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5 Ways To Bring Back Concerts And Touring [Video]

The ‘New Normal’ is here to stay, so we’re giving you five creative ways to bring back touring as soon as humanly possible.

The spread of COVID-19 has changed the music business in ways we never imagined. Fans and artists alike want things to go back to the way they were before March 2020, but that is a fantasy. The past is dead, and no amount of begging or wishful thinking will resurrect it.

We live in a new reality where the old way of doing things no longer works. We can either complain or adapt, and we at Music Biz believe change is always a positive. Discovering new ways to do things challenges us to be more creative, more inclusive, and more understanding. All of that is something we as a species could use more of right now.

The biggest obstacle the music business faces right now is touring. The vast majority of artists make the bulk of their living by being on the road. There have been no tours for the last three months, and there is only a handful currently scheduled for the fall. Those that are daring to step out and perform again do so with the knowledge their dates may be canceled when the “second wave” of COVID-19 takes the US by storm this fall.

With all the questions and concerns surrounding touring, it’s easy to understand why so few feel comfortable announcing or discussing their plans at this time. Still, the conversations around live music are ongoing, and the fan demand for talent has rarely, if ever, been higher than it is right at this moment.

In this episode of Music Biz, host James Shotwell shares five ways touring can resume in the near future. No solution is perfect. At least one is inarguably terrible. But all these ideas need to be considered and at least attempted if we have any chance of discovering what works best for everyone.

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What Music Fans Want During Coronavirus [VIDEO]

Headlines claim that the entire music industry is suffering because of COVID-19, but certain artists are thriving thanks to the power of great songwriting.

In the weeks following the first US death from Coronavirus, multiple news outlets ran articles about the decline in music consumption. Analysts pointed to a drop in streams for the top 200 Spotify songs as proof of this being true, as well as a decline in radio listening due to fewer people commuting for work or other activities. While those data points are true, they do not paint a complete picture of consumption in the age of COVID.

People are still listening to music, but their song choices are changing. A report from CNBC shows that music consumption through smart speakers is up over 30% in the last month, which points to families choosing to listen together. That decision typically draws people away from playlists like New Music Friday or popular songs charts in preference of more familiar, arguably safer content.

Additionally, a lack of social gatherings is inspiring listeners to revert to their personal preferences. The top 200 charts, much like pop radio, is driven primarily by songs that a large number of people enjoy to one extent or another. Without concerts, parties, and other events, there are very few scenarios where people feel the need to put on music that everyone enjoys. Instead, consumers are turning to their favorites artists and release. They’re listening to the music that serves as the soundtracks to their lives, and their tastes vary greatly because every person’s journey is unique.

Then there is the elephant in the room that most are not ready to discuss. Living through the coronavirus is a traumatic experience. When confronted by instances of great stress and pain, people tend to reach for familiar sources of comfort, and the current state of the world is pushing people toward the music that gets them through trying times.

In this episode of Music Biz, host James Shotwell breaks down the reality of music consumption during the coronavirus pandemic. He explains the meaning of ‘comfort listening,’ as well as how up and coming artists should use this time as an opportunity to plan for greater success in the future.

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Industry News News

Lamb Of God Becomes First Band To Release Non-Alcoholic Beer

Further proving they are ahead of their competition, Lamb Of God is raising the bar for album marketing with a non-alcoholic beer.

In today’s crowded music marketplace, every artists needs to think outside the box of traditional promotion. Marketing determines the success of a record long before its release, and those who stand to reach the most listeners are the ones willing to take a chance by setting themselves apart from their peers. Lamb Of God has always been a great example of these efforts, and their latest move is no exception.

Scottish craft brewer BrewDog and Lamb Of God have revealed the release of the world’s first non-alcoholic collaboration beer, Ghost Walker. The announcement was originally planned for the start of the band’s global tour that would have begun this spring, but, as a result of COVID-19 and the postponing of their European tour, BrewDog and LAMB OF GOD decided to launch their collaboration with the video premiere of the band’s most recent live performance of their song “Ghost Walking.” The live video, filmed at Lamb Of God’s performance at House of Vans in Chicago on February 14, premiered online today, April 14, to give music fans around the world an opportunity to virtually come together in these uncertain times. 

