Three years after his last appearance, Bayside frontman Anthony Raneri returns to Inside Music with a discussion about the evolving business of entertainment.
Getting a large number of people to care about your music is a challenge the vast majority of artists never accomplish. For those that do, the next challenge is maintaining that adoration and growing your audience while continuing to develop creatively, which is even harder than starting out. Bayside is a band nearing two decades of togetherness, and the group’s latest release, Interrobang, proves they are far from the end of the line.
Bayside burst onto the music scene in the early 2000s, just as the modern age of emo rock was beginning to crest. The group was often lumped into the same genre classification as their Victory Records labelmates Silverstein, Taking Back Sunday, and Hawthorne Heights, but what Bayside brought to audiences was decidedly different. The band is a testament to what happens when you pair punk-influenced rock with cathartic lyricism and just enough angst to keep your fists (and teeth) clenched. Their music is an exercise in vulnerability, offering the deepest truths frontman Anthony Raneri dares to share against soaring hooks and fiery guitar work.
While many of their peers have left music or faded into obscurity, Bayside has continued on in an age where rock and roll’s viability is often a topic of debate amongst so-called influencers. The band rarely worries themselves with industry politics, however, as they prefer to focus on their fans instead. Their approach to songwriting is essentially the same as when they started, but the influences are much different. As their fans have grown, so have the members of Bayside, and that, in many ways, has made all the difference in their career.
On today’s episode of Inside Music, Anthony Raneri stops by to discuss Interrobang, as well as the group’s unique approach to releasing their best record in years. Raneri tells host James Shotwell how Bayside has managed to navigate the ever-changing landscape of music while many others have not. He also shares insights into his recent influences and what fans can expect from the group’s highly-anticipated Fall headlining tour.
If you’re anything like me, you probably started the day by recognizing that the start of a new work week had indeed arrived and then immediately began shaking your fists at the sky in anger. Monday is rarely anyone’s favorite day, and from what I have seen firsthand it feels safe to say it’s the one day of the week some people outright hate. I guess to them the arrival of the work week symbolizes the end of their quote/unquote freedom, and as a result they head into the office/factory/restaurant/store with a negative outlook already on their mind. This leads to bad attitudes, which only makes the experience of being at work worse, and for some reason it also seems to make time slow to a crawl. We’re not about that life, and we hope this post can do the same you that the song contained within it did for us.
The likelihood of encountering a catch-22 in your development as a professional in any facet of the entertainment industry is so high it might as well be considered a given. To live is to grow, and to grow is to develop interests and tastes that may not fit into the mold of the person you once were. This is true for almost everyone on Earth, but only a small percentage of those walking among us are tasked with creating something from nothing using only their imagination and musical prowess that is packaged and sold to the masses as some form of entertainment. For those people change can be harder than because accepting that you are no longer who you once were means you might not ever create the same way again, and if that is true then there is a good chance the people who once supported you without a second thought may soon reconsider their allegiance to your creative output.
Sum 41 burst onto the international music scene with the release of their single “Fat Lip” in 2001. The song, which arrived just as bands like Blink-182 and Green Day were pushing pop-punk into the mainstream, was an instant smash at MTV and top 40 radio. I was fourteen at the time, and as such I – not to mention everyone in my graduating class – was the target market for the song. We sang the track together on field trips and in the back of class before the first bell of the day would ring. We also sang along on our bikes as we explored our town, and in the back of our parents’ cars (until they had enough and shut off the radio). For a few months it seemed like the world would never be without “Fat Lip” again, but eventually a day came when our culture’s obsession with the track began to subside. Fortunately for the band, they had additional singles (like “In Too Deep”) ready to go.
The singles that followed “Fat Lip,” as well as the album that followed the record that contained “Fat Lip,” were both considered successful in the eyes of the music industry. The rap-punk mix of “Fat Lip” was never outright recreated, but the band had a knack for pop-laden punk hooks that could not be denied. They never saw the same fame that came their way when they first were introduced, but for a few years they were considered one of the biggest punk bands in the world.
When a band achieves the kind of global status Sum 41 reached with the success of “Fat Lip” they find themselves with an untold number of new fans who likely them specifically for a single sound found on a single recording that is just one of many found on that group’s latest album. People are curious to hear more, as anyone who finds themselves enjoying anything typically is, but to be more specific they are curious as to whether or not the band can harness a similar sound and find success once more. If the band choose to try something different, or if they abandoned the sound that catapulted them into the public eye to begin with altogether, those same fans who rushed to support the group initially may begin to seek out other entertainers.
This is where things get tricky. On the one hand, creative people have to be willing to risk losing their audience in their pursuit of authentic self-expression, but at the same time they need to continue selling records and concert tickets in order to fund their creative endeavors. When a band like Sum 41 finds themselves evolving beyond the sound that launched their career the backlash from the general public can be downright mean, and for many the idea of losing the affection of the masses can be too much to bare. So much so, in fact, that many artists from all over the globe will restrict themselves from pursuing new ideas in order to maintain the status quo. This is why some bands will release what is dubbed as an ‘experimental’ album before releasing one that sounds like everything they have ever done in the past (with the exception of the experimental release). They fear being disliked, so instead of growing they just keep revisiting the same themes and ideas over and over until they have accumulated enough money to take a few years off. That might mean years of regurgitating old ideas, or in some cases even decades.
The reason I chose Sum 41 for today’s Monday Motivation post is because they have never compromised their artistic integrity in an effort to pander to the masses. The band knows they do not have the following they did when “Fat Lip” was the biggest song in the world, but whenever you see them or hear them you get the feeling they could care less about this fact. For them, the music is the ultimate accomplishment. Fans are nice, and they certainly help make further creative expression possible, but Sum 41 has always placed a lot of importance on keeping themselves happy with their output that is rarely found in musicians today. Could they do what they did before all over again? Sure. Do they want to? No.
