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How Stone Broken Built A Modern Rock Following

Ahead of their third studio album, Stone Broken chats with Haulix about the secret to successful rock promotion in 2022.

Let’s face it: The rock marketplace is in a weird place. Never in the history of the genre have there been so many artists with countless unique takes on rock competing for the finite attention of listeners. It is both the best and worst of times because you can never listen to everything worth hearing, but that’s not even the worst part.

Before worrying about scaling the rock hierarchy, artists must first find a marketing angle that works.

Marketing is everything. That has always been the case, but it feels more important than ever in 2022. The demand for consumer attention is endless, and your budget for fighting alongside every IP and musician on Earth is limited. You have to find a path to success that doesn’t waste time or break the bank, and you have to do so while also attempting to make the best music of your career. Not that there is any pressure or anything.

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The amount of great rock music available now vastly outnumbers the finite amount of time listeners have to experience it. The only way forward is through finding your audience and catering to them. It’s not an easy feat to accomplish, but one that is well worth the effort.

In the latest Fast Five interview, Music Biz host James Shotwell chats with UK rock band Stone Broken about how a constantly shifting marketing strategy has led to long-term success. The band’s third studio album, Revelation, arrives on April 15, 2022, through Spinefarm Records.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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Haulix Industry News News

We’re Going To Music Biz 2022!

The Haulix team is headed to Nashville this May, and we’re bringing a few friends along to discuss the future of music promotion.ong.

After two long years of Zoom meetings and Clubhouse discussions, the music industry can finally gather again in person. The 2022 Music Biz Conference is taking place in Nashville next month, and we are joining in on the fun.

Yes, the Haulix team is headed to Music Biz for the first time since 2016, and we’re bringing along some friends to help us shed light on the future of music promotion. Our Director of Customer Engagement, James Shotwell, will lead a panel titled ‘Building On Borrowed Lines’ to help kickoff Music Biz on Monday, May 9. Here’s the pitch:

Remember the day Facebook and Instagram went offline? For several hours, two of the biggest platforms for promotion and information disbursement were nowhere to be found, leaving social media managers, artists, and labels everywhere scrambling. These “borrowed lands” that we’ve come to depend on for engagement were suddenly gone, and nobody knew when—or if—they would return.

Building On Borrowed Lands will examine the ongoing debate over where artists and their teams focus their community-building efforts. A panel of experts in marketing and publicity will discuss the ever-evolving challenge of reaching people in the digital space, including the best places for engagement, the value of owning your content, and the timeless tips for success that still work today.

Joining James for this panel will be Gayle Thompson of EverythingNash.com and Alex McGinnis of 10 and 8 Management.

You may have experienced other music conferences, but believe us when we say that Music Biz is something special. Set in the heart of Nashville, this annual gathering unites professionals at every stage in their careers for a week-long learning and community-building opportunity. The connections you make here, not to mention the lessons you can learn, have the power to alter your career in radical ways.

Ready to commit? Register today! Join us for four days of industry-defining conversations and connections, including continued discussions of how we can support those among us who are still struggling and address our individual needs for professional & personal growth.

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Industry News News

The Powerful, Can’t-Miss Panels at Music Biz Conference 2022!

The best industry conference is right around the corner, and we’ve got the must-attend events to make Music Biz 2022 the best one yet!

Music Biz is one of the most anticipated industry events of 2022. The week-long gathering in downtown Nashville is ripe with panels, networking opportunities, and plenty of good vibrations. We’ll be there this May, and we hope you’ll consider joining us. Click here to register before it’s too late!

Each year, the Music Biz organizers put out a call for panel submissions. Of the many who submit entries, only a select few are chosen. Each one has value, but there is no way one person can attend every event. 

With that in mind, we’ve put together a list of must-see panels and discussions. These events cover current and future industry trends and the big picture issues that impact every corner of our business. We’ve left plenty of room for you to do other things, but these events cannot be missed!


