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How Seven Kingdoms Successfully Crowdfund Every Album [VIDEO]

Floridian metal band Seven Kingdoms has made a career out of fan-backed releases, but that level of support didn’t happen overnight.

We live in an age where the barriers to creating high-quality content are unbelievably low. You can do more with your smartphone to build and manage a music career than a team of people could accomplish just thirty years ago, and you can do most of it without leaving your bed. The problem is figuring out how to pay for it, but if you ask Florida metal band Seven Kingdoms, they’d tell you that’s why fans matter. 

Seven Kingdoms knew early on that they had a sound that people wanted to hear and, like most groups, believed a label would be the best path to widespread success. The band found a deal early on and used the added benefit of a promo team to build their reputation on a global scale. More releases followed, and the band continued to work its way through the metal hierarchy, but in the mid-2010s realized a change was needed.

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Now, as we all know, every group is different, and so is every career. What works for one artist will not work for others and vice versa. That’s the nature of the business. In 2016, after spending their first decade in the label system, Seven Kingdoms chose to go independent with the first of several crowdfunded releases. The group did not know how much support fans would offer, but the results speak for themselves. More than perhaps any American heavy metal band in the scene right now, Seven Kingdoms are beholden only to themselves and their audience. The only people they have to please are those who want to hear from them, and that’s where all musicians hope to find themselves.

We knew we had to speak with them when we caught wind of Seven Kingdoms’ long streak of successful crowdfunding efforts. Music Biz host James Shotwell called the band last week, and they were happy to share the secrets to their success. Check it out:

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Bandcamp launches ‘Kickstarter for vinyl’ pressing service

Vinyl sales have surged in recent years, but cost of pressing remains high. Could Bandcamp’s new service be the solution DIY artists need?

Bandcamp has announced a new service that allows artists to launch crowdfunding campaigns for vinyl releases. Once a campaign reaches its minimum goal, Bandcamp will press and ship the vinyl record directly to fans, which saves artists time and lowers the risk involved in vinyl production. Artists will maintain full control of the record’s design as well as its price, though the cost will depend on the design, number of discs required, quality of sound, and other factors. The service—which aims to streamline the “financing, production, and fulfillment of vinyl records”—is set to launch for all artists and labels later this year.

The ‘Kickstarter for vinyl’ service was revealed by Bandcamp earlier this week. In the post, Bandcamp stated that sales of vinyl records on the service have grown 600% in the last five years, and every month another 3,500 unique vinyl albums are added to the site. While that figure is impressive, the announcement also says that only 9% of the albums with sales on Bandcamp in 2018 offered a vinyl version. The company hopes their new service will encourage more artists to explore vinyl pressing, as well as offer fans a chance to fund new pressings of records that may otherwise never be pressed again.

The reasons more DIY and independent artists don’t press vinyl are numerous, but cost is the biggest factor. A run of 500 records can easily costs thousands to press, and that isn’t accounting for postage to ship the albums to fans or the cost of packaging for those shipments. That price is too high for many artists, especially when it means taking a change that fans will actually buy the album once it is complete. Bandcamp’s service not only streamlines production and distribution, but it eliminates the risk factor entirely by funding production through fans. The worst that can happen is that a campaign does not raise the funds required for production, in which case an artist will have to rely on other means of getting physical media to fans.

To showcase their new service, Bandcamp has announced its first four vinyl campaigns: Christian Scott aTunde Adjuah’s Ancestral RecallJim Guthrie’s Below (Original Soundtrack)Juliette Jade’s Constellation, and Mesarthim’s Ghost Condensate. You can view the campaigns by clicking the links in this story, and you can view the proposed products by visiting Bandcamp’s official blog.

Bandcamp launched its first brick and mortar store earlier this year. Whether or not releases funded through its new service will appear in the shop remains to be seen.

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4 Niche Crowdfunding Sites That Might Work Better for Your Band Than Kickstarter

This post is the latest in our ongoing collaboration with Sonicbids. Enjoy.

Crowdfunding has become one of the best ways for independent musicians (and even those with record deals) to get the money they need to make their living. Creating an album or going on tour can be expensive, and it’s tough enough to sell music, so many acts have turned to asking their biggest fans for a little extra help, and more often than not, they heed the call.

As the crowdfunding industry grows, more and more options for fundraising are popping up, and it’s tough to choose the best site for you and your band. So, which one is right for you? Do you want to take your chances with the masses on Kickstarter, or perhaps one of these three options is your best bet? Where are you based? Where are you touring? What genre do you play? All of these are important factors, especially on some of the more niche fundraising sites. If you don’t think you want to be a part of the bigger platforms, here are a few smaller options that might be a better fit.