This week, Sum 41 will release their new album 13 Voices through Hopeless Records. The album is the result of the band coming together in support of vocalist Deryck Whibley, who made headlines last year for his struggles with addiction. Music was always a way through the band times for Whibley, and together with his bandmates he has crafted a record that entertains while also providing a platform to vent frustrations and confront demons. To hear the album is to understand the struggles the band has undergone over the last two decades, which has now culminated in an album that ties together themes from previous records without revisiting the ideas that made those recordings unique. This album is everything the band has been working toward, and to know they are still playing the game by their own rules inspires me to do the same every single day.
James Shotwell is the Digital Marketing Manager for Haulix. He is also a professional entertainment critic, covering both film and music, as well as the co-founder of Antique Records (RIP). Feel free to tell him you love or hate the article above by connecting with him on Twitter. Bonus points if you introduce yourself by sharing your favorite Simpsons character.
If you’re anything like me, you probably started the day by recognizing that the start of a new work week had indeed arrived and then immediately began shaking your fists at the sky in anger. Monday is rarely anyone’s favorite day, and from what I have seen firsthand it feels safe to say it’s the one day of the week some people outright hate. I guess to them the arrival of the work week symbolizes the end of their quote/unquote freedom, and as a result they head into the office/factory/restaurant/store with a negative outlook already on their mind. This leads to bad attitudes, which only makes the experience of being at work worse, and for some reason it also seems to make time slow to a crawl. We’re not about that life, and we hope this post can do the same you that the song contained within it did for us.
Steinbeck’s The Catcher in the Rye is a timeless piece of American literature that has no doubt influenced generations of people. To this day there are schools all over the country assigning students to read the story of Holden Caufield, and in places where it is not considered required reading it is still being discovered by people searching for something that understands feelings of teenage angst and alienation. It would be easy for most to spend hours debating the best passages from the book, but as I was listening to Tidal Wave, the latest album from Long Island based rock band Taking Back Sunday, one quote in particular came to mind:
“The mark of the immature man is that he wants to die nobly for a cause, while the mark of the mature man is that he wants to live humbly for one.”
Thinking back to the band’s landmark debut album, Tell All Your Friends, it’s hard to believe how far Taking Back Sunday have come. That record, which was lyrically born from heartache, angst, alienation, and the feeling of never being quite good enough, introduced Taking Back Sunday to the world as a group of passionate young men unsure of their place in the world. The use of violent imagery and brash honesty helped to emphasize their willingness to do anything in their power to find somewhere they could call home, despite the fact they seemingly had no idea what such a place would look like.
I was fourteen when Tell All Your Friends was released, and like countless youth across the globe I found myself feeling a connection to the band’s longing for peace and stability in this often turbulent world. I did not completely grasp all the stories of heartache or how they had unfolded, but I (thought I) knew the feeling of being brokenhearted enough to appreciate the sentiment of their lyricism. So much so, in fact, that I could often by found scribbling my favorite over-emotional lyrics onto notebook covers during class or referencing various song titles with a customized screen name on the once popular social networking site known as MySpace. For myself and others like me there had never been enough band that had so completely and uniquely captured the feeling of youthful discomfort as Taking Back Sunday, and as a result we became devoted followers of their message who would flock to shows far and wide to sing-a-long with our newfound heroes.
Time passed, and with each new album Taking Back Sunday continued to evolve without fully abandoning the concepts and sound that initially launched their career. The band documented new struggles with the same one of a kind perspective that had helped set their adolescent problems apart, but the wildfire of hype for each new creation was nothing like the first wave of praise the band had received. Some would claim Taking Back Sunday had a problem developing their sound in a way that was continually interesting, while others felt the decision to focus on problems beyond angst and bad relationships caused the band to lose some intangible edge. I never agreed with these critiques myself, but I did feel the band struggled to maintain the forward momentum of their first two records as the third, fourth, and fifth were shared with the world.
Then came Tidal Wave, which I was fortunate enough to hear for the first time about a month ago. It only took about three songs off the new record for me to realize that Taking Back Sunday had finally reached whatever creative pinnacle they had been striving towards since the release of ‘Tell All Your Friends.’ The boys who were willing to die as long as they could first prove themselves as gentleman have grown into the men who have willingly sacrificed their freedom for a life spent connecting with people all over the globe through their art. What they were once willing to die for has become the reason they continue living, and everyone – from the band to their fans – is better off as a result.
The thing no one ever tells you about growing up is how the loss of naivety through experience will impact the way you view every aspect of your life. The big things that once felt so important often take a backseat to simpler concepts like family and self-acceptance when one finally has a clear grasp of the finality of death. Whether realized through your own skirmishes or the struggles of those around you, most people do not fully appreciate the futility of life until they’ve felt the loss of one. Even then, finding how to push forward when you know full well you too will one day expire takes an immeasurable amount of strength that billions around the globe struggle to find on a daily basis. It’s a tough truth, but one that must be accepted in order to move forward, and you must move forward. If not, you are as good as dead.
This, and other ideas related to the constant passing of time and our inability to stop or slow it are what makes Tidal Wave something truly spectacular. Taking Back Sunday has created an album that can and will stand alongside Tom Petty’s Wildflowers and Bruce Springsteen’s Born in the USA as albums that perfectly capture the relentless enthusiasm of the human spirit. It’s the realization of what the group has been working toward for the better part of two decades, and it marks an ever-so-slight pivot in sound that should help the band to engage a larger share of the modern rock audience than their previous albums.
I believe Tidal Wave is the album Taking Back Sunday was put on this Earth to make, and hearing it gives me the strength to keep working towards my own goals. I might not know where I am headed, but I know I am doing what my soul tells me I need to be doing, and that’s good enough for now.
