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Haulix Industry News News

The SRO PR Team Appears On Haulix LIVE! October 15

Celebrating twenty-five years of music publicity, the SRO PR team is taking over our next Haulix LIVE! with a conversation that you won’t want to miss.

If there is anything to learn from the age of COVID-19, aside from the need for personal hygiene, it is the importance of connection. Human beings are not meant to live in isolation. We need relationships as much as we need air in our lungs and water in our cups. Friendships are the key to everything, including happiness and success, which explains why these long periods without human interaction are so tricky. Haulix LIVE! is not a perfect solution, but it has the potential to keep us connected until life as we knew it resumes.

Join us on Thursday, October 15, at 2 PM EST for a free PR roundtable with three SRO PR Team members. Representing the company will be founding partners Mitch Schneider and Marcee Rondan, along with publicist Kelly Walsh. The event will cover the state of music PR today, emerging trends in music publicity, and advice for people hoping to work in the field. We will also discuss SRO’s long-running legacy in entertainment and how they continue to adapt to the ever-changing music business. Viewers will also have an opportunity to ask our guests questions.

The event is free, but attendees must register in advance to ask questions. Click here to RSVP TODAY!

About our panelists:

In the mid to late ‘70s in his native Bronx, New York, Mitch Schneider was a freelance journalist for Rolling Stone, Crawdaddy, Circus, Hit Parader and Good Times, the latter of which he also edited. He moved to Los Angeles in 1979 to become a music publicist for the entertainment PR firm, Solters/Roskin/Friedman. In 1982 he left the company to return to freelance writing; his work appeared in LA Weekly and BAM, plus The Rolling Stone Encyclopedia of Rock & Roll. He subsequently joined Michael Levine Public Relations in 1983, becoming a partner in 1988 when the company became known as Levine/Schneider PR. In 1995, Schneider formed The Mitch Schneider Organization (MSO), an acclaimed PR company. In 2020, the company became known as the Schneider Rondan Organization (SRO) to reflect the new partnership with Marcee Rondan, a longtime associate who was EVP of MSO. With offices in Los Angeles, Nashville and Las Vegas, SRO handles music, culture and lifestyle projects with an artist roster encompassing the genres of rock, country, Americana and pop. Ithas been hailed as a “bonafide taste maker” (L.A. Weekly, 2010) and by Music Connection (May 2019) as “one of the world’s premier public relations firms… [the] roster is eclectic and encompassing. It includes various styles and genres, superstars, musical legends, festivals, award shows and emerging artists. That diversity enables MSO to obtain coverage in multiple outlets and mediums, from underground to mainstream.”


SRO partner Marcee Rondan joined forces with Mitch Schneider as an intern at Levine/Schneider Public Relations after completing her education at the University of California at Irvine (where she studied Comparative Literature), and U.C.L.A. where she earned an additional public relations certification.  In her time at the company (which branched off to MSO in 1995), Marcee first served as a publicist, before becoming a Vice President in 1997, a Senior Vice President in 2000 and Executive Vice President in May 2014. 

Throughout her career, Marcee has worked with leading recording artists (Ozzy Osbourne, Heart, Aerosmith, Zappa Family Trust), festivals (Made In America, Coachella and Stagecoach, Voodoo Music+Arts Experience) and brands/venues (Vans U.S. Open of Surfing, Club Nokia, Hard Rock Cafe International).

Marcee gathers inspiration from every medium of pop culture: the latest books, fashion (including the search for the perfect handbag) and decorating trends, along with capturing images of daily life (with her trusty iPhone camera and lenses) for social media.  As for the music, it’s really all about the next great song, “I’m in love/What’s that song?/I’m in love with that song.”


Kelly Walsh began at SRO‘s Los Angeles headquarters in 2018 as National and Tour Publicist bringing a refreshed edge to the company. Walsh was promoted to Account Executive in 2019 where she has handled a diverse roster of clients including In Hearts Wake, The Black Moods, Wardruna, Hilltop  Hoods, Manda Mosher,  Rusty Eye, Jeremy Squires, Jason Charles Miller and Oddities Flea Market as well as working hand-in-hand with SRO Partners Marcee Rondan and Mitch Schneider on Godsmack, Tash Sultana and events including the launch of Mike Tyson‘s Kind Music Festival and on Dave Navarro and Billy Morrison’s Above Ground benefit concert. Walsh also works directly alongside Schneider on The HU, 3 Doors Down, The Verve Pipe and companies including Single Music and Global Live Media.

