It seems every pop-punk band eventually reaches a point where they feel it necessary to release stripped down versions of their biggest hits, but in the case of Hit The Lights the changes made actually give you a new appreciation for the material. Even seemingly disposable songs, like the infectious and utterly empty “Drop The Girl,” feel more important when presented in a new light on this record. 

Pup – The Dream Is Over (May 27)

It is quite possible that The Dream Is Over will be the best rock and/or punk album you hear all year. If Pup were a single US citizen and not a group of cool dudes from Canada we would call for them to be elected as president because that is how much we believe in their message, their music, and the endless fun that runs through everything the do. Listening to this album is akin to throwing the greatest party known to man, only there is no cleanup and the risk of nursing a hangover the next day are much lower. If a better collection of twenty-something anthems exist in 2016 we have yet to hear them.

Half Hearted Hero – Isn’t Real (May 27)

New England is no stranger to producing unique punk bands, and Half Hearted Hero are the latest exports from the area to earn national attention. After listening to their new record it’s not hard to understand why either as the group delivers catchy hooks and toe-tapping melodies with skill well beyond their years. It doesn’t hurt that the band spent the better part of a decade being a popular regional act, but they do not let their humble beginnings define who they will become in the future. Isn’t Real offers the promise of an alternative scene where the best music is held in higher regard than who can generate the most clicks, and we cannot wait to see where the band finds themselves once the world hear the art they have created.

Thrice – To Be Everywhere Is To Be Nowhere (May 27)

It’s 2016 and we’re about to hear a new album from Thrice. Not a single, or an EP, but a complete full-length record filled with songs most of the world has never heard. If you had told us even a year ago this would be happening we probably would have scoffed in your face, but here we are and our excitement is through the roof. We have only heard as much of the record as the rest of the general public, yet we are convinced this will be one of the band’s best albums to date. Even mediocre Thrice is better than most bands at their absolute best.

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Monday Motivation: The Obsessives

If you’re anything like me, you probably started the day by recognizing that the start of a new work week had indeed arrived and then immediately began shaking your fists at the sky in anger. Monday is rarely anyone’s favorite day, and from what I have seen firsthand it feels safe to say it’s the one day of the week some people outright hate. I guess to them the arrival of the work week symbolizes the end of their quote/unquote freedom, and as a result they head into the office/factory/restaurant/store with a negative outlook already on their mind. This leads to bad attitudes, which only makes the experience of being at work worse, and for some reason it also seems to make time slow to a crawl. We’re not about that life, and we hope this post can do the same you that the song contained within it did for us.

There are a lot of things about life you might need to know as an adult that even the best parents or caretakers choose to not tell their children. The reason for this is not born out of some sick desire to see the next generation struggle, but rather to give them the freedom of an existence without the constant worry or stress that comes with fully grasping what it means to be alive. As many philosophers have said, to be fully conscious of one’s own existence is to be painfully aware that existence has an expiration date, and we can try whatever we wish to prevent that moment from coming, but it is coming nonetheless. I was twenty-six or twenty-seven when I first began to grapple with the idea of growing older, which is much later in life than many can claim to have made it before that little voice in the back of their head began panicking about its eventual end. To be fair, none of us know what comes after our time on this planet is over, but that is precisely why our subconscious has such a hard time coming to terms with the knowledge we will sometime reach that point and that we are completely unable to change course. We may live a life different than the one we always planned for ourselves, trying in desperation to find some new path to happiness, but we will still reach the same conclusion in time. It’s unavoidable.

I cannot begin to explain what it will feel like when your brain begins to panic over the fact you’re reaching the end of the ‘growth’ period in life and entering the ‘slow, yet constant decline’ era, but I can say that it will more than likely keep you up at night. While the rest of the world sleeps, you will be lying in bed dreading the same thing every person who has ever walked this planet has lost sleep over since the beginning of time, and that is only the beginning of your struggle. Soon you will start to question everything, from the food you eat, to the people you surround yourself with, and even how you spend your time day to day. The things that once seemed incredibly important to you, like music or art, will take a back seat to your own subconscious fight for survival. You will kick and scream, metaphorically or otherwise, hoping for some peace of mind so that you might return to a state where all that matters to you is living in the now because, honestly, it’s all any of us have. There is right now, the moment you are in when this sentence hits your field of vision, and there is nothing. Your next breath is not guaranteed.

