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Music piracy rose 13% in the US last year, and stream-ripping is to blame.

Despite reports claiming otherwise, a new study from a marketing research company reveals that the war on piracy far from over.

The music industry breathed a sigh of release last September after global piracy platform MUSO released a report claiming that piracy was on the decline. The streaming age, it seemed, had finally converted thieves into consumers.

This week, however, a new study published by marketing research company MusicWatch claims otherwise.

In a blog post focused mainly on stream-ripping services, MusicWatch claimed to have tracked 17 million users downloading their music on websites from video platforms, including YouTube.  That’s up from 15 million from the same period two years ago.

The top 30% of stream-rippers also downloaded an average of 112 music files, the equivalent of 10 full music albums, over the course of the year.

The company wrote:

That may not seem a lot in a world where streaming services hold millions of songs, but ask any rights holder how they feel about someone copying their works.  For a more vivid picture, imagine someone shoplifting 11 albums from Walmart or Best Buy!

MusicWatch Blog, 2019

The question of why the spike occurred remains unanswered, but MusicWatch points the blame at search platforms such as Google for not taking the matter seriously. The company believes it is easy for anyone to find a stream-ripping service in a matter of clicks, and that files ripped from sites such as YouTube are seen as a replacement to mainstream music streaming services such as Spotify.

A quick search by the Haulix team proved their theory to be true:

Google and other search platforms are under fire for not doing more to prevent access to stream-ripping services like the ones seen here.

Additionally, the study from MusicWatch revealed that stream-rippers are also more likely to participate in other forms of unsanctioned music sharing.  These include downloading songs from unlicensed music apps and sharing songs on digital lockers or file-sharing sites.

They’re also more likely to go to the movies, play video games, and subscribe to video streaming platforms, like Hulu and Netflix.  That, says the marketing research company, amplifies the risk of piracy in each category. If they’ll steal music they don’t own, why wouldn’t they do the same for films, tv, or video games?

Of the people surveyed by MusicWatch, 68% of stream-rippers in the U.S. are aged between 13 and 34.  A slightly higher number of males pirate when compared to women, 56% to 44%.  The average household income of stream-rippers is between $75,000 and $199,000.  Only 34% are full or part-time students, which strongly suggests that professionals are also downloading music for free.

As for solutions to these problems, MusicWatch concludes their study by reiterating the need to fight back against stream-ripping platforms.

If [stream-rippers] pirate music, they’ll likely also take movies, TV shows, and other forms of intellectual property.  Discouraging stream-ripping isn’t just good for music; it’s good for the entire entertainment ecosystem.”

There have been several lawsuits filed against stream-ripping websites in recent years, while other stream-ripping platforms have received cease and desist letters. Until action is taken to block or otherwise remove stream-ripping sites as a whole, the entertainment industry will have to wage war against the services on a site-by-site basis.

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Haulix Industry News News

Hooray! Stream-Ripping is (finally) on the decline

The popularity of stream-ripping dropped 13% in 2018, according to a new report.

Piracy, not unlike entertainment, has seen the rise and fall of various trends as consumer behavior evolves. Early pirates relied on torrents and peer-to-peer services such as Napster, Kazaa, and BitTorrent to access materials they would otherwise have to pay to consume. Today’s pirates, however, often rely on services that rip existing content from streaming sites such as YouTube. Both methods work, and both methods are illegal.

Everyone knows piracy persists, but new information from the UK-based company MUSO shows signs of decline, at least where music is concerned.

While most people now subscribe to Spotify and Apple Music, Christopher Elkins, the company’s Chief Strategy Officer, explained that piracy “remains a significant challenge.”

The new data made available comes from 2018 piracy habits, and it includes a marked decrease in YouTube ‘stream-ripping,’ which was declared a piracy menace by groups like the RIAA in recent years.

MUSO counted over 189 million visits to piracy sites in 2018, which is over 100 million less than the number reported for activity 2017. TV remained the most popular content for piracy. Nearly half (49.4%) of all activity focused on pirating television programs. Film, music, and publishing had a respective share of 17.1%, 16%, and 11.2%. Software piracy came in the last place with around 6.2%.

That said, music saw the biggest decline in piracy, with a 34% drop overall compared the previous year.

The United States topped the list of countries with the most visits to piracy sites with 17 billion. Russia came in second with 14.5 billion, followed by Brazil, India, and France with 10.3 billion, 9.6 billion, and 7.4 billion visits, respectively. Turkey (7.3 billion), Ukraine (6.1 billion), Indonesia (6 billion), the United Kingdom (5.8 billion), and Germany (5.4 billion) rounded out the top ten.