Walsh‘s career in the entertainment industry has spanned almost a decade including handling publicity in-house at record labels, such as Century Media Records and Prosthetic Records, in addition to working independently and with boutique firms. She has worked national campaigns for a diverse range of artists including Marty Friedman, Arch Enemy, Animals As Leader, Skeletonwitch, Body Count and Scale The Summit, and events such as Chris Hardwick‘s Id10t Music Festival And Comic Con-ival and ALT 98.7’s Big Adventure Festival.


Don’t wait! RSVP Today!

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Haulix Industry News News

Big Picture Media Takes Over Haulix LIVE! On September 17

Some of our favorite people on the planet are taking over Haulix LIVE! later this month for an exciting (and free) music publicity panel.

If there is anything to learn from the age of COVID-19, aside from the need for personal hygiene, it is the importance of connection. Human beings are not meant to live in isolation. We need relationships as much as we need air in our lungs and water in our cups. Friendships are the key to everything, including happiness and success, which explains why these long periods without human interaction are so tricky. Haulix LIVE! is not a perfect solution, but it has the potential to keep us connected until life as we knew it resumes.

Join us on Thursday, September 17, at 2 PM EST for a free PR roundtable with three members of the Big Picture Media Team. Representing the company will be founder Dayna Ghiraldi-Travers, along with publicists Kirsten Horner and Natalie Schaffer. The event will cover the state of music PR today, emerging trends in music publicity, and advice for people hoping to work in the field. Viewers will also have an opportunity to ask our guests questions.

The event is free, but attendees must register in advance to ask questions. Click here to RSVP TODAY!

About our panelists:

Big Picture Media Founder and Director of Publicity Dayna Ghiraldi-Travers launched the full-service entertainment Public Relations firm in 2007 in New York City. The boutique agency boasts an all-female staff of publicists that continue to be trailblazers in the entertainment PR industry. 

Her award-winning firm has represented hundreds of diverse artists like Sum 41, American Authors, Switchfoot, The Used, All Time Low, Kansas, Naughty by Nature, New Found Glory, The Eagles, Matisyahu, Peter Gabriel, Thrice, lil aaron, Yanni, Travis Mills, and Sheppard.  Additional household name clients include film composers like John Williams and Hans Zimmer as well as companies like Hopeless Records, Emo Nite LA, Pure Noise Records, To Write Love on Her Arms, The Village Voice, and more. BPM handles all publicity for the City Parks Foundation SummerStage series, Strange 80s annual events, The New York, San Francisco & Los Angeles Coffee Festivals, 320 Festival with Talinda Bennington, The Bushwick Film Festival, and more. Dayna’s core vision is the backbone of a company dedicated to the client in all capacities.

Dayna has spoken on panels and participated in the mentorship program at SXSW, Sundance Film Festival and the New York Independent Film Festival. She has also held speaking engagements at NYU, Belmont, LIU, Drexel and more to inspire the next generation of entertainment industry hopefuls. 

Dayna has also produced an award winning horror film, several music videos and is in pre-production on her next feature film project. Most recently Dayna joined the Board of Advisors for Immersia Labs, venturing into the Cannabis/Tech space. 

Her energy is contagious, her ideas are boundless and she never stops pushing herself while supporting and encouraging all of those around her. 


New York City-based publicist, Kirsten Horner, emerged into the world of beauty after graduating from the Fashion Institute of Technology and getting her start in PR at BPCM where she assisted on a number of beauty brands. In 2017, Kirsten pivoted her focus and transitioned to the music and entertainment industry, where he true passions lie. Over the past few years, she has spearheaded press campaigns for acts such as Spanish Love Songs, Violent Soho, Rotting Out, The Stolen, as well as events such as the brand new 320 Festival, the Los Angeles Coffee Festival, the Vinho Verde Wine Experience, and more. 


