We’re only halfway through 2016, but already this year is proving to be one of the best for new music in a long time. From rock and pop, to hip-hop, country, and even spoken word, 2016 has been chock full incredible surprises and expected delights. Our jobs give us to hundreds of records every month, so trying to decide just 10 or 15 that won our hearts proved to be fairly difficult. Instead of betraying our loves (and potentially starting an interoffice war that would no doubt resemble something out of Braveheart in execution) we decided to select a few of our absolute favorites that we’ve listed below in hopes you will take it upon yourself to discover everything they have to offer. It’s not a complete list by any means, and it’s being shared with no attention paid to the order in which albums appear, but if you ever find yourselves in our offices in Minneapolis in the near future you can rest assured on of the records will be playing through our stereo.
Hotel Books – Run Wild, Stay Alive (InVogue Records)
Spoken word artists like Cam Smith never receive the credit they deserve, but one listen to the newest record from Smith’s band Hotel Books proves that poetry can be just as exciting as the best punk records. Run Wild, Stay Alive has been on shelves for less than a month when this post goes live, but already we’ve logged over a dozen plays. This is an album that will break your heart and piece it back together again.
The Summer Set – Stories For Monday (Fearless Records)
Trying to deny our love for The Summer Set is like trying to deny our constant craving for hot pizza and cold (unsweetened) ice tea. We had a feeling Stories For Monday would be a perfect soundtrack for adventures when we first heard “Figure Me Out” in February, but when the record finally arrived in April that belief was proved completely true. Every track on this record is constructed in such a way as to make any moment experienced while they play a bit more memorable. There is fun, heart, and soul to spare on this release, and the band deserves heaps of respect for finding a way to create such an immediately infectious record.
Slingshot Dakota – Break (Topshelf Records)
Sometimes a band with a rich history in the alternative scene delivers a new record that makes everything they’ve done in the past look like child’s play despite the fact those previous records are beloved by throngs of people worldwide. Such is the case with Slingshot Dakota, perhaps the most perfectly paired married couple in music, and their latest record released through Topshelf Records back in March. Break captures the sensations of growing up and making commitments to bettering yourself through catchy indie-rock tunes that make you want to dance almost as much as they make you want to share the record with anyone experiencing hard times around you. We’ve put Break on to lift our spirits, celebrate good times, and keep us company when times got hard. If the music of Slingshot Dakota were a religion we’d be the first in line at the chapel doors every Sunday, and after hearing Break we imagine you too will want to convert.
Empty Houses – Daydream (Sargent House)
There is no other band in alternative music today that has found a better way to combine the sensibilities of Motown songwriting with modern indie-pop aesthetics than Empty Houses. Their debut album, Daydream, is just what the title proclaims it to be, an escape from the world around you that is so pleasant to experience that you never want it to end. If you don’t already own this album, finish this article, share it with all your friends, and then rush out and buy a copy as soon as possible. We recommend the vinyl version, but even a download will suffice.
ROAM – Backbone (Hopeless Records)
Perhaps the first great album to be released in 2016, Backbone remains a staple of the Haulix staff playlist to this day. There is always room in our hearts for a young band who has found a way to convey boundless energy and positivity through original music, and that is exactly what you get when you listen to ROAM’s debut release on Hopeless Records. If you can make it through “Deadweight” (featured above) without feeling the urge to conquer whatever obstacles stand between you and your goals you may want to visit a doctor and double check that your heart is still beating. Yes, this band is so good that only the undead could possibly be hear their music and feel nothing. The best part of all? All signs point to ROAM only getting better with age, and that means they have several more anthemic records left to create.
I See Stars – Treehouse (Sumerian Records)
Michigan’s Electronic Hardcore ringleaders I See Stars have spent the better part of the last decade refining a sound entirely their own, and along the way they inadvertently spawned an entire underground movement. Treehouse seems to be the culmination of these efforts, as the record finds the band simultaneously delivering their most cohesive and most experimental record to date. There is a vicious heaviness to certain songs, but also a lighter side to proceedings that offer the pop-laden hooks that helped establish the band early on. There’s even some hip-hop influence, which is perhaps most evident on the show-stopping track “All In,” adding to the creative output of the group. To say this is one of the year’s best party records would be an understatement, and we expect many more genre-defying releases from the band in the future.
Whitechapel – Mark Of The Blade (Metal Blade Records)
Not many bands are able to say they’ve stayed together for a decade, and far less make it a point to celebrate this fact by releasing an album intended to reflect on all that has transpired while also looking towards the future. Whitechapel have never been your average band however, so the fact a record like Mark Of The Blade exists will likely come as no surprise to diehard fans of the long-running metal juggernauts. Everything about this record slays, and the creativity shown from the band tells us they have another decade of ideas and themes waiting to be explored.
Tiny Moving Parts – Celebrate (Triple Crown Records)
Minnesota natives Tiny Moving Parts have been carving their own path in the world of alternative music since formation, but the group seems poised for a crossover into the mainstream of music with the release of Celebrate. Both elaborately designed and undeniably infectious, the record speaks to pains of growing up and the double-edged sword that is chasing your dreams. Though still young in age, the members of TMP seems to recognize that every positive action often has a negative consequence and vice versa, which gives them a lyrical sense of wisdom well beyond their years. More importantly, they have found a way to convey a wealth of emotion through their music without jeopardizing the inherent sense of fun that has always existed within their songs. We don’t mean to cast judgment on anyone, but those who have yet to hear Celebrate in full should not be allowed to claim they lived their 2016 to the fullest because they’re missing out on a truly exciting, not to mention wholly original, release.
Avion Roe – In Separation (Epitaph Records)
It is very possible that Avion Roe will be the biggest rock band in alternative music by 2017, and if so In Separation will be seen as proof it is a title they fully deserve. This Texas rock band has been grinding away in the underground music scene for several years now, but their decision to join Epitaph Records last year thrust them into the spotlight like never before. Their label debut, which just hit stores on June 17, is chock full of anthems that feel made for arenas, and we have no doubt they will be able to play them in rooms that size in a few years time. The band is currently on Van’s Warped Tour, and those attending should consider this summer their last opportunity to hop on the group’s hype bandwagon before its overflowing with fans.
Modern Baseball – Holy Ghost (Run For Cover Records)
What could we possibly write about Modern Baseball that hasn’t already been said on blogs or in the pages of The New York Times (yes, the band was in the NYT earlier this year)? Holy Ghost is an album ripe with soul-searching sincerity that is as catchy as it is absolutely heartbreaking. We don’t recommend your first experience with this record to take place in a crowded room unless you’re absolutely okay with your friends seeing you cry because we wept as if our relatives had just passed during our initial spin(s). If you get the chance to see the band live, do it.