The Power of Personal Equity & Identity in the Music Business

Monday, May 9 • 10:50am – 11:50am

In order to build equity – whether financial or figurative – professionals and artists in the music business need to understand and believe that their biggest asset is in fact who they are as a person and the various things that make them great. The music business is complex in that it’s often said to be more of a lifestyle than it is a job. Every day (and sometimes every second), we are reminded of our role within the industry and how it molds our identity and our future. But what about our personal identities and our own long-term goals? Aren’t we more than just the companies we tag in our social bios and the artists we work with and for? Does our love of music get in the way of celebrating the other important parts of our life? Join us for a non-traditional panel as we dive into what it means to be a human being, both in and out of the industry, and try to separate our panelists from their music business identities. The real question: Is that even possible? The pandemic forced us to reflect, adapt, and evolve – how does this topic play into the conversation?


The New State Of Music Fandom

Monday, May 9 • 12:00pm – 12:50pm

As the attention economy surges on and the music creator community multiplies, music fandom is undergoing a transformation. No longer do fans organize around a small legion of superstars hand-selected by major labels. Fandom is now more fragmented than ever, as fans organize into insular, online micro-communities on platforms like TikTok, Discord and Twitch. But thanks to these platforms, music fans are also more engaged, spreading their fandom through memes and UGC and often even co-creating with their favorite artists. At this panel, MIDiA analyst Tatiana Cirisano will present findings from MIDiA’s state of fandom report, set for release in spring 2022, and discuss with panelists how artists can leverage these findings to build more engaged fanbases.


Navigating New Strategies: How A&R, Artist Marketing, & Distribution Come Together in the Age of Streaming 

Monday, May 9 • 2:30pm – 3:20pm

Over the last few years, a seemingly endless list of success routes have been paved for getting great new music out to a global streaming audience. Niche playlists, easy access to distribution, and a world where streaming services are now ubiquitous have made it simple for listeners to experiment with a ton of new music.

Are we finally at the “even playing field” the independent world has dreamed we’d achieve? Whether it be TikTok break-outs totally blowing up, low-fi hip-hop made by unknown beatmakers streaming to a massive yet passive audience of people studying, or a young talent like Bad Bunny blowing past the boundaries of a once ghettoized genre like Reggaeton into the farthest reaches of pop, wherein all of this is an A&R strategy one can actually “plan?”

Further, in this now very boundary-less world, where music from Puerto Rico, Colombia, South Africa, Brazil or South Korea has just as much of a chance as music from London, Miami, or New York in finding a huge audience, how do artist and businesses with no financial backing actually take advantage of all of this opportunity?


Vinyl Projections & Lead Times — OH MY!! 

Tuesday, May 10 • 4:00pm – 4:50pm

This panel will bring to light both the missed opportunities from mis-projections in vinyl manufacturing and will also establish some Best Practices around projections, creating I/O’s and getting it RIGHT…from the beginning. Don’t be “that guy” that losses tons of sales and pisses off fans because your numbers were arbitrary; based on a price break or some other random factor. Sometimes bean counting can really help you out. But it’s not just about the projection the timing is critical, too. Lead times! We don’t just mean manufacturing lead times. We’re talking about pre-books and the critical run-up to release date. We’ll look at the risk and payoff.


Maximizing The Niche: Superfans of Sub-Genres 

Wednesday, May 11 • 9:30am – 10:30am

You don’t have to be from Nashville to know that not all Country fans are the same – and that principle holds across all major genres. So what makes a 90’s Hip-Hop fan different from a Trap fan? And how do you have to adapt your consumer marketing when pivoting from Regional Mexican sub-genres to Reggaeton? Mainstream fans get the most coverage, but it is important to understand the unique characteristics of sub-genre fans to make sure you are reaching the appropriate audience when planning tours, social media, and brand marketing. Join Luminate for a closer look at the unique fans of some of these sub-genres (and more!). We’ll take a look at these fanbases, the sub-genres superfans, and dive deep into their demos, attitudes, behaviors, and — most importantly — how to activate them.


