Music Industry Job Board (September 3, 2019)

New openings:

Music Coordinator, Hollywood Bureau (NAACP – Los Angeles, CA)

The Music Coordinator secures entries within the NAACP Literature categories, which results in a NAACP committee ballot. That ballot is used to decide the nominees that in turn will be voted upon to affect the winner of an Image Award.

Events and Projects Producer, Music Division (Julliard School – NYC)

Works closely with the Director of the Music Division to produce and support programs, events, and new initiatives within the classical music departments of the School’s Music Division. Provides high-level support to the Director of the Music Division, and collaborates with stakeholders within the School to successfully see assigned projects and events through from conception to realization, including managing artistic needs, budgets, schedules, and other parameters as needed.

Entertainment Manager (Lodge Management Group – Chicago, IL)

Lodge Management Group is seeking a dynamic Entertainment professional to manage and coordinate all activities relating to Promotion and Entertainment for 551 Live music venue. This position requires an individual who is passionate about drinks, music, and live events. This is a full-time position, with workdays from Thursday through Monday and hours dependent on the event schedule at 551 LIVE. Due to the nature of this position, the position requires open availability, including frequent nights, weekends, and holidays. This includes attendance at all special events.

Music Director (Viacom – NYC)

The Music Director will report to the Editorial Director, MTV News and be responsible for MTV News’ music coverage across editorial, social and video. The Music Director will be a sharp creative who will directly oversee the editorial wing of MTV News’ music team of editors and writers, while collaborating across MTV News’ video and social teams to optimize and translate content across platforms. The Music Director will regularly utilize analytics and insights to inform content and increase traffic and engagement around editorial, social and video content. Additionally, the Music Director will work with other teams in MTV and Viacom landscape to inform and produce innovative content that builds positive brand loyalty/affinity and makes an impact in the cultural sphere.

Subscriptions Marketing Lead, Apple Music (Apple – Culver City, CA)

We’re looking for an enthusiastic and expert Subscription Marketing Manager to lead customer acquisition for Apple Music. The ideal candidate has experience with subscription business models, and applying that knowledge to devise compelling marketing strategies. This individual will lead the development of customer acquisition (UA) and lifecycle strategies across paid, owned, and earned media channels. The ideal candidate will also have brand marketing experience, able to balance both a creative, and analytical mindset. This role works cross-functionally across the Music Marketing team, the channel teams, and our analytics and business teams to bring together all aspects of a user’s lifecycle- from customer segmentation, acquisition, to delivering long-term retention and winback. This role will have a high level of visibility within the marketing organization and contribute to a fast-paced marketing team.

Music Library Supervisor (USC – Los Angeles, CA)

The University of Southern California (USC) Libraries seek a service-oriented Library Supervisor to manage the daily functions of the Music Library. The Music Library supports the research and curricular activities of Thornton School of Music, as well as any other music and musicology-related research conducted in other departments. Reporting to the Head of the Music Library, the Music Library Supervisor is responsible for overseeing the day-to-day operations of the library unit, providing excellent customer service to patrons, training and supervising student assistants, maintaining a student employment budget, overseeing daily circulation and collection management functions, ordering and maintaining materials and supplies budgets, special projects, and other duties as assigned.

Associate Composer (Hexany Audio – Los Angeles, CA)

As an Associate Composer at Hexany, you’re an orchestral composer first and foremost. You live and breathe composition, have awesome music production chops, and are comfortable recording solo instruments and mixing your own music. We’re currently working on a variety of awesome unannounced projects in the AAA, VR, and theme park spaces and place a strong value on work-life balance- your weekends and evenings will be your own!

Reference Archivist, Music Library & Bill Schurk Sound Archives (BGSU Main Campus – Bowling Green, OH)

Under the direction of the Head Librarian, the Reference Archivist provides leadership in the administration of reference service and archival collection processing at the Music Library & Bill Schurk Sound Archives (MLBSSA) and to the BGSU community and the public, including both in-person and distance inquiries; serves as webmaster for the MLBSSA in the University Libraries; coordinates print digitization activities in the MLBSSA; and assists with audio digitization activities. The position supervises public-service student assistants, organizes circulation of materials, assists with public outreach activities such as tours and class presentations, selects content for digital exhibits, and consults on displays of MLBSSA materials. In absence of the Head Librarian, supervises permanent employees and serves as the head of the unit.

Manager, Mechanical Licensing Recorded Music (BMG – Nashville, TN)

Your primary mission is to secure licenses for physical and digital recorded music products released in the U.S. and Canada by BMG and its various labels.

Music Services Support Coordinator (TouchTunes – Redmond, WA)

This position supports Music Services department efforts related to one of our key music products including music research and song lyric review, and building playlists in Conductor. This position serves in an administrative capacity to assist the Music Manager with support on projects under strict deadlines. This individual will work as a contributing member of the overall Music Services team to help ensure that processes and workflows function end-to-end and a high degree of attention to detail is contributed to every undertaking.