Southern California native, Natalie Schaffer, got her start working for Hopeless Records right out of college where she focused on marketing, social media and in house PR for the label and bands on their roster. Now at almost 7 years with Big Picture Media, she continues to work with Hopeless Records daily, as well as working with labels such as Pure Noise Records, SideOneDummy Records, Equal Vision Records, Tooth & Nail Records, No Sleep Records and much more. Aside from music, she’s successfully spearheaded press campaigns for the 2019 San Francisco Coffee Festival, the re-release of John Carpenter’s Halloween and Wayne’s World into theaters to celebrate milestone anniversaries, the hilarious, satire site The Hard Times and so much more. She’s gotten to work with her absolute favorite bands and for that she is incredibly thankful. 


RSVP TODAY SO YOU DON’T MISS THIS ONE-TIME EVENT

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Haulix News Podcasts

Production Begins on High Notes Season 2

Less than two months after the launch of season one, Haulix has an exciting announcement to share regarding the future of High Notes.

Haulix.com began production today, September 3, on the second season of its critically-acclaimed podcast, High Notes. The show, which explores addiction and recovery in the music business, is produced in partnership with heartsupport and The Global Recovery Initiatives Foundation. No release date was given, but the show is expected to return in December 2020.

“We believe that it’s time for the music industry to de-stigmatize addiction and mental health struggles,” host and series creator James Shotwell says. “We’ve lost too many people in music whose struggles with addiction were either ignored or downplayed for the sake of not making others uncomfortable. Our goal with this series is to help people take the first steps toward leading better, healthier lives, by bringing those topics to light using examples from the musicians they listen to.”

The first season of High Notes premiered on July 28. The eight-episode season featured Brian “Head” Welch of KoRn, Tommy Vext of Bad Wolves, Bert McCracken of The Used, Anthony Green of Circa Survive, Haley Butters of Absinthe Father, Nick Martin of Sleeping With Sirens, Ronnie Winter of The Red Jumpsuit Apparatus, and Justin Furstenfeld of Blue October. Each episode delves into a different guest’s journey to sobriety and the role the music business played in helping (or hurting) their recovery.

“It’s hard to express how we feel about the response to season one,” Shotwell adds. “Rarely does a day go by without someone from some part of the world reaching out to share how the show has impacted their lives and given them hope. Our goal is continue to provide inspiration through season two, and we’re doing everything in our power to make these episodes great.”

Joining the High Notes team for season two is award-winning radio personality and industry veteran Laura Haggard, who will serve as a programming consultant for the series moving forward. Shotwell says, “Laura is very supportive of our work. She was present throughout production on season one, but we are excited to see her take on a more involved role with the new episodes. We couldn’t be more excited to have someone with her talent and ear for entertainment on board.”

High Notes released a special audio announcement to subscribers earlier today. Listen below:

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Haulix Industry News News

Haulix LIVE! Returns Thursday, August 20, with a Free Music PR Panel

The Haulix LIVE! panel series continues this month with an in-depth conversation featuring three of music’s leading publicists.

If there is anything to learn from the age of COVID-19, aside from the need for personal hygiene, it is the importance of connection. Human beings are not meant to live in isolation. We need relationships as much as we need air in our lungs and water in our cups. Friendships are the key to everything, including happiness and success, which explains why these long periods without human interaction are so tricky.

With that in mind, Haulix LIVE! is here to fill a void in the entertainment business. Twice a month, Haulix brings together the greatest minds in music publicity and promotion to share their knowledge with anyone hoping to hear it. These events are 100% free, and they are open to everyone.

Join us on Thursday, August 20, at 2PM EST for a free PR roundtable with special guests Jesea Lee (High Road Publicity), Jon Asher (Asher Media Relations), and Rey Roldan (Reybee Inc). The event will cover the state of music PR today, emerging trends in music publicity, and advice for people hoping to work in the field. Viewers will also have an opportunity to ask our guests questions. Click here to register.

About the panelists:

Jesea Lee, a man who hails from the birthplace of Rock n’ Roll where the river was hot, but the beer is cold, is the co-owner and Head Publicist at High Road Publicity. Lee fell in love with music at a young age, starting his first band before he could even play an instrument. Applying that “dive headfirst” attitude to the business side of music, Lee was hired as a PR intern at Tragic Hero Records which quickly led to him becoming the director of publicity at Tragic Hero, Sun Pedal Recordings, and Revival Recordings. At the beginning of 2015, the newly-formed company High Road Publicity launched with Lee at the helm. Since then, he’s worked with many talented and burgeoning artists, making meaningful impacts to their careers.


