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Journalism Tips: Make More Memes

Let’s face it: There is too much content. Try as we writers might to believe our work the best, there is no denying the seemingly endless entertainment options vying the finite amount of time people have in the day to day lives. Watching a video or listening to a podcast may take longer than reading an article, but some consumers see it as being better because both videos and podcasts allow for multi-tasking. It is not hard to listen to a conversation and work at the same time, but reading three-thousand words on an artist who will likely appear on a podcast or release new music soon is another story. Reading requires focused attention, and that is in increasingly limited supply in 2018.

Great up and coming artists are a dime a dozen, but great up and coming artists who can attract and hold consumers’ attention long enough to click a link, let alone read an article are far rarer. Even rarer still are publishers who see coverage of smaller acts as something worthy of their time or funding. There is a discussion to be had as to why this is bad for everyone, including the publisher, but for now, let’s focus on the conversation at hand.

In writing about an up and coming artist, you are hoping to reach two audiences: Established fans and curious consumers. The former will likely share your story, but they’re not as likely to click unless promised something exclusive or otherwise new. The latter will most likely only click if the name sounds familiar or something about the post itself stands out. The trick is in being unique while simultaneously following the lead of what is already popular in culture. For example, memes.

You cannot guarantee how many times the publisher will share your content, but you can tweet all you want through your account. Before sharing your story, take some time to craft clever and original memes inspired by the artist from your article. Do not mention the story, but instead stick to the established joke format used by every other person on the internet. Whenever possible, mention the artist, but only if it makes sense in the context of the meme. If it does not, you can always tag the artist as being in the associated photo.

Taking memes seriously as marketing tools may seem silly or foolish, but in the world of social media memes are a cultural currency that holds immense power, especially among young consumers. A great meme will attract shares and retweets, which in turn promote the artist and your identity as creator. You will receive followers, which may or may not abandon you later, as well as some brief fact time with countless people familiar with the band you are strategically promoting through meme creation.

With a little bit of luck, the memes you create will go viral amongst the artist’s already established fanbase. That may mean ten shares or ten-thousand, but know that every single one counts. The engagement generated by your original content will help to integrate you and your work as being a part of the fan community and not something produced by an outsider hoping to inspire a quick spike in traffic. That familiarity is priceless because it is what will ultimately drive clicks and shares of your story. Every artist community may be different, but the golden rules amongst them all is that fans support fans. Be one, and the rest will have your back.

Here’s an example:

Two weeks before covering up and coming pop-punk group Hot Mulligan I began drafting ideas for memes and similarly shareable content related to the band and their upcoming album, Pilot. It was around this time that two new memes started to circulate online, including what is now known as ‘Savage Patrick.’ The meme, which uses a photo of Patrick Star from Spongebob Squarepants, is used to express a ‘savage’ comment or behavior. In reviewing the lyrics to Hot Mulligan’s then-current single, “All You Wanted By Michelle Branch,” I discovered a line that seemed to fit this idea perfectly. The resulting creation was this:

A few days later, I created another meme, this one borrowing from a viral 2-image series known as the “Sleep On” meme. That meme performed even better than the one before it. It looks like this:

Both Hot Mulligan and their label shared each tweet, as well as several band members through their accounts. Fans soon followed suit.

When my article was published a days later, I returned to those two memes and added links to my story through threaded tweets. As the shares continued, so did exposure to my article. Additionally, several accounts that had followed me in the wake of the memes engaged with tweets about the post without needing to see the threads. The fan community recognized my posts as being from someone they knew to be familiar with the group they loved, and they didn’t think twice to help a fellow fan spread the word.

If all this wasn’t enough, it’s worth noting that both Hot Mulligan and their label appreciated the extra content I created. As silly as it sounds, a meme can often reach more people than a video or a song link, and a great meme shared by passionate fans can do more to encourage engagement with unfamiliar talent than all the well-written words in unread articles ever could.

Journalism is here to stay. Memes, for better or worse, are here to stay as well. Embrace them, master them, and then use them to further your readership. Even if you fail to create a significant surge in traffic you will undoubtedly attract more followers and, in time, those connections will help to grow your audience as a whole. It’s all part of the evolution of this industry. Adaptation is not an option, but a requirement. Don’t wait — create.