James Shotwell is the Digital Marketing Manager for Haulix. He is also a professional entertainment critic, covering both film and music, as well as the co-founder of Antique Records (RIP). Feel free to tell him you love or hate the article above by connecting with him on Twitter. Bonus points if you introduce yourself by sharing your favorite Simpsons character.
On this episode of INSIDE MUSIC, host James Shotwell calls Anthony Raneri of Bayside to discuss his band’s new album, Vacancy, which arrives in stores on August 19 through Hopeless Records. This conversation was recorded back in June before Anthony had done much press for the new record, but because James had already heard the album by that point the two were able to discuss it at length without covering much, if any, material that you’ve seen mentioned in other interviews Raneri may have done since that time. This conversation covers love, marriage, the end of relationships, and the way art helps us through our worst moments. If you have the finances, please make it a point to support Vacancy when it arrives in stores later this month.
The song you hear in this episode of the show is “I’ve Been Dead All Day,” which can be found on Bayside’s new album. Here’s the video:
You may already know this, but Inside Music is available on iTunes. Click here to subscribe so you never miss an episode!
On this episode of INSIDE MUSIC, host James Shotwell calls Bradley Walden of Emarosa to discuss his band’s new album, 131, which arrives in stores on July 8 through Hopeless Records. Bradley tells James about the inspiration behind the album, as well as the story the band is telling with their recent music videos. James also speaks with Annie Schindel, an up and coming singer-songwriter from California, about her budding career in music.
The first song you hear in this episode is “Don’t Really Know What We Want,” which can be streamed on Annie Schindel’s official Soundcloud page. The second song you hear is “Miracle,” which is taken from Emarosa’s upcoming album, 131.
You may already know this, but Inside Music is available on iTunes. Click here to subscribe so you never miss an episode!
If you’re anything like me, you probably started the day by recognizing that the start of a new work week had indeed arrived and then immediately began shaking your fists at the sky in anger. Monday is rarely anyone’s favorite day, and from what I have seen firsthand it feels safe to say it’s the one day of the week some people outright hate. I guess to them the arrival of the work week symbolizes the end of their quote/unquote freedom, and as a result they head into the office/factory/restaurant/store with a negative outlook already on their mind. This leads to bad attitudes, which only makes the experience of being at work worse, and for some reason it also seems to make time slow to a crawl. We’re not about that life, and we hope this post can do the same you that the song contained within it did for us.
Anyone reading this who has finished high school presumably knows the phrase, “the best laid plans of mice and men often go awry,” but how many of us actually apply that concept to our daily lives? In my experience, the answer is not nearly enough, and I’m including myself in that summation. I, like many, imagine myself to be a fairly easygoing person, but if something I had my hopes set on falls apart before coming to fruition I can transform into a bit of an emotional mess that is best compared to a child throwing a tantrum. Life should go the way we want it to, right?
Your answer to that question doesn’t really matter, and neither does mine, because life could not care less about your dreams and expectations. Life is a constantly changing thing that gives absolutely no thought or attention to the desires of individuals or groups. Sometimes things work out, but other times they do not, and there is only so much any of us can do to sway the outcome one way or another. What we can do however, is decide how we will respond to things falling apart. Will you let an unexpected turn destroy you or empower you? Will you give up, or will you see things through despite unexpected hurdles that may appear along the way?
Consider for a moment the turbulent existence of Emarosa, an American hard rock band with no place to call home and a list of former members that now more than doubles the amount of people currently in the group. Emarosa formed in 2006, but thanks to a number of vocalist changes over the years the band has more or less had to reboot their sound three times over. The latest incarnation, which features Bradley Walden on vocals, may be the best yet. Walden entered the group as they were preparing to hit the studio for their third studio album (2014’s Versus), and he quickly acclimated to the band’s approach to creativity. Now two years later, the band is about to release what is arguably their best record to date (131 – Out July 8), and Walden is still steering the ship with a knack for brutally honest lyricism that has propelled the band into the hearts of thousands around the globe. This isn’t to say Emarosa were not successful prior to Walden joining the group, as they most certainly were, but when listening through the group’s discography there is a clear change of course that occurs right around Walden’s entrance that undeniably sealed their fate to become what they are today. This band Walden as much as Walden needed the members of the band, and because both sides were willing to persevere through their careers until they encountered one another music fans throughout the world – as well as the band members themselves – are now benefiting from their combined talents.
We could get into the lives Walden and the members of Emarosa lead before they came together, but for the sake of time we’re going to ask those interested in the details to do some Googling on their own time. All you need to know now is littered throughout 131, which tackles the idea of accepting responsibility for one’s own fate as no other alternative rock album has done in years. Every song plays like an excerpt from a story of triumph, failure, and growth that you never want to end. No matter what struggles you face in your own journey, I promise there is an anthem on this record to help keep you motivated when times get tough. Trust me. No, i take that back. Trust music, especially the music of Emarosa.
James Shotwell is the Digital Marketing Manager for Haulix. He is also a professional entertainment critic, covering both film and music, as well as the co-founder of Antique Records. Feel free to tell him you love or hate the article above by connecting with him on Twitter. Bonus points if you introduce yourself by sharing your favorite Simpsons character.
We’re only halfway through 2016, but already this year is proving to be one of the best for new music in a long time. From rock and pop, to hip-hop, country, and even spoken word, 2016 has been chock full incredible surprises and expected delights. Our jobs give us to hundreds of records every month, so trying to decide just 10 or 15 that won our hearts proved to be fairly difficult. Instead of betraying our loves (and potentially starting an interoffice war that would no doubt resemble something out of Braveheart in execution) we decided to select a few of our absolute favorites that we’ve listed below in hopes you will take it upon yourself to discover everything they have to offer. It’s not a complete list by any means, and it’s being shared with no attention paid to the order in which albums appear, but if you ever find yourselves in our offices in Minneapolis in the near future you can rest assured on of the records will be playing through our stereo.