Key Accounts Sales (Meinl USA – Nashville, TN)

We are looking for someone to join our group that shares our passion for music and drums/percussion, loves to travel, has an open mind towards business, is willing to meet new people, and is not afraid to do a little physical labor when needed. For instance, we don’t just sell instruments to the store and move on to the next call. After the deal is closed, we go back to the store several times to install displays, merchandise the gear so our products stand out in the store, and help our customers build their business. We want to build our team with people that are willing to build long-term relationships with our customers instead of just hitting a sales quota every month. We are all team players and assist each other in tasks outside of our sales territories to build the company. We expect that you would do the same. Sometimes we fly in late at night from a trip, but still show up in the office the next morning on time. It’s just part of our nature.

Cruise Ship Classical Music Production Manager (RWS Entertainment Group – Long Island, NY)

Reporting to the Vice President of Artistic Direction, the Music Production Manager will oversee all operational and creative logistics for multiple productions of our cruise ship client’s classical chamber music program.

Musician Casting Supervisor (Carnival Cruise Line – Miami, FL)

We are currently seeking a Musician Casting Supervisor! The Musician Casting Supervisor is responsible for attracting, recruiting, and hiring top musicians to cover all musical positions across the entire Carnival Cruise Line fleet. They develop the audition schedule based on cast changes, new programs being developed and seasonality. The Musician Casting Supervisor will identify potential talent sources and create relationships to develop future talent pools. They also assure the talent pool is diverse, and will partner with Music Managers to ensure talent pool is strong and effectively utilized.

Head of Maintenance (Loove Labs – Brooklyn, NY)

Media startup seeks resourceful person to assist in maintaining, cleaning and organizing two studio spaces in Williamsburg. This role begins with core maintenance work, including cleaning and troubleshooting systems, and expands into build and possibly production work. we’re looking to add a team member with excellent communication skills, experience managing and maintaining spaces – and optimally, a feel for the way arts spaces operate. 

Sr. Integrated Marketing Manager, Digital Music (Amazon – Seattle, WA)

Amazon Music is seeking a Sr. Integrated Marketing Manager to lead integrated go-to-market campaign strategies and executions for new product releases. We are seeking an experienced and creative integrated marketing manager that has a proven track record mobilizing cross-functional teams, planning releases, and delivering results, plus a drive for testing, learning and making insight- and data-driven decisions. You will need to possess an entrepreneurial ability to try new and different things with minimal direction. Overall, you will be challenged to push boundaries, propose and execute new ideas and establish best practices for Amazon Music.

Commercial Counsel, Content and Music (Snapchat – Los Angeles, CA)

We’re looking for a seasoned attorney to join Snap Inc! Working from our Los Angeles, CA headquarters, you’ll play a key role in Snap’s commercial transactions and advise teams throughout the company on legal and strategic issues spanning the breadth of Snap’s products and services, with a particular focus on content and music.

Artist Marketing Project Coordinator (Aquent – NYC)

The Artist Marketing team is looking for a hyper-organized and motivated professional to help us manage an overflow of artist campaign process and ops needs. Our team is set up to execute over 50 artist campaigns this year and we need someone to join and on day-1 help us manage the accompanying workflow. This one of the largest promotional platforms and we are using our platform to support artists. We are looking for someone to help our music promo team. This role requires hyper-organization, an analytical mindset, and comfort with ops and planning. 

Coordinator, Creative Licensing (UMG – Santa Monica, CA)

We are currently seeking an eager and exceptional coordinator to assist our VP, Creative Licensing. Administrator duties would include answering the phone, managing my expenses and calendar, updating the contact database, various servicing lists and dealing with day to day departmental asks. This person would also oversee all departmental servicing including managing the servicing calendar, show invites, ticket requests, and eventually / hopefully learn and then help creatively pitch to brief when necessary.

Assistant, Digital Marketing Operations (WMG Urban – NYC)

The Digital team at Atlantic Records is a full-service, agency-like marketing team, dedicated to building artist careers through the intersection of music and technology. We are responsible for all digital strategy and marketing for all artists on the roster, acting as artist partners in our 360 relationships, across music, touring, merch, and all other aspects of the artist career. Through creative marketing campaigns, we build online and mobile fan communities, with an eye towards evolving the way that fans listen to, participate in, and purchase music and related products. We create, market and optimize content, develop and implement CRM/fan acquisition strategies, and work with new, engaging digital platforms and startups.

Urban Marketing Director (Red Bull – West Hollywood, CA)

Red Bull Records is a full-service independent record label dedicated to long-term artist development, with a diverse roster across a variety of musical genres. We are seeking a candidate to drive the marketing activities for our urban artists. This position will be involved in every step of a marketing campaign from concept through execution. The office is located in West Hollywood, CA.

