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Another story of predatory behavior in the music industry

The last few years the alternative music world has been embroiled in a number of controversy involving musicians and allegations of sexual misconduct brought against them by their own fans. The debate over whether or not these stories should be covered and how the allegations could be authenticated waged well into 2016, but now we face a new type of monster who is further threatening the way people feel when engaging with the modern music industry.

We’ve discussed this story before, but in the wake of even more allegations of misconduct we felt it necessary to revisit because there are monsters in every corner of this industry. It’s not a matter of label heads or musicians in power, but anyone who believes this position in this business entitles them to carry out their will on others. This is a blogger, and when I say that in the most literal sense. This person is not a Rolling Stone journalist or someone with a million followers on Twitter, but a relative nobody making nothing or next to nothing talking about the bands they love. Whatever power they believe themselves to have is a work of their imagination. At the request of the people involved I am not using any names or dates, but know the following story – which is posted as it was received – took place within the somewhere in the United States:

‘…a TM (female) that unfortunately missed an interview for our client due to a simple time zone mistake. Instead of the interviewer cancelling or rescheduling, he took it upon himself to ask her for inappropriate photos of her in order to move forward with the interview.’

I reached out to the publicist in question to gain some clarity on this message. Apparently, the interview was scheduled for a specific time that was not met by the band. When the group finally reached the individual, he suggested the group’s female tour manager share nude photos of herself as an apology before he would proceed with the interview. I’m told the TM laughed the incident off in the moment, but the individual in question – a personality from an online radio show – pressed the issue further. The band completed the interview without incident and immediately phoned their publicists afterward to film them in on what had happened.

To be as clear as possible: You, a writer, are owed nothing by the bands you cover or the people they hire to represent them. Even if an artist is late or otherwise misses a prearranged event, you are owed nothing as a member of the press. Common courtesy is always nice, but again – it should not be anticipated.

Furthermore, there is no reason for anyone to treat anyone this way. No one owes you photos of their naked body, regardless of circumstances. If you feel wronged in some way the argument can be made for an apology,  but to infer that you deserve more or to threaten retaliation if a deal is not made only reveals your lack of professionalism and respect for other people.

If you think stories like this do not make their way around the industry, you’re wrong. Publicists, musicians, managers, and all other professionals constantly talk about the members of the press they interact with and what their experiences with those individuals is like. If word gets out that you or someone associated with you is behaving in a manner at all like what is describe in the above story then you will not be a part of this industry for long. There are more than enough to good and kindhearted people to fill the jobs we need filled. All others can find another line of work.

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Blog Tips: Language matters when covering assault

Often in music journalism it feels as though every step forward is immediately followed by half a step back. A rather harmless example of this would be people learning that diversity in content offerings often breeds better engagement, but then they spread themselves too thin trying to cover too much and the quality of their content begins to slide. This is a minor setback that is easy to fix, but not all things are this easy to change.

Over the last few years music journalism as a whole has increasingly taken notice of wrongdoing within the music industry as it relates to assault, unwanted advances, and related problems. The attention paid to these cases has helped make more people aware of the issues being faced in our global music community, but all too often the language used does not correctly describe the events that happened. The most recent example of this involves Molly Rankin, vocalist for the band Alvvays, who was nearly assaulted mid-performance by a male concert goer in Belgium. The man rushed the stage in the middle of a song and tried to surprise Rankin with a kiss, but she moved out of the way before he could have his way with her. You can view the incident in question below (it begins at the 3:35 mark).

No one in the music community has condoned this man’s behavior. What they have done, however, is underplayed the seriousness of his actions by using the wrong language in their story. Here are a few examples:

So a common thread here? All these sites promote the story as a man ‘trying to kiss’ a woman he never met who does not know who he is and certainly did not ask for his affection. That is not an attempted kiss. That is an attempted assault.

Assault, more specifically sexual assault, is defined as a sexual act in which a person is coerced or physically forced to engage against their will, or non-consensual sexual touching of a person. You may not personally believe kissing count as a sexual act, but for many it does, and insisting someone kiss you against their will is an act of sexual violence.

When writers use the wrong language to cover instances of assault or other crimes they are (perhaps inadvertently) normalizing the behavior. They are downplaying the seriousness of the allegations, or in this case the actual events, with language that infers the situation has some quality of lightness. Rankin may have been able to laugh off this bizarre instance, but that is no reason to think she’s okay with the fact it happened. It’s never okay, and as journalists reporting on the events specificity is key in helping audiences understand what makes such actions inappropriate.

Women in music – or anywhere else – owe men nothing, yet again and again we read stories like this where guys take their shot because they don’t see the harm in taking a chance. As influencers on this culture it is the responsibility of every writer to take action against wrongdoing and urge their readers to do the same. 

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Band takes fan engagement in a new direction with help hotline

Modern Baseball have made their way onto our blog several times in the past month, usually as a tie-in with the release of their most recent record (Holy Ghost), but this post is different. This is a story about a band recognizing an opportunity to not only further engage with fans, but help them, and how practically every other artist working today should follow their lead. 

Modern Baseball is currently preparing to embark on their North American headlining tour with Joyce Manor and Thin Lips. With the tour start growing closer by the day, the band has announced the creation of a help hotline that fans can text during shows for assistance if they are feeling unsafe. Maybe this means they are being verbally harassed by fellow concert-goers, or perhaps they are worried about the possibility of assault. Whatever the case, Modern Baseball is taking a proactive approach to ensuring everyone is able to enjoy their time seeing the band.

To get word out about the hotline, Modern Baseball has paired with Screaming Females singer and artist Marissa Paternoster and artist Perry Shall to create a brief animated video explaining the hotline. Fans at shows feeling unsafe are encouraged to text (201)731-6626. MTV News has a great interview with singers/guitarists Brendan Lukens and Jacob Ewald today explaining the creation of the hotline and the importance of safe space. You can view the video below:

The alternative music scene has been overwhelmed by stories of assault and harassment over the past two years, but Modern Baseball are one of the few bands we’ve found that are taking a direct approach to making fans feel safe at their performances. A hotline like the one mentioned above is not expensive or all that hard to setup, so maybe this move will inspire others to do something similar.

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