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Sleep Token Announce Online Fan Ritual In Light of Vernal Equinox

SLEEP TOKEN will today host ritual, embracing the current studio album Sundowning, in the wake of the Spring Equinox on Friday, March 20. 

Mysterious metal band Sleep Token has announced plans to host a digital ritual in celebration of the Spring equinox later today, Friday, March 20. The fan-centric event is scheduled to begin at 3PM EST and continue for an unknown amount of time. Those interested in joining are encouraged to do so by visiting the official event website.

A message posted to the event site reads:

“To join the gathering, all you need is a Spotify free or premium account. For the best playback experience, please ensure the Spotify application is downloaded onto your device, use the ‘Sync’ arrow buttons to synchronise with everyone else. If you do not have a Spotify Premium account, you can still join the experience, but please note that playback may not be synchronised with everyone else.”

A press release for the event states that the band will be using their 2019 album, Sundowning, as part of the ritual. You can stream the record below.

Sleep Token’s decision to host this ritual as a means of embracing their community through the internet is the latest in a series of digital event announcements in music. Since the novel coronavirus forced the touring industry to shut down around the globe, more and more artists are embracing the possibilities of life in the digital age. We are working to create a full list of events, so please follow Haulix on Facebook and Twitter for future updates.

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Artist Advice Business Advice Editorials News

Releasing Music During Coronavirus: Is It Smart? [VIDEO]

There are a lot of ways musicians can try getting ahead during Coronavirus, but what are the best ways to accomplish that without upsetting the general public?

Most music analysts will tell you that artists have three main revenue streams: Recorded music (and streaming), merchandise, and performances. They will also tell you that performance revenue makes up the most significant part of most artists’ annual income, which is why the current state of things is so scary for so many.

On this episode of Music Biz, host James Shotwell shifts focus from the things we cannot control, to the things we can. Touring is on hold for the foreseeable future, but there are still many ways artists can engage with fans and build their careers. But what is the ‘right’ decision to make when so many are worried about the state of the world?

Recently, one of our followers asked whether or not it would be smart to move forward with plans to release new music during the coronavirus outbreak. It’s understandable to question whether or not your creative expression will be well-received, but we encourage everyone to continue pushing forward. The world needs music now more than ever. Musicians are in a unique position to offer healing and comfort on a global scale that no one else can match.

The proof that we need music is present throughout the history of our species. Before there were cities or roads or even houses, people would gather around fires and make noise together to celebrate existence. That noise, a very primitive version of music, was a symbol of hope and togetherness. It was something people looked forward to every moment of every day. Time has brought many changes, but people everywhere still cling to music for hope. Music brings us together, even in isolation, and provides a soundtrack to get us through our collective pain.

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Industry News News

Bandcamp Waiving Revenue Share On All Sales This Friday, March 20

Bandcamp is taking significant steps to support its massive community by waiving its claim to any revenue generated through sales this Friday.

With touring made impossible by the spread of Covid-19, musicians and the music industry behind them are depending on fans to stream and buy music in the weeks (possibly months) ahead. There have already been calls for Spotify to help artists by increasing its royalty rates, but the Swedish company has remained silent on the matter. Thankfully, one streaming service is getting behind the talent that makes its platform possible.

Bandcamp will waive all revenue shares this Friday, March 20. A statement from the company sent to members of the media this morning, March 19, reads:

“The Covid-19 pandemic has hit artists especially hard as tours and shows are canceled for the foreseeable future. To help support those impacted, we’re waiving our revenue share on all sales this Friday, March 20, from midnight to midnight PST. If you are able, please join us in putting some much needed money directly into artists’ pockets.”

In the simplest terms, every dollar spent on Bandcamp this Friday, March 20, will go directly to musicians. If you spend five dollars on a new release, the artist responsible for that record will receive all five dollars.

This week has been incredibly tricky for countless industry professionals, and there are no signs of relief on the horizon. The self-isolation and quarantines required to stop the spread of Covid-19 could very well stretch into June or July, if not longer. Couple that information with the knowledge most musicians are unable to work their “day jobs” because the service industry has also shut down, and you have a recipe for stress that will affect many, if not all, of the artists you love.

If you have money to spend right now, please consider buying music on Bandcamp this Friday. If you don’t have the cash to spare, please continue streaming music whenever possible. Every stream and every cent matters. Do your part, and together, we can make it through this turbulent time.

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Haulix News Podcasts

Killswitch Engage discuss Covid-19, Atonement, and more on Inside Music

Inside Music Podcast returns with Mike D’Antonio of Killswitch Engage discussing music, Covid-19, and more.

