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This Week In Music (August 26, 2022)

From the world’s first canceled AI musician to iHeartMedia’s Fortnite debut, we’ve gathered the biggest music news stories of the week.

If you’re reading this—congratulations! You’ve survived another month in 2022 and made it through the summer. Everywhere you look, kids are returning to school, temperatures are beginning to fall, and the sun is staying in bed a bit later each morning. The leaves will soon change, but first, we must survive the early fall album release bumrush that occurs every September and October. That’s right! The busiest time of year is here, and we’ll support you every step of the way.

We’re working hard on exciting new developments for Haulix that will be revealed in the coming weeks. These changes completely rethink our business and how we can help the music community connect. You probably have a lot of questions, but that’s all we can say for now.

We cannot ease your workload or give you more hours in the day, but we can help you stay informed. Below you’ll find the biggest stories of the week, all covered by the best outlets in tech and entertainment. Click around, learn what’s happening, and use the weekend to prepare for the end of the month.

But let’s be honest. There is no way we can hope to cover everything that happens. If you see a headline we missed that people need to know, please do not hesitate to send james@haulix.com an email. We’ll include your links in the next update.

The Biggest Music News Of The Week

The Sudden Rise And Fall of FN Meka, An AI Rapper

Presented in its worst possible light, the FN Meka controversy — in which Capitol signed, and then quickly dropped, a virtual rapper that used the N-word in its songs and was depicted in racially stereotypical scenarios in videos — seems like an inconceivable blunder. But a closer look at the details, along with conversations with sources close to the situation, suggests that, while inexcusable and loaded with oversights, Capitol’s role in the FN Meka fiasco may not have been as insensitive as it might seem.

However, above all, it is yet another glaring result of the lack of diversity throughout the music industry — not just at Capitol, not just at major companies, but everywhere.


TikTok Is Testing ‘Nearby,’ A Feature Highlighting Hyper-Local Content

After it was spotted in testing by several users, TikTok has confirmed that it’s currently experimenting with a new ‘Nearby’ content feed, in addition to the current ‘For You’ and ‘Following’ tabs.

As it sounds, TikTok’s Nearby feed displays content posted by users in your current location.

That could enable TikTok to showcase locally relevant updates which relate to your interests.

As explained by TechCrunch:

“For example, if your For You page often displays restaurant recommendations or must-see hiking spots, the Nearby feed should show you videos of restaurants and hiking trails that are near you.”


Deezer Revenue Grows Despite Lost Subscribers

Streaming service Deezer has published its latest financial results, revealing that its revenues grew by 12.1% year-on-year in the first six months of 2022.

That meant revenues of €219.4m ($219.6m) split between Deezer’s consumer business (up 12.2% to €155m) and its B2B revenues (up 7.9% to €57.6m). Its home country France accounted for €132.4m of Deezer’s revenues in the first half of this year though: 60.3% of the total, only slightly less than the 60.9% for the same period last year.

How about subscriber numbers? They actually fell from 9.7 million at the end of June 2021 to 9.4 million a year later. Deezer lost 200,000 net direct (consumer) subscribers over that time, and 100,000 B2B subscribers. The company says that’s because it implemented “a significant reduction of unprofitable spend in non-core long tail markets”, while exiting Russia earlier this year lost it 104,000 subscribers alone.

Deezer is predicting €455m of revenue for the calendar year 2022, up 14% year-on-year. As a reminder of the competition it faces, Spotify posted €2.86bn of revenues for Q2 2022 alone. Newly a public company, Deezer’s market cap is €486.5m at the time of writing.


iHeartMedia Plans to Host Metaverse Concerts In ‘Fortnite’ Virtual World

iHeartMedia has launched its first virtual world on Fortnitecalled iHeartLand, as the company extends its marketing investments into the metaverse and toward younger audiences.

iHeart, which brought in $954 million in revenue during the second quarter, first announced plans in January to launch its own branded virtual world on platforms like Roblox as part of the radio giant’s larger Web3 strategy. Wednesday’s launch of iHeartLand in Fortnite marks the first unveiling of iHeartMedia’s virtual world and will serve as the testing ground for future iterations of iHeartLand on other world-building games, executives told The Hollywood Reporter.

iHeartLand was created by the game developer Atlas Creative using Fortnite’s creative mode and includes a main stage, multiple mini-games and an iHeart “headquarters,” which features a recording studio and a replica of the tunnel entrance to iHeart’s headquarters in New York City.