As of today, the beer is available in BrewDog’s online shop for shipping anywhere in the world.

LAMB OF GOD vocalist Randy Blythe commented:

“The idea of a collaboration hatched when Willie Adler and I visited a BrewDog bar in Columbus on a tour day off to sample a few pints of their non-alcoholic beer with the brewery team. Countless bands have done beer collaborations, but we are the world’s first non-alcoholic one. In my not-so-humble opinion, this is the best non-alcoholic beer ever made, PERIOD. It was conceived, designed and first tasted while on tour – music drove it into existence. Right now is a strange time for everyone, but we’re stoked to provide a non-alcoholic option for those who want to have a brew while cranking some tunes safely at home. We hope you enjoy our performance and we will see you on the road as soon as possible.”


BrewDog co-founder James Watt commented:

“This collaboration is our most epic to date. It is also one of the most important, especially now. BrewDog has always been focused on making other people as passionate about craft beer as we are, and that includes people who, like Randy, don’t want alcohol in their beer. Our AF line of beers offers everyone an alcohol-free alternative for any occasion and we’re thrilled to add Ghost Walker to the lineup.”

A video about the promotion can be viewed below:

Lamb Of God will release their self-titled new album on May 8. The release of the Ghost Walker beer is one of many things the band is doing to promote the release. Stay tuned for more insight into the record and Lamb Of God’s unique approach to marketing in the weeks ahead.

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Artist Advice Business Advice Editorials Haulix News

Should Coronavirus Delay Your Next Release? [VIDEO]

Several high-profile artists are delaying their upcoming releases in response to the novel coronavirus pandemic, but should indie artists follow their lead?

We are living in a new normal. How long we live in an industry without live music is anyone’s guess, and nobody knows exactly how to proceed in these uncertain times. Some high-profile talent is choosing to delay their upcoming releases, and others are choosing to forgo announcing their albums until the current wave of COVID-19 is over.

The reasons for these decisions are numerous because, like everything else in music, each career is different. But is delaying an upcoming release the best move for up and coming artists?

The answer isn’t that simple. Releasing music is easier now than ever, but the likelihood of a quick return on investment is low. There are also new hurdles to content creation, such as the inability to make elaborate videos or even schedule photo shoots. However, artists able to adapt to our new reality will find there is a lot of room for new music to break through and connect with a wide audience.

Think about it. When someone discovers a new song or artist during the pandemic, that listener now has something in their life to get them through these uncertain times. When the global economy reopens and live music returns, those artists whose work helped people are going to be the first musicians that listeners want to see.

Artists who wait until the fall are positioning themselves against a significant amount of competition. The demand for consumer attention and money is going to be at an all-time high later this year. Consumers may not have much to spend on much at the moment, but they do have plenty of time to listen and connect to an artist. Those who make the most of that opportunity are going to thrive when the industry reverts back to its (somewhat) normal operations.

In this episode of Music Biz, host James Shotwell explains the arguments for and against releasing music during the current pandemic, as well as how much or little those opinions should matter to independent artists.

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Industry News News

Should You “Shoot Your Shot” To Get Ahead?

A post from recent GRAMMY award-winning producer and songwriter Finneas has sparked a discussion over whether or not people should take a chance on themselves.

What is your dream? When you imagine your career in music, who do you work with and where? If you had the chance to show those people or companies your talent, would you?

“Shooting your shot” is a popular phrase for people who risk embarrassment and being turned away to share their ideas. Recently, GRAMMY award-winning producer and songwriter Finneas tweeted that he feels creative people should avoid shooting their shot and focus solely on developing something themselves. We agree with him, to an extent, but there are times when taking a chance on yourself is the only way to get ahead.

For starters, the competition for attention in music today is fierce. There are countless artists sending messages to labels, publicists, managers, booking agents, and anyone else they believe can help their careers daily. You can choose to sit out that battle, but doing so lowers the likelihood that someone in a position of influence will find you and give you a leg up your career needs to reach its maximum potential.

There is also the fact that being “good” is no longer good enough. There are many gifted artists with great songs and carefully-crafted brands that will never receive the amount of attention they arguably deserve. To stand out in today’s industry, artists need all the help they can get, and the best way to find the right person to elevate your career is by going after the professionals and companies you want to know about your music.

