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The Six WORST Marketing Mistakes (And How To Avoid Them)

With a busy fall tour and release season ahead, it’s time to ensure you’re not falling into bad behaviors that could spoil your marketing efforts.

Fall is the best time to be a part of the music community. It’s the busiest time of year but also the best. Between the avalanche of releases and the constant touring, there is always something to do and a hundred more tasks waiting for you tomorrow.

Every year, we encounter musicians and teams who are so excited by the season that they let simple mistakes slip by amid the rush to get everything done. These accidents may seem easy to overlook as isolated incidents, but combined, they can create slow-rising chaos that spoils any promotional efforts your team has planned.

Mistakes happen. Nobody that successfully does anything with their life reaches their goals without a few setbacks. But there are several common mistakes that industry experts and working professionals alike have been shouting about for four decades that still get made every day. Something as simple as knowing who you’re talking to and what it is they do seems never to cross the mind of certain artists. That oversight ultimately results in the artist not receiving the exposure or opportunities they seek.

In this Music Biz update, host James Shotwell explores half a dozen common mistakes artists make when marketing their music. These are some of the worst and most abhorrent mistakes, all of which are covered again and again by industry experts of all sizes. Suppose artists can slow down and review their efforts before reaching out to professionals and fans alike. In that case, Shotwell explains, they will likely discover easy fixes that will lead to a bigger, more meaningful impact with their outreach. 

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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How Dorothy Brought Her Rock Dreams To Life On New Album

Gifts From The Holy Ghost is Dorothy’s biggest record yet, and today, she tells us the secrets to her rock and roll success.

Six years after bursting onto the international stage, Dorothy is reaching new heights with Gifts From The Holy Ghost, a game-changing rock record.

Ask people why they believe rock ‘n’ roll is dead, and you’re likely to get various responses. Some will tell you there are no new ideas, but others will blame the system and say legacy acts receive too much attention for up-and-comers to get ahead. Both responses are wrong. Rock is alive and well; you just have to know where to look, as anyone who has discovered Dorothy can attest.

Dorothy’s breakout release, ROCKISDEAD, arrived to critical acclaim in 2016. Bursting at the seams with memorable riffs and a vocal performance no one could deny, the record put Dorothy and her band on the fast track to genre success. It was the kind of album that signals the birth of a new presence, but it was an incomplete version of the artist Dorothy would become.

Fast-forward to 2020, and Dorothy is nearing the end of the promotional cycle for her second record, 28 Days In The Valley, when the world forever changed. The outbreak of the COVID-19 pandemic forced musicians everywhere off the road and, in doing so, threw the recording and release schedules of all artists into an uncertain state. Dorothy had material ready to go and knew she had time on her hands. So, rather than rush the project, she took advantage of her time home and focused on creating her best work to date.

Gifts From The Holy Ghost is the most complete version of Dorothy’s artistic vision yet. Every element of the record has been methodically developed, from the art to the music itself. It all comes together to deliver a complete listening experience unlike anything else in rock music today. 

Last week, Music Biz host James Shotwell hopped on a call with Dorothy to discuss the changes she made—and didn’t make—to ensure Gifts From The Holy Ghost became the record it did. Dorothy shares her past marketing experience, including the conflicting messages artists often receive and shares advice for those struggling to find their way. She even teases what the future holds for her and her band.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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Five Uncomfortable Truths About Music Discovery

Every platform wants to help with music discovery, but what does that mean? Let’s discuss the reality behind music’s buzziest term.

Every artist I meet dreams of being discovered. They imagine themselves receiving a phone call or a direct message from someone in a position of influence with money and power who offers them whatever they want to create their art. It’s the same fantasy held by every musician and creative since the dawn of time, and despite our best efforts to streamline the process, discovery remains a dream for many.

But what is music discovery? In the simplest terms, discovery refers to finding and/or hearing an artist for the first time. It refers to the moment an artist goes from being a complete unknown to someone the listener may later recognize. The moment of discovery is when connections are made, fandoms launch, and artists first begin to see the fruit of their label. 