As many of you may have noticed, we took a month off from podcasting in February. Between business developments at Haulix and the looming Coronavirus developments, we have been busy focusing on many other things. However, we never stopped working on the show, and we currently have four episodes in various states of completion for release shortly. A few were recorded before the global shutdown of the touring and live events industry, but we believe the content outside that aspect of each conversation is worth sharing. Our show has never been about ‘the state of the world,’ but we recognize that will most likely be a recurring theme moving forward. If you have any questions or concerns, please feel free to contact us.

In early March, Killswitch Engage embarked on the North American leg of their worldwide tour in support of the band’s 2019 release, Atonement. The group performed twice before postponing their remaining performances over concerns about Covid-19. Luckily, we got to speak with the band before that happened.

Hours ahead of what would prove to be the last Killswitch Engage show for the foreseeable future, Inside Music host James Shotwell sat down with bassist and founding member Mike D’Antonio to discuss the state of the world. The conversation started by addressing the elephant in the room, Coronavirus fears, before turning to a discussion on the band’s legacy, lessons learned, and how Mike found his most villainous bass tone to date.

With bands off the road, buying and streaming music are the best ways to support your favorite artists. Atonement is a thrilling release that combines the signature sound of Killswitch Engage with a heaping dose of heaviness, both lyrically and sonically, that makes for an altogether crushing experience. You can find the record wherever you access music, and we highly suggest you give it one or fifty plays as soon as your schedule allows.

You can also subscribe to Inside Music on Spotify!

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Artist Advice Business Advice Editorials Haulix News

Promoting Music and Making Money During Coronavirus [VIDEO]

The live music industry is crumbling beneath musicians’ feet, but that does not mean the music business is in trouble. There are still many ways to maintain your creativity and generate revenue while touring is on hold.

The Coronavirus has turned the music industry upside down. In less than a month, virtually every tour and music festival have been canceled, with more postponed. These decisions have left countless artists without tour income they need to survive. That, coupled with the global closure or restriction of most service jobs, have left the global creative industry in dire straits. People are scared, and it’s hard to say when those fears will be alleviated.

No one can magically replace the revenue lost from live events, but the music business is still very much operational. The latest episode of Music Biz hosted by James Shotwell takes a look at what artists can do to maintain their sanity, continue creating, and — hopefully — generate additional revenue.

Don’t let the fear of the moment convince you that hope is lost. The music industry is incredibly resilient, and so is the human spirit. Throughout our history as a species, music has played a significant role in helping us through tough times and celebrations. Music keeps people believing in a better tomorrow, and when the time is right, people will flock to live music once more. Until then, do your best to apply the advice above, and try to take this unprecedented event one day at a time. You cannot control the world around you but you can control your influence on others.

For additional advice on sustaining your career during the Coronavirus outbreak of 2020, please click here and here. If you want examples of these ideas in action, we highly recommend individuals check out our stories on Code Orange and Dropkick Murphys. You should also follow Haulix on Facebook, Twitter, and YouTube.

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Industry News News

Dropkick Murphys Celebrate St. Patrick’s Day with free ‘Streaming Up From Boston’ concert live stream

Boston punk favorites Dropkick Murphys won’t let the fear of Coronavirus stop them or their fans from celebrating St. Patrick’s Day.

Following the live stream success that Code Orange experienced over the weekend, more artists are lining up to perform for fans currently stuck at home due to COVID-19. Dropkick Murphys are throwing a St. Patrick’s Day party this year and the whole world is invited. Dropkick Murphys’ Streaming Up From Boston online concert will be simulcast worldwide on Tuesday, March 17 (St. Patrick’s Day) at 7:00 PM ET / 4:00 PM PT via the band’s YouTube, Facebook Live and Instagram pages, as well as via Twitch. 

Founder Ken Casey explains, “For the first time in 24 years, we are not playing on St. Patrick’s Day weekend. The current world situation is the ONLY thing that would ever stop us from doing so.”

Dropkick Murphys’ originally scheduled hometown St. Patrick’s Day Week Boston Blowout shows have been postponed until later this year. Visit the band’s official website for details. 

The band recently released the single “Smash Sh*t Up,” and will release a new album on September 11 through the band’s own Born & Bred Records. “Smash Sh*t Up” is available digitally and on limited edition colored vinyl paired with B-side “The Bonny,” a cover of Gerry Cinnamon’s 2019 song.

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Industry News News

Lil Uzi Vert Sets Streaming Records, Stuns Industry with ‘Eternal Atake’

After a three-year absence, rapper Lil Uzi Vert has made a massive return to fame with his chart-topping new album.