Billie Eilish is an outlier. Finneas is an outlier. Chance The Rapper is an outlier. There will always be exceptions to the rule, but for every outlier that reaches the mainstream, there are dozens or more artists who get there by shooting their shot and networking with others in the industry. There is nothing weak or wrong with taking a chance on yourself and reaching out for help. We’ll let Music Biz host James Shotwell explain the rest:

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Artist Advice Business Advice Editorials Haulix News

Why Artists Need To Be More Patient With Securing Press Coverage

Anyone can find someone to post about their music, but finding the right place to promote your next release takes time.

The state of music is pretty wild right now. There are more artists than ever releasing more music than ever onto platforms that more people can access than anything that came before. The opportunities for exposure and fan creation are limitless, yet meaningful engagement and promotion are increasingly rare. People are distracted, and who can blame them? 

The music discourse is increasingly splintered. There are countless blogs and podcasts and YouTube channels claiming to know what you should be listening to, but most struggle to retain an audience as much as the artists they support. Even the biggest publications, like Rolling Stone and Alternative Press, are struggling to stay on top of everything in today’s marketplace. The reasons for this are numerous, but they largely boil down to being driven by what gets clicks over what is most important or engaging. New artists and songs from unknown talent generate far less traffic than the latest insta-update from an arena headliner. That is a hard truth pill to swallow, but it’s nonetheless true.

Some artists will tell you it has never been easier to get press coverage, and in some respects that may be true. There are an infinite number of outlets in existence, and if you email enough of them you are bound to find several who are willing to post about your latest endeavors. However, posting alone does not benefit an artist. You’ve heard the question about whether or not a tree falling in the woods makes a sound if no one is around to hear it and the same applies here. If no one is reading the blog that posts about your music, does it matter that the post happened?

As a journalist myself, young artists often share songs and videos with me that they hope will attract attention from the press. The key, I tell them, is to make as big of an impression with the initial release as possible. A song may live forever online, but if people don’t notice your talent right away the likelihood that material takes off at any point in the future is incredibly low. 

Generally speaking, artists looking to premiere a song or video need to be more patient in their hunt for coverage. Everyone wants to share everything right now, but a speedy release does nothing if the content isn’t properly supported. My advice is to allow up to six weeks to find and secure an outlet to share your content. That way, musicians can find the outlet that best suits their material and, hopefully, they can work with the writer preparing their coverage to create the best article possible. Maybe there can be a digital campaign that teases the premiere for a week before the material drops or maybe the song or video being shared can be coupled with an interview that shares insight into the artist’s career. 

Artists should treat every update as the biggest thing that has happened to their career to date. You can’t expect consumers to feel strongly about your latest activity if you don’t feel the same. If the press for your next release is rushed or sloppy or underwhelming, the impression it makes on consumers will not be good. We’re talking about your art, after all, and that is an extension of how people view you. Take your time, plan everything as much as possible, and position your next release to be the one that changes everything.

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News

Three No-Cost Ideas For Better Music Marketing

Music marketing is just as important today as the songs themselves.

There are countless ways to promote your music today. From social media posts and traditional print advertising to pop-up shops, video streams, song premieres, and more, there have never been as many ways to share your art as there are right now.

For the most part, this is good news. Artists are free to promote themselves how they see fit. Music Marketing is a ‘create your own adventure’ scenario that is unlike anything the entertainment industry has seen before. However, many artists are still missing out on simple, cost-effective promotional methods that are proven to make a significant impact on their bottom line. Here are three:

Make the most of your cover photos.

Reach is a struggle on all social media platforms, and that is something that shows no signs of improving anytime soon. Facebook and Twitter offer an olive branch to musicians with cover photos, which sit atop every profile and allow for a large, wide image. Many artists see these rectangular spaces as a place to add aesthetically-pleasing images or new band photos, which can be lovely, but they are much more powerful than many assume.