Jon Asher, known for being a regular fixture on the Montreal music scene, founded ASHER MEDIA RELATIONS in September 2007 to aid bands and labels in celebrating their headbanging tunes to the world. A musician himself, and a McGill University graduate in public relations, Jon had his epiphany – to help out the struggling artists and help them gain the attention they need to support their music. He has worked with a number of independent and established artists such as Annihilator, Gene Hoglan (Testament, Death, SYL, Fear Factory), Quo Vadis, Fuck The Facts, Striker, Psychostick, Necronomicon, Helion Prime, Hibria, Mutank, Anonymus, Sons of Butcher, Kill Devil Hill ft. Rex Brown (Pantera) + Vinny Appice (DIO, Black Sabbath)), Drum Wars (Vinny Appice vs. Carmine Appice), Nephelium, Ninjaspy, Scythia, All Else Fails, Auroch, Planet Eater, Vesperia, Rockshots Records, Wacken Metal Battle Canada/USA, Armstrong Metal Fest, Loud As Hell MetalFest, Calgary Metalfest, Metalocalypstick Fest, Decimate Metal Fest, Le FestEvil, Obscene Extreme America Fest and many more. He has also guest lectured at McGill University on Music Publicity for the public relations program plus has spoken on panels for Alberta Music (Calgary), Indie Week (Toronto), Noctis Fest (Calgary), Halifax Pop Explosion, and mentoring sessions at SXSW (Austin, TX).  


Rey Roldan is a veteran of the music industry, both as a publicist and journalist at I.R.S. Records, Mammoth Records, Grass / Wind-up Records, Jive /Silvertone/Zomba Recordings, KSA Public Relations and Island Def Jam, for over two decades. He’s also the founder of Reybee, Inc. (est. 2004).  Throughout his career, he has been involved with musicians and artists from practically every facet of the entertainment business including music, film, books, television and plays. He has spearheaded campaigns for artists including Britney Spears, Brooks & Dunn, Duran Duran, director Baz Luhrmann, Backstreet Boys, Sting, Hootie & the Blowfish, Hanson, Dresden Dolls, A Tribe Called Quest, as well as the films Bridget Jones’ Diary, Grammy winner Crouching Tiger, Hidden Dragon, O Brother Where Art Thou? He has also helped launch record labels including Lost Highway, Jive Electro, and Planet Dog. If that’s not enough, he’s also currently a staff writer at American Songwriter Magazine.

Don’t miss your chance to interact with these amazing publicists. Click here to register TODAY!

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Haulix Industry News News

High Notes, our music recovery podcast, is out now

The eight-episode first season of High Notes features members of KoRn, Bad Wolves, Blue October, The Used, and more talking about their journey to sobriety.

Today – Tuesday, July 28 – Haulix.com, in partnership with Heartsupport and the Global Recovery Initiatives Foundation, has released HIGH NOTES, a podcast about addiction and recovery in the music industry. The full 8-episode first season debuts today on all podcast platforms. Listen now: https://linktr.ee/highnotes

“We believe that it’s time for the music industry to de-stigmatize addiction and mental health struggles,” host and series creator James Shotwell says. “We’ve lost too many people in music whose struggles with addiction were either ignored or downplayed for the sake of not making others uncomfortable. Our goal with this series is to help people take the first steps toward leading better, healthier lives, by bringing those topics to light using examples from the musicians they listen to.”

The first season of HIGH NOTES features exclusive, in-depth conversations with rock and alternative musicians in various stages of recovery. Guests include Brian “Head” Welch of KoRn, Tommy Vext of Bad Wolves, Bert McCracken of The Used, Anthony Green of Circa Survive, Haley Butters of Absinthe Father, Nick Martin of Sleeping With Sirens, Ronnie Winter of The Red Jumpsuit Apparatus, and Justin Furstenfeld of Blue October. Each episode delves into a different guest’s journey to sobriety and the role the music business played in helping (or hurting) their recovery.

“The conversations we have on HIGH NOTES can be tough to hear at times,” Shotwell adds, “but there is a lot of hope to be found as well. Our guests have overcome incredible odds to be where they are today, both as musicians and former addicts, and we hope listeners discover that they too possess the strength to make a positive change in their lives.”