Administrative Assistant, International Marketing (UMG – NYC)

UMG is looking for a dynamic Administrative Assistant to provide administrative support to the EVP, International Marketing and his senior team. The ideal candidate is detail oriented, pro-active, a problem solver, with a “can do” attitude. Experience supporting more than one senior executive is ideal, but not required. Passion for music, constantly in the know with pop culture and trends, polished professional demeanor, and the ability to keep calm under pressure are essential.

Marketing Manager (Live Nation – Beverly Hills, CA)

Live Nation Comedy is looking for an energetic and strategic marketer to join the national marketing team in Los Angeles. In this role, you will be responsible and accountable for the success of assigned Comedy tours and shows.

Music Producers, Post production engineers (Ptones Records – Manhattan, NY)

Looking for interns in school or recently graduated to join our podcast production teams. work is flex and schaduled when teams are ready to record.It is an exciting opportunity to start a career in the podcast industry. Must have industry experience, be on schedule, and be highly motivated.

Senior Communications Associate, YouTube Music (YouTube – NYC)

As a member of the Global Communications & Public Affairs team, you will work cross-functionally to help communicate with journalists and other thought leaders; devise specific communications materials and campaigns based on understanding of journalists’ interests; engage in face-to-face meetings with commentators and other opinion formers; develop print and web-based material supporting these campaigns; and counter misinformation that might interfere with our business and ability to serve our users. We’re looking for great communicators who can understand complex issues and explain them in person and also via well written, simple blog posts, FAQs, video scripts and more.

Music Supervisor (Confidential – New York, NY)

New York-based reality television production company is seeking a music supervisor. This person will be responsible for overseeing the placement of all music tracks in our programs, and ensuring all music is properly cleared prior to delivery.

Office Assistant / Admin Assistant (Music Editing – Los Angeles, CA)

Busy Music Editing company in Los Angeles is seeking a responsible, extremely organized and driven admin assistant. Industry experience is not required, but a plus. Our fast-paced musical environment requires organizational techniques as well as attention to detail in order to successfully manage a multitude of ongoing projects. We are expanding our team, but not at the expense of our strong commitment to exceptional quality.

Music Clearance Specialist (Netflix – Los Angeles, CA)

As a seasoned music clearance expert, you love music and everything about the music clearance process for film, series and documentaries. You know everyone in the industry: the record companies, the publishers, the indies, music supervisors, music libraries, production houses, music editors, artists, songwriters and managers. You know exactly who to call to expedite a negotiation. You think having multiple quotes for the same song makes complete sense, you’re used to clearing compositions with as many as 10 rights holders, and you’re not fazed by split territory deals. You know what action to take when a licensor redlines or stamps your quotes. You know who to contact for that obscure track from the 1970s and, if necessary, you’re ready to suggest alternative tracks if it doesn’t clear, even if you’re not in a “creative” role in the traditional sense. You are the first to caution against a “fill in the blank” or “cut and paste” approach to music clearances; in fact, you understand each deal, like each production, is highly-nuanced and there is no detail too small or insignificant, however, you’re still focused on the big picture. You’re not intimidated by a high volume of clearances and you’re able to combine pace with a high level of precision and professionalism. The music production process for original content is second nature to you – from script to payment of invoices and submission of cue sheets – you’ve mastered that and feel comfortable working independently throughout the entire process.

Music Licensing Coordinator (StarMaker Interactive, Inc. – San Francisco, CA)

StarMaker is one of the top global karaoke and talent discovery apps on iOS/Android. We are looking for a talented music licensing coordinator to provide research and support to the music team as it expands on a global music strategy.

Music Composer (Avec Audio – Los Angeles, CA)

We are looking for orchestral composers first and foremost. However, jingle writers, sound designers, and artists should apply as well! This person should have a deep passion for composition, having the ability to produce high quality finished products. This person should have the ability to musically adapt, but has a focused genre/style. The qualities we look at; Ability to write/voice lead, use of samples libraries, mixing/mastering, and quality of live recordings. Your primary roll will be to collaborate with our clients, and provide them with an outstanding product. Candidates ideally will come to the table with at least 10 compositions that they have produced. These compositions will be used to show our clients, with potential offers upfront.

Stage Manager (Summit Music Hall – Denver, CO)

A Stage Manager with Live Nation Clubs and Theaters is a department supervisor responsible for the implementation and execution of producing live events within the venue.

Stage Hand (House of Blues – Boston, MA)

Responsible for ensuring the success of show and event productions by performing the technical aspects related to the show(s) production.

Music Researcher (Cognizant Technology Solutions – Austin, TX)

Research music artist data and optimize your approach to evaluating large sets of music data.

James Shotwell