Hotel Books – Run Wild, Stay Alive (InVogue Records)
Spoken word artists like Cam Smith never receive the credit they deserve, but one listen to the newest record from Smith’s band Hotel Books proves that poetry can be just as exciting as the best punk records. Run Wild, Stay Alive has been on shelves for less than a month when this post goes live, but already we’ve logged over a dozen plays. This is an album that will break your heart and piece it back together again.
The Summer Set – Stories For Monday (Fearless Records)
Trying to deny our love for The Summer Set is like trying to deny our constant craving for hot pizza and cold (unsweetened) ice tea. We had a feeling Stories For Monday would be a perfect soundtrack for adventures when we first heard “Figure Me Out” in February, but when the record finally arrived in April that belief was proved completely true. Every track on this record is constructed in such a way as to make any moment experienced while they play a bit more memorable. There is fun, heart, and soul to spare on this release, and the band deserves heaps of respect for finding a way to create such an immediately infectious record.
Slingshot Dakota – Break (Topshelf Records)
Sometimes a band with a rich history in the alternative scene delivers a new record that makes everything they’ve done in the past look like child’s play despite the fact those previous records are beloved by throngs of people worldwide. Such is the case with Slingshot Dakota, perhaps the most perfectly paired married couple in music, and their latest record released through Topshelf Records back in March. Break captures the sensations of growing up and making commitments to bettering yourself through catchy indie-rock tunes that make you want to dance almost as much as they make you want to share the record with anyone experiencing hard times around you. We’ve put Break on to lift our spirits, celebrate good times, and keep us company when times got hard. If the music of Slingshot Dakota were a religion we’d be the first in line at the chapel doors every Sunday, and after hearing Break we imagine you too will want to convert.
Empty Houses – Daydream (Sargent House)
There is no other band in alternative music today that has found a better way to combine the sensibilities of Motown songwriting with modern indie-pop aesthetics than Empty Houses. Their debut album, Daydream, is just what the title proclaims it to be, an escape from the world around you that is so pleasant to experience that you never want it to end. If you don’t already own this album, finish this article, share it with all your friends, and then rush out and buy a copy as soon as possible. We recommend the vinyl version, but even a download will suffice.
ROAM – Backbone (Hopeless Records)
Perhaps the first great album to be released in 2016, Backbone remains a staple of the Haulix staff playlist to this day. There is always room in our hearts for a young band who has found a way to convey boundless energy and positivity through original music, and that is exactly what you get when you listen to ROAM’s debut release on Hopeless Records. If you can make it through “Deadweight” (featured above) without feeling the urge to conquer whatever obstacles stand between you and your goals you may want to visit a doctor and double check that your heart is still beating. Yes, this band is so good that only the undead could possibly be hear their music and feel nothing. The best part of all? All signs point to ROAM only getting better with age, and that means they have several more anthemic records left to create.
I See Stars – Treehouse (Sumerian Records)
Michigan’s Electronic Hardcore ringleaders I See Stars have spent the better part of the last decade refining a sound entirely their own, and along the way they inadvertently spawned an entire underground movement. Treehouse seems to be the culmination of these efforts, as the record finds the band simultaneously delivering their most cohesive and most experimental record to date. There is a vicious heaviness to certain songs, but also a lighter side to proceedings that offer the pop-laden hooks that helped establish the band early on. There’s even some hip-hop influence, which is perhaps most evident on the show-stopping track “All In,” adding to the creative output of the group. To say this is one of the year’s best party records would be an understatement, and we expect many more genre-defying releases from the band in the future.
Whitechapel – Mark Of The Blade (Metal Blade Records)
Not many bands are able to say they’ve stayed together for a decade, and far less make it a point to celebrate this fact by releasing an album intended to reflect on all that has transpired while also looking towards the future. Whitechapel have never been your average band however, so the fact a record like Mark Of The Blade exists will likely come as no surprise to diehard fans of the long-running metal juggernauts. Everything about this record slays, and the creativity shown from the band tells us they have another decade of ideas and themes waiting to be explored.
Tiny Moving Parts – Celebrate (Triple Crown Records)
Minnesota natives Tiny Moving Parts have been carving their own path in the world of alternative music since formation, but the group seems poised for a crossover into the mainstream of music with the release of Celebrate. Both elaborately designed and undeniably infectious, the record speaks to pains of growing up and the double-edged sword that is chasing your dreams. Though still young in age, the members of TMP seems to recognize that every positive action often has a negative consequence and vice versa, which gives them a lyrical sense of wisdom well beyond their years. More importantly, they have found a way to convey a wealth of emotion through their music without jeopardizing the inherent sense of fun that has always existed within their songs. We don’t mean to cast judgment on anyone, but those who have yet to hear Celebrate in full should not be allowed to claim they lived their 2016 to the fullest because they’re missing out on a truly exciting, not to mention wholly original, release.
Avion Roe – In Separation (Epitaph Records)
It is very possible that Avion Roe will be the biggest rock band in alternative music by 2017, and if so In Separation will be seen as proof it is a title they fully deserve. This Texas rock band has been grinding away in the underground music scene for several years now, but their decision to join Epitaph Records last year thrust them into the spotlight like never before. Their label debut, which just hit stores on June 17, is chock full of anthems that feel made for arenas, and we have no doubt they will be able to play them in rooms that size in a few years time. The band is currently on Van’s Warped Tour, and those attending should consider this summer their last opportunity to hop on the group’s hype bandwagon before its overflowing with fans.