Come Together: Fixing the Data Sharing Problem

Wednesday, May 11 • 12:45pm – 1:35pm

The music industry has long struggled with data sharing, maintaining proprietary silos of information that often do not communicate with each other. While progress has been made with the introduction of new metadata standards and cleaning services, certain pressing issues remain. Often, recording and publishing data are written using different, incompatible standards, and maintaining proprietary information remains a key advantage for many companies. There is a need to bridge these divides to ensure that labels, publishers, PROs, DSPs, and distributors all have access to the most consistent and up-to-date information at all times to ensure rights-holders are appropriately compensated. In this panel, representatives from across the music value chain will discuss the value behind organized and transparent metadata, and how they plan to work together to achieve this goal.


**BONUS PICK**

Building On Borrowed Lands

Monday, May 9, 10AM

HaulixDaily Editor James Shotwell will be hosting Building On Borrowed Lands. 

Remember the day Facebook and Instagram went offline? For several hours, two of the biggest platforms for promotion and information disbursement were nowhere to be found, leaving social media managers, artists, and labels everywhere scrambling. These “borrowed lands” that we’ve come to depend on for engagement were suddenly gone, and nobody knew when—or if—they would return. 

Building On Borrowed Lands will examine the ongoing debate over where artists and their teams focus their community-building efforts. A panel of experts in marketing and publicity will discuss the ever-evolving challenge of reaching people in the digital space, including the best places for engagement, the value of owning your content, and the timeless tips for success that still work today.


What are you waiting for? Click here to register for Music Biz 2022!

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Artist Advice Editorials Industry News News

What Every Artist Can Learn From Papa Roach

With their eleventh studio album due out this month, let’s take a moment to learn from the ongoing success of rock favorites Papa Roach.

2023 will mark thirty years since the birth of Papa Roach. The California rock band has released eleven studio albums, nearly a dozen EPs, and two live records during this time. The group has also toured the world dozens of times, including headlining performances at virtually every rock festival known to man. Nobody can claim Papa Roach hasn’t put in the work to be as reputable as they are today, but we’d argue the band still doesn’t get the recognition or respect they rightfully deserve.

Think about it for a second. How many bands that shot to success around the end of the 1990s can claim they are still going strong in 2022. Sure, many continue to record and perform, but how many are still competing for spots at the top of the sales and radio chart? We’d wager it’s less than ten groups, possibly even less than five, and Papa Roach is—without question—one of them.

In the latest Music Biz update, host James Shotwell takes a look at the career of Papa Roach and how the band has managed to stay relevant while so many of their peers have not. He uses this understanding to develop five keys to success that can easily be applied to any genre of music. From songwriting to engagement, every artist will find something here that can help them grow their career. Check it out:

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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Industry News News

How To Define Your Sound (And Talk About It)

To promote your music, you have to know how to talk about it. Let us help you find the best way to define your sound.

Every artist wants to tell you about their music, but how many can tell you what they sound like? Comparisons to their heroes and influences aside, most musicians stumble when trying to describe their art.

That phenomenon is nothing new, but it is a problem. For most recorded music history, there were only five or six genres. Artists were either rock, pop, country, hip-hop, folk, or jazz. Other genres existed, of course, but most artists were categorized in one of those groups.

Now we live in the digital age. Data is the name of the game. Every person in every platform categorizes virtually everything into little boxes that help them understand what they’re consuming. There are no more rock artists or pop artists. These days, musicians belong to far more specific niche communities. There are glitch pop bands and Japanese hair metal groups. If you spend enough time online, you’ll likely find country metal bands and vocalists who only sing lounge covers of Hungarian rap songs.

Knowing how to talk about your music has never been more important. Whether discussing algorithmic recommendations or developing marketing campaigns for a new release, it all starts with understanding your sound. If you don’t know how to tell others what you’re doing or creating, how can you expect anyone else to do it? You are the base of knowledge for all things related to your music, so you best know how to sell yourself to the uninformed.

In this Music Biz update, host James Shotwell explains the importance of classification in the modern music industry. He discusses how the way we organize music impacts our relationship with it and even offers advice for those unaware of how to define their sound. The key thing to remember is that your art is ever-changing. Your sound will change as you develop, and you need to be aware of those changes to adjust your marketing, branding, etc., to match your artistic evolution.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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Artist Advice Business Advice Editorials Industry News News

The Problem With Facebook Ads [VIDEO]

Social media advertising was once the way of the future, but recent changes have thrown the industry into a tailspin that artists should avoid at all costs.

