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Spotify, Amazon, and more sue songwriters to prevent royalty rates from rising

Four of the largest music streaming services are appealing a ruling that promises to raise mechanical royalty rates by 44% over the next five years.

How much is a song worth? According to most streaming services, the answer is roughly $0.003 per stream. A new ruling from the Copyright Royalty Board (CRB) aims to raise that value to $0.004 per stream, but Amazon, Spotify, Pandora, and Google disagree.

The four streaming giants are appealing the ruling that hopes to raise mechanical royalty rates by 44% over the next five years. Spotify, Amazon, Google, and Pandora have each filed separate appeals, with Apple the only major streaming player choosing to abstain.

The four companies also released a joint statement detailing their decision, which reads, “The Copyright Royalty Board (CRB), in a split decision, recently issued the U.S. mechanical statutory rates in a manner that raises serious procedural and substantive concerns. If left to stand, the CRB’s decision harms both music licensees and copyright owners. Accordingly, we are asking the U.S. Court of Appeals for the D.C. Circuit to review the decision.”

In a statement released today, March 7, the National Music Publishers Association (NMPA) said that a “huge victory for songwriters is now in jeopardy” due to the streaming services’ filings.

NMPA President & CEO David Israelite commented:

“When the Music Modernization Act became law, there was hope it signaled a new day of improved relations between digital music services and songwriters.

That hope was snuffed out today when Spotify and Amazon decided to sue songwriters in a shameful attempt to cut their payments by nearly one-third.

The Copyright Royalty Board (CRB) spent two years reading thousands of pages of briefs and hearing from dozens of witnesses while both sides spent tens of millions of dollars on attorneys arguing over the worth of songs to the giant technology companies who run streaming services.

The CRB’s final determination gave songwriters only their second meaningful rate increase in 110 years. Instead of accepting the CRB’s decision which still values songs less than their fair market value, Spotify and Amazon have declared war on the songwriting community by appealing that decision.”

“When the Music Modernization Act became law, there was hope it signaled a new day of improved relations between digital music services and songwriters. That hope was snuffed out today when Spotify and Amazon decided to sue songwriters in a shameful attempt to cut their payments by nearly one-third.

The Copyright Royalty Board (CRB) spent two years reading thousands of pages of briefs and hearing from dozens of witnesses while both sides spent tens of millions of dollars on attorneys arguing over the worth of songs to the giant technology companies who run streaming services. The CRB’s final determination gave songwriters only their second meaningful rate increase in 110 years. Instead of accepting the CRB’s decision which still values songs less than their fair market value, Spotify and Amazon have declared war on the songwriting community by appealing that decision.

No amount of insincere and hollow public relations gestures such as throwing parties or buying billboards of congratulations or naming songwriters “geniuses” can hide the fact that these big tech bullies do not respect or value the songwriters who make their businesses possible.

We thank Apple Music for accepting the CRB decision and continuing its practice of being a friend to songwriters.  While Spotify and Amazon surely hope this will play out in a quiet appellate courtroom, every songwriter and every fan of music should stand up and take notice. We will fight with every available resource to protect the CRB’s decision.”


Nashville Songwriters Association International (NSAI) Executive Director Bart Herbison also responded to the companies’ decision, saying:

“It is unfortunate that Amazon and Spotify decided to file an appeal on the CRB’s decision to pay American songwriters higher digital mechanical royalties. Many songwriters have found it difficult to stay in the profession in the era of streaming music. You cannot feed a family when you earn hundreds of dollars for millions of streams.

Spotify specifically continues to try and depress royalties to songwriters around the globe as illustrated by their recent moves in India. Trying to work together as partners toward a robust future in the digital music era is difficult when any streaming company fails to recognize the value of a songwriter’s contribution to their business.”

If the ruling holds, the 44% increase will be only the second substantial increase to mechanical royalty rates to pass in the last 110-years.

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Inside Music Podcast #53 – Evan Couture (Avion Roe)

On this episode of INSIDE MUSIC, host James Shotwell calls Evan Couture, vocalist for Avion Roe, to discuss the reality of being a newly signed band in 2015. Avion Roe has been building a fervent cult following since the release of their first record in 2011, but with the aide of Epitaph the band is now poised to be bigger than ever. Together, James and Evan discuss the history of Avion Roe, as well as how life has changed since the band signed their deal.

The music you hear in this episode is “Sing Me To Sleep” by Avion Roe. The song is available now on iTunes.

You may already know this, but ‘Inside Music’ is now available on iTunes! Click here to subscribe.

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New Music Tuesday: High On Fire & The Ongoing Concept

Now that the Haulix blog has reached two years of existence we at HQ felt the time had come to add a few fresh ideas to the blog. We love helping writers, artists, and aspiring professionals, but we also love to talk about the amazing clients we work with and the incredible releases they put out week after week. Our Music Monday series has given us a chance to experiment with discussing the music we love to play around the office, and now we’re taking those efforts one step further with New Music Tuesday (soon to be New Music Friday). We know it would take far too long to highlight every client’s new release each week, so we’re going to choose a few select titles each week that we feel everyone should support. These are albums we will be buying ourselves, and we hope at the very least you give them a proper spin before deciding to purchase something else. James may write the column, but everyone at Haulix will have a say in who gets chosen.