GRAMMY® Award-nominated, multi-platinum superstar Lil Uzi Vert has made a historic #1 debut on the Billboard 200 with his critically acclaimed new album, ETERNAL ATAKE, available now via Generation Now/Atlantic Records at all music retailers and streaming services HERE. The groundbreaking release has impacted charts globally, now #1 in both Canada and Australia.

With over 400 million combined audio and video streams in its first week, the extraordinary success of ETERNAL ATAKE marks Lil Uzi Vert’s second #1 album (following 2017’s 2x RIAA platinum certified, chart-topping milestone, LUV IS RAGE 2) and the second-biggest week of 2020 for any album. In addition, ETERNAL ATAKE boasts the fourth-largest streaming week ever for an album, as well as the biggest streaming week for any album since Lil Wayne’s 2018 release, THA CARTER V. These records are not only huge for Lil Uzi Vert’s rockstar career, but for artists worldwide. 

Last week saw the surprise arrival of ETERNAL ATAKE (DELUXE) – LUV VS. THE WORLD 2, available for streaming and download HERE. The deluxe edition includes 14 additional tracks and features from Chief Keef, 21 Savage, Future, Young Thug, Gunna, Lil Durk, Young Nudy, and NAV. 

Along with its phenomenal popular success, ETERNAL ATAKE has received wide-ranging critical applause around the globe. “ETERNAL ATAKE is Lil Uzi Vert’s best album yet,” raved Rolling Stone, “with a cohesiveness, slick concept, and performance that justifies every ounce of hype.” Perhaps Pitchfork said it best: “ETERNAL ATAKE is Uzi’s greatest album to date, a scope-defying hour-long epic that couldn’t be made by anyone else.”

ETERNAL ATAKE was preceded by “BabyPluto,” a short film co-directed by Lil Uzi Vert and acclaimed filmmaker Gibson Hazard (Drake, Billie Eilish, G-Eazy) and streaming now via the official Lil Uzi Vert YouTube channel HERE. The trailer has drawn over 3 million individual views thus far amidst praise from the likes of Billboard, which hailed Uzi’s “out-of-this-world directing skills,” and Vulture, which declared it to be a “weirdly riveting trailer that amounts to more than the sum of its parts.” 

ETERNAL ATAKE includes the recently released hit singles, “That Way” and “Futsal Shuffle 2020,” both available now at all DSPs and streaming services. The latter track dropped last December and immediately proved a blockbuster, rising to #5 on Billboard’s “Hot 100” – Lil Uzi Vert’s highest charting solo single to date. The mass success of “Futsal Shuffle 2020” was of course fueled in part by its irresistible signature dance, invented by Uzi and featured in the track’s official companion video, now approaching 23 million individual views via YouTube alone HERE.

Indeed, Lil Uzi Vert has swiftly racked up a long list of awards and other assorted honors, including prestigious GRAMMY® Award and MTV Video Music Award nominations for “Best New Artist” and the 2017 Billboard Touring Awards for both “Breakthrough Artist” and “Breakout Artist of the Year.” Additional nods include “Favorite Album – Rap/Hip-Hop” at the 2018 American Music Awards, “Best New Hip-Hop Artist” and “Hip-Hop Song of The Year” at the 2018 iHeart Radio Music Awards, and three leading nominations from the 2018 Billboard Music Awards: “Top Rap Artist,” “Top Rap Album” (for LUV IS RAGE 2), and “Top Streaming Song” (for “XO Tour Llif3”).

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Industry News News

Code Orange draw over 10,000 viewers for release show livestream while playing empty venue

After canceling their album release show over Coronavirus concerns, Code Orange found a way to deliver a game-changing solution to concert restrictions.

Coronavirus concerns have canceled or delayed virtually every concert and sporting event scheduled for March and early April. The vast majority of musicians and touring crew members are currently out of work, and there is no clear timeline on when their jobs will resume. It could be three weeks, or it could be two months. Some say it could be even longer, but we are doing our best to keep hopes high.

Rock band Code Orange is one of many artists whose plans were derailed by the spread of Coronavirus in the last week. The group’s long-promoted new album, Underneath, released on Friday, March 13. The band planned a massive release show for Saturday, March 14, in their home state of Pennsylvania to celebrate the album, but then the virus hit and put the safety of everyone into question.

Understanding the need to keep themselves, their crew, and their fans safe, Code Orange quickly developed a workaround. The band would still perform their release show where they booked months prior, but there would be no openers and no audience. Instead, Code Orange would partner with a video team to present their full performance over Twitch, a popular live-streaming platform, for free. 