In 2022, there are more ways to discover music than ever. Listeners can utilize multiple streaming platforms, dive into artists’ playlists, enjoy algorithmic internet radio, find songs playing in public via Shazam, and—as always—exchange mixes with their closest friends. That doesn’t account for countless music blogs and publications, charts, and other social metrics one could use to learn who is hot in entertainment right now.

As the avenues for music discovery have increased and the barriers to accessing music decreased, the number of artists vying for your attention has reached an all-time high. That in itself isn’t bad. Everyone who desires to make and promote music should be able to do so easily. However, the impact of that demand for attention on consumers is something we still don’t fully understand.

Think about it for a second. As a consumer, you always want to find the next great thing. It’s instinctual. We cannot help being this way. It doesn’t matter if we’re discussing restaurants or bathroom cleaners; people want the best. The same is true in music. We love the artists we love and have preferences, but a part of us is always looking for the next song or album or person or group that can make us feel alive all over again. 

So, consumers want the next thing great song or artist as fast as possible, and more artists than ever are promoting more songs than ever to meet that demand. What could go wrong?

In short, burnout. On both ends.

Artists are becoming so conditioned to the constant churn of the modern industry that they abandon material almost as soon as it is released. It’s as if the three-to-six-month promotional cycle that precedes an album’s release is the only push the songs will receive outside of the artist’s subsequent touring. When those shows end, they will release more music, and it too will be largely forgotten in a few months.

Meanwhile, listeners look to playlists such as Spotify’s New Music Friday and Discover Weekly as the go-to destinations for new music. If an artist doesn’t make it into one of the very limited spots on this list, they have to hope an influencer with a decent playlist following or a massive brand uses their song. Otherwise, it’s up to fate and luck and whatever good word-of-mouth that artist has been able to build.

But that is an incomplete picture of discovery.

Music discovery extends far beyond release week. The long tail of music promotion is never-ending, and the proof is everywhere. Catalog streams are on the rise, as are catalog sales. Industry professionals realize that all material has value in the digital age, and they are scrambling to find ways to promote the content they’d previously left to rust.

Before you fall victim to thinking your opportunity to be discovered has already come and gone, please remember these five cold hard truths about music discovery.

1. Discovery Takes Time.

How many tweets do you see on a given day? If not tweets, how about Instagram stories? You probably don’t know the answer, and neither do I, but we can estimate it’s a lot. We flip by dozens or even hundreds of updates every day from friends and strangers alike, but how many can you remember? I’m willing to bet the answer is not that many.

The digital age has programmed us to believe that momentary, flash in the pan success can be leveraged into a career. We think that all we need is one good tweet or post or song or TikTok to take before everything is gravy for the foreseeable future. While there may be some truth in certain rare cases, it is far from the norm.

Let’s pretend a new listener hears your song via their Discovery Weekly playlist, which is algorithmically generated by Spotify based on a user’s previous consumption. That first listen is of the utmost importance. It has to grab their attention and hold it long enough to make them look at who is behind it. That alone can plant the seed of fandom, but it may still be weeks or months, or even years from development. 

Winning fans in 2022 is an ongoing effort in engagement that spans virtually every aspect of your career. You might send a great tweet that leads to 100 new followers. Of those, maybe half will click a link to your next single. Perhaps one-third of those that click will listen to the full song and—if you’re lucky—check out other music. This process repeats with every tweet, post, and TikTok you share. It happens with every gig you play, song you release, and behind-the-scenes photograph that makes its way online. The process is never-ending, and you never know how far along someone is in their journey. All you can do is stay on the path.

2. Discovery is not linear.

The first time you hear a song is rarely the moment you become a fan of the artist behind it. Fandom is something deeper than general admiration, and again, it takes time to develop. I may like your song the first time I hear it, but it could take years for me to hear another track or see you live. 

Many artists get frustrated with the way social media has busied their schedules. Rather than focusing on songwriting and performance, most artists now also need to consider marketing, branding, etc. What these artists don’t realize is that message they share and any piece of content they create is a reminder to everyone who ever heard their name in passing that they exist. Like Billboards, the stuff you put into the world does as much to introduce you to people as it reminds them you exist. Your next tweet might remind someone you have an album out. It sounds crazy, but it’s true!