Fans news and old want to know what you’re doing next. The hope is that your latest developments appear on their timelines, but that is increasingly not the case for most. Most fans know the best way to learn what is new and coming soon is by visiting their favorite musician’s social media pages, which is why you need to utilize the cover photo space for promotional purposes. The last thing anyone wants to do is scroll and search for information that should be readily available. Use your cover photo to share whatever is most important right now, from tour dates to song releases. Be shameless about it. The easier it is to stay up to date with your activity, the more likely consumers will be to support you.

A great example of using cover photos to convey important information.

Maximize the content opportunities found in life on the road.

Touring was once viewed as something artists dreamed of becoming popular enough to do regularly. While that is still a dream for many, going on tour is now an essential part of most musicians’ lives. The vast majority of talent today spends far more time promoting their work on the road than they do making music. It’s a grind, but it’s a worthwhile one for those passionate about the work of being a professional musician.

Sadly, far too many artists on the road today fail to take advantage of the content opportunities made possible by tour life. The allure of the music business is the idea that anyone can use their creativity to make friends and see the world. Your fans want to experience life through your eyes because they know deep down that they may never do the things you’re doing. Let people into your world with a constant flow of content produced on the road. The places you’re going, the places you’ve been, and everything that happens in between should be up for grabs. Pull back the curtains and let people get to know the real you by showing them what it takes to share your creativity with the world.

Start a podcast.

We have written about this in the past, but every musician should have a podcast. Engagement is the name of the game in music promotion, and nothing helps artists directly engage their audience in a meaningful manner as podcasts. It’s the only media format where people can sit and listen to the people they admire for an extended period without hearing a journalist or other personality guide a conversation. Podcasts can be about anything you want, but they should aspire to let people better know you and your interests. If that means you discuss the music, great! If you talk about something else that may or may not influence your creativity, that’s cool too. Be yourself and your fans, as well as people who discover your broadcasts, will be happy.

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Artist Advice Business Advice Editorials Industry News News

The Argument For Buying Sponsored Posts

In the age of social media, access comes with a cost. You can fight and complain, but sometimes, the price is worth the outcome. 

Anyone promoting music for two years or more will tell you that meaningful reach is increasingly hard to achieve. Regardless of how many followers you have or how many people like your pages and posts, getting updates to your fans is a challenge music professionals struggle with every day. Mailing lists can help cut through the noise, but the likelihood of convincing the vast majority of your audience to sign up for such messaging is low. 

Consumers like to believe that social media will tell them everything they need to know, but in many cases that isn’t true. The Haulix Facebook page, for example, has more than 2,000 Likes. Two years ago, any post we made would reach at least 25% of our audience (around 500 people). In today’s marketplace, however, the same posts reach 10% of our audience or less. 

How many people are exposed to your posts is based on a number of algorithms. Reach benefits from the total number of followers or likes your account has, of course, as well as the amount of engagement a post receives. Reach is negatively impacted when an account posts too often and when posts receive low levels of engagement.

But isn’t it possible that low engagement is the result of low reach? Of course it is, and that is where Facebook — as well as other social media platforms — hope to convert users into customers with sponsored posts.

Many in the music business have preached against purchasing reach for as long as such options have been available to musicians. Many believe purchasing reach goes against the DIY ethics that so many artists and industry vets built their careers upon because it circumvents the traditional or ‘natural’ discovery process. 

The problem is, natural discovery doesn’t exist in the world of algorithms. Spotify shows consumers what it thinks they want to hear and Facebook shows them what it thinks they want to see. Introducing new ideas takes a backseat to maintaining engagement/interest. Word of mouth may help get artists ahead, but getting in front of people who may become vocal supporters in the digital landscape is rarely something that occurs organically. 

With that in mind, musicians must choose to either pay for reach or work against a system that increasingly limits the amount of exposure platforms will provide. The latter is makes sense morally, but from a business standpoint, the former is the smarter choice.

When artists research sponsored post creation and utilize their knowledge to target the people most likely to engage with their content the likelihood of success is incredibly high. There are artists today, such as Virginia rapper Lucidious, who utilize direct marketing strategies for Facebook and Instagram — often through guides provided by those platforms — to grow their audience to the point their careers become full-time jobs. Musicians are now able to reach the point of sustainability in their careers without labels or publicists as long as they learn and implement the tricks to working within the social media system.