1. Pozible

Best for: Australian bands, or those not sure how they want to crowdfund just yet

Based in Australia, Pozible has a growing international presence, and a track record as one of the most successful crowdfunding platforms out there (over half of all campaigns reach their goals). While it does offer the option to simply set up a typical project, the company is fairly innovative in its other offerings. One interesting option is subscriptions, which is a growing trend in the fan-artist direct relationship world. Fans can pay a monthly fee to receive something from the artist, which can be whatever the artist has decided.

Also, Pozible has a new option where instead of hosting a campaign just on Pozible.com, an artist can set the whole thing up and take the embed code and place it wherever they like. This is helpful, as any digital marketer will tell you that the fewer clicks the better when you are asking someone to give you money. Instead of your fans spending time on your website having to click through and figure out the setup of Pozible’s website, they can contribute directly from your online presence. Doesn’t sound like a big deal, but it can make all the difference for some potential donors – and when it comes to fundraising, every little bit helps.

2. Sellaband

Best for: Bands that need help doing everything connected to their campaign

This option is an older one and a lot more DIY, but it doesn’t seem to be too active these days. The Germany-based company traffics mostly in European acts and has a lot less for people to cut through than platforms like Kickstarter or PledgeMusic. Being smaller is a good thing in that your project can get more attention (especially on their “charts” page, which tracks popular campaigns), but it also means that there might not be as many people randomly searching for new things to support on the site.

The company also brags that they can help any musician using the service to take their project from start to finish, including connecting bands to third parties that will press CDs and the like. If you don’t mind an older look and want some assistance in getting merchandise made once your fans have pre-ordered something, this might work for you.

3. Rockethub

Best for: Bands that are brand new to crowdfunding

Rockethub stands out from the crowd in two main ways: education and money. First, the company is intent on making sure that artists using the platform (which doesn’t only cater to musicians, but they’re a big vertical) know what they’re doing and that they have all the tools they need to succeed. The site features a page called Success School, which has an entire curriculum based on the dos and don’ts of crowdfunding and teaches best practices. Like only a few other platforms, Rockethub also allows musicians to keep what they have raised, regardless of what they were looking to collect. This is a great feature, as many campaigns don’t hit their goals, which can leave the band right back at square one.

4. Ulule

Best for: Bands in France, or bands that are popular in that region

Serving the French community almost exclusively, Ulule is a great option if you’re based in France (or the rest of Europe). A platform that’s popular in a particular geographic region can be a good idea if your music is doing well there, as there are fewer people using it, which helps your campaign stand out. Ulule is also interesting because it offers artists two options to raise funds: simply requesting money for a project, or selling many different packages and items for certain amounts. Different sites usually go with one of these two choices, but having both means that there is something for everyone. Only five percent is taken from successful campaigns, so you’ll get most of your cash… if you can reach your goal.

Hugh McIntyre is a freelance pop music journalist in NYC by way of Boston. He has written for Billboard, The Hollywood Reporter, and MTV, as well as various magazines and blogs around the world. He is also the founder and editor-in-chief of the blog Pop! Bang! Boom! which is dedicated to the genre of pop in all of its glory.

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How To Fund Your Own Full Length Album

Hello, everyone. We are so thrilled to learn that you were able to find time to spend with us today. It has been a minute since we were able to share a new artist curated advice column, but we finally have something great prepared that we think you are going to love. If you have ever wanted some fresh insight on what it takes to raise money for your music in 2014, this post is for you.

This blog exists to promote the future of the entertainment industry, and to do that we need input from people like you and your entertainment-loving friends. If you have any questions about the content in this article, or if you have an artist you would like to see featured on this blog, please contact james@haulix.com. We can also be found on Twitter and Facebook.

It’s funny how fast the music industry changes these days. A year ago many people would have claimed that crowdfunding was the future of the music business, but as many independent acts have learned over the year this is not always the case. Some audiences will be able to support the dreams of their favorite musicians, but that is not true for every talented musician with a diehard fans following their every move. For some, it takes a lot more than launching a free web page and asking for money, and today we’re going to take notes from one Massachusetts based group who recently cracked the fundraising code and raised the long-awaited funds needs to create their first full length album.

Nemes are not the smallest band in the world, but if you asked your average alternative rock or folk fan outside of the New England area it might be hard to come across anyone who is all that familiar with the Worcester, MA outfit. They have been together for a number of years however, and in that time have been featured on countless music blogs, as well as appearing in a handful of influential music publications. All that exposure helped the band tour and scrape together enough money for a few EPs, but eventually the band knew they needed to do something bigger if they were ever going to advance their career. They settled on recording a proper full length in a real studio with a producer who could help develop their sound, and soon set off to raise the funds needed to make that dream a reality. They turned to fans first, but instead of depending on their loyal followers to cover expenses once again they also turned to the general public through a series of off the cuff performances. The money eventually came in and today, October 28, the band is releasing the album they first conceived almost two years ago.