Everywhere you look, marketers are telling businesses and freelancers that social media advertising is the future. “Use Facebook ads,” they say. “Everyone is on Facebook!” After all, no other ad platform allows harnessing the power of the internet’s best tracking tools to promote the song you wrote in your childhood bedroom.

But if we’re being honest, we all know social media advertising is a lie. Advertising implies that the point of the message is to reach people who are otherwise unaware of your existence. Social media advertising does accomplish that, but its core purpose—at least on Facebook and Instagram—is to charge brands and creators for access to their fans.

Want to reach 100% of your audience without spending a dime? Click here.

On average, a post made from a Facebook page will reach slightly more than 5% of its total following. That percentage does not account for people outside the page’s following who may see the post, which can vary greatly depending on the engagement. If creators wish to reach the other 95%, Meta says you must pay for reach, and that’s the catch-22 that everyone in entertainment has been fighting against for over a decade.

Now, there’s a new monster on the horizon. As Music Biz host James Shotwell explains in this video, Facebook has an Apple problem. Recent updates to Apple’s security features have given users the ability to stop advertisers from tracking them, throwing the Facebook ad algorithm into a tailspin. As the company scrambles for solutions, its stock is plummeting, and anyone still advertising is finding their marketing spend reaches fewer people than ever.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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Artist Advice Business Advice Editorials Industry News News

Get Back On Track With Your 2022 Goals [VIDEO]

With so much going on in 2022, it’s easy to lose focus and fall behind on your goals. Let us help get you back on track in ten minutes or less.

2022 is proving to be a tough year. While the music industry is looking to the future with bright eyes and hopeful hearts, there is no clear recovery path. Many are wondering if they’ll be able to tour this year, while fans are left to ponder whether or not the albums they pre-ordered in 2021 will ever reach their mailbox. Everyone is a little upset, but with nobody specific to blame, the industry feels frustrated.

But I bet you started this year feeling optimistic about the future. After two long years of pandemic delays and setbacks, you entered 2022 with goals and a plan to achieve them. Maybe you even watched our video for tips and tricks to getting ahead. If so, thank you!

Then, somewhere between January 1 and now, you lost your way. Maybe you fell behind on your weekly goals or had a setback in your personal life that demanded your full attention. Whatever the case, where you are now and how you feel about reaching your goals is less than ideal. You may even fear you’ve already spoiled any chance of seeing your dreams comes true.

Fear not! The Music Biz team is here to help. In this video update, host James Shotwell offers advice and support to those who fear falling short of their goals for the new year. You may need to make some adjustments, but there is plenty of time to take your career to the next level in 2022, and we’ll be here to support you every step of the way.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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Artist Advice Industry News News

YouTube Growth Hacks For Musicians [Video]

YouTube can be a powerful force for music discovery and fan engagement, but most artists don’t know how to make the most of it. We can help

Let’s be honest: The music industry is divided on YouTube. The popular video platform is free to use and has spent a full decade being ranked as the best music discovery platform. However, YouTube has also come under fire for underpaying musicians.

A report from 2017 found that a musician hoping to earn minimum wage from YouTube alone would need at least 2.4 million video views per month. That view count is far above the number of streams required to make the minimum wage through Spotify, Apple Music, Amazon Music, or other services.

Another report from January 2022 found that YouTube pays an average of $0.002 per view to musicians. Only two services, Deezer ($0.0011) and Pandora ($0.00133 per stream), pay less.

Still, the music industry needs YouTube. The brand name is synonymous with online video, and everyone looking for video clips will come to YouTube before searching anywhere else. Nobody can deny YouTube’s popularity regardless of how you feel about its policies and royalty rates.

The same can be said for millions of music fans. Listeners will browse YouTube for official streams and videos before turning to other streaming services. To abandon the platform would mean alienating a massive potential audience.

In this Music Biz update, host James Shotwell tells artists to fight YouTube’s system by growing their channel with original, regularly scheduled content. He offers advice to improve your channel, promote your content, develop ideas, and set long-term goals. If you want 2022 to be the year your Youtube following skyrockets, then this video is for you.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.


