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Redefining what it means to ‘make it’ in music today

Everyone wants to ‘make it’ in music. What does that mean, and how has the definition changed with recent changes in the entertainment industry?

“How do I make it in the business?” That is the number one question any aspiring professional in any field asks their peers. If you want to tour the country full time you look to someone who is currently performing 200 shows a year for advice. If you’re going to write the next great novel, you talk to an author or two who knows what it takes to finish a book. If you want to run a record, label you look at how your favorite labels operate and build off what they have found to be a proven method for success.

Some might call this an act of imitation, but most would call it research.

Some might call this an act of imitation, but most would call it research. You have to ask questions to learn what you do not already know, and if you’re someone looking to work in entertainment, then your first question to any peer is probably some variation of what I wrote above. How do you make it? How do you do this full time? Who pays you? Where did you find a job? Who do I talk to about a job? How do you keep a roof over your head? And so on.

The most frustrating, yet entirely accurate response to any version of the question of how one ‘makes it’ is one that has been around long before the internet:

Find something you love to do, pour everything you can into doing it, and — eventually — it will be what you do.

Maddening, right? But it is absolutely true.

I wrote about music for more than half a decade before I met anyone willing to pay me for my words. The years before that had been spent writing in between class and shifts at whatever miserable job I could find. I woke up early and stayed up late, often splitting my nights between covering concerts and writing about what I had seen so that I could go out and cover something else the following evening. Everything in my life took a backseat to my passion for writing, and even though I wasn’t making much, if anything, through doing it my continued efforts to improve gave me an immense sense of personal satisfaction. I wrote with hopes of becoming a writer just as much as I wrote to make myself happy.

By the time anyone other than PPC (pay per click) vendors were willing to pay me for my work I had already established a presence and personal brand in the world of music. I knew the people I once wanted to be, and they knew me. I posted about securing a paid gig, and several of those same people congratulated me, but within hours they — and I — had moved on. The news that money was coming in soon was nice, but I had to focus on the present to reach that point where someone paid me. I had established a routine for writing that remained largely unchanged by the presence of paid work because in my mind I was going to be writing either way. My passion for writing was never tied to money, so the fact it was starting to come in was — to me— no excuse to act in any manner than the way I was behaving when it felt like no one cared at all.

Years later and I am now a full-time professional doing what I love in the field I love. The journey to this place was filled with ups and downs, but in hindsight, I am able to understand every step of the way was necessary in order to handle the demands, challenges, opportunities that working full time in entertainment can present. I have a thick skin, and I know that in order to be my best self creatively I have to care for my mental and physical well being. I understand how to network and I know how to write.

There is still plenty left for me to learn, but every morning when I wake up, I know I am able to handle whatever life throws at me because of the time I have invested in my craft. Others recognize this as well, which is why I am able to have a job and continue building my connections. People know I can handle the work, and they know it is ultimately not money that motivates me, but rather my passion for the business. The music industry runs on passion.

Once you harness your passion and set to become the best you can be at whatever it is you want to do the rest will begin to fall into place. It won’t happen today, tomorrow, or even next week, but if you stick with something and constantly work at improving yourself the day will come when you finally lift your head and realize you’re where you always wanted to be. It sounds foolish and maybe even a little delusional, but I am telling you it is the truth because it happened to me in spite of the fact I believed such ideas to be nonsense.

No one wants to tell young minds how few of them will actually grow up and do the work needed to reach their goals, but it is the absolute truth. Most people are not willing to do the work, and of those that are many will only work for so long before they demand the world give them something in return. The world owes you nothing. If you want to be something you have to make something out of yourself. Do the work, and you will succeed. It’s that easy and that hard.

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Artist Advice Business Advice Editorials Industry News News

What Artists Can Learn From Lizzo’s Success [VIDEO]

Lizzo is perhaps the most successful artist of 2019. Achieving that feat did not happen overnight, but her approach can work for anyone’s career.

No one is having a year like the one Lizzo is experiencing right now. From a successful album to sold-out tour dates, festival appearances, song placements, and more, no one has done a better job of being a constant figure in pop culture this year. Lizzo has the kind of career every musician hopes for, and today we’re exploring how she made it happen (before a label was involved).

Lizzo is not an overnight sensation or some flash in the pan talent. The success Lizzo is experiencing in 2019 is the result of a decade spent working hard in the shadows of mainstream music. Her biggest hits, “Truth Hurts” and “Good As Hell,” have been available online for years. Critics have been predicting her stardom since 2016, but convincing the masses took time and commitment to a message that has become the talk of every conversation in pop music.