We were so impressed by Nemes and their efforts to create a truly DIY release that we asked them to share their secret to success with our readers. You can read a blog written by the band below, but first let’s take a moment and enjoy their music:

Hello all! Alex from Nemes (pronounced knee•miss) here. In case you haven’t heard of us, we’re a folk-rock indie quartet out of Boston, MA. Our music has been called, “an embodiment of extremes” and our performances, “a nuclear power plant’s worth of energy.” Both of these things are prevalent in our new album, I Carry Your Heart. I’m writing this from a coffeeshop in Brighton, MA the night before it is released (October 28th). We worked our toosheys off to fund and get word out about this thing without the help of a label or traditional management.

Our band has been around for a little while now, but this release is the first album recorded in a legitimate studio on a semi-legitimate budget. We even got Rick Kwan (My Morning Jacket, Oasis, Jim James) to mix it. After self-producing several EP’s and gaining local exposure in Worcester, MA, our band migrated to Boston where we put our collective nose to the grindstone to work on this release.

The first step was funding. This album was funded in 3 main ways:

  • The first, performing in the subway. Every free morning for around a year and a half, our band put out a guitar case and experienced the incredible generosity of Boston’s citizens.

  • Second, we performed everywhere we could. And I mean everywhere Bars, venues, weddings, pizza shops, police precincts (okay maybe not police precincts); we did everything we could to turn our music into something we could do full time. We learned dozens of covers (and are now better for it) just to be able to pay certain events so we could put more into this album.

  • The last thing we did for funding was turn to our fans. We reached out on Kickstarter and asked our incredible supportive, generous fan base to help us make this piece of art. They came through in a way we never imagined and helped us raise more than 120% of our initial goal. Because of this we were able to get the album professionally mastered, pressed to vinyl, and duplicated with incredible CD packaging that showcases everything exactly the way we feel it should be experienced.

Haulix actually took an interest in what we were able to accomplish and asked us to compile a list of tips for other artists when it comes to putting together the funds for a record. Here goes nothing!

  • Plan ahead. Have a goal, and don’t go in blind.

  • Realistically shoot for the stars. This can be hard, but if you take a step back and look at the trajectory of your band, you’ll be able to gauge approximately what you’d be able to do.

  • Don’t be afraid to ask! Ask everybody, everywhere, for anything they can help you with. Show them your music and be confident about it. For instance, we were able to partner with local record label Antique Records to put together some exclusive items.

  • Cut costs on the road! We sang for food, asked for leftovers, and did research on where we’d be able to get free resources.

  • Otherwise, just be creative. It can go a long way to think outside the box and figure out what works for you.

I’d really like to invite anyone who reads this to give a little bit of their day to I Carry Your Heart. It is comprised of 11 songs. Each has a distinct personality, almost fitting into its own genre, but all of the tracks work together to accomplish a singular feeling; an emotional core that does its part to represent the theme, “I Carry Your Heart.” We’d like to thank Haulix for taking an interest in us, and add an extra thanks to them for all the incredible work they do in general.

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Haulix Advice: 4 Tips On Creating A Successful Crowdfunding Campaign

Welcome back to Haulix Advice. This column runs at least once a week on our blog and aims to help independent artists further their careers with tips and pointers from people currently working in the music industry. If you have a suggestion for a future column or are interested in contributing to this series with a piece of your own, please contact james@haulix.com. We look forward to hearing from you.

Crowdfunding is all the rage these days. From bands leaving their labels in search of more control, to artists seeking financial support to put and/or keep themselves on the road, musicians around the world are turning to crowdfunding platforms like Kickstarter and Indiegogo in growing numbers in hopes of furthering their careers. We do not work directly with any of these services, but after viewing countless campaigns we felt an advice column offering tips for creating successful crowdfunding efforts was long overdue. Letters were sent to our industry friends, debates were had, and now we’re proud to present you with 4 tips to better your campaign. We cannot guarantee your goal will be met, but we can help you position yourself for the best reception possible. The rest, as they say, is up to you.

1. There is no substitute for quality – Your diehards fans will likely support you no matter how your campaign page looks, but for the vast majority of people visiting your page first impressions could mean the difference between a visit and a donation. Above all else, a high quality video introduction to your campaign is a must. State your reasoning for the campaign, a timeline for completion, rewards for giving, and anything else your visitors will need to know in a manner that is both entertaining and informative. This isn’t a cry for help, but an invitation to work together toward an end result, and if you want them on board you will have to win them over. Videos are viewed far more often than text is read on these campaigns, so make sure your visuals are as crisp as can be.

