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Making the most of an idea

Aerosmith frontman Steven Tyler recently appeared on Joe Rogan’s popular podcast to promote a new documentary. During the conversation, Tyler began to describe the early days of Aerosmith, and how guitarist Joe Perry would sit around at night playing whatever came to his mind on guitar. Tyler recognized the potential for the material and soon purchased a cassette recorder to capture the ideas as they made themselves known.

“That’s where we got some of our biggest songs,” he told Rogan. “But just think about the material we never got on tape. The ideas we never got to explore.”

Think about that for a second. For nearly half a century now, Aerosmith has been considered one of the biggest and most influential groups of all-time, yet the members cannot help thinking about what could have been. There is a fire in their gut that years to discover the next song, the next chord progression, the next melody, the next whatever it is that leads them to something new. For Aerosmith, success is secondary to feeling fulfilled creatively, and even decades worth of work cannot quench their thirst for whatever comes next.

If all of Aerosmith’s accomplishments have been unable to replace their desire to create it is probably safe to assume the same would apply to you. The journey of creativity is not one where the goal is the destination because there is no end. To create is to embark on one adventure after another with little to no idea where things will end up. It’s about taking chances and accepting the outcome, whether good or bad, as something that will not stop you from continuing your work.

With this in mind, take a moment to think about your development process. Are you pulling out the metaphorical tape recorder to capture all your ideas as soon as they come into your head, or are you allowing potentially great thoughts to be lost in the ether of life just as quickly as they were discovered? Do you pursue your ideas until they are fully realized, or do you play with them until the next best thing comes along? If so, why?

Ask any creative and they will tell you that they hate when being creative feels like work. Ask any creative who has made a career out of their creativity, and they will tell you it’s always been work. You have to put in the work to get the most out of your ideas, and that begins by not letting them slip through your fingers in a fit of spontaneous creation. You don’t have to save everything because not all things you think up will be great, but you should see them through long enough to know whether or not you’re onto something potentially massive. Refining those senses takes time, but it’s worth the effort.

Don’t let great ideas go to waste. Take notes. Record your thoughts. Do whatever you need to do to ensure those moments of brilliance that strike like lightning coursing through your veins are not gone just as soon as they arrive. Wring every ounce of possibility out of each idea and, in time, you will find yourself creating things that change the world.

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A tip for surviving the industry holiday slowdown

The holiday season is upon us, and in no time at all businesses across the industry will go dark so employees can celebrate this time of year with their loved ones. It’s a beautiful thing, especially in an industry notorious for long hours, but for a few professionals it’s also maddening. Allow me to explain…

While many music professionals are able to setup out of office replies for the holidays there are still bloggers, podcasters, and a wide variety of media people in between with audiences who demand a constant feed of fresh content. When the industry goes dark for the holiday these poor souls (including yours truly) find themselves clicking through every pitch they receive in hopes of discovering something worth writing about. More often than not they settle on additional editorial content, generally in the form of telling you the best stuff you might have missed, and they pray it’s enough to keep clicks rolling in while the snow falls.

There is a saying in journalism that you should seek to tell stories you would want to read. If you should find yourself writing something you have no interest in reading it is highly likely those who find that article will feel the same. As much as fresh stories in a feed can be good for business is it really worth whatever investment of time they require if next to no one cares to read them?

People care less about entertainment news around the holidays than they do practically any other time of year. Don’t take this personally though, as it is true for virtually every publication. Entertainment and entertainment news is the distraction we fill our days with when doing things we would otherwise avoid if we could, like work. Holidays are communal escapes, offerings friends and family the chance to do things they want to do, therefore lowering the need for distractions.

To put it another way, the demand does not exist because the need for something that brings joy is met through other (arguably far more important) means.

This year, I want to challenge all music writers out there to try something different. Rather than beat your head against your keyboard in between clicking refresh on your RSS feeds just try and take a little time to experience what the rest of the world does this time of year. Schedule tweets and make whatever necessary posts you feel you must make to maintain appearances, but as soon as that is done shutdown your computer and experience this thing call life. Talk to the people who support you and tell them of your vision for the new year. Ask people what they have been up to with their time, and make it a point to really listen to their words. Be present, and remember you will never have two holiday seasons that work the same way. The people around you now may not be there next year, so don’t take a minute for granted.

This won’t be easy, but I have good news: The music industry will still be here when you get back. I know you will feel like you are slipping behind, but there is rarely a single headline in the last ten to fourteen days of the new year that drastically impacts the music landscape. You know this as well as I do, so quit lying to yourself and accept that it is okay to spend a little time offline. Who knows? It might even do you good to unplug.

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Making The Most Of Twitter In 2016

My last piece ripped apart Facebook, and now I’ll throw shade at my favorite social media network: Twitter. I joined Twitter back on July 22nd, 2006. Yes, 10 years ago, when it was called Twttr.

I got this question recently, relating to Twitter:

“How should a music blog, or other online brand, organize it’s following / followers on Twitter for maximum exposure, clarity of branding and credibility?“

Organize nothing, and play like you’ve got nothing to lose with the followers you got.

Exposure? There’s a lot of brands on Twitter all shouting for attention, clicks, RTs, and video plays. Your updates sit between TMZ gossip, sports scores, political news, and photos of cats. You’re competing with everyone in your field, and every other field ever. All the time. Forever.

Also, look what Twitter has been doing. Have you seen the Moments ads on TV? The promoted Tweets below replies? The suggested follows, and the polls, and the new animated heart… er, I mean “Like” thing, apps to install, the “while you were away” feature that will never go away.  Count on Twitter to add even more distractions in 2016.

All this fluff aside, you need to use Twitter in 2016 to speak with people directly and honstly. You’re the singer in a band? Reply to the fans. You’re the owner a studio? Talk with other producers and band folk. Run a music blog? Have conversations with your readers.

That’s where branding and credibility come in. Could an unpaid intern – without your knowledge and experience to draw from – have those same honest, intelligent conversations on Twitter? Most likely not.

An unpaid intern can automate Tweets from the RSS feed on your blog. They can find some stock photos, or RT someone that said, “I love your stuff,” but that’s just “social media by numbers.” That is amatuer hour in 2016, and it’s a house of cards because everyone – small businesses, bands, record labels, Best Buy, and Oreo cookies – EVERYONE is doing that.

You need to do what they can’t do. They can’t be you. They don’t have your humanity, your humor, your dread, or your sense of humor. They don’t observe the world the way you do. They can’t be charming like you, or cute, or sassy, or studious.

Forget the social media tips, tricks, and techniques that everyone and their uncle’s hardware store are using. In 2016 you just need to go full bore you on Twitter.


Seth Werkheiser is the quiz master of metal trivia at Skulltoaster. He’s also the founder of some music sites you may have heard of, including Noise Creep (2009) + Buzzgrinder (2001). He’s anti-Facebook, anti-clickbait, and anti-growth hacking. You should most definitely follow him on Twitter. Yes, right now.

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