You cannot duplicate Lizzo’s success by copying her style or sound. People will no doubt attempt this, but in doing so they are revealing a fundamental misunderstanding of her career. Lizzo is a leader. She is giving people something they cannot get anywhere else, and she is doing so in a way that is undeniably authentic.

In this episode of Music Biz, host James Shotwell breaks down four key lessons artists should learn from watching Lizzo succeed. These points can improve your career by setting you on a path for success that will develop in time. Check it out:

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Artist Advice Editorials Industry News News

How to Embed Metadata in Music Files (and Why It Matters)

In the digital age, metadata plays an increasingly important role in the music business.

Metadata used to be a term people heard in crime shows and movies that required someone sitting behind a computer telling the hero what to do next. Today, however, metadata matters to everyone uploading and sharing original content online.

To put it in the simplest terms, metadata is a set of data that describes and gives information about another set of data. Musicians use metadata in their song files to share their artist name, track title, album title, track position, copyright holders, and contact information.

Files without proper metadata are not harmful, per se, but they can restrict an artist’s ability to succeed. How can anyone reach you if they do not have the proper contact information? How do licensing teams know who to send checks to? How does anyone do anything with your music without it?

Adding metadata to your music is a fairly straightforward process. The video below, which is less than five minutes in length, tells you everything you need to know. Enjoy!

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Artist Advice Business Advice Editorials Haulix News

How When-Then Plans Can Help You Succeed [VIDEO]

We’ve all heard how the best-laid plans of mice and men will go awry, but that’s where when-then plans come can save the day.

When people ask us about achieving success in music, we often tell them there are two things they need to master: The ability to practice and not let failure break them.

Everyone needs to practice. Whether you plan on being a famous musician or someone who works with artists, practice is what separates hobbyists from professionals. Those who make and maintain careers in music do so by learning to never settle for their current skill level. They are hardworking, driven individuals who know that they are only as good as what they bring to the table, and they always make sure to work towards being better than they are right now.

Failure comes for us all. Even if you have a plan to practice and make good on your efforts to see it through, life will throw curveballs your way. You will need to take time off, and you will need to keep that passion you possess for music alive while you do so or it could burn out for good.

When-then plans are a series of checks and balances that ensure failures or shortcomings do not deter you from chasing your dreams. A good example is:

When I am unable to work on songwriting, then I will spend my lunch break reviewing recent compositions and making changes as I am able.

When-then plans will not make up for the time lost, but they will ensure you don’t lose focus, so take the time to develop and implement them today.

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Artist Advice Business Advice Editorials Industry News News

How to succeed in the music business today

No two paths to success in the music business are the same, but the decisions that need to be made along the way are universal.

Here are a few lies you’ve probably heard about success in the music business:

  • “All it takes is one great song!”
  • “The music industry runs on connections.”
  • “Anyone can be a music professional.”
  • “If you really want it, you can have it.”
  • “Getting mentioned by ____ changed everything.”
  • “If you pay to be on this playlist/gig, you will have a career overnight.”
  • “Every artist must ____ in order to succeed.”
  • “Every music professional should ____ if they want to keep their job.”

There are fragments of truth in all of these phrases, but as a whole, they each paint an inaccurate picture of life in the music business. One song is no longer enough. There are more artists than ever, and countless thousands have produced viral songs that never lead anywhere of note. Even if they did, those same artists were expected to produce another great track almost as soon as the first began to find its audience. There is no end, only short plateaus where we catch our breath before pushing further forward.

Music is a calling. There are millions who claim they want this life, but only a few hundred will actually find work, and even less than that will make music a career. Connections can open doors, but you still need talent. Those who get ahead by connections alone always end up revealing their true nature in time. Those who keep their head down and put in the work needed to learn their jobs might not rise as fast, but they will be part of this industry for longer because people will want them around. Friends are cool, and having them around is nice, but those focused on success need people willing (and able) to do the work needed. That is where the true professionals come in.

If you want to make a career out of music there is only one way to do it: Commit.

Commit to learning your craft.C

Commit to networking and collaborating with like-minded individuals.

Commit to never giving up on yourself, even when things don’t work out.

Commit to accepting failure as a fact of life rather than something you can avoid.

Commit to helping others.

Commit to never giving up, even when you don’t know what else to do.