Public torrent networks, such as ThePirateBay and 1337x, accounted for just 13% of all infringing activity.  Stream-ripping fell 13% between 2017 and 2018 – from 8.9 billion visits to 7.7 billion.  This was primarily due to YouTube-MP3.org’s closure in 2017, leading to a 16% drop in overall stream-ripper visits.

Speaking about the findings, Andy Chatterley, Muso’s Co-Founder and CEO, explained,

In 2018, we’ve seen a 10% increase in people bypassing search engines and going directly to the piracy destination of their choice.

“Simply focusing on take-downs is clearly a whack-a-mole approach and, while an essential part of any content protection strategy, it needs to be paired with more progressive thinking.

“With the right mindsight, piracy audiences can offer huge value to rights holders.

There is still a long ways to go before piracy is eradicated, but it appears that the proliferation of streaming services such as Apple Music and Spotify may finally be making a difference.

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News

Haulix Live! Come See Our Panel At LAUNCH Music Conference

This is some news we have been anxiously waiting to share for some time now. We told you 2015 would be our biggest year to date, and part of making that goal a reality includes bringing the educational efforts found on the blog into conferences, panels, and related industry discussions across the nation. Haulix Live, which is essentially just a catchy way of saying we’re hosting a panel about piracy and the ways it can be combatted in the year ahead, will premiere at the LAUNCH music conference in Lancaster, PA this April. The first wave of performers and panelists were just announced, so we thought we’d share the entire release in case any of you care to join us.

Lancaster, PA | January 12, 2015 –  Over the past seven years, Launch Music Conference has welcomed some of today’s top musicians and music executives to speak and perform to a crowd of artists and industry go-getters. Launch Music Conference is thrilled to be back with a new weekend event filled with enticing panels and showcases on April 23rd – 26th at the Lancaster County Convention Center and surrounding venues. Founder, Jeremy Weiss had this to say about the forthcoming event: 

By combining both a music conference and festival, LAUNCH brings together two aspects of the music industry for one exciting weekend in beautiful historic Downtown Lancaster, PA! With the variety of performers and events, there’s something for everyone going on during LAUNCH – for the most casual music fan to the most die-hard!”

Today, Launch Music Conference is thrilled to announce their first wave of panelists, artists and seminars including: Kevin Lyman (Vans Warped Tour), Mike Mowry (Outerloop Management), David Silbaugh (Milwaukee Summerfest), Tim Borror (The Agency Group), Lou Plaia (Reverbnation), Randy Nichols (Force MGMT), James Shotwell (Haulix), Jen Kellogg (T.E.I), Joyce Dollinger (Ent. Attorney) with performances by Badfish, Atreyu, and Mo Lowda and The Humble and breakout session with Vocal Coach Deborah “Zuke” Smith (Frank Iero, The Voice). 

Launch Music Conference is sponsored by Heineken, Fireball, Dr. McGillicuddy’s, Disc Makers, Millersville University, Strongbow, Lancaster County Convention Center, Substream Music Press, Atomic, Herr’s, The City of Lancaster, The Catalyst Publicity Group, CI, dropcards, Gerhart Coffee, and more to be announced.
 
Artists and attendees can purchase weekend badges at LaunchMusicConference.com!

Launch Music Conference

Where: Lancaster, PA

Dates: April 23rd – 26th

Marquee Events:

April 24th – Atreyu – Freedom Hall/Lancaster County Convention Center

April 24th – Badfish – Chameleon Club

April 25th – Mo Lowda – Tellus 360

Panelists (More announcements to come):

Kevin Lyman – Vans Warped Tour / Rockstar Energy Drink Mayhem Fest

Mike Mowery – Outerloop Management

David Silbaugh – Milwaukee Summerfest

Tim Borror – The Agency Group

Jen Kellog – Vans Warped Tour / The Event Institute 

Lou Plaia – Reverbnation

Randy Nicholas – Force Management

James Shotwell – Haulix

Joyce Dollinger – Dollinger, Gonski & Grossman

Ticket/Registration Links:

LAUNCH Registration/VIP – http://bit.ly/LAUNCH15-WKND-VIP

Friday Badge – http://bit.ly/LAUNCH15-FRI

Saturday Badge – http://bit.ly/LAUNCH15-SAT

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