3. Going viral isn’t enough.

I hear from musicians every week who dream of going viral. “If I can get that kind of attention,” they tell me, “I won’t let anyone down!”

Anyone can go viral. It may not seem that way right now, but it’s true. Platforms like TikTok recognize the value in catapulting random accounts into the spotlight, and they’re engineering their algorithms to look for opportunities to highlight otherwise unknown creators. 

That said, going viral probably won’t change your life. You may get a boost in streams and general meetings with labels or management, but unless you’re prepared to respond to your viral moment most of the hype will come and go before you can blink. The boost in streams will be nice, no doubt, but it won’t last.

4. Consistency Matters

Getting people to notice you takes at least three things:

  • Quality content (photos, videos, tweets, etc.)
  • Catchy Songs
  • A consistent presence

Making quality content is as easy as logging online in today’s world. There are hundreds of sites that will tell you what to post, when to post, and they can even help you post it. 

Catchy songs are slightly more difficult, but technology has advanced to such a point that recording your track can be done from virtually anywhere. 

Consistency is a skill that only time can develop. Making one great piece of content is hard. Making one-hundred pieces of content is equally hard, but there are tricks you’ll learn to simplify the process.

For those getting started, don’t rush anything. Release one song at a time to maximize the value of that track. Create lyric videos, music videos, alternate music videos, behind-the-music vignettes, behind-the-scenes photos, lyric sheets, and anything else you can think of to make people look at your music. 

Through it all, remain consistent. If you’re going to share photos, make sure they look good. Double-check that your videos are always exporting in 1080p or higher. Check your grammar. Etc. Etc. Etc.

5. Algorithms are your friend, not your foe.

In a world where artists fight to make people believe a song is worth more than $0.004 per stream, it’s easy to understand why many take issue with streaming services and the algorithmic recommendation engines behind them. However, I think that mindset blinds us to the unique opportunity of the modern age. Everything is everywhere, and almost everyone has access to it all the time. The distance between learning of an artist and consuming everything they’ve made is almost nonexistent.

Nobody has time to sort through everything, and most wouldn’t know how if they did. Algorithms help us cut through the noise to find music closely resembling what we already enjoy. Whether it’s recommending you to three or three thousand people doesn’t matter as much as the fact it’s recommending you at all. Streaming services could easily charge for that kind of exposure. Instead, they understand the value in discovery, even if they don’t care to admit it. 

Try reframing your relationship with algorithms like this:

Every day, at all hours, there are computers worldwide working to match people with songs they might enjoy. Those machines promote you while you eat, sleep, shower, and go to the movies. They do not take holidays or weekends off, and they never have to leave early for a dentist appointment. Algorithms work for you even when you’re not working on music at all, and honestly, who or what else in your life can claim the same? Nothing!

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How To Improve Word-Of-Mouth For Your Music

Your music is a conversation starter, so why isn’t anyone talking about it? We can improve your word-of-mouth in three easy steps.

Take a look at any content promising to make you a more successful musician, and they will tell you that conversation is everything. You need people to start talking about your music and never stop, which is an incredibly hard feat for even veteran musicians to achieve. After all, who can name any musician they think about all the time? Between movies and media, the news, work, interpersonal relationships, and the general sense of anxiety that comes from living in a prolonged global pandemic, most people have a very limited capacity to care about anything music-related, let alone a single artist or group.

But don’t fret! Understanding the state of reality will be your key to long-term success. There will always be more you can do, but the same is true for everyone! Ariana Grande and Justin Bieber woke up today with the same problem you currently face: How do I make my fans care enough to promote my music on my behalf?

The battle for attention is, in many ways, the great equalizer. Major labels may have more money to throw at their attention problems, but history has repeatedly shown that money alone cannot make people care about artists. That level of connection requires something real, and cash cannot fabricate realness.

As the Northern hemisphere slowly transitions from winter to spring, now is the perfect time to refine your efforts to encourage more word-of-mouth promotion. If you need advice, don’t worry. We’re right here to help you.

The big question: How do I raise word-of-mouth for my music?