On Saturday night, Code Orange took the stage with a production that included lights and custom video animations. The livestream blended multiple camera angles with video overlays showcasing the animation that was created exclusively for the Underneath release. 

Watch LAST ONES LEFT: Fear of the End // 3.14 9pm EST from codeorangeofficial on www.twitch.tv

More than 10,000 people watched the livestream as it happened, and thousands more have viewed the performance in the hours that followed. That figure is far higher than the capacity of the venue and much larger than the attendance at any traditional Code Orange show. The band also received numerous donations from viewers before and after the performance, though the specific amount given is not available to the public.

Through their creative thinking, Code Orange is already changing the way many in music are looking at the problem currently facing musicians. Touring may not be possible for the foreseeable future. However, high-quality broadcasts like the experience created by Code Orange could create a new revenue stream for any musician or group able to stream a performance. 

There is another perk to live streaming events, and that is the ability to create new fans and sell additional tickets. Many people likely watched Code Orange for the first time because of their Twitch performance, and those who enjoyed the set are now more likely to stream their music, buy merchandise, or see the band on tour. Current fans also have a new reason to love the group. Their quick-thinking in this situation should instill fans’ faith in the band’s lasting appeal moving forward.

Streaming performance is nothing new, but the technology has struggled to find a broad audience. While several platforms have found an audience by broadcasting acoustic and stripped-down performance, which are easier to capture, the majority of full-band performances are only available through high-profile festival streams. That is due in large part to cost, but those prices are dropping.

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Haulix News

Petition Seeking Covid-19 Federal Aid Package for Events Industry Gains Popularity

Now more than ever, the events industry needs our support. Thankfully, thousands of music and sports fans are working to make that happened.

A new petition on Change.org is calling for federal aid to help the thousands of events industry employees who are currently out of work due to Covid-19. The petition, which went live late Thursday night, can be found here.

A statement from the petition organizers reads:

The 1st domino is falling…

The past month has seen an unprecedented number of event cancelations in the US and worldwide. The Covid-19 virus is nothing like anything we have faced in our modern economic times.  The purpose of this petition is to sound the alarm on a massive economic catastrophe that is transpiring in our nation. 

Many times, friends and family are surprised to learn the vast encompassing nature of the live events and business meetings industry and all it entails, so it is no surprise that the media has given little coverage to the economic devastation that has already begun to transpire.  Many people don’t realize the vast number of roles and jobs in our industry including meeting planners, account executives, sales, warehouse managers, producers, project managers, drivers, operations managers, executives, administrative staff, technicians, stagehands, general labor and service workers along with many more that work behind scenes to bring people and businesses together every day of the year never-ceasing 24/7, until now…

Currently, the live events and business meetings industry is in free fall and headed toward a complete collapse with no end in sight.  There are already strong ripples of this impact to the transportation and hospitality industry (hotels, conference centers, restaurants, etc.) that rely on our industry which have received media and governmental attention, but no mention of the larger losses that are reaching into the billions and billions of dollars, and continuing to climb by the minute, in the live events and business meetings industry.

While many of our industry-wide advocacy organizations representing the events industry have proposed compelling reasons why the events must go on the time has come that our industry’s livelihood must be completely sacrificed to save lives.  Limiting the spread of the virus is the only way to slow and mitigate its massive health and financial impact on our nation.

Many tears of fear, anger, and dread have been shed today, and in the previous month, by all our families knowing the monumental cost of our sacrifice to help save our nation from the spread of the virus.  Those outside our industry, they are not aware that our industry is comprised significantly of hundreds of thousands of small business and millions of workers and contractors who have already lost most income over the last month and will not have any income for the next 6 months or more to spare the spread of the virus.  These are financial losses that will never be recovered.

Our families are already facing a long list of economic catastrophes: losing our homes, retirements, being able to pay bills, extreme debt/bankruptcy, providing food for our children and paying for much-needed health insurance.  Most of our families either pay for our insurance ourselves as independent contractors or will be laid off due to a complete lack of work in our industry. 

Small businesses are facing bankruptcy and have already been forced to layoff staff.  Proposed government aid of low-interest loans can only help a business slow bankruptcy, but not fund a workforce where no revenue can be generated during this period of time.

While the fear is dire for our industry, the economic fallout from our collapse can potentially dwarf that of the 2008 recession and mortgage market collapse.  We are an industry almost 2.5 times the size of GM with total yearly revenues of in excess of $337 Billion in 2016 compared to
$125 Billion for GM in 2019. 

