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Billboard Changes Chart Rules: No More Ticket & Merch Bundles

Reversing a rule implemented in January, Billboard has updated the rules regarding album sales and charts to reflect consumer intent better.

Achieving success on the Billboard charts is a lot like trying to win a presidential election. You can do your best to make as many people as possible buy your music outright, or you can find smart ways around traditional album sales. One example of the latter is bundling, which combines a digital or physical album with the purchase of merchandise or concert tickets. Such tactics have helped several performers appear to move massive units of their latest record and top the chart, but thanks to new guidelines, that approach no longer works.

Billboard is changing the rules to its Billboard 200, Hot 100, and other album and song charts. The announcement comes to rectify how sales are counted with respect to album bundles with merchandise and concert tickets, as well as instant digital sales attached to purchases for physical albums delivered at a later date.  

On the issue of bundling, the latest rule changes supersede several others that were previously instituted in January. Those included a requirement that albums bundled with merchandise be available for purchase concurrently and individually on the same website, as well as a condition that merchandise sold on its own be priced lower than bundles that included the album. Additionally, merchandise/album bundles could only be sold on an artist’s official direct-to-consumer web store and not via third-party sites.

Billboard is now acknowledging what many critics have claimed to be true. Album sold in bundles with merch and tickets may not accurately reflect consumer intent. There are many cases of fans buying tickets or merchandise without realizing (i.e., caring) that the sale included an artist’s new album. So, if the fan doesn’t buy the bundle specifically for the release, why should the sale count toward the total units of that album sold?

Billboard will also no longer allow sales of physical albums or singles that are bundled with digital downloads to be reported as digital sales. That decision eliminates the practice of “spontaneous” non-manufactured items being used to influence first-week chart rankings. Only when the real thing — that is, what the consumer is buying — is shipped, will it be counted in Billboard’s official tallies.

The practice of selling vinyl, CDs, and other physical releases that won’t be manufactured and shipped to consumers for weeks or months — while offering a digital download that can be redeemed instantly — has become widespread as of late. Especially in the age of COVID-19, when manufacturing delays are rampant, many artists are using the promise of a physical item later to boost “sales” in the present.

Billboard recognizes that the use of bundling has been commonplace in music for decades. However, the practice of using merch and ticket bundles to boost album sales has been rampant as traditional record sales have fallen. The goal of the Billboard charts is to capture consumer intent, and the company believes it is impossible to gauge whether or not the sale of bundles reflects a clear desire to own the release rather than a piece of merchandise or attendance at a live event.

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The Strokes ‘New Abnormal’ Debuts At #1 On Billboard’s Album Sales Chart

The Strokes’ first album in seven years made a massive debut on the Billboard charts this week.

The Strokes’ new album, The New Abnormal, debuts at #1 on this week’s Billboard’s Top Album Sales Chart. The album is also #8 on the Billboard200 and is #1 Current Rock Album, #1 Top Current Album, #1 Current Alternative Album and #1 Vinyl Album.

The Times of London praises “The Strokes give us their second masterpiece,” while The New Yorker raves the album “sounds better to me than almost anything else I’ve listened to this spring.” NPR Music calls The New Abnormal “one of their best,” and Rolling Stone says it’s “their best since the glory days of the early ‘00s.” The Independent praises, “stacked with rolling, streetwise grooves, boldly graffitied onto the chipped paintwork of New York City past,” while Evening Standard says of the album, “Bold comeback is their best in years… Up there with their best work while sounding boldly different from it.”

The New Abnormal features previously shared tracks “Brooklyn Bridge To Chorus,” “Bad Decisions” and “At The Door.” The music video for “At The Door” premiered during the band’s performance at Senator Bernie Sanders’ University of New Hampshire rally. The album is The Strokes’ first in seven years and was recorded at Shangri-La Studios in Malibuand produced by Rick Rubin. The album’s cover artwork is a painting by Jean-Michel Basquiat, Bird on Money.

The Strokes promoted The New Abnormal through Haulix, the industry’s leading promotional distribution platform. You can join Haulix today and receive your first month of service for free. When you do, you will have access to the same tools used by The Strokes and countless other Billboard chart-topping talent. Click here for details.

Stream The New Abnormal below. COVID-19 is preventing any live performances at the moment, but we expect The Strokes to announce tour dates when it is safe to tour. Stay tuned.

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Lil Uzi Vert Sets Streaming Records, Stuns Industry with ‘Eternal Atake’

After a three-year absence, rapper Lil Uzi Vert has made a massive return to fame with his chart-topping new album.

GRAMMY® Award-nominated, multi-platinum superstar Lil Uzi Vert has made a historic #1 debut on the Billboard 200 with his critically acclaimed new album, ETERNAL ATAKE, available now via Generation Now/Atlantic Records at all music retailers and streaming services HERE. The groundbreaking release has impacted charts globally, now #1 in both Canada and Australia.