The answer is both complicated and straightforward. There are simple things every artist can do, which we outline for you below, but to make the most of these tips, you will need to add a personal twist. Every artist is different, and the same is true for the fans of every artist. No two fanbases are alike. To empower your fans to the best of your abilities, you will need to try (and most likely fail with) new approaches to the tips below until you discover what works best for you and your audience.

Identify your most engaged fans, and treat them well

Not all fans are the same. Some people like your music but don’t follow your socials and probably can’t be persuaded to buy an album they can access for pennies on streaming services. Other fans may follow you online and attend shows, but they wouldn’t go out of their way to engage with you or see you rise above genre peers. But your best fans — your most valuable followers — will go above and beyond the efforts of your other fans without being asked. They will line up hours before doors despite knowing the show is not sold out. They will share your new single on their social media without reaching out to them. Your most valuable fans feel your success will be their success in some small way. You getting ahead means that they’re getting ahead, and people who think that way about your career are the ones you need most.

Finding your most valuable fans is easy. Watch your mentions on social networks, read fan mail, and look at who lines up to attend your shows. Identify who those followers are and make them feel as important as you know they are, preferably without initially asking anything of them. Tell them you appreciate their support, reply to their questions, engage with their comments, follow them online. Do what you can to let them know they matter to you, and they will work even harder to raise awareness for your art.

Keep your social media presence updated and engaging

It’s hard to promote someone bad at promoting themselves. Empowering fans to promote you begins with promoting yourself in a way that connects with people on a personal level. That includes but is not limited to maintaining your presence on social media. That means posting regularly, yes, and posting things that let people connect with the artists behind the music. Showcase your personality, talk about something you’re interested in, and don’t be afraid to broadcast yourself using Facebook, Instagram, or TikTok’s live capabilities. 

When people feel engaged with you personally, they also feel a deeper connection to the music you create. Everyone wants to see their friends get ahead, so do whatever you can to establish a friendly relationship with the people who enjoy your music. Again, it’s all about making people feel they are a part of your journey. Their success is your success and vice versa. Does one of your fans have a birthday today? Tweet at them! Did someone land a new job that allows them to buy tickets or merchandise? Let them know you’re proud of their work ethic!

Make great stuff

This tip is relatively straightforward. People promote stuff they like, so make the best stuff you possibly can. People also know when your heart isn’t behind something, and if they sense that might be true for your latest creation, they will not feel inclined to promote it. Make the best things you can with your skills, devote every last drop of yourself to the process, and a response will come. Do anything less, and you will be doomed to obscurity forever.

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Five Painfully Embarrassing Emails Mistakes Artists Need To Avoid

The only thing standing between you and where you want to be is the right opportunity, but a poorly written email can ruin everything. We can help.

Forget what the Wu-Tang Clan said. Until you are rich enough to ease your worries by throwing money at problems without a second thought, cash does not rule everything around you. That title is reserved for email.

Think about it for a second. What is the first thing you check everything morning? Your inbox. What is (typically) the most important tool throughout your work day? Email.

Email is the backbone of everything. Particularly right now, as the world continues to work through a global pandemic, our inboxes have never been more important. They also have been this crowded.

We have told you repeatedly about the value of email. Still, not a week goes by without someone writing us and making one of several glaring errors that leave us with no option other than to pass on their submission. Why? Because professionalism matters. If you can’t be bothered to learn the name of the person you’re emailing, then you shouldn’t be shocked when they don’t respond.

In this Music Biz update, host James Shotwell reviews the basic elements of any successful email. He explains the most common mistakes he sees artists make weekly and offers suggestions to avoid those problems in the future. Check it out:

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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The Surprisingly Powerful Must-Have Music Marketing Tool Of 2022

With more tools and services promising to help musicians grow than ever, you might be surprised to learn that the best marketing approach is also one of the oldest.

Every musician faces the same problem: How do I reach my fans? 

Answering that question has never been easy. Before the internet, artists had to get on the radio or appear in a music magazine to have national coverage. The musicians able to establish a fan club did so without the assistance of a third-party platform or service. Bands like The Monkeys, KISS, and The Beatles would physically mail fans updates about new music and tours, which could end up costing a ton of money in shipping and handling that other, smaller acts couldn’t afford.