High On Fire – Luminiferous (CD/LP, Digital, Stream)

With six solid or even great albums already under their belt, High On Fire have nothing left to prove with their new record, Luminiferous. Still, the California natives do their best to raise the bar for all modern heavy metal bands around the world with this nine-track opus. We have probably spent a month spinning the album on a near daily basis, and there are still times where we have to push back from our monitors, look to the stereo in disbelief, and quietly utter words like “wow” or “holy shit” while certain tracks play. “Carcosa,” for example, sounds like the soundtrack to a road trip through the same barren, war torn futuristic land where the latest Mad Max film took place. It pummels you into a state of metal-induced awe, and that’s before you realize it’s only the second track on the album. There’s nearly another hour to go, and it only gets better from there.


The Ongoing Concept – Handmade (CD, Digital, Stream)

If you listen to our podcast, Inside Music, then you already know that The Ongoing Concept went above and beyond the call of DIY rock when they decided to begin work on their new album Handmade. The band literally built their instruments from scratch, and by scratch I mean a tree they themselves cut down. They built their instruments, wrote an incredible follow-up to their critically-acclaimed debut, and then began making videos on their own to promote the record. One might think these added responsibilities distracted the group from focusing on the quality of their material, but that could not be further from the truth. Handmade swings from anthemic rock tracks, to emotionally-devastating moments of alternative beauty, and back again with seamless perfection. I have no idea why Saloon did not put them on everyone’s radar, but it seems hard to believe anyone will be able to ignore the awesome power of this record. Do not sleep on it.


James Shotwell is the Marketing Coordinator for Haulix. He is also a professional entertainment critic, covering both film and music, as well as the co-founder of Antique Records. Feel free to tell him you love or hate the article above by connecting with him onTwitter. Bonus points if you introduce yourself by sharing your favorite Simpsons character.

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Spend Some Time With The Score For ‘The Grand Budapest Hotel’

The Oscars were last night, but we assume since you have any interest at all in the internet that you already knew that. The three-hour (plus) event was unlike any award show in recent memory, both in length and attention for film’s that embrace the power of music to move people as much as they do moving pictures. 

One of the biggest winners of the night was The Grand Budapest Hotel, Wes Anderson’s latest coming of age tale. Composer Alexandre Desplat won his first Oscar ever for the film’s brilliant and thrilling score, which you can now stream below:

We obviously don’t have the pull to lock down a last minute interview with Desplat, but we felt it was important to share this film’s score with all of you today. Whether you have paid to journey to The Grand Budapest Hotel yourself, or you watched last night’s ceremony wondering who Wes Anderson was, there is something whimsical in this soundtrack everyone can appreciate. 

Many composers try to craft music to match exactly what is happening on screen, but Desplat has carved his own path by creating unique sonic landscapes that serve as compliments to what is happening on screen. It’s an approach the plays well with the often fairy tale like appearance of Anderson’s movies, tying everything together without ever seeming like something a major studio could (or would ever think to) produce.

You can see and hear examples of how his music compliments the scene rather than responding in any direct manner:

The music sets a tone of intrigue almost immediately, but it doesn’t spike or necessary react to the dialogue being delivered. When M. Gustave (Ralph Fiennes) cracks his joke, however, the music drops out. It returns along with intrigue, and you continue to be engaged without feeling lead to any false or overblown conclusions.

Whether you’re watching the film or just enjoying the soundtrack, there is an atmosphere of spontaneity to the entire proceeding that breathes a bit of life into every occasion. If the Monday grind gets you down, maybe this score will be the cure for the work day blues. 

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Inside Music Podcast #7 – Chris Farren (Fake Problems / Antarctigo Vespucci)

I think we have finally reached a point where we can confidently say that we will release a new episode of our podcast 2-4 times every month. It would be great if we could guarantee every single week, but right now we don’t want to commit to more than we know we can complete. If you keep listening, we will keep recording, and in time there will be more hours of conversation than we know how to properly handle. That’s what we call a ‘good problem,’ and we welcome it with open arms.

This blog exists to promote the future of the entertainment industry, and to do that we need input from people like you and your entertainment-loving friends. If you have any questions about the content in this article, or if you have an artist you would like to see featured on this blog, please contact james@haulix.com. We can also be found on Twitter and Facebook.

The latest episode of Inside Music features very special guest Chris Farren, founding member of the Florida based punk outfit Fake Problems, co-founder of Antarctigo Vespucci, and someone my mom knows best for creating funny t-shirts. Chris has been a prominent member of the music scene since the mid-2000s, and in this interview he tells us about finding his footing in music, starting his bands, preparing to tour with Koji, the potential for a future solo album, and much, much more.

