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How To Become a Better Music Writer In One Month

The Music Writer Exercise is coming, and you would be a fool to ignore the opportunities it presents.

As the saying goes, everyone is a critic. The age of social media has given everyone a voice to talk about everything they experience. One glance at Facebook or Twitter at any time of day will reveal countless opinions about everything, from entertainment to fast food. You don’t need a degree or any amount of experience to classify yourself as a critic, just like you don’t necessarily need any measurement tools to claim you’re an influencer. Did your friend do something because you suggested it? Congratulations. You’re an influencer.

Being a music writer in 2020 is a strange thing. You believe your passion for music and your knowledge of its history are so great that people should take an interest in your perspective on an industry that millions try and fail to join annually. Everything a music writer attempts today is challenging to achieve. Successfully pitching stories is hard, securing exclusive access or content is hard, and finding an audience for your work often feels impossible. That said, there may be no more excellent feeling in this life than writing something you believe in that connects with people, even if “people” turns out to be someone you’ve known for years.

Writing about music is a passion many possess, and we want to make you better at conveying your thoughts on artists and songs with a challenge. Music Writer Exercise, otherwise known as #MWE, is a month-long writing challenge that will expand your palette and improve your wordplay. Watch the video below for more information.

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Editorials News Writing Tips

Do you know who reads your music blog?

Building and retaining your audience begins with understanding who is clicking on your site.

Search the name of virtually any artist or group on social media, and you are bound to find people discussing that act. Opinions on music are a dime a dozen, and when it comes to bands, everyone already knows their value is worth even less that. Young music writers around the globe cut corners on a daily basis to be among the first to cover the latest news about the biggest acts in their area of interest. It doesn’t matter if their site has few to no visitors or if much larger publications beat them to the punch, they want to ensure that their readers learn the latest breaking news directly from them.

But who is the audience for the average blog, and who visits websites for news before scrolling social media?

Music publications, especially those lacking funding, rarely build their audience through coverage of talent that is covered by every other zine, blog, or Twitter feed in the world. Music publications gain readers by delivering the stories no one else can. They earn trust through curating a profoundly entertaining and highly engaging conversation around music that they believe deserves recognition.

Covering everything that is popular in music will satisfy people, but it won’t captivate them. If you want people to continue coming back, you need to seek out the stories no one is telling about the musicians that everyone will want to know six months from now. Your job is to hook people with music made by others. There is a finite amount of people who read music sites, and the vast majority are using the same hook to lure readers. Why do that when you can stand out? Why offer what everyone else offers when you can be the alternative?

When you align yourself with artists on the rise, you align yourself with dreamers, and that is – in many ways – your audience. You want people who listen to music and dream of lives not yet lead. You want to provide the soundtrack to their next great escape, and you want to tell them why it’s going to change their lives before they even realize what is happening to them. You want to be a source of discovery, not regurgitation, which continually introduces new sounds and ideas into someone’s life. If you can accomplish one or both of those things, you can make a reader for life. Better yet, you’ll create an ambassador for your work that helps carry word of your writing to places you’ve yet to reach.

So, who reads music blogs? People just like you. People who think the radio is dead and the music they hear everyone else enjoying is stupid, dull, or just plain awful. Be yourself and readers will find you. Do what everyone else is doing, and they will pass you by in search of a more authentic voice.

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10 lessons from 10 years in music writing

Time flies when you’re chasing your dreams, and I’ve been running after mine for ten years as of this week. It was March of 2008 when I first launched a music blog of my own, and in the time since I have accomplished virtually everything I initially set out to achieve. This is both wonderful and terrifying, as I still have a lot of life and career left, but I try to look on the bright side of life whenever possible.

The last decade has provided countless learning opportunities. Some arose from natural growth, while others were caused by mistakes made on my part. Through it all, I tried my best to remain humble, calm, and open-minded to the possibility that I had no idea what I was doing (because I didn’t). That decision made all the difference, and as I look toward the future, I’m hoping I can apply the lessons learned from the last ten years in my everyday life. You can do the same if you so desire. Here is the list:

1. Don’t be a dick (aka the golden rule)

2. Grammar matters (kind of)

3. Everybody talks

4. Networking will get you everywhere

5. Always follow-up

6. Your peers are watching

7. No job lasts forever. Change is the only constant.

8. If you’re in it for the money, you won’t be around long

9. Write every day, especially when you don’t feel like it. Even the best writers fight resistance on a daily basis

10. Leaking album or tour information is not the same as breaking news.

I could go on, but if you can follow these rules, you will go far.

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