Now we live in the digital age, which supposedly brings us closer together, but finding and reaching your fans has never felt more difficult. Finding your fans is hard enough between the multiple social media platforms, streaming services, forums, and other random corners of the internet, let alone getting a message to them. Facebook, for example, only allows Page owners (artists/groups/labels) to reach around 5.2% of their total following. More can be reached, of course, but only if the artist is willing to pay for boosted promotion.

Buying ads to reach your fans is a surefire approach, but what about the artists and labels that don’t have a large advertising budget? How can everyday musicians hope to reach their fans in an increasingly expensive and corporate-controlled world? 

The answer you’re looking for is a mailing list. Maintaining an email list offers the highest probability of reaching your most engaged fans at the lowest cost. There are several mailing list services (MailChimp, Substack) with free tiers for those just starting. You may need to spend money in time, but you can reach hundreds, even thousands, without spending a cent. All you need is an email address, and everyone has an email address.

Let’s say you have 1,000 Likes on Facebook and 1,000 subscribers to your mailing list. A single FB post announcing your new tour is only guaranteed to reach 52 people. You don’t know who those people are, and you have very little control over how the content is distributed throughout the Facebook ecosystem.

If you send that same announcement to your 1,000 mailing list subscribers, you can rest assured every last person will receive that email (unless there is an issue on their end). Thanks to email analytics, they might not all open it or click the links inside, but you will know how fans engage with your announcements. You will be able to see, often in real-time, what content your fans engage with the most.

From there, the possibilities are endless. You can use the most successful content to create ads that draw in new fans, all of whom you will work to convert to newsletter subscribers in time. Your mailing list will become a marketing funnel unto itself, with your most devoted fans identifying themselves their behaviors you view with analytics.

In an age of endless options, artists need a way to communicate with fans that guarantees reach without high costs or exhaustive effort. Email is the answer. Don’t waste another day. Start your email list, engage your audience, and take back your ability to communicate with fans.

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How To Support Your Favorite Artists in VR

A recent feature from the developers at ForeVR Games offers a glimpse at the many ways artists can earn money in VR.

The age of virtual reality, or VR, is finally upon us. With the introduction of consumer-friendly headsets, millions of people worldwide are spending part of their lives immersed in virtual environments that offer sights and experiences that are impossible in our reality. The so-called ‘metaverse,’ which aims to meld our existence with a virtual landscape, is becoming increasingly tangible with each passing day. That trend is likely to continue for the foreseeable future.

But where does music fit? The music industry has barely wrapped its collective consciousness around the digital age, and now we’re confronted with another new, strange, and vaguely-defined landscape bursting with potential but limited by access and general public awareness.

The biggest opportunities in VR right now exist for a select few. Billie Eilish, for example, has a partnership with Beat Saber, one of the platform’s most popular games. That’s a great deal for someone with an already massive reach, but most artists are not in a position to negotiate similar arrangements for their catalog.

While we continue to hunt for opportunities that every artist can leverage in the virtual space, we have found two ways musicians are already able to earn revenue through VR:

ForeVR Games’ Creative Jukebox System

One developer leading the charge for change, ForeVR Games, has found a clever solution to help artists enter the VR space. In their current game, ForeVR BOWL, and the upcoming ForeVR DARTS, ForeVR Games allows users to play music from an in-game connected to YouTube. Users can stream music on YouTube while enjoying ForeVR products, and in turn, their favorite artists receive a small royalty for the play. Users can choose from pre-made playlists or browse for the perfect song.

YouTube royalties are notoriously small (about $0.008 per view), but any amount is better than nothing, which the majority of the virtual space provides.

Spotify (AKA – “the browser method”)

Spotify, the current leader in music consumption, is largely absent in VR, and the streaming giant had yet to release a native app at this post. Quest 2 users, the largest segment of the VR community, can only access Spotify through the device’s internet browser. Still, that method does allow listeners to play their favorite music inside various VR games and environments.

Same Content, Different Platform

Speaking of Youtube and Spotify, you can access virtually all browser-based music platforms through Oculus. There is also a growing community of indie VR developers making browser-based titles that leverage music, though their licensing agreements (or lack thereof) can be hard to find.