Speaking of text, it’s worth your time (and future money) to have someone look over all the messaging you will be posting and distributing through a campaign. Again, quality is everything, and if you want to convince people their money will be put to good use that starts by showing them you’re capable of stringing complete sentences together. Sloppy writings reflects a sloppy work ethic, and no one wants to put their money in the hands of people who they think will deliver a less than quality product.

2. Do your research – If you’re an artist or band starting a campaign today or at any point in the future there is an almost certain likelihood another artist (or group of artists) has funded a campaign similar to yours in the past. You may have an idea of what you need and how you want to present it, but there is no education on how people view crowdfunding available that compares to what you can learn from reviewing the efforts of those who have come before you. Find what you like and don’t like about a number of campaigns that have already ended and use that information to better your own crowdfunding efforts.

3. Be as open as you can possibly be with your potential supporters – I’ve lost count of how many times I’ve read a headline on social networks where a band or artist is asking for a ridiculously lofty amount of money to fund a project that other artists have completed for less without properly explaining their needs, but I assure you it’s a lot. People want to know where their money is going, and that is especially true when it comes to crowdfunding. The more information you can offer fans about how you plan to use the money contributed to your campaign the better, and the same goes for information related to when donors can expect to receive their pledge-related merchandise.

4. Don’t be cheap – Everyone has at least one friend they feel does not support them to the same extent that individual is supported. Such relationships may last a long time, but eventually the people getting the short end of the stick will realize they can make better friends and will choose to no longer associate with the ones who did not support them. The same idea can be applied to bands hoping to launch successful crowdfunding campaigns. If you want people to feel comfortable with supporting your future efforts you need to show them support by offering the best pledge rewards possible. People know you’re trying to raise funds, but that does not make it okay to charge $25 for a physical CD that could just as easily be purchased after its released for $10 (or less). Diehards may go for such price gouging tactics, but the casual listener wants more bang for their buck, and you will have to adapt to those demands if you want to succeed in funding your next project.

Additional insight from around the industry:

“Creating a successful crowd funding campaign requires two things. First, you need an effective pitch that includes a quality video, a descriptive story, and a thoughtful reward system that shows you’ve thought about your backers as something more than a consumer. After all, they’re investors, not consumers, and their faith in you to provide a desirable product should be accepted graciously. Second, you need a marketing campaign that ensures you are reaching every single person who has shown interest in your project/product before. If you can get your already established fan base to get excited and help promote, you’ll drastically increase your reach. People have an innate fear of missing out, and you have to convince your casual listeners/fans that your campaign is the next big thing and they don’t want to look back and regret being able to say they were part of something special.” – Alex Wiese, Jocelyn

“The Deep North used Indiegogo last spring to help fund our two-week recording session at Rocking Horse Studio in Pittsfield, NH. We found it really helpful to spend time researching other crowdfunding success stories before we even started planning our campaign. After seeing what tips others have shared, we knew we’d need a high-quality video that stayed under two minutes, a chart outlining where exactly our funds would be going, and interesting prizes that fans of any age would love to have. We also made sure to reach out to friends and family personally, instead of just posting the same link on social media every day. We had a lot of fun watching the campaign take off, and we’re really looking forward to sending out the rewards to everyone who donated.” – Rebecca Frank, The Deep North

“When it comes to crowdfunding, it seems to me that there are lines that should not be crossed. Putting together typical bundles does not incite the motivation for a fan to really dive into a project. Offering unique, personalized options helps funders feel they are really part of something. Asking for more money than necessary is a turn off if you can’t justify what it will be used for. Patent Pending are a great example of quality crowdfunding. Chimaira asked for $30,000 and ended up with $60,758, although they ended up canceling some donation options. Make sure to be honest and make good on all of your incentives for donations. – Derek Scancarelli, Under The Gun Review

"When trying to go the avenue of a crowdfunding campaign there are a few things to think about to increase your chances of success. First thing to do is to truly map out what you need as apposed to what you want. Ask too much and you look greedy, ask for too little and you could get stuck with an unfinished project that your fans will not be thrilled to wait for while you try to figure it all out. Most importantly DON’T BE A CHEAP ASS!!! It’s all about your fans, so don’t ask $20 for your CD (who the fuck buys CD’s for $20 anymore?). Your incentive packages need to be amazing, remember these are your most loyal fans and YOU are asking them for their support. Don’t forget what it’s like to be a fan, so give them what you would want from your favorite band.” – Danny Fonorow, Jonas Sees In Color

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