With over 400 million combined audio and video streams in its first week, the extraordinary success of ETERNAL ATAKE marks Lil Uzi Vert’s second #1 album (following 2017’s 2x RIAA platinum certified, chart-topping milestone, LUV IS RAGE 2) and the second-biggest week of 2020 for any album. In addition, ETERNAL ATAKE boasts the fourth-largest streaming week ever for an album, as well as the biggest streaming week for any album since Lil Wayne’s 2018 release, THA CARTER V. These records are not only huge for Lil Uzi Vert’s rockstar career, but for artists worldwide. 

Last week saw the surprise arrival of ETERNAL ATAKE (DELUXE) – LUV VS. THE WORLD 2, available for streaming and download HERE. The deluxe edition includes 14 additional tracks and features from Chief Keef, 21 Savage, Future, Young Thug, Gunna, Lil Durk, Young Nudy, and NAV. 

Along with its phenomenal popular success, ETERNAL ATAKE has received wide-ranging critical applause around the globe. “ETERNAL ATAKE is Lil Uzi Vert’s best album yet,” raved Rolling Stone, “with a cohesiveness, slick concept, and performance that justifies every ounce of hype.” Perhaps Pitchfork said it best: “ETERNAL ATAKE is Uzi’s greatest album to date, a scope-defying hour-long epic that couldn’t be made by anyone else.”

ETERNAL ATAKE was preceded by “BabyPluto,” a short film co-directed by Lil Uzi Vert and acclaimed filmmaker Gibson Hazard (Drake, Billie Eilish, G-Eazy) and streaming now via the official Lil Uzi Vert YouTube channel HERE. The trailer has drawn over 3 million individual views thus far amidst praise from the likes of Billboard, which hailed Uzi’s “out-of-this-world directing skills,” and Vulture, which declared it to be a “weirdly riveting trailer that amounts to more than the sum of its parts.” 

ETERNAL ATAKE includes the recently released hit singles, “That Way” and “Futsal Shuffle 2020,” both available now at all DSPs and streaming services. The latter track dropped last December and immediately proved a blockbuster, rising to #5 on Billboard’s “Hot 100” – Lil Uzi Vert’s highest charting solo single to date. The mass success of “Futsal Shuffle 2020” was of course fueled in part by its irresistible signature dance, invented by Uzi and featured in the track’s official companion video, now approaching 23 million individual views via YouTube alone HERE.

Indeed, Lil Uzi Vert has swiftly racked up a long list of awards and other assorted honors, including prestigious GRAMMY® Award and MTV Video Music Award nominations for “Best New Artist” and the 2017 Billboard Touring Awards for both “Breakthrough Artist” and “Breakout Artist of the Year.” Additional nods include “Favorite Album – Rap/Hip-Hop” at the 2018 American Music Awards, “Best New Hip-Hop Artist” and “Hip-Hop Song of The Year” at the 2018 iHeart Radio Music Awards, and three leading nominations from the 2018 Billboard Music Awards: “Top Rap Artist,” “Top Rap Album” (for LUV IS RAGE 2), and “Top Streaming Song” (for “XO Tour Llif3”).

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Tik Tok, Blanco Brown, and the future of discovery

After propelling Lil Nas X into the spotlight earlier this year, Tik Tok may be on the verge of its second star-making moment with Blanco Brown.

Have you heard of #GitUpChallenge? If not, there is a good chance you are not a Tik Tok user. Based on “The Git Up” by fast-rising artist Blanco Brown, the #GitUpChallenge tasks music fans to create a dance video using the song as their soundtrack. Tik Tok user HarveyBass is largely responsible for creating the challenge, so we might as well take a look at his video first:

Tik Tok’s ability to influence pop culture at large was proven earlier this year when Lil Nas X took the Billboard charts by storm with “Old Town Road.” The song, which has since gone on to be the number one song in the country for ten consecutive weeks, initially rose to popular because Tik Tok users could not stop making videos using the material. The song grew so popular, in fact, that radio station programmers across the country began ripping the song from YouTube to place it in rotation.

“The Git Up,” much like “Old Town Road,” was largely overlooked upon its initial release. The song was quietly dropped on streaming services May 3, which was preceded by a Soundcloud debut in late April. The song did not take off until it gained the attention of Tik Tok users, and it did not begin to find viral success until the HarveyBass clip above started to spread outside the video-sharing platform in early June.

Since that happened, “The Git Up” has been gaining traction online, as well as at terrestrial. The song has accrued more than 2.7 million streams on Spotify to date, which makes it nearly 20x more popular than Brown’s second most-streamed track on the service. There’s another 2.3 million plays on YouTube, as well as millions more on other streaming platforms.