Commit to remaining a fan for life.

Commit to giving more than you get.

Commit to celebrating your success, no matter how small.

Commit to going above and beyond what is asked of you, even if it means making sacrifices (within reason).

Commit to standing up for yourself.

Commit to admitting when you’re wrong, and to learning from the mistakes you make along the way.

There is no easy path to success in music. The good news is, that same rule applies to everyone else. Good luck.

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News

Stop comparing your career to outdated music business models

Earlier this year I traveled to Detroit in order to interview an Leo Bautista, a young man who is better known to the world as Rival Summers. Leo’s fans had requested I feature him on my podcast several times in the months prior through emails and tweets, which in itself wasn’t entirely usual, but the volume of requests far exceeded any other artist week after week. Anyone in entertainment will tell you that is the kind of thing you need to pay attention to, so – I did.

I was largely unfamiliar with Rival Summers before scheduling the conversation, but the ten hour drive from Minneapolis to Detroit provided ample time for me to become immersed in Leo’s discography. He’s single-handedly creating (and recording – Leo often plays most, if not all the instruments on his albums) a style of pop rock that takes just enough cues from the soundtracks of John Hughes film to feel timeless in their own way.  It is immediately accessible and undeniably catchy music that people of all ages can relate to, but there are layers to the material that provides a depth many in his genre struggle to achieve. There is also an ever so slight edge to it all, making Rival Summers a project that could just as well be found on Warped Tour as it could opening for bigger radio rock artists in arenas. In short, it’s something special:

After realizing all of this over the course of my drive you can probably understand how surprised I was to hear Leo tell me, on record, that was a bit disappointed with how his last EP, Undeniable, had performed. The album was the product of nearly five years’ work, and Leo’s fans had contributed money through a crowdfunding campaign to allow him a full month of recording time in California alongside one of his music idols, My American Heart frontman turned producer Jesse Barrera. It was a month that Leo says changed his life and career. For the first time he was able to fully focus on music in a place that inspired him in a way his home in the midwest could not replicate. He was more or less on his own and doing the thing he loved because people who believed in his art cared enough to support his continued development without knowing what would come from doing so.

Undeniable, a name Leo chose because it is what he inspires to be in music, was released in April of 2016. Leo did his best to promote the record online, receiving several mentions on blogs and a few positive reviews, which his fans then promoted through their networks with retweets, likes, and shares. Everyone who heard the record seemed to enjoy it, if not love it, and that made Leo happy. Still, in the back of his mind something was missing. Despite all the love and support from his fans Leo was not seeing the opportunity to take the next big step in his career that he believed the album could create. Add to this the fact he parted ways with his creative partner at the time, which hindered touring as a full band, and it is easy to understand why there seemed to be a negative for every positive.

Leo eventually came to realize he was wrong all along. Like anyone striving to turn their passion into a career he unknowingly allowed himself to get caught up with the business of art, which has a nasty habit of making people undervalue their creativity based on how they believe the world outside their audience feels about their work. Leo’s fans had told him Undeniable was a record they needed and were willing to support before it was even created. He was empowered by an audience he built through his own hard work to further chase his dreams and build a career. The record may not have brought a label deal his way or provided a management contact with a massive network of powerful influencers, but it reaffirmed his relationship with his audience and brought numerous new believers to his craft. Touring may hurt in the short term, but we are quickly approaching an age where digitally-inclined talent can build thriving careers without going broke on the road to play for 30 kids a night. Leo has the ability to try alternative paths because his fans are already dedicated to seeing him flourish.

You probably realize this by now, but Leo is not alone when it comes to this problem. Entertainment as a whole has changed very quickly in the last ten years. The ways we tell people to think about careers in entertainment however, have not. In today’s industry anyone with an engaged audience can build a meaningful, financially stable career as long as they are willing to work hard and constantly give back to those who support them. Today’s artists can create Patreon pages that allow fans all over the world to give as little as $2 a month to see their continued success, which can very quickly turn into hundreds or even thousands of a dollars per month total, all without an artist having to leave their home. Today’s artists can use StageIt and similar platforms to host concerts from their living rooms. As long as an artist has a fan base that wants to hear more from them it is possible to completely circumvent the traditional music industry model and find major success, including platinum records and sold out shows around the globe.


James Shotwell is the Marketing Coordinator for Haulix. He is also the host of the Inside Music Podcast, as well as a ten-year music industry veteran. You can follow James on Twitter.

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