Players will get to explore the virtual island, play the games, take selfies on the red carpet and view performances on the main stage, called State Farm Park, which is expected to host 20 events in the next year with musicians and popular iHeart podcasters. At launch, the mini games will include a car racing game on an iHeart-shaped racetrack, an obstacle course set in the clouds, a building game and a musical chairs–esque game that requires players to jump from various colored tiles and avoid landing on certain colors. Playing these games will give users the chance to earn “gold,” which is a currency specific to iHeartLand on Fortnite and can be spent on items like fireworks and Boogie Bombs, a grenade-like object that forces players’ avatars to dance.


SONG OF THE WEEK: Lorna Shore – “Cursed To Die”

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This Week In Music (April 15, 2022)

From Spotify’s latest rebrand to Elon Musk’s multi-billion dollar offer to buy Twitter, we’ve gathered all the news you need to know in one easy-to-read place.

Wow! The second full week of April was one to remember. Every week in music is full of surprises, but this one took the cake. Whether you’re still blown away by the 521% rise in viewership for the CMT awards on Monday night or still fighting to get that new Harry Styles song out of your head, we won’t blame you for feeling a little tired today.

We cannot ease your workload or give you more hours in the day, but we can help you stay informed. Below you’ll find the biggest stories of the week, all covered by the best outlets in tech and entertainment. Click around, learn what’s happening, and use the weekend to prepare for the end of the month.

But let’s be honest. There is no way we can hope to cover everything that happens. If you see a headline we missed that people need to know, please do not hesitate to send james@haulix.com an email. We’ll include your links in the next update.


The Biggest Stories In Music This Week

Spotify Brings Live Audio to Main App, Rebrands Greenroom as Spotify Live

Spotify has announced it will integrate the live audio capabilities from its companion app, Spotify Greenroom, within the main Spotify streaming app. Greenroom will also rebrand as “Spotify Live” as part of these changes. At launch, Spotify’s main app will only feature live content from select original programming, while the standalone Spotify Live app will continue to allow independent creators to go live.

While both apps will now feature live content, there will be some differences, the company told TechCrunch.

Spotify Live will continue to work as Greenroom did, by allowing creators to interact with their audience in real time and serve as a creation mechanism for hosts. But live listening in the main Spotify app will not support the interactive features, like audience questions. Instead, it offers the ability for creators to reach a broader audience of Spotify’s 406 million global listeners.

For the time being, only Spotify’s own original programming will livestream in the main app, the company noted.


Virtual Avatar Company Genies Raises $150M at $1B Valuation 

Genies, a Los Angeles-based avatar startup with close ties to the music industry, raised $150 million in Series C funding led by Silver Lake and existing investors Bond, NEA and Tamarack Global, the company announced today. The deal values Genies at over $1 billion.

The six-year-old company has partnerships with Universal Music Group and Warner Music Group as their official avatar and digital goods NFT provider, and has partnered with artists including Cardi B, Justin Bieber, Rihanna, Shawn Mendes, J Balvin and Migos. Genies creates virtual identities for artists to use across the metaverse and releases digital wearables – such as a J Balvin space suit and a Mendes digital hoodie — for fans to collect and wear in the metaverse. Last year, Genies widened its ambition by launching a marketplace, The Warehouse, to allow individual designers to buy, sell and trade avatar designs.

“We believe avatar ecosystems are going to shape Web3 the same way that mobile apps defined Web2,” said CEO Akash Nigam in a statement. “In Web3, Gen Z avatar ecosystem builders are going to be the leaders of innovation and, through our creator tools, we strive to empower their wildest imaginations, ideas, and experiences as avatar creations.”


Live Nation’s Veeps Brings Livestream Concerts to IOS, Android, Roku, Etc.

Veeps, the streaming platform founded by Benji and Joel Madden of Good Charlotte and acquired by Live Nation, has announced a new series of consumer apps and slate of concerts to go with them.