Need help growing your YouTube channel but cannot access the video above? Don’t worry! Our friends at Hypebot recently published a great article on the same topic.

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Artist Advice Business Advice Editorials Industry News News

Are You Ready For A Music Publicist? [Video]

A great music publicist can make people stop and pay attention to your art, but it can be difficult to get them to care about your career.

Publicists are among the hardest-working people in entertainment. Whether you’re a career musician hoping to make people care again or a new artist trying to capture the world’s attention, great music PR can do wonders for your visibility.

But there is a catch—sort of. Publicists can only work with what you give them, and many artists don’t know what PR needs or wants. Most assume a publicist will tell them what they need, but that isn’t true. If a publicist has to ask for something, you’re already behind.

For example, let’s say you reach out to a publicist inquiring about their interest in working your next release but forget to include the release date, music, or artwork. That publicist then has to make a choice. They can either do some research into who you are, what you make, and when you might be releasing music, or they can skip your message and move on to something more actionable. Every publicist is unique, but you can guess which of those two options is most likely to be chosen.

In this Music Biz update, host James Shotwell shares what publicists are looking for when seeking new clients. He gives you everything you need to make sure publicists open your emails, click the links, and return your calls. If that’s what you’re looking for, then click play, and enjoy! We can’t guarantee results, but we can put you in a position to succeed.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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Editorials Industry News News Recommendations

This Week In Music (January 21, 2022)

From the Weird Al biopic to the most ambitious emo festival ever, we have gathered the biggest stories in music this week.

2022 is barely underway, and the music industry is moving at lightning speed. We have a hard time keeping track of everything happening throughout our business, and we have a good feeling you do as well. After all, who has the time? Between ambitious goal-setting and endless tasks, most professionals barely have time to clear out their inbox, let alone read the latest industry headlines.

We cannot ease your workload or give you more hours in the day, but we can help you stay informed. That is why we are thrilled to introduce This Week In Music, a brand new weekly column highlighting the best and most talked-about stories throughout the music industry. Each Friday, we will post links to various need-to-know articles and information. 

But let’s be honest. There is no way we can hope to cover everything that happens. If you see a headline we missed that people need to know, please do not hesitate to send james@haulix.com an email. We’ll include your links in the next update.


The Biggest Stories of the Week:

REST IN PEACE: Meat Loaf (1947-2022)

Friday morning started out rough with the news that rock vocalist Meat Loaf has died at the age of 74. The singer’s manager, Michael Greene, confirmed Meat Loaf died Thursday night. Sources with knowledge tell TMZ he was supposed to attend a business dinner earlier this week for a show he’s working on—”I’d Do Anything for Love”—but the dinner was canceled because he became seriously ill with COVID. Sources tell the outlet that condition quickly became critical.


Daniel Radcliffe to play ‘Weird Al’ ‘ankovic ‘n biopic Weird: The Al Yankovic Story

Harry Potter star Daniel Radcliffe has signed on to play ‘Weird Al’ ‘Yankovic in a biopic written by the famous parody master. Weird: The Al Yankovic Story will enter production later this year with plans for an exclusive Roku release soon. “When my last movie UHF came out in 1989, I made a solemn vow to my fans that I would release a major motion picture every 33 years, like clockwork. I’m very happy to say we’re on schedule,” Yankovic said in a statement. “And I am absolutely thrilled that Daniel Radcliffe will be portraying me in the film. I have no doubt whatsoever that this is the role future generations will remember him for.” 


Paramore, My Chemical Romance to headline massive When We Were Young Festival in October

The aptly titled When We Were Young festival released its official lineup on Tuesday (January 18), bringing every 2000s emo-pop band to Las Vegas, Nevada, on October 22, 2022. The single-day festival will feature more than 60 bands performing across multiple stages. Emo veterans My Chemical Romance and Paramore will headline. Other nostalgic bands set to take the stage are Bright Eyes, AFI, The Used, Bring Me The Horizon, Boys Like Girls, Avril Lavigne, Taking Back Sunday, Dashboard Confessional, We the Kings, Alkaline Trio, Manchester Orchestra, Dance Gavin Dance, the All-American Rejects, Anberlin, 3OH!3, Atreyu, the Ready Set, Jimmy Eat World, La Dispute, the Wonder Years, Hawthorne Heights, Car Seat Headrest, Wolf Alice and many more.