While it may seem like musicians will have an uphill battle building communities in the virtual space, it is important to remember that VR is relatively new. Virtual reality is one of the fastest-growing entertainment segments right now. Still, it will take time for developers to create apps and platforms that utilize the full capabilities of the equipment. Early adopters benefit from learning how to best use and navigate the virtual landscape before everyone else tries to jump on the bandwagon 1-2 to years from now.

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The WORST Music Marketing Mistakes (And How To Avoid Them)

Considering the amount of advice and guidance available, there is no excuse for making these common music marketing mistakes in 2021.

There are hundreds of books about the music industry available worldwide. There are also college curriculums dedicated to the music business, countless blogs covering music industry tips and tricks, and dozens of YouTube channels like music biz doing their best to educate artists about the realities of building a career in entertainment. You can learn virtually anything about being a musician with a few keystrokes, and yet, each week, countless artists make easily avoidable mistakes because they don’t start to consider whether or not their promotional tactics are positioning them for success.

Mistakes happen. Nobody that successfully does anything with their life reaches their goals without a few setbacks. But there are several common mistakes that industry experts and working professionals alike have been shouting about for four decades that still get made every day. Something as simple as knowing who you’re talking to and what it is they do seems never to cross the mind of certain artists. That oversight ultimately results in the artist not receiving the exposure or opportunities they seek.

In this Music Biz update, host James Shotwell explores half a dozen common mistakes artists make when marketing their music. These are some of the worst and most abhorrent mistakes, all of which are covered again and again by industry experts of all sizes. Suppose artists can slow down and review their efforts before reaching out to professionals and fans alike. In that case, Shotwell explains, they will likely discover easy fixes that will lead to a bigger, more meaningful impact with their outreach. 

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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How To Increase Fan Engagement With Spotify Blend

Spotify Blend can help artists better engage fans while also providing valuable insight into their listening habits.

Spotify‘s latest feature, Blend, is a tool made in playlist heaven. Blend, which allows two people to combine their favorite songs into one shared playlist, uses the same music mixing technology that powers other multi-person playlists like Spotify’s Family Mix and Duo Mix. However, Blend allows any Spotify user, including both free users and paid subscribers, to merge their musical tastes, too.

Users who create a Blend (aka their shared playlist) will receive a short presentation known as the “taste match score” that shows how similar or different their listening preferences are compared to their friends. After the Blend is created for the first time, this taste match score is demonstrated as a percentage and will be accompanied by text that tells users which song brings them together. Blends also feature unique cover art to help users find their playlists more easily.

Blend also presents valuable marketing and data-gathering opportunities for artists. In the latest Music Biz update, host James Shotwell explains how artists can use Spotify’s new feature to raise fan engagement and increase an artist’s understanding of their fans’ listening behaviors. He also shares ideas on how musicians can collaborate with other artists to promote albums, tours, and more.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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Music Marketing ROI: Are You Getting Back What You Put In?

Every artist knows that marketing is the name of the game in music today, but how many know for sure whether or not their efforts are paying off?

The music business is as much about marketing as it is performance. I take that back. Music marketing is more important than performative talent because it’s easier for someone with talent never to be heard than for someone terrible with decent marketing skills to become the next Billboard sensation. It doesn’t mean your material doesn’t matter, but it does mean that material alone won’t give you a career.

Music marketing is a game we are playing without rules or limits. Some people spend thousands of dollars to sell only a few records. Meanwhile, some kids in Kansas with a decent understanding of Adobe products can go platinum without a label. Marketing is the great decider, and while everyone is doing it, very few know how to measure success.

ROI is fancy business shorthand for “return on investment.” It’s a term used to describe what happens as a result of your action. Everyone in music is making content constantly to entertain untold millions that they believe might one day become a fan. Those efforts may include social media ads, social media posts, billboards, radio spots, ads on Spotify, and more. Every avenue of promotion is viable in today’s marketplace, but not every approach will work for your career. Knowing what works—and why it works—is the key to success.

In this Music Biz update, host James Shotwell explains ROI and why calculating the value of a music marketing campaign can be difficult. He also details the four things every artist must understand if they want to become better marketers moving forward.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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