Modern Baseball – Holy Ghost (Run For Cover Records)
What could we possibly write about Modern Baseball that hasn’t already been said on blogs or in the pages of The New York Times (yes, the band was in the NYT earlier this year)? Holy Ghost is an album ripe with soul-searching sincerity that is as catchy as it is absolutely heartbreaking. We don’t recommend your first experience with this record to take place in a crowded room unless you’re absolutely okay with your friends seeing you cry because we wept as if our relatives had just passed during our initial spin(s). If you get the chance to see the band live, do it.
New year, new music. We are still discovering the best release of last year that we didn’t know existed until our peers published their annual best-of posts, but that doesn’t mean we have forgotten about all the new material the lies on the horizon. We have only scratched the surface as far as what bands have new material in the work, but we already have nearly two dozen releases we cannot wait to own. What follows is a list of the artists and albums we believe will define the sound of the 2016, and we think if you give any one a chance you will find something to love. Who knows? You might even find the next band that will change your life.
PUP (Spring/TBA)
SideOneDummy may be the only label to appear twice on this list, but it’s an accomplishment their roster has more than earned. Pup, Canada’s answer to everything American rock is not, have criss-crossed the globe several times over since the 2014 release of their debut album. The world has been chomping at the bit for new music for quite sometime, and it seems the group is gearing up to share what they have been working on sometime this spring. Our hope is that there will be more anthems on par with “Reservoir,” but at this point we are willing to follow the band anywhere. All we ask is that a tour immediately follows the album’s release so that we may mosh with all our friends to what will surely be the soundtrack to summer 2016.
It Lies Within – Paramount (1/8)
Michigan’s It Lies Within have been through hell and back since inception, but every time people count them out they come back with a new record that commands the attention of any genre fan open to new ideas. Their latest, Paramount, is no exception. The band’s signature aggression is as present as ever, but its met with forward-thinking guitar work and globally focused lyricism that cuts through the ego-boosting noise currently polluting far too much much of the modern heavy music scene.
Frameworks – Time Spent (2/5)
We cannot think of the last time Topshelf Records let us down, but we know for certain it’s not the latest release from Frameworks. The band’s upcoming 2-song EP serves as an introduction into what could be the future sound of the group, with elements of industrial noise and synth being injected into their trademark noise. Some artists would struggle to leave a lasting impact on listeners with only two tracks, but the material on Time Spent is so interesting we have no doubt you’ll still be talking about it weeks, if not months after release. If this is indeed where Frameworks hope to focus their efforts moving forward they have more than earned our unwavering support.
YG – Still Krazy (TBA)
“Twist My Fingaz” and “I Wanna Benz” were the only two tracks released by YG in the last year, but they were also two of the best hip-hop tracks to hit radio in 2015. The Compton raised rapper has been busy working on the follow-up to My Krazy Life for months on end, but all signs point to the album finally seeing the light of day sometime in early 2016. Rumors claims DJ Mustard may contribute to the record, but unlike YG’s debut we expect a wide array of production talent working behind the boards.
Modern Baseball – Holy Ghost (TBA Spring)
Run For Cover is a label that can do no wrong, but their greatest offering in 2016 (based on what we know they have planned) will no doubt be the third studio album from Philadelphia natives Modern Baseball. The group spent the fall recording the album, and when Spin spent time with the group in the studio the publication claimed the material was more expansive and anthemic than anything that has previously been released. We hope this is true, and we have no reason to doubt the band, especially after the wonderful evolution showcased on The Perfect Cast EP in late 2015.
Gojira (TBA)
The world needs more Gojira. Three and a half years have already passed since ‘L’Enfant Sauvage’ hit stores, and that is three and a half years too long. There are numerous talented death metal bands in the world, but none of them can compete with our love of Gojira, and we think any true genre fan will probably feel the same. Every release in the band’s catalog has been littered with envelope pushing ideas and lush guitar work that has helped to inspire an entirely new generation of musicians, and we expect something even better might be on the horizon.
ROAM – Backbone (1/22)
We are tired of people claiming to reinvent or bring meaning back to pop punk, so we’re choosing to call Hopeless Record signees ROAM pop rock’s much needed saviors. The band is everything 5 Seconds Of Summer are not, offering heartfelt anthems capable of inspiring a generation to move their feet and chase their dreams with songs they themselves wrote, but they could easily capture the same audience if given the chance. They are also tough enough to roll with Warped Tour regulars, boasting the intermittent heaviness of New Found Glory alongside the motivation lyricism of Set Your Goals.
Pierce The Veil (TBA)
There are few bands in the alternative rock world with a bigger global reach than Pierce The Veil, and it doesn’t take more than a simple Twitter search to understand how anxious their fans are for new music. The band has infamously teased the release of their fourth release for over a year, but a recently released 2016 preview from Fearless Records has now confirmed the release might actually be closer than fans think. If the material is even half as good as “The Divine Zero” we will be happy.
Lionheart – Love Don’t Live Here (1/22)
As long as bands like Lionheart exist we can sleep knowing hardcore music is alive and well. Four extremely long years have passed since the band released their last album, but now they are back with an LP dropping through their own label, LHHC Records, that does not disappoint. The album’s title is a nod to a Motown song of the same name, which plays well with the band’s refusal to abide by the so-called rules of hardcore far too many bands continue to cling to in 2016. Lionheart, like all true fans of the genre, understand hardcore is more a state of mind than anything, and they make that clear on this insanely good release.
Empty Houses (TBA)
Detroit’s Empty Houses quietly entered the music scene in 2015 with a short EP released through Bandcamp that quickly got alternative music snobs and throwback pop fans talking. It was the kind of magical moment that happens all too rarely in our oversaturated media landscape. The album had no major promotion and few reviews, but for whatever reason it resonated with listeners all year long. We have it on good authority that the band has another release prepped for 2016, and we have our fingers crossed this one is longer than four tracks. If you grew up with your parents’ Motown collection playing on repeat this is one group not to miss in the new year.