As of this week, “The Git Up” has also entered the Billboard charts, coming in at No. 16 on Country Digital Song Sales (4,000 downloads sold) and No. 38 on Hot Country Songs.

Call it the “Old Town Road” effect, but Brown’s decision to combine the popularity of country and hip-hop while also delivering what is essentially a new “Cha Cha Slide” may have created a monster that will be inescapable at weddings, proms, etc. for years to come.

A glance at Google trends reinforces the song’s growing popularity:

A glance at trends on YouTube does as well:

The only question that remains is where the track and Blanco Brown go from here? Unlike “Old Town Road,” Brown’s “Git Up” is a song made to make people dance. It’s not intended for casual listening (despite being incredibly catchy). Longevity will depend mainly on radio play and the embrace of club DJs around the world.

Regardless, for now, it seems Tik Tok is about to have another moment in the spotlight. Brown’s presence on the charts solidifies the platform’s ability to shift and shape pop culture, so now one must wonder who will be next. Will another country-rap track work? Will tastes evolve to give another emerging genre a chance? Only time will tell.

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Lil Nas X responds to Billboard chart controversy with “Old Town Road” remix

The up and coming artist has
lassoed country legend Billy Ray Cyrus for the remix to his viral hit.

Lil Nas X knows better than to fight words with words. The Atlanta artist, whose viral hit “Old Town Road” was removed from the Hot 100 Country chart by Billboard because it did not “embrace enough elements of today’s country music,” has responded to the recent controversy around his music with a new remix featuring genre legend Billy Ray Cyrus. Take a listen:

The remix of “Old Town Road” features the same structure and production of the original song, only now there is also a verse and chorus is featuring Cyrus’ iconic vocals. The man behind “Achy Breaky Heart” sings about living like a rockstar, buying expensive guitars, and being a modern-day Marlboro Man who yearns to return to simpler times (on the “Old Town Road”). It’s a fitting addition to the already great track, and the internet seems to agree. Since its release on Friday, April 5, both Cyrus and the remix of “Old Town Road” have been the top trending topics on Twitter, and the official stream of the song has been trending on YouTube.

Cyrus also shared some insight and support with Lil Nas X on social media, writing “Been watching everything going on with OTR. When I got thrown off the charts, Waylon Jennings said to me “Take this as a compliment” means you’re doing something great! Only Outlaws are outlawed. Welcome to the club!”

Paired with the song’s removal from the Hot 100 Country chart was a statement from Billboard claiming that their decision “had absolutely nothing to do with the race of the artist.” When asked what he thought of the potential racial motivation of the removal, Lil Nas X said: “I believe whenever you’re trying something new, it’s always going to get some kind of bad reception. For example, when rap started, or when rock and roll began. But with country trap, I in no way want to take credit for that. I believe Young Thug would be one of the biggest pioneers in that.”

Since news of the song’s chart removal went public, Lil Nas X has continued to garner attention and success. “Old Town Road” was the most streamed song on Spotify last week. If he were still part of the country charts, he would have the number one song in the genre.

With the remix of “Old Town Road,” Billboard must now decide whether or not the song is country enough to meet its vague standards. If the company says yes it’s admitting the song needed someone already accepted by the genre to give it a green light. If the company still refuses to admit it, the question of why will hang over the chart system for the foreseeable future.

Whatever the case, the internet will continue supporting Lil Nas X. The release of the remix spawned hundreds of new memes, some of which you can view below:

https://twitter.com/mtldn3/status/1114169717877608449
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Lil Nas X and the question of who defines what a genre sounds like

Viral sensation Lil Nas X has been removed from Billboard’s country charts for not embracing enough elements of country music, which raises questions about we define the genre.

No one saw Lil Nas X coming. The Atlanta artist released his breakout smash, “Old Town Road,” to Soundcloud on December 2, 2018. The song quickly found a following, and not long after became a go-to track for videos posted to the popular mashup app TikTok, which in turn grew its popularity. The song took off so fast, in fact, that radio programmers across the country had to rip the song from YouTube in order to get in rotation at their station.

Recently, the saga of the song’s bizarre rise through the world of music reached new heights when it simultaneously debuted on three Billboard charts — the cross-genre Hot 100 chart, the Hot Country Songs chart, and the Hot R&B/Hip-Hop Songs chart.

Lil Nas X’s career on the country chart, however, did not last long. Rolling Stone reports that Billboard quietly removed “Old Town Road” from Hot Country Songs and informed Lil Nas X’s label, Columbia Records, that his inclusion on the ranking was a mistake, according to an insider with knowledge of the matter who spoke on the condition of anonymity.

Billboard did not publicly announce the change, but speaking to RS, a representative for the company said:

“upon further review, it was determined that ‘Old Town Road’ by Lil Nas X does not currently merit inclusion on Billboard‘s country charts. When determining genres, a few factors are examined, but first and foremost is musical composition. While ‘Old Town Road’ incorporates references to country and cowboy imagery, it does not embrace enough elements of today’s country music to chart in its current version.”