HIGH NOTES’ entire first season is available starting today, July 28. https://linktr.ee/highnotes.

ABOUT HAULIX:

Haulix.com is the music industry’s leading digital promotional distribution platform. Hundreds of record labels, publicists, and independent artists use Haulix every month to share their new and unreleased music with members of the media on the company’s secure, customizable service.

ABOUT HEARTSUPPORT:

Late one night, Jake Luhrs sat outside the Chicago House of Blues Stories of addiction, depression, self-harm, heartache, war, fear, and hopelessness echoed in his mind. Every night, a fan would share a different story. Although Jake was the well-recognized frontman of August Burns Red, he was at a loss for how to help. He wasn’t a mental health specialist and he screamed into a mic for a living. Not exactly the picture of expertise his fans needed. Deep in thought and prayer, all Jake knew was that something had to change

.Every year we help men and women brave their wounds, find purpose, and discover healing. Our goal is to create a legacy of life-transformation, freeing them from suicide, addiction, abuse, and mental health issues while empowering them with the realization they are loved unconditionally and supported by a community that believes in them. We do this by creating a safe space where people can come as they are and explore healing and providing resources. 


What we do: We provide a community space where people can find healing. One way we do this is through our support wall where people can share what they are going through and receive support and encouragement at forum.heartsupport.com . In addition we have self-help workbooks geered towards people who are struggling with self-harm and depression as well as an online anxiety course. Lastly, we stream on twitch 5 days a week to provide support and have dozens of YouTube videos with your favorite metal bands where guys like Ricky Motionless, Garrett Russell, and Matty Mullins open up about their experiences to remind you, you’re never alone. 

ABOUT THE GLOBAL RECOVERY INITIATIVES:

The Global Recovery Initiatives Foundation (GRI) is the first and only national community foundation dedicated to building a philanthropic source of funding for organizations to expand their capacity to provide people with SUD recovery support services. 

GRI supports organizations using evidence-based programs that have demonstrated success in:

  • Engagement of philanthropy leaders to invest in recovery focused non profit initiatives 
  • Reducing the stigma around substance use disorders, and recovery.
  • Deploy public, private and pop culture resources to strengthen the field of recovery.

For more information visit: https://globalrecoveryinitiatives.org/

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Haulix News

Haulix LIVE! Returns This Thursday, July 30, With A Free PR Panel

The Haulix LIVE! panel series continues this week with an in-depth conversation featuring three of the music industry’s leading publicists.

With Coronavirus making music conferences and festivals impossible, Haulix LIVE! is here to fill a void in the entertainment business. Twice a month, Haulix brings together the greatest minds in music publicity and promotion to share their knowledge with anyone hoping to hear it. These events are 100% free, and they are open to everyone.

Join us on Thursday, July 30, at 2PM EST for a free PR roundtable with special guests Cait McMahon (Scorpion LTD), Curran Reynolds (The Chain), and Curtis Dewar (Dewar PR). The event will cover the state of music PR today, emerging trends in music publicity, and advice for people hoping to work in the field. Viewers will also have an opportunity to ask our guests questions. Click here to register.

About our panelists:

For nine years, lead publicist and co-owner of SCORPION Cait McMahon has refused to back down. Starting as a low-key music blogger in college, McMahon graduated with a degree in Communications and International Public Relations which ultimately let her to explore entertainment PR and digital marketing. Although she began with little to no professional advice from a hard-to-permeate industry, giving up has never been a part of her genetic makeup, thus creating a firey and determined industry leader. After meeting Jason Duarté, a longtime music authority from Philadelphia, on a shared job that left them both unfulfilled, the duo hard launched entertainment public relations and digital marketing firm SCORPION LTD in November of 2019. SCORPION has worked on film projects such as blockbuster Knives Out! and Netflix Original Documentary Disclosure, to rock bands like Hinder and LOWBORN with its primary goal of industry disruption.