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Blog Tips: Language matters when covering assault

Often in music journalism it feels as though every step forward is immediately followed by half a step back. A rather harmless example of this would be people learning that diversity in content offerings often breeds better engagement, but then they spread themselves too thin trying to cover too much and the quality of their content begins to slide. This is a minor setback that is easy to fix, but not all things are this easy to change.

Over the last few years music journalism as a whole has increasingly taken notice of wrongdoing within the music industry as it relates to assault, unwanted advances, and related problems. The attention paid to these cases has helped make more people aware of the issues being faced in our global music community, but all too often the language used does not correctly describe the events that happened. The most recent example of this involves Molly Rankin, vocalist for the band Alvvays, who was nearly assaulted mid-performance by a male concert goer in Belgium. The man rushed the stage in the middle of a song and tried to surprise Rankin with a kiss, but she moved out of the way before he could have his way with her. You can view the incident in question below (it begins at the 3:35 mark).

No one in the music community has condoned this man’s behavior. What they have done, however, is underplayed the seriousness of his actions by using the wrong language in their story. Here are a few examples:

So a common thread here? All these sites promote the story as a man ‘trying to kiss’ a woman he never met who does not know who he is and certainly did not ask for his affection. That is not an attempted kiss. That is an attempted assault.

Assault, more specifically sexual assault, is defined as a sexual act in which a person is coerced or physically forced to engage against their will, or non-consensual sexual touching of a person. You may not personally believe kissing count as a sexual act, but for many it does, and insisting someone kiss you against their will is an act of sexual violence.

When writers use the wrong language to cover instances of assault or other crimes they are (perhaps inadvertently) normalizing the behavior. They are downplaying the seriousness of the allegations, or in this case the actual events, with language that infers the situation has some quality of lightness. Rankin may have been able to laugh off this bizarre instance, but that is no reason to think she’s okay with the fact it happened. It’s never okay, and as journalists reporting on the events specificity is key in helping audiences understand what makes such actions inappropriate.

Women in music – or anywhere else – owe men nothing, yet again and again we read stories like this where guys take their shot because they don’t see the harm in taking a chance. As influencers on this culture it is the responsibility of every writer to take action against wrongdoing and urge their readers to do the same. 

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Someone wrote about your music online…Now what?

Gaining the attention of blogs and their readers is no easy feat, especially for unsigned talent with little-to-no history. You can write the best songs and have the nicest videos, but if you do not know how to network and pitch yourselves no one will ever learn about your talent. Once they do however, there will only be a small window of time for you to capitalize on having won a moment of their attention, and this afternoon we’re going to learn what you should do in the hours after first receiving media attention.

1. Take time to celebrate, but realize there is still a lot left to accomplish.

I was never in a band that became popular enough to appear on sites like Absolutepunk or the like, but I would be lying if I said I didn’t spend many nights wishing one of the influential tastemakers of the scene mentioned my efforts in their publication. If your music/video/album gets mentioned, celebrate! You’ve taken yet another step towards your goal of a career in music, and while it’s certainly not enough to pay the bills it does serve as a strong reminder other people in the world care about your art. Don’t take that for granted.

2. Tell everyone in the world about the news (and ask them to share it).

This one probably goes without saying, but the unwritten rule of exposure on music outlets is that the band featured will publicly share and/or promote the publication’s content once its live. Don’t just share link to stories with fans, but ask them to share it as well, and don’t be afraid to request they comment on the post if time allows. Sites that see a bump in traffic or discussions from coverage of your band are likely to cover your band again in the future because they believe there is a value to your content that other unsigned acts cannot provide. In order to show them that value you will need the help of your fans, and its up to you to sell them on sharing your work.

3. Engage the comments section, but don’t antagonize them.

If the reason you’re reading this post is because the first article about your music just went live, you need to understand the response in the comments section may be very slow at first. As much as sites love to help expose young talent, people are not always quick to comment (especially in a positive sense) about something they are unfamiliar with. A great way to combat this is to actively participate in discussions taking place in the comments section of articles about your band. Answer questions for people, offer insight into your creative process, and generally speaking do whatever you can to be a decent human being that is open to criticism. It’s not that difficult, but it can make a world of difference in how quickly people become engaged with your art.