Forthcoming livestreamed concerts include Kings of Leon from London’s O2 Arena, dance act Galantis from the stunning Red Rocks Amphitheatre in Colorado, the folk-rock duo Indigo Girls, Icelandic blues-rock band Kaleo), singer/songwriter LP, avant-metal singer Poppy and Guns N’ Roses’ Slash and his group with Conspirators.

The new products mean that viewers can receive the stream directly in their televisions without having to cast from a phone, screen-share or connect with cables; at the same time, the phone and tablet service has been upgraded to native app quality.

Veeps apps are available for free download on Apple TV, Roku, iOS, and Android.


Elon Music Makes $43 Billion Unsolicited Bid To Purchase Twitter

The richest person on Earth is looking to extend his stake in Twitter from 9% to 100%.

Elon Musk has made a controversial offer to buy Twitter Inc., saying the company has extraordinary potential and he is the person to unlock it.

The world’s richest person will offer $54.20 per share in cash, representing a 54% premium over the Jan. 28 closing price and a valuation of about $43 billion. The social media company’s shares soared 18% in pre-market trading.

Musk, 50, announced the offer in a filing with the U.S. Securities and Exchange Commission on Thursday, after turning down a potential board seat at the company. The billionaire, who also controls Tesla Inc., first disclosed a stake of about 9% on April 4. Tesla shares fell about 1.5% in pre-market trading on the news.


Latin Music Revenue In The US Experiences Double-Digit Growth For Sixth Consecutive Year

RIAA’s just-out year-end U.S. Latin music revenue report for 2021 shows a sixth consecutive year of double-digit growth for the genre, with revenue up 35% from 2020 to $886 million, the highest recorded figure (before adjusting for inflation) in history. According to RIAA, Latin music’s level of growth outpaced that of the overall recorded music business, as recently reported. Latin’s share of total U.S. music revenue also continues to grow, from 5.4% in 2020 to 5.9% in 2021.

Streaming, accounting for 97% of Latin music revenue in 2021, saw a 36% gain from 2020 to a best-ever $857 million, driven by paid subscriptions’ 69% share of streaming revenue, itself up 35% to $593 million. Making up 9% of Latin music streaming revenue is radio’s share from digital and customized services such as SiriusXM and Pandora, which grew 22% to $77 million in 2021 following a slight decline in 2020.

“Latin music continues to rise, powering the overall music market and connecting with fans in a historic way,” RIAA Chief Operating Officer Michèle Ballantyne says. “In a year when Bad Bunny was the most streamed artist in the world, stars like Becky G and Anitta pumped out chart-topping hit after chart-topping hit, and audiences joyfully flocked to Latin-powered stadium and arena shows as live performance ramped back up, Latin label teams and artists continue soaring to new heights.”


BONUS: Ambient Music Isn’t A Backdrop. It’s an Invitation To Suspend Time.

This week, The New York Times ran a length essay from critic Isabelia Herrera on ambient music and the role it plays in our lives/culture. It’s a fascinating deep dive that benefits from Isabella’s willingness to share personal struggles she’s experienced as of late. Don’t miss it!


SONG OF THE WEEK: Zach Bryan – “Late July”

Have you ever heard a voice and knew immediately that your life was about to change? That’s how we felt the first time someone showed us the talents of Zach Bryan. A self-made man writing songs of love and loss set in middle America, Bryan is gearing up to lease an epic, 31-track debut album later this year. “Late July” is one of many songs off that record, and it has been tugging at our heartstrings for days. Enjoy:

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This Week In Music (January 21, 2022)

From the Weird Al biopic to the most ambitious emo festival ever, we have gathered the biggest stories in music this week.

2022 is barely underway, and the music industry is moving at lightning speed. We have a hard time keeping track of everything happening throughout our business, and we have a good feeling you do as well. After all, who has the time? Between ambitious goal-setting and endless tasks, most professionals barely have time to clear out their inbox, let alone read the latest industry headlines.

We cannot ease your workload or give you more hours in the day, but we can help you stay informed. That is why we are thrilled to introduce This Week In Music, a brand new weekly column highlighting the best and most talked-about stories throughout the music industry. Each Friday, we will post links to various need-to-know articles and information. 