Make no mistake: Purchasing reach with no understanding of how to set up ads that reach the people most likely to support you financially will end badly. Facebook and all other social media platforms do not care how well your ads perform as much as they do whether or not you purchase ads. Reach is guaranteed, but conversion is not. 

And if you’re still on the fence, I get it. No one wants to pay for reach that should be given to them. If 100,000 people follow your account, then 100,000 people should be shown your latest update. That makes sense, in theory, and it sounds fair.

But zoom out a bit and put that idea into perspective. Most people like at least a dozen artists. People also love numerous brands, stores, and content creators, all of whom have updates they want to share, as well as countless people they choose to connect with online. If everyone was shown every post by every account they follow no one would be able to keep up. Quantity would overtake quality in a manner that negatively impacts everyone, and all sense of community in social media would be lost. Algorithms, for the most part, help make sense of the chaos that would otherwise exist without such measure being put into place. 

The truth is that sponsored posts are here to stay. You can rebel as much as you want, but those looking to get ahead should use this system to their advantage. Don’t invest heavily until you understand the tools. Once you do, the sky is the limit.

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Industry News News

The Most Popular Songs On TikTok Right Now

TikTok is creating new music stars every few months, but many people still have no idea how the video-sharing app works or who uses it.

The most significant shift in traffic we’ve seen over the last year is the growing interest in TikTok. The app, which launched in 2018, has been the talk of the music industry since Lil Nas X found success through the platform with “Old Town Road.” TikTok stardom can change careers overnight, but many still have no idea how the platform works or who is using it.

TikTok users create and share short video content. The majority of clips involve lip-syncing to music, but others use songs to soundtrack the action happening in the video. Some posts have no music at all, but for this post, we won’t address that content.

The majority of TikTok users are young. 66% of the app’s audience is below thirty years old, and many of its most famous users are younger than twenty. More than 500 million people use TikTok every month. The average user spends 52-minutes on the app per day. That engagement is exposing people to a lot of music, and that discovery is propelling many unknown artists and groups to success.

Still, finding the next big thing by scrolling TikTok posts can be difficult. The app currently has no chart system in place, so the only way to understand what songs are popular is to watch a lot of videos.

Every label and artist would love to experience the level of viral success TikTok can provide, but users of the platform tend to enjoy hip-hop and pop music more than any other genre. The artists seeing the most success on the app often blur genre lines while delivering infectious and straightforward melodies. As a result, a great hook or strong opening can mean more than the quality of a song overall.

We cannot tell you how to make TikTok users fall in love with your music. We are researching that topic, but so far, the best advice anyone has given us is to ensure your songs are as immediately catchy as possible. To further prove this point, we took the most popular songs on the platform right now (October 10) and put them into a Spotify playlist. Check it out:

Want even more insight into how TikTok is changing the lives of musicians? Here’s a clip from a recent episode of Music Biz News:

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Artist Advice Editorials Industry News News

One Music Marketing Trick Every Artist Should Avoid [Video]

The internet has created countless avenues to promote their music, so why would anyone invest money in people who are not crazy about their songs?

Music marketing is a tricky business. What works for one person may work for others, but there are no guarantees. You could write the best song anyone has ever heard, gain tons of engagement online, and still remain anonymous to the masses. It’s chaos.

If you are trying to promote your music right now you may feel desperate. You may feel like you would give anything to get the attention and promotion that only influencers can create. You may spend hours on Google looking up articles like this one seeking a solution.

If that is where you find yourself right now, I’m sorry. It shouldn’t be as hard to get the attention of music fans as it is, but that is life. You can curse the sky and copy the tricks of others, but there is one avenue for music promotion that should be avoided at all costs.

Never, under any circumstances, should you pay for press coverage. Ignore blogs and podcasts and video makers who claim they can make you a star in exchange for a small investment in their business. It is a hoax that has been perpetuated by numerous people since the dawn of music journalism, and it is increasingly prevalent in the digital age.

There are countless avenues for exposure today, and there are people in positions of influence who will take interest in your music. It may take time to find them, but they do exist. Influencers asking for money in exchange for promotion do not care about you, and there is a high likelihood that they never will. Why would you want to give that person money to spread a lie?

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