4. Say “thank you” and/or support the publication that wrote about you.

You would not believe the power the phrases “please” and “thank you” have in the music industry. From labels, to bands, publicists, and everyone in between you would be hard pressed to find anyone who thinks they hear either of those phrases too often. People tend to do as they please and take what they want without giving much though to the process behind it all, but you can stand out from the countless unsigned artists of the world by voicing your appreciation to the sites that give you space on their front page. It does not have to be anything formal, but it should be sincere. People remember those who are kind to them, and they’re far more likely to want to work with you again in the future as a result.

5. Don’t be afraid to begin teasing your next announcement.

Once people learn about your art it’s very likely they will want to know everything they can about your current efforts. Using social media and the comments sections on posts about your work, take a moment to tell people about everything else you have going on while your name is still fresh on their minds. They might not buy the album or see the tour you’re trying to promote, but at least they’ll know of it and will have the ability to share that information with others if such opportunities present themselves.

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Making The Most Of Your Summer Festival Coverage

Earlier this week we offered tips to help musicians make the most of their time at festivals this summer, so it only makes sense that we do the same for journalists today. This post comes to us from Matt Leimkuhler, a writer for the Des Moines Register

Ahhh. The ever-so formidable task of mastering festival coverage. It’s not easy, running around like a chicken with your head cut off for 12-18 hours on end — making sure every must-see band has been seen, every must-shake hand has been touched and every must-interview act has been chatted with. Not only must you balance every minute of your time and energy, but you must focus that energy to make sure you are creating better content than every other writer on the scene. What does it take for you to stand out during this festival season? Here are five questions I ask myself when going into all types of festivals:

1. What story hasn’t been told before?

Every blog, ‘zine and YouTube account is going to give you the typical, “Must See” lists for festivals, and this is okay. It’s cool to give your thoughts on what the standout acts are. But why not push this idea further? Instead of the “Five Must-See Acts at the Vans Warped Tour,” why not the “Five Songs to Crowd Surf to at the Vans Warped Tour?” Centralize your ideas — make your thoughts unique and insightful. This doesn’t need to pertain to solely preview content — think about different angles for every aspect of the festival.

2. What questions haven’t been asked yet?

If you’re interviewing a band on a festival bill, odds are the act is going through an extreme press run. Don’t waste the band’s time with monotonous questions the likes of “where did you get your band name?” or “how did you all meet?” Goodness, what a waste of time. You [probably] have a smartphone…Google different interviews, visit Wikipedia, or at least read the band’s bio before stepping into the box. Dig into insightful conversation with the musician and you all might actually learn something from one another. And better yet — the artist might actually want to work with you again in the future. A good musician always knows when you’re skidding through an interview and it is a bad reflection on everyone involved. Always do your homework. Don’t be afraid to step away from even insightful and traditional interviews to have a little fun with the artists. Does the band want to talk about the best food to eat on the road? Great! Grab that opportunity and create the best damn “must eat places according to this band” piece possible.

3. What can I do to stay ahead?

Okay: you’ve done amazing preview pieces, you’ve locked in the best interviews, you’ve relentlessly prepared for those interviews and you’ve just landed at the festival. What now? Staying ahead and in your element is tough. Typically, festivals offer the best distractions possible. Food, booze, after parties and sideshows are all fantastic for fans, but you’re at this festival for generate content. Stay in communication with your publicists or tour manager. Embrace the notion of being a public figure. Live tweet sets and daily agendas, reach out to other professionals you know will be in attendance and do you best to not make an ass of yourself (it happens to everyone at least once). Do daily write-ups and reviews of what you’re experiencing at the festival to give the outside world an idea of what’s taking place.  Make the most of every second. Stay focused and make great impressions but don’t forget to have fun and enjoy the fantastic music you’re getting to cover.

4. How do I sum it all up?

Congratulations, you killed your interviews and you made it home safely. Now, time for post-festival coverage. Again – tailor to your audience and strive to be unique in your post-festival coverage. Everyone will have a photo gallery and everyone will have the “best of” lists going live. Try to step back and think about the bigger picture. What really was the best part of the festival? Embrace the entire community you were apart of, not just the music. At this point of your coverage, more than ever, it’s time to be a journalist and tell a story.

5. What about next time?

Be sure to send the required follow up message upon returning home and be timely in turning your interviews around. Never take on too many interviews or you’ll dilute your product and slow down the process. Five well-thought out interviews stand out against fifteen half-hearted interviews any day. Make sure all of the appropriate parties know you are turning your content around in a timely fashion and thank them for the opportunity. Always be humble.

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