But let’s be honest. There is no way we can hope to cover everything that happens. If you see a headline we missed that people need to know, please do not hesitate to send james@haulix.com an email. We’ll include your links in the next update.


The Biggest Stories of the Week:

REST IN PEACE: Meat Loaf (1947-2022)

Friday morning started out rough with the news that rock vocalist Meat Loaf has died at the age of 74. The singer’s manager, Michael Greene, confirmed Meat Loaf died Thursday night. Sources with knowledge tell TMZ he was supposed to attend a business dinner earlier this week for a show he’s working on—”I’d Do Anything for Love”—but the dinner was canceled because he became seriously ill with COVID. Sources tell the outlet that condition quickly became critical.


Daniel Radcliffe to play ‘Weird Al’ ‘ankovic ‘n biopic Weird: The Al Yankovic Story

Harry Potter star Daniel Radcliffe has signed on to play ‘Weird Al’ ‘Yankovic in a biopic written by the famous parody master. Weird: The Al Yankovic Story will enter production later this year with plans for an exclusive Roku release soon. “When my last movie UHF came out in 1989, I made a solemn vow to my fans that I would release a major motion picture every 33 years, like clockwork. I’m very happy to say we’re on schedule,” Yankovic said in a statement. “And I am absolutely thrilled that Daniel Radcliffe will be portraying me in the film. I have no doubt whatsoever that this is the role future generations will remember him for.” 


Paramore, My Chemical Romance to headline massive When We Were Young Festival in October

The aptly titled When We Were Young festival released its official lineup on Tuesday (January 18), bringing every 2000s emo-pop band to Las Vegas, Nevada, on October 22, 2022. The single-day festival will feature more than 60 bands performing across multiple stages. Emo veterans My Chemical Romance and Paramore will headline. Other nostalgic bands set to take the stage are Bright Eyes, AFI, The Used, Bring Me The Horizon, Boys Like Girls, Avril Lavigne, Taking Back Sunday, Dashboard Confessional, We the Kings, Alkaline Trio, Manchester Orchestra, Dance Gavin Dance, the All-American Rejects, Anberlin, 3OH!3, Atreyu, the Ready Set, Jimmy Eat World, La Dispute, the Wonder Years, Hawthorne Heights, Car Seat Headrest, Wolf Alice and many more.


Bono says he doesn’t like the name of his band U2 and gets ’embarrassed’ listening to their music

During an interview on the Awards Chatter podcast, legendary rock icon and 61-year-old singer Bono said he finds many of U2’s songs cringeworthy, and he now struggles to listen to his vocals. “I’ve been in the car when one of our songs has come on the radio, and I’ve been the color of, as we say in Dublin, scarlet. I’m just so embarrassed,” Bono told the podcast. Later, in the same conversation, he mentioned the band’s early-2000s hit “Vertigo” as one of the few songs in U2’s catalog he enjoys.


GRAMMYS move to April 3, will now take place in Las Vegas

COVID is messing with awards season. The latest victim of Omicron’s continuing havoc is the GRAMMY awards, which were originally scheduled to take place on January 31 in Los Angeles. The awards celebration will now take place at the MGM Grand Garden Arena in Las Vegas on April 3, the Recording Academy has confirmed. The CMT Awards, originally scheduled to air live that night on CBS, will be moved to later. Trevor Noah, host of The Daily Show, will host the event.


The Weeknd’s ‘Dawn FM’ Breaks Billboard Global 200 Record

Don’t let those “blinding lights” fool you. The Weeknd may not have the GRAMMY nominations he rightfully deserves, but he does have the biggest album of 2022. Dawn FM has been out less than a month, but the eclectic record is already outperforming its competition. The album continues to be at the top of the charts across the globe, including The Weeknd’s home country Canada, U.K. Australia, Ireland, Sweden, and Switzerland. The album debuted at No. 1 on Apple Music U.S. and in 125 countries and is also No. 1 on Spotify U.S. and Globally. The Dawn FM tracks positioned in the Global 200 list include “Sacrifice” which holds the No. 2 spot, “Take My Breath,” “Gasoline,” “Out of Time,” “Is There Someone Else?” and “How Do I Make You Love Me?.” The “Save Your Tears” remix assisted by Ariana Grande from his 2020 album After Hours is also on the list. According to Billboard, only one other artist has ever had more Global 200 entries in a single week, making The Weeknd just behind the country-pop artist, Taylor Swift. Kanye West trails The Weeknd with 23, followed by fellow Torontonian Drake at 22 and 21 songs on Global 200.