Pusha T – King Push (TBA)
Have you heard ‘King Push – Darkest Before Dawn: The Prelude’? If not, finish reading this article and immediately head to your local record store to purchase a copy of Pusha T’s late 2015 release. Yes, Pusha T just released a 10-song album ahead of an already announced 2016 full length, but that is just the way the angsty half of Clips likes to roll. Pusha has never been one to shy from controversy or saying what needs to be said, and he more than proved with that fact with the material on ‘Darkest Before Dawn.’ Knowing that album is essentially everything that was not good enough for ‘King Push’ proper leaves us foaming at mouth. Yes, we are so excited for this release the mere thought of it transforms us into rabid animals.
Avion Roe (TBA)
The future of Epitaph Records ability to continue their foothold on the world of alternative rock rests on the shoulders of Dallas natives Avion Roe. If this were any other band we would be concerned, but having watched the group build their career brick-by-brick with a fiercely DIY mindset since day one we have the utmost faith in their ability to win over rock fans around the globe. The group is a blend of everything that is popular today in alternative rock, but mixed with just a dash of mid-2000s influence that helps add an additional layer of emotional resonance to every track. Their four-song 2015 EP has been on repeat at HQ for weeks, and we cannot wait to have something new to enjoy (hopefully) early in the new year.
Microwave (TBA)
Georgia’s Microwave is perhaps the young band to beat in 2016. With SideOneDummy backing their every move, the band is set to finally release a follow-up their amazing full length album Stovall, which has been the talk of alternative music circles since its initial release in late 2014. Add to all this the fact the bandore than proved their ability to live on the road throughout 2015 and you have a recipe for indie punk success that knows no bounds.
Good Charlotte (Late Spring/Summer)
We never expected to be talking about Good Charlotte again, especially after hearing a whole lot of promise on The Madden Bros. solo record, but here we are at the start of 2016 feeling like our high school selves all over again. A recent profile in Rolling Stone covering 5 Seconds Of Summer revealed it was the contributions the Madden Brothers (Joel and Benji) made to that group’s first two records album that initialy inspired them to return to their punk roots, which means we now have a reason to love 5 Seconds Of Summer. GC dropped “Makeshift Love” back in November to prove they still know how to rock, but since then they have kept quiet as far as talk of new music is concerned. We suspect the group will have something ready by summer, but don’t hold your breath just yet.
Candy Hearts (TBA)
Nearly two years have crawled by in the wake of Candy Hearts’ All The Ways I Let You Down, and the world of female lead punk has been aching for the band’s return ever since. An acoustic EP released during summer 2015 was more than enough to keep us interested in the band’s unique take on rock’s angsty stepchild, but 2016 should see the band return with a proper third LP. If such a release never arrives, we may spend the year heartbroken, but we have a good feeling new material will surface sooner than later.
The world has been waiting for Views From The 6 since it was announced in the fall of 2014. Drake said it would arrive in 2015, but sometimes greatness takes time, and it’s not like Drizzy has left fans waiting in the interim. His biggest distraction from completing his long-awaited new LP has been working on other music projects, from his beef with Meek Mill that resulted in a Grammy nomination for “Back To Back,” to his chart-topping collaborative release with DS2 mastermind Future, and he’s more or less delivered quality material throughout. Drake always saves the best material for his albums, but considering everything we heard in the last year it’s hard to imagine what might still be on deck.
Deftones (TBA)
If there is one rock band we hope remains a band long enough that we can one day to our children (who do not yet exist) to see it’s California’s hard rock kings, Deftones. The band has been working on a follow-up to 2012’s Koi No Yokan since 2014, but numerous production delays has forced the release of the record into the first half of 2016. There is still no date set in stone, but we imagine the album will almost certainly be out by summer, which means a single should surface before the last of the winter snow begins to melt. Having already waited basically four years, what’s a bit longer?
Blink-182 (TBA)
There will be some who claim there is no Blink-182 without Tom Delonge, but we are trying to approach the Mark, Matt (Skiba), and Travis show with an open mind. Hoppus and Barker proved with their short-lived +44 project that they can pen powerful pop punk anthems without the aide of their longtime Blink brother, and Skiba is certainly no stranger to the band’s world of music. There is a possibility this new version of Blink falls flat, but there is equally good chance this unique trio delivers something truly special that no other act can imitate. Here’s hoping the latter comes true.
Explosions In The Sky (TBA)
Five years have passed since Austin’s Explosions In The Sky released a proper album, but they have contributed a number of enthralling soundtracks to the world of independent film in the interim (Prince Avalanche, Lone Survivor, Manglehorn). It’s hard to know where the world’s leading post rock group will go next, but there are throngs of listeners around the world waiting with bated breath to find out. If the only reason you know this band is because you loved Friday Night Lights we highly recommend using the time you have now to familiarize yourself with the rest of their catalog.
Whitechapel (TBA)
Speaking with HoustonPress back in November, WhiteChapel guitarist Alex Wade perked out interest about the band’s future when he said to expect the unexpected with the group’s upcoming 2016 release. He teases a complete turn in term of sound, even alluding to the possibility of clean vocals appearing on the record, and we haven’t been able to stop trying to imagine what that might sound like ever since. We haven’t heard as much as a second of this new record, but we already wish to know every detail about its inspiration and production.
Bob Seger – I Knew You When (TBA)
2016 marks Bob Seger’s 50th year in music. Go ahead and let that sink in for a minute. Crazy, right? In all that time Seger has released more hit songs than we can begin to count, and he’s certainly not letting a milestone like this pass by without sharing some new(ish) material with the world. I Knew You When will reportedly feature unreleased material, as well as updated takes on old songs. Seger will also tour next year, and we cannot urge you to see him enough.