After the publication of that story, a representative for Billboard provided a subsequent statement indicating that race did not play a part in the decision to remove “Old Town Road” from the country chart.

Not everyone believes Billboard’s comments about race not playing a role in their decision. The music business relies heavily on old-fashioned definitions of genre, which have always mapped on race — Billboard’s R&B chart, for example, was originally titled “race music,” while the Latin songs chart lumps together a myriad of genres and languages under one ethnic umbrella.

In recent years many caucasian country stars have leveraged elements of hip-hop to push their genre forward without being excluded from the charts. Sam Hunt, for example, was hailed by Billboard as the ‘white Drake’ back in 2017. Florida Georgia Line, another popular country act, went platinum with a single featuring Nelly. Tim McGaw did the same way back in 2004 with “Over and Over Again.” It seems that as long as a white musician is involved, Billboard has no problem with hip-hop influenced country music.

There’s also a question of how we define country music in the streaming era. Many songs gain popularity through services such as Spotify and Apple Music before radio or other mainstream outlets give them attention. If the country audience is vocal about their support of an artist, does that not make them — at least in some way — a country artist? If the country music audience supports Lil Nas X, who is undeniably using banjos and guitars and other traditional genre elements in his music, shouldn’t that be enough to classify him as a country artist?

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Most Billboard Album Charts Now Include Streaming

The future is here, and it is changing what we consider a best-selling album. 

Years after updating the Billboard 200 chart to reflect both streaming and track sales, Billboard has announced it will now do the same for most of it’s other genre-based album charts as well.  The following charts now reflect the new measurement methodology starting this week:

Top Country Albums

Top R&B/Hip-Hop Albums, plus:
-R&B Albums
-Rap Albums

Top Rock Albums, plus:
-Alternative Albums
-Hard Rock Albums
-Americana/Folk Albums

Top Latin Albums, plus:
-Latin Pop Albums
-Regional Mexican Albums
-Tropical Albums
-Latin Rhythm Albums

Top Dance/Electronic Albums

Top Gospel Albums

Top Christian Albums, plus:
-Christian/Gospel Albums

Soundtracks

Top Catalog Albums

Holiday Albums

The charts are still essentially based on sales, but 10 digital track sales from an album will equate to one equivalent album sale (TEA), and 1,500 on-demand song streams from an album will be equivalent to one album sale (SEA). Sales and streaming data is compiled by Nielsen Music. 

Billboard will also continue to publish pure album sales charts for the above genres using Nielsen’s sales data exclusively. 

Several on-demand subscription streaming services provide data for the charts, including Spotify, Apple Music, Tidal, Amazon Music, Soundcloud, Slacker, Napster, Google Play, Groove Music and Medianet. 

How this change will impact who ranks where remains to be seen, but it stands to reason that artists with viral hits – such as Migos’ with their hit “Bad and Boujee” – could see big first week numbers once streams for their singles are factored into the equation. 

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A streaming-exclusive album just debuted on the Billboard 200

Chance The Rapper has become the first artist in the history of the Billboard 200 album chart to place with a streaming-exclusive release. Coloring Book, which serves as the third mixtape from the Chicago emcee, received 57.3 million streams in its first week of release online. The record was only available through Apple Music during this time, and it could only be accessed as a stream. Thanks to the RIAA’s 2015 ruling that 15,000 song streams were the equivalent to one album sale, Chance’s Coloring Book hit the Billboard 200 this week at number 8 by accruing enough streams to equal roughly 38,000 album sales. 

Chance’s Coloring Book will remain exclusive to Apple Music until May 27. It’s likely the album will be made available for download after that date, but there are currently no plans to sell the album, or at least none that have been made public as of yet.

Kanye West, who collaborated with Chance on Coloring Book, recently made headlines when his record, The Life Of Pablo, charted on the Billboard 200 with the majority of its “sales” stemming from streams. The album is currently in its seventh week on the list, sitting pretty at No. 20, and in the latest tracking week, 99.93 percent of its units (21,000) were generated by streams. The other .07 percent were album sales. The set sold a handful of copies in the latest tracking frame, and hasn’t sold more than 1,000 copies in a week since its second chart week.

What has not been revealed in all of this is just how much money Chance The Rapper will see from the success of Coloring Book. Considering that the album is currently considered an Apple Music exclusive it’s likely Chance was paid for such placement long before the record was made available to fans. Whether or not he will also receive everything he’s owed from those 57 million streams is unknown, but it wouldn’t be all that surprising if Apple kept the bulk of the initial money received. We’ll post more information about the album and what it says about the way we consume music as soon as more details are made available.

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