TikTok is falling in love with one of Celine Dion’s biggest hits

There is nothing TikTok users love more than a sound with endless possibilities. The insanely popular video-sharing platform has made a habit of resurrecting forgotten radio hits to amuse young audiences, and the latest trend is no different. As you can see below, people are using the bridge to “It’s All Coming Back To Me” to live out their wildest performance fantasies. While Celine gives the track her all, TikTok users return the energy with wildly creative lip-syncing efforts. Check it out:


Dr. Dre, Snoop Dogg, Eminem, Kendrick Lamar, Mary J. Blige Featured In Blowout Super Bowl Halftime Trailer

The biggest game of the year is right around the corner, and it boasts one of the most exciting Halftime shows in recent memory. The program itself remains a mystery, but fans can expect to hear some of the biggest pop songs in history performed on the world’s largest stage. This year, taking the mic will be none other than Dr. Dre, Snoop Dogg, Eminem, Kendrick Lamar, and Mary J. Blige. We doubt you need another reason to watch, but if you do, check this out:


Song of the week: Undeath – “Rise From The Grave”

Our friends at Prosthetic Records know how to find the best cutting-edge metal bands on the planet. Their decision to sign Undeath a few years back signaled the start of a death metal revolution in the U.S. We can think of no other heavy band that has undergone the growth or sonic evolution that Undeath has experienced in the last two years. “Rise From The Grave,” the lead single off the group’s upcoming second album, showcases how far they’ve come with brutal instrumentation and guttural vocals. If you like what you hear, please consider preordering the record.

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The Music Industry ‘Holiday Slowdown’ is Fast Approaching [Video]

The end of the year is a weird time for music professionals, but we’ll explain what you can expect in the latest Music Biz update.

With Thanksgiving nearly here and countless ‘Best Of’ lists not far behind, 2021 is coming to an end. Soon there will be holiday shows, an appearance from Santa, holiday sales, and one or two crazy reunion gigs that happen just before the ball drop at midnight on January 1, 2022. A new year will then begin, and what comes next is anyone’s guess. Will it be better than the last two? We have to hope, right?

November and December are strange times for music professionals, but good as well. Every year, from the week of Thanksgiving through the beginning of January, the industry experiences what many people call ‘the industry slowdown.’ During this time, offices begin to close, unimportant emails get ignored, and professionals everywhere do the one thing they rarely do: Take time off.

Yes, the industry slowdown is an unspoken agreement amongst the biggest names in music that provides space for reflection and relaxation before another busy year begins. It is a cherished tradition that continues in the digital age despite consumers’ constant demand for fresh content and ideas. We at Haulix take it very seriously, and many of our peers do as well. We’ll let Music Biz host James Shotwell explain the rest:

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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Live Music Is In Danger (Again)

As the world races to stop the spread of yet another COVID variant, many in music are beginning to worry about what might happen to live music if the US enters another lockdown.

We have to talk about COVID-19. Regardless of your feelings or beliefs regarding the novel coronavirus, there is no denying that we are still living in a global pandemic. The recent return of live music seems to tease normalcy, but the latest headlines tell a much scarier story.

The most recent COVID variants are the most aggressive yet. Both the Delta variant and far more recent Delta+ are more transmissible and deadly than previous iterations of the virus. Worse yet, everyone is at risk, including the vaccinated and those with antibodies. The spread is out of control, and many believe a fresh round of cultural restrictions is on the horizon.

In this Music Biz update, host James Shotwell tells you everything you need to know about the Delta variant, the battle against COVID-19, and the growing concerns around the industry regarding the future of live music.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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When Will Concerts Return? April 2021 Update [Video]

The music industry is hoping for a busy fall tour season, but will concerts return before the leaves change?