Sum 41 (TBA)
There was a time not that long ago when it seemed like the world would never see Sum 41 again, but an outpouring of support for frontman Deryck Whibley as he fought for sobriety reigniting the vocalist’s creative passion. Whibley found healing through venting his songwriting, and as a result he committed himself to the studio to vent whatever demons were dragging him down. The rest of the band followed Deryck’s lead and soon the group was working on their most aggressive release since Chuck. We don’t know when we’ll hear the finished product, but we know that time cannot come soon enough.
Moose Blood (Summer)
We caught Moose Blood for the first time during Warped Tour 2015, and the impression they left on us has been the topic of numerous conversation ever since. The UK born band has been compared to everyone from Brand New to Mallory Knox, and their debut album I’ll Keep You in Mind, From Time to Time is already considered a classic. We believe the band will continue to carve their own path with an ever-evolving sound that challenges the alternative norm, which is something that cannot be said about most leading rock bands today. No Sleep has yet to tease any material from this release, but we really don’t need to hear anything to know we want this album in our personal record collection as soon as possible.
James Shotwell is the Marketing Coordinator for Haulix. He is also a professional entertainment critic, covering both film and music, as well as the co-founder of Antique Records. Feel free to tell him you love or hate the article above by connecting with him on Twitter. Bonus points if you introduce yourself by sharing your favorite Simpsons character.
If you’re anything like me, you probably started the day by recognizing that the start of a new work week had indeed arrived and then immediately began shaking your fists at the sky in anger. Monday is rarely anyone’s favorite day, and from what I have seen firsthand it feels safe to say it’s the one day of the week some people outright hate. I guess to them the arrival of the work week symbolizes the end of their quote/unquote freedom, and as a result they head into the office/factory/restaurant/store with a negative outlook already on their mind. This leads to bad attitudes, which only makes the experience of being at work worse, and for some reason it also seems to make time slow to a crawl. We’re not about that life, and we hope this post can do the same you that the song contained within it did for us.
I spent the last week traveling from the coast of New England to the heart of the midwest and back again, all while packed in a tiny rental car with my fiancé and our two overweight cats. It was the kind of travel situation you might expect to find in a holiday road trip comedy, with people and animals fighting to be comfortable around a growing pile of luggage, snacks, phone chargers, and empty bags of greasy fast-food. We have made a similar trip every year for the last four years, but for whatever reason the 14-hour drive (each way) has only grown more frustrating in time. I initially thought this was due to the fact that upstate New York is a rather boring place to look at, which is inarguably true, but on our return journey this past weekend I realized that my inability to deal with the length of the journey might also have something to do with my age.
28 is a lot closer to 30 than anyone who is 28 would like to believe, and it comes with a new world view that challenges things you have accepted as absolute truths up to this point in life. In the time since my last birthday I have had several panic attacks over my role in life, both from a professional and personal standpoint, as well as a near constant state of anxiety over what the future may hold. I have had to come to terms with the fact I am moving further and further away from the target market of the genre(s) and bands that first got me interested in music, as well as how that evolution has impacted the things I do within my role as a music professional. I can remember a time when Warped Tour was what my summer revolved around, but now I groan at the idea of spending another 100+ degree day standing in an overcrowded amphitheater parking lot to watch bands perform what typically amounts to a 25-minute greatest hits set. I also used to go to basement shows, but anytime I see them advertised now I (somewhat ridiculously) believe the audience such events draw would probably look at me as if I were a chauffeur for someone younger. These thoughts are frustrating for someone who has dedicated their life to alternative music, but they are thoughts anyone in this scene will face as the grow older.
While I have yet to fully understand where I am destined to go from this point in life, I have learned to cherish the alternative scene in a way I never could before, especially when it comes to discovering new talent. What brings me peace in these often hectic times is knowing there are young artists and professionals who are breaking their backs to ensure the fun and communal aspects of alternative music continue to exist. If there is one thing I want for my children, as well as any future music fan, it’s the ability to know and experience the carefree state of mind that comes with connecting to alternative music. Be it through headphones or a crowded venue, there is a spirit found within alternative music that makes it easier for people to reveal their true selves to the world around them, and sometimes I worry that as my generation begins to age that aspect of the scene will be lost.
ROAM, a pop punk band hailing from the UK, are one of the driving forces behind my faith in the future of alternative music. Their sound is born from a deep love of mid-2000s punk, as well as a desire to leave their own mark on a world of music they themselves would be lost without. They understand that music is bigger than themselves, and while they write from their perspective there is an inviting aspect to their material that welcomes all walks of life in need of motivation to face another day. When ROAM plays, you feel their desire to succeed with every strum of a guitar and every line sung (or in some cases, screamed). You become lost in their sound, remembering the way you felt the first time you heard punk music, and you’re overcome with the desire to somehow make that sensation last forever.
In January, ROAM will release their debut full-length LP for Hopeless Records. We at Haulix were fortunate enough to receive an advance stream of the record, which is titled Backbone (out 1/22), near the beginning of December. I cannot tell you how many times the album has played on repeat since it first hit our inbox, but suffice to say it is easily the most streamed release of the last four weeks by a wide margin. Our company is comprised of people on the verge of 30 and 40, but when Backbone plays we are collectively pulled back to those awkward teen years spent doing everything we could to discover who we were meant to become. The album speaks to the desire to be the best version of yourself, as well as the struggles one faces when trying to break away from the person others have always thought them to be. ROAM appreciate how hard bettering yourself can be, and they have created a soundtrack to promote self-realization that carries a punk edge so infectious that I personally believe no one will be able to resist its charm.