All of our families, due to lost income, are now no longer consumers, but survivors.  If not addressed quickly and forcefully, the financial ramifications will spread to other sectors of our economy as tens of millions of consumers will focus on survival spending habits.

However, beyond the hard numbers of our industries losses is a two-fold scenario of economic collapse that will create collateral losses across all businesses and entities in the United States.  Over the last 50 years, our economy has relied heavily on professional collaboration, information exchange, and communication on a national and international level.  Every day millions of business leaders, professionals, and experts from every field meet together to learn and collaborate. By 2020, we surely have dwarfed the 2016 annual figure of 1.9 million meetings with 251 million participants/attendees.  

For the next 6 months, we are looking at monumental setbacks for all businesses across the board in professional collaboration and business development.  These setbacks are due to not being able to attend business meetings be it large conventions, tradeshows, trainings, product launches, and the list goes on.  If the live events and business meetings industry which is the invisible fabric that ties our US business culture together is not able to recover quickly then all industries will be delayed in their recovery efforts as well.  The potential economic losses are almost incalculable at this point.

This is a minimal synopsis of the crisis at hand, but clearly shows a daily expanding imbalance in the economy in such a large sector that is now about to be the first domino to topple the rest of the chain.  We are calling for immediate federal action to protect the Live Events and Business Meetings Industry from total collapse and save the rest of our economy for the collateral damage.  We need Congress and the executive branch to take immediate action.

We are in need of an aid package to support us in order to survive and recover the pandemic and economic catastrophe.  The aid package should include, but not be limited to:

  • Emergency Medicare Health insurance – to cover our uninsured business owners,  contractors, and laid-off employees
  • An additional $200 Billion in low interest federally backed business liquidity loans – the initial $50 Bill has already been surpassed in current sustained losses just to our industry.
  • $100 Billion in Employee Retention Grants – these types of grants are being offered in New York City, currently the low-interest loans and differed payroll tax are not able to avoid widespread layoffs. as a service-based economy of live events and business meetings cannot sustain taking on the level of debt to support employees without any ability to perform revenue-generating activities during this time of a large gathering shutdown.


*The dollar figures are based conservative view based on 4 to 8 months of disruption, additional months of potential complete industry disruption would warrant increased aid.

We the undersigned plead with our elected officials to hear our warnings and cries for help as we not only see our own plight but also the plight of the entire economy we will bring down with us.

Haulix believes in the mission of this petition, and our entire staff is signing in solidarity with our events industry family. The music industry is at its best when it feels like a community, and communities show up for one another in times of crisis.

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Editorials Haulix News Recommendations

Haulix Recommends: Dogleg – Melee (Triple Crown Records)

With riffs and hooks to spare, Michigan’s Dogleg is perfectly positioned for success. Their debut album has everything alternative music today needs, and the band still has more to offer.

Kanye West said it best. The Midwest is young and reckless. Dogleg, the latest in a long line of alternative bands to rise from the mitten state in recent years, is chasing dreams of changing lives and selling records with a passion unmatched by their peers. The band’s Triple Crown Records debut, Melee, speaks to that ferocity with ten songs built upon all the angst and stress of trying to survive in our modern times. It’s a cathartic collection of high hopes and broken dreams that reaches through the speakers with each note and lyric, urging listeners to get off their ass and influence positive change in the world around them.

But let’s back up. The beauty of Dogleg’s music is that it recognizes the struggle to develop, let alone maintain an optimistic outlook. The world is on fire in more ways than one, and heartache is readily available anywhere you dare to look. Elected officials have let us down, ecosystems are crumbling, and there is an undeniable sense of panic in the air. These problems are not necessarily new or in need of examination, but they do outline the contributing factors behind many smaller, more personal battles individuals face daily. Dogleg’s music speaks to those struggles, and they seek to see brighter days through perseverance. They write songs about holding onto friends as you age and fighting for a livable wage. Their music speaks to the souls of working-class folk trying to their best to get by with unwavering recognition that they are still more blessed than most.

In the simplest terms, Dogleg’s Melee is a collection of anthem for underdogs being released when underdogs need it most. The band had no way of predicting the way the world would look when the record dropped, but the chaos surrounding us only makes the points being made on Melee. Dogleg wants you to feel good enough for the things and people you love, but they also want you to consider everyone else and the role you play in the world at large. You can be a leader or a follower, but you cannot be an asshole. Possessing empathy is more far more punk than your ego, which is a lessoned outlined on this record many times over. We need one another now more than ever, and through the help of Dogleg’s music, we can come together to create a better future for everyone.

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