Bono says he doesn’t like the name of his band U2 and gets ’embarrassed’ listening to their music

During an interview on the Awards Chatter podcast, legendary rock icon and 61-year-old singer Bono said he finds many of U2’s songs cringeworthy, and he now struggles to listen to his vocals. “I’ve been in the car when one of our songs has come on the radio, and I’ve been the color of, as we say in Dublin, scarlet. I’m just so embarrassed,” Bono told the podcast. Later, in the same conversation, he mentioned the band’s early-2000s hit “Vertigo” as one of the few songs in U2’s catalog he enjoys.


GRAMMYS move to April 3, will now take place in Las Vegas

COVID is messing with awards season. The latest victim of Omicron’s continuing havoc is the GRAMMY awards, which were originally scheduled to take place on January 31 in Los Angeles. The awards celebration will now take place at the MGM Grand Garden Arena in Las Vegas on April 3, the Recording Academy has confirmed. The CMT Awards, originally scheduled to air live that night on CBS, will be moved to later. Trevor Noah, host of The Daily Show, will host the event.


The Weeknd’s ‘Dawn FM’ Breaks Billboard Global 200 Record

Don’t let those “blinding lights” fool you. The Weeknd may not have the GRAMMY nominations he rightfully deserves, but he does have the biggest album of 2022. Dawn FM has been out less than a month, but the eclectic record is already outperforming its competition. The album continues to be at the top of the charts across the globe, including The Weeknd’s home country Canada, U.K. Australia, Ireland, Sweden, and Switzerland. The album debuted at No. 1 on Apple Music U.S. and in 125 countries and is also No. 1 on Spotify U.S. and Globally. The Dawn FM tracks positioned in the Global 200 list include “Sacrifice” which holds the No. 2 spot, “Take My Breath,” “Gasoline,” “Out of Time,” “Is There Someone Else?” and “How Do I Make You Love Me?.” The “Save Your Tears” remix assisted by Ariana Grande from his 2020 album After Hours is also on the list. According to Billboard, only one other artist has ever had more Global 200 entries in a single week, making The Weeknd just behind the country-pop artist, Taylor Swift. Kanye West trails The Weeknd with 23, followed by fellow Torontonian Drake at 22 and 21 songs on Global 200.


TikTok is falling in love with one of Celine Dion’s biggest hits

There is nothing TikTok users love more than a sound with endless possibilities. The insanely popular video-sharing platform has made a habit of resurrecting forgotten radio hits to amuse young audiences, and the latest trend is no different. As you can see below, people are using the bridge to “It’s All Coming Back To Me” to live out their wildest performance fantasies. While Celine gives the track her all, TikTok users return the energy with wildly creative lip-syncing efforts. Check it out:


Dr. Dre, Snoop Dogg, Eminem, Kendrick Lamar, Mary J. Blige Featured In Blowout Super Bowl Halftime Trailer

The biggest game of the year is right around the corner, and it boasts one of the most exciting Halftime shows in recent memory. The program itself remains a mystery, but fans can expect to hear some of the biggest pop songs in history performed on the world’s largest stage. This year, taking the mic will be none other than Dr. Dre, Snoop Dogg, Eminem, Kendrick Lamar, and Mary J. Blige. We doubt you need another reason to watch, but if you do, check this out:


Song of the week: Undeath – “Rise From The Grave”

Our friends at Prosthetic Records know how to find the best cutting-edge metal bands on the planet. Their decision to sign Undeath a few years back signaled the start of a death metal revolution in the U.S. We can think of no other heavy band that has undergone the growth or sonic evolution that Undeath has experienced in the last two years. “Rise From The Grave,” the lead single off the group’s upcoming second album, showcases how far they’ve come with brutal instrumentation and guttural vocals. If you like what you hear, please consider preordering the record.

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