I’ve been familiar with Chris’ work for many years, but for whatever reason our paths never crossed until we connected over Skype to complete this interview. I walked away with a better understanding of what drives Chris to work as hard as he does, as well as a strong sense of excitement for the numerous plans he has for the future.

The music you hear at the beginning of this episode is take from “Don’t Die In Yr Hometown” by Antarctigo Vespucci.

If you would like to connect with Chris and learn more about his adventures in music, please make it a point to follow him on Twitter.

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Inside Music Podcast #6 – Dave Mackinder (Fireworks/Tea & Water)

We have spent the past two months figuring out the world of podcasting, and I think we may have finally found our groove. After recording the episode you are about to enjoy I called my mom and told her I finally understood how this whole digital radio thing was supposed to work, at least for me and what I wanted to accomplish. She was proud, but she also wanted me to explain the concept of a podcast at length. I guess Will Smith said it best, parents just don’t understand.

This blog exists to promote the future of the music industry, and to do that we need input from people like you and your music-loving friends. If you have any questions about the content in this article, or if you have an artist you would like to see featured on this blog, please contact james@haulix.com. We can also be found on Twitter and Facebook.

The latest episode of Inside Music features very special guest Dave Mackinder, vocalist for the Michigan based band Fireworks. Dave and his band have been staples of the alternative music scene for nearly a decade at this point, and later this month they will hit the road once again as they embark on the Glamour Kills tour as support for New Found Glory and We Are The In Crowd. Mackinder also has a new side project, Tea & Water, which just released its debut EP last week. We talk about all this and more, including how he and other musicians make money when not touring or recording.

I’ve been a fan of Dave and his work in music for as long as I’ve known of Fireworks’ existence, so I knew we were going to record something special when the two of agreed to create this episode. As I sit and reflect on our chat now I realize that I’ve come to respect Dave and his creations in a whole new light, which I also hope you are able to take away from your listening experience.

The music you hear at the beginning of this episode is take from “Change Your Mind” by Dave’s side project Tea & Water. Their debut EP is available now through Bandcamp.

If you would like to connect with Dave and learn more about his adventures in music, please make it a point to follow him on Twitter. Fireworks’ latest album, Oh, Common Life, is available now wherever music is sold.

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Inside Music Podcast #4 – James Cassar (Modern Vinyl)

It’s back! We told you last month that our hiatus from podcasting had come to a close, and as proof we’ve returned exactly fourteen days days later with our fourth episode ready to be shared across the world wide web. We know a lot of you have asked about getting this show on iTunes, and we promise that is on our immediate to-do list. For now, you can stream and download this show, as well as the rest of the Inside Music series, on Soundcloud

On this week’s episode, author and Modern Vinyl contributor James Cassar joins us for a conversation on life, love, and the pursuit of writing. James and I have been digital friends for a little over a year at this point, but the recording of this podcast was the first time we had actually had a real conversation with each other. You can tell we’re still trying to figure the other one out in a way, but in the end laughs are had and great stories are shared.

I told James this a bit when we were recording the show, but he is one of the few online writers I make it a point to read on a regular basis. His insight into music, as well as his sense of wordplay, are second to none in this industry. The best part of all is that he’s very much still getting started, which means he likely has many big, brilliant accomplishments on the horizon. To have him on the show is an honor, and I hope you enjoy our conversation.

Our plan is to release a new podcast every week from here on out, and we already have another episode 90% complete. We hope you have as much fun listening to this show as much as we did making it. I know we’re not on the iTunes store just yet, but we will be by the end of the month!

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Inside Music Podcast #2 – Zack Zarrillo (PropertyOfZack)

After a little more than a month away it gives us great pleasure to reintroduce the Inside Music podcast. We learned a great deal from our first episode, including the necessity of high quality microphones, and have made several efforts to improve our production for this latest offering. If you have any ideas for how we can improve our efforts further, please reach out on Twitter.

This week’s episode features guest Zack Zarrillo, otherwise known as the founder of PropertyOfZack.com and co-founder of Bad Timing Records. Zack has been a fixture in the pop punk scene for the last several years, and though he’s only 21 he has already managed to carve a unique niche for himself in this business that has opened more doors than I am able to count. Our conversation revolves mostly around Zack’s efforts in writing, as well as his plans for future, but we do dive into his other projects and the problems that arise when someone takes on as much as he has in the past year. I’m really happy with the result, and I think those that listen to the full recording will learn to see Zack in a new way as a result.

The music you hear at the beginning of this episode is take from “That One Limp Bizkit Song” by California folk punk outfit Sledding With Tigers. Their debut album, A Necessary Bummer, is available now through Antique Records.

Our plan is to release a new podcast every week from here on out, and we already have another episode 90% complete. We hope you have as much fun listening to this show as much as we did making it. I know we’re not on the iTunes store just yet, but we will update you on that front soon. For now, let’s get to the show:

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