I may still be months or even years away from fully understanding my role in alternative music as an older person, but as long as bands like ROAM exist I can live knowing the type of music that made me dedicate my life to this business is still being created. More importantly, it’s being made in such a way that it draws in an untold number of new music fans, each of whom will contribute to the diversity and community found within alternative music in ways that cannot even begin to predict. As far as I am concerned, ROAM is the sound of the future, and the future sounds great. Knowing this, I am able to stop worrying so much about the state of alternative music and focus instead on helping others navigate this crazy business. That is what I am here to do, and thanks to ROAM I have a soundtrack to motivate me day in and day out. They can be a soundtrack for you as well, if you give them a chance.
James Shotwell is the Marketing Coordinator for Haulix. He is also a professional entertainment critic, covering both film and music, as well as the co-founder of Antique Records. Feel free to tell him you love or hate the article above by connecting with him on Twitter. Bonus points if you introduce yourself by sharing your favorite Simpsons character.
If you’re anything like me, you probably started the day by recognizing that the start of a new work week had indeed arrived and then immediately began shaking your fists at the sky in anger. Monday is rarely anyone’s favorite day, and from what I have seen firsthand it feels safe to say it’s the one day of the week some people outright hate. I guess to them the arrival of the work week symbolizes the end of their quote/unquote freedom, and as a result they head into the office/factory/restaurant/store with a negative outlook already on their mind. This leads to bad attitudes, which only makes the experience of being at work worse, and for some reason it also seems to make time slow to a crawl. We’re not about that life, and we hope this post can do the same you that the song contained within it did for us.
Music is a very subjective thing. Every album you love is hated by someone in the world, and every album you hate has throngs of fans in various cities and towns. The song that makes you happy may make others sad, or you may cry while everyone else starts to dance. Subjectivity is part of what makes any form of art great, and in the case of music it also makes most things very personal. The vast majority of musicians tries to connect with listeners by sharing their most emotional moments, and that is how it has been since the dawn of popular music. Far more rare are popular artists whose music exists to promote meaningful change, but if you look hard enough they can be found, and their message needs to be heard.
Enter Shikari are Rage Against The Machine for the kids born during, after, or just before the Zak De La Rocha lead band first burst onto the national music scene in 1992. They’re UK bred world travelers who see the planet as one global community and write songs promoting unity through compassion and hard work. They want to better the world, but understand real change starts within. Through a one of a kind take on punk they convey their battle cries to a fan base of thousands eagerly waiting for the next piece of perfectly balanced, yet undeniably anarchic rock based life advice to be released, all while pushing the genre boundaries to the absolute extreme. The band’s latest release, The Mindsweep: Hospitalised, is actually a remix record, and they’ve brought along some of the most promising names in electronic music to help alter their work.
Now there are two very important things happening here. First, Enter Shikari are furthering the potential reach of their message by attempting to appeal to a new set of music fans while giving current followers something new to enjoy. Second, and perhaps most admirable, they are bringing a number of hardworking musicians into the thriving community of passionate music supporters they have been nurturing since their inception. Enter Shikari are broadening the horizons for both their fans and professional friends, all while potentially furthering their career at the same time, it’s a win-win for everyone involved, and it comes at a time when the world desperately needs a band focused on something more than romance and heartache.
This may be a simple music industry blog, and Haulix may be a small company in the big scheme of things, but are better off than 90%, if not more, of the world’s population. We live in the richest nation, we never worry about having food or water, and we all have access to health care at a moment’s notice. On a more personal level, we know we are loved. We have the confidence to be who we are because we have family and friends who believe in us, and as cheesy as it may sound there is not a lot else you could really demand out of life. We have everything when most have barely anything, so it’s on us to be the force for positive change they need, and the same goes for you. If you’re reading this now you have more power than most of the world’s population and you have a responsibility, perhaps even a moral duty, to use it for good. To help your fellow man, woman, and child to live a life as good, if not better than your own.
Enter Shikari urge listeners to consider all of this, as well as what they want out of life for themselves, and then provide the soundtrack for your efforts to change. They’re there with you, rooting for you and reminding you that this global community is looking out for you as well, and we have to hope we get as good as we give. We have to believe that is we welcome are fellow humans with opens arms and minds that they will treat us the same. If not now, then in time, and while we wait we can strive to further better ourselves. Life is about the constant pursuit of happiness, and that means you are always in motion, always making the most out of life. To do that you have to be honest with yourself about who you are, how you could be better, and what you need to do to get there. Again, Enter Shikari exist to provide the soundtrack.
You may not consider yourself a fan of EDM, but that doesn’t mean the latest Enter Shikari release is not for you. On the contrary, I’ve found it’s often the albums that most challenge our comfort zone that most influence change. There is something about the way those records force the listener to engage with the music that helps further reinforce a song’s message, and in the case of Enter Shikari that means learning to see the world around you in a whole new way. As vocalist Rou Reynolds once wrote, “Countries are just lines drawn in the sand with a stick.” You are part of a global community, and whether you choose to believe it or not your well being is connected to every other individual on this rock we call home. You may be a citizen of whatever town you call home, but you are also a citizen of the world, and as such you should take an invested interest in what is happening to our shared home. Be the force for change you want to see in the world and you will influence others to do the same. Then, and only then, can we start to better existence for ourselves and our fellow man. Enter Shikari know this already, and with releases like The Mindsweep: Hospitalised they are trying their hardest to make sure that message is spread far and wide. Don’t miss out.
James Shotwell is the Marketing Coordinator for Haulix. He is also a professional entertainment critic, covering both film and music, as well as the co-founder of Antique Records. Feel free to tell him you love or hate the article above by connecting with him on Twitter. Bonus points if you introduce yourself by sharing your favorite Simpsons character.