Nearly fourteen months have passed since live music came to a halt seemingly overnight. As the battle against the global COVID-19 pandemic rages on, many are still wondering when concerts will return. Some states are testing the waters with socially distant outdoor events, while others are already welcoming full capacity crowds with few if any, COVID-related safety guidelines. Still, most places on Earth don’t have live music in any form, and no one really knows when that will change.

But the music industry is resilient. While theories and criticism abound, many are looking toward the future with full hearts and hopeful eyes. The demand for a return to normalcy is deafening, and many in the industry believe that live music can play a role in helping lure people out of their homes and back into social situations.

In this Music Biz update, host James Shotwell explores how a single announcement ushered in a lot of hope and anticipation for a busy 2021 concert season. He also looks at the potential drawbacks, hold-ups, and worries that come with change.

Speaking at a January conference held by the Association of Performing Arts Professionals, Dr. Anthony Fauci was asked about the potential for live entertainment to return in 2021:

“If everything goes right, this will occur sometime in the fall of 2021, so that by the time we get to the early to mid-fall, you can have people feeling safe performing onstage as well as people in the audience,” Fauci said, noting that the return depends upon getting between 70% to 85% of the population vaccinated, according to the New York Times. Along with the vaccination, Fauci said venues and theaters might need to take further safety precautions, particularly if they do not have adequate ventilation.”


Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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News

Are There Too Many Podcasts? [Video]

A new report sheds an alarming light on the number of podcasts in existence, but should the rising show count deter you from launching something new?

Podcasts are here to stay. Many have known that to be true for years, but the long-form audio medium continues to find new listeners with each passing week. Musicians, artists, experts, and random everyday humans from all corners of the Earth are creating shows that cover every topic imaginable, and several are finding massive success along the way. We’ve told you to start one before, and we still believe you should.

But a new report has some creators thinking twice about their future in podcasting. According to Chartable, more than 17,000 new podcasts were launched every week in 2020. That amounts to more than 800,000 new podcasts for the year.

Now we know what you’re thinking: That is a lot of podcasts. We felt the same way at first, but then we considered a few data points that Chartable’s report does now:

  • Many podcasts never have a second episode. They start and die overnight.
  • Those 800,000 podcasts cover hundreds of thousands of topics.
  • Not every podcast is available on every platform.
  • Not every podcast is available in every country.
  • All or most of those podcasts do not feature YOU.

Music podcasting is mainly non-artists talking about artists they love. Musicians and groups using podcasting to engage and develop their community are far rarer, and that’s a shame.

In this Music Biz update, host James Shotwell looks at the data and offers advice to anyone, especially musicians, that may be thinking twice about starting a podcast. He explains the benefits that podcasting can offer to artists of any size and even provides resources to help you start.


Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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How “Driver’s License” Became A Massive Hit [VIDEO]

Teenage star Olivia Rodrigo’s song “Driver’s License” is the biggest hit in the world right now, and its success points to a bright future for songwriters everywhere.

It seems like the news is happening too fast for anyone to follow in January 2021. Between the Capitol riots, vaccine distribution, and the presidential inauguration, life is moving fast. Nobody can blame you if music hasn’t been the first thing on your mind, but you really shouldn’t go much longer without experiencing Olivia Rodrigo’s new single, “Driver’s License.” Check it out:

“Driver’s License” is the biggest song in the world right now, and it is breaking new records with each passing day. The song recently set a single-day consumption record on Spotify with more than 17-million streams. It’s the most played track in dozens of countries, and its video has earned over 50-million views in less than two weeks. All this, for a singer-songwriter under the age of eighteen who until recently was relatively unknown to most of the world.

So how did this happen?

The success of “Driver’s License” is no fluke, but it results from several important factors coming together at the perfect moment in time. Rodrigo is a Gen Z star leading a Disney+ series with strong ties to social media, for starters. Her private life is well known to her young audience, and their belief in the starlet made the song a hit on TikTok as soon as its release. There is also a pop music drought resulting from the ongoing Pandemic, and that has left a wide-open field for new voices to gain attention.