For me, this routine of sleepless nights and worried filled days made up a good portion of my 2015 and almost all of 2016 up until a few weeks ago. It was then, just as I was beginning to plan blog content for May, that something incredible happened. My friend James Cassar told me a band on his record label called The Obsessives who would soon be releasing a 7” with material he hoped I would make time to hear. I love James, so even though I hadn’t felt much like listening to or promoting new music I decided to give the first single from the upcoming release a few moments of my time. I didn’t tell him this yet, but the several minutes that followed that brief conversation nearly made me forget the cloud that had hung over my head the six to eight months prior. For the better part of two and a half minutes I was free of the fear of death and fully focused on the moment I was experiencing, which was a sensation unlike any I had felt in quite some time. The cobwebs that had filled the creative corners of my mind while I was desperate for answers to existential quandaries was suddenly bursting with the desire to share with the world what I had heard. I was, for lack of a better word, alive for the first time in what felt like forever.

The song in question was called “Avocado,” and looking back it’s hard to pinpoint what exactly set my imagination on fire, but it hit within seconds of the song kicking off. Something about the way the music and vocals hit struck a cord deep down in my soul, but having heard The Obsessive before this shouldn’t have come as such a surprise. The duo, comprised of Nick Bairatchnyi (guitars, vocals) and Jackson Mansfield (Drums), has been building a steady following for their unique take on alternative indie rock since 2012, but it was their decision to join Near Mint Records nearly three years back that thrust them into the national spotlight. Their music is diverse and unexpected, bursting with riffs and hooks in equal measure that never feel forced or created with any goal other than to capture a feeling or moment to tape. To hear The Obsessives is to learn their story through their own words, and once you’ve heard one chapter you cannot resist demanding that they create more. The narrative captured across their catalog tells of wide-eyed young people with a soft spot for friends and marijuana doing their best to navigate the tricky waters of the modern world without losing their souls. Sometimes this leads to success, but other times it causes great emotional turmoil, and the band is able to convey both the highest highs and lowest lows with skills well beyond their years. “Avocado” is no exception to this idea, and if anything it points to an even more brilliant creative future on the horizon.

Death will come for all of us in the end, and all we can do is make the most of the time we have been given. To do this, we must shake the fear of death from our minds and forge ahead as if we will be able to do everything we have our hearts set on. Music, especially innovative material like the latest recordings from The Obsessives, help make this process easier by reminding us of the beauty of existence. There is such profound emotion and heart laced through every note and lyric The Obsessives lay to tape that when their music plays you cannot help becoming a just little overwhelmed by life in the best possible way. You hear their music and you know beyond the shadow of a doubt that anything can happen and you can be whatever you want. Just keep moving. Just keep breathing. Just keep creating. We’re all here for a good time, not a long time, and great art makes the world a better place for everyone.


James Shotwell is the Digital Marketing Manager for Haulix and host of the Inside Music Podcast. He is also the Film Editor for Substream Magazine. When not working, James can be found in Minneapolis with his two fat cats, Paws Von Trier and Chub E. Chubs, watching old police procedurals and eating copious amounts of popcorn. You should follow him on Twitter.

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Inside Music Podcast #31 – James Cassar & Corey Purvis (Near Mint Records)

Hey there! Welcome to our blog. We thank you for finding time in you busy schedule to spend a few minutes on our site. The post you’re about to enjoy is the latest installment in our popular podcast series, Inside Music. If you like what you hear, the entire catalog of episodes can be found and enjoyed through iTunes. Subscriptions and reviews are always appreciated.

This site exists to promote the future of the entertainment industry, and to do that we need input from people like you and your entertainment-loving friends. If you have any questions about the content in this article, or if you have an artist you would like to see featured on this blog, please contact james@haulix.com. We can also be found on Twitter and Facebook.

On this episode of INSIDE MUSIC, host James Shotwell chats with Near Mint Records’ co-founders James Cassar and Corey Purvis. Together, the three discuss what it’s like running a record label in 2015, as well as the numerous ways Near Mint is working to stand out from their competition. The conversation eventually turns to the future, which is when Near Mint’s leaders share some thoughts on what they plan to accomplish and how they are going to make it all happen. If you ever thought about starting a label, or if you just want to know the realities of launching a business in music today, this is one episode you cannot miss!

The music you hear in the intro to ‘Inside Music’ this week is “Great White North” from Well Kept Things. You can learn more about that song, as well as the album it hails from, on the official website of Antique Records.

You may already know this, but ‘Inside Music’ is now available on iTunes! Click here to subscribe.

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