But that’s not all. The forward momentum made possible by the factors above could only lift “Driver’s License” to the insane heights it is currently reaching if the song was good (and it is). The track taps into universal feelings of confusion, vulnerability, and heartache, anchored by a story revolving around a pivotal moment in human development that everyone recognizes. It’s a testament to the power of storytelling, and it defies the years of criticism pop music has received for being viewed as shallow or meaningless. “Driver’s License” has meaning, and it is resonating with listeners in a big way.


Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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COVID-19 Update: When Will Live Music Return? [Video]

Ten months after live music was silenced, a series of recent news updates paint an optimistic outlook for 2021.

Can you believe that nearly one-full year has passed since live music has filled venues worldwide? As record-setting case counts and deaths related to COVID-19 happen weekly, many people worry it may be a long time before their favorite artists can perform again. We worry about that too, but recent headlines have us thinking the return of concerts may be closer than you think. That is, as long as you’re flexible. 

In the latest Music Biz News update, host James Shotwell looks at four recent news stories related to COVID-19 and live music’s return. He breaks down how each offers hope to music fans everywhere and urges patience with leaders who are doing their best to make vaccinations available to anyone.

Fauci comments on live music’s return. 

Speaking at a January conference held by the Association of Performing Arts Professionals, Dr. Anthony Fauci was asked about the potential for live entertainment to return in 2021. 

“If everything goes right, this will occur sometime in the fall of 2021, so that by the time we get to the early to mid-fall, you can have people feeling safe performing onstage as well as people in the audience,” Fauci said, noting that the return depends upon getting between 70% to 85% of the population vaccinated, according to the New York Times. Along with the vaccination, Fauci said venues and theaters might need to take further safety precautions, particularly if they do not have adequate ventilation.


Outdoor venues will return much sooner.

Live music promoters spent the majority of 2020 trying to find new ways to present live music that are both safe and financially sound. Several methods found success, including pod seating at outdoor venues and concerts held at drive-in theaters. These ideas will continue to be utilized in 2021, with The Caverns in Tennessee and Red Rocks in Colorado already rolling out massive performance schedules. 


Miss festivals? Don’t worry; those are coming back (very) soon.

Moon Crush is a brand-new, first of its kind music festival taking place the final weekend in April. The multi-day, socially-distanced event will give fans of Sheryl Crow, Jason Isbell, and many more artists a chance to see those musicians live in an outdoor setting. Attendees will be staying near the ocean in Florida’s panhandle for the event’s duration, and many safety measures will be in place to prevent sickness. It’s a risky bet for some, but those itching for the festival experience can book their trip now.


Stylish masks are the future of concert fashion.

Razer has unveiled Project Hazel, a new take on N-95 masks that combine safety and comfort to reduce waste, protect people, and make it easier to communicate while adhering to COVID restrictions.


Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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What Musicians Can Learn From Country Star Morgan Wallen [VIDEO]

With a brand new double-album in stores and millions of monthly listeners, Morgan Wallen sets an example of success in music that others should follow.

Talent doesn’t have a genre. You may love rock music and swear that it’s the only genre you will ever perform, but that doesn’t mean you cannot appreciate the talents of rappers, EDM artists, or country songwriters. Anyone capable of succeeding in the ever-changing, incredibly over-saturated music marketplace is someone with skills that others need to understand. These individuals have cracked the code of getting consumer attention without sacrificing the quality of their material or their sanity. That’s an accomplishment worthy of praise, and great musicians give credit wherever it’s due.

Morgan Wallen is the country star of the moment. After appearing on The Voice in 2014, Wallen moved to Nashville and began working his way through music’s cutthroat business. He traveled tirelessly, performing anywhere that would welcome him for anyone willing to attend, and he put effort into forming strong bonds with other creators trying to get their voices heard. Success did not come overnight. There were peaks and valleys of all kinds, but sometime in the last two years, the masses finally began taking notice of his talent. He’s currently a Billboard and radio chart-topping talent with a brand new double-album, and he continues to work hard at becoming a better, more efficient musician.

In this episode of Music Biz 101, host James Shotwell explores Wallen’s career from his humble beginnings in East Tennessee to the top of the global streaming charts. He searches through the songs and moments that made Wallen a star to understand better how someone from a small town like any other found his way into the pop culture spotlight. Check it out:

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