Based in Brooklyn, New York, Curran Reynolds started his career in 2000 as the head of publicity at Earache Records’ US office, then set out on his own in 2005 to handle PR for some of the most compelling artists in the underground – from metal and hardcore, to noise-rock and post-punk. Clients have included Kayo Dot, Jucifer, Trap Them, Landmine Marathon, Kælan Mikla, The Sword, and many more. He is the founder of Precious Metal, a weekly series of live shows in NYC that ran for seven years (2006-2013) and helped revitalize the city’s metal scene. As a writer, his work has been published in magazines such as VICE, Mass Appeal, High Times, and The Journal. He made albums and toured the world as the drummer for Today Is the Day and Wetnurse, and currently writes, records and performs music under the name Body Stuff. In 2016 he teamed up with Justin Pearson (owner of Three One G Records and member of such bands as The Locust) and graphic designer Brandon Gallagher, to create The Chain, a bicoastal collective handling a range of PR and art services for clients in the music industry.


Canadian publicist Curtis Dewar has been working in the music industry since 2012. Having started as a writer for blogs he started doing freelance PR in 2013. After successfully handling several campaigns, he founded his own PR company Dewar PR in 2014. Since that time he has done PR for a wide range of metal artists including Lindsay Schoolcraft, Bolzer, The Sign Records, Black Bow Records and many others. In addition, he co-hosts the Dumb and Dumbest podcast with Matt Bacon and Keith Chachkes and runs monthly 30 day challenges where he helps aspiring bands increase their social media presence


Don’t miss out! RSVP to attend this awesome event TODAY!

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Haulix Industry News News

Haulix LIVE! Returns July 16 With a Free Music PR Panel

Haulix LIVE! is your chance to learn from and engage with the greatest minds in music publicity today.

With Coronavirus making music conferences and festivals impossible, Haulix LIVE! is here to fill a void in the entertainment business. Twice a month, Haulix brings together the greatest minds in music publicity and promotion to share their knowledge with anyone hoping to hear it. These events are 100% free, and they are open to everyone.

Join us on Thursday, July 16, at 2PM EST for a free PR roundtable with special guests Katy Irizarry (Season of Mist), Jon Asher (Asher Media Relations), and Natalie Camillo (Napalm Records). The event will cover the evolving role of publicity in music promotion, emerging trends in the field,, and advice for people hoping to work in music PR. Viewers will also have an opportunity to ask our guests questions. Click here to register.

About the panelists:

Katy Irizarry is an NYC native who currently lives in Philadelphia. She started her music career in 2007 as an intern and eventual writer for Metal Edge magazine. Since then, she has worked for Sirius XM, Eddie Trunk, Skateboard Marketing, Freeman Promotions, Revolver Magazine, Loudwire, Minus HEAD Records, and many others in which she has done production, journalism, marketing, social media, and publicity. Currently, she is employed full time with Season of Mist as North American publicist where she works with a variety of bands from extreme metal to folk music, such as Abbath, Heilung, Archspire, Rotting Christ, Gorguts, Solstafir, and more. Ever the over-achiever, she also still contributes to Loudwire, produces Eddie Trunk’s podcast, and co-hosts the “Last Words” podcast via The Pit. She is also a proud cat mom who loves traveling, pin-up culture, horror movies, and of course, heavy metal!


Jon Asher, known for being a regular fixture on the Montreal music scene, founded ASHER MEDIA RELATIONS in September 2007 to aid bands and labels in celebrating their headbanging tunes to the world. A musician himself, and a McGill University graduate in public relations, Jon had his epiphany – to help out the struggling artists and help them gain the attention they need to support their music. He has worked with a number of independent and established artists such as Annihilator, Gene Hoglan (Testament, Death, SYL, Fear Factory), Quo Vadis, Fuck The Facts, Striker, Psychostick, Necronomicon, Hibria, Titans Eve, Kill Devil Hill ft. Rex Brown (Pantera) + Vinny Appice (DIO, Black Sabbath)), Drum Wars (Vinny Appice vs. Carmine Appice), Nephelium, Ninjaspy, Scythia, All Else Fails, Auroch, Fatality, Sanktuary, Mutank, Planet Eater, Vesperia, Rockshots Records, Wacken Metal Battle Canada/USA, Armstrong Metal Fest, Loud As Hell MetalFest, Calgary Metalfest, Metalocalypstick Fest, Obscene Extreme America Fest and many more. He has also guest lectured at McGill University on Music Publicity for the public relations program plus has spoken on panels for Alberta Music (Calgary), Indie Week (Toronto), Noctis Fest (Calgary), Halifax Pop Explosion and mentoring sessions at SXSW (Austin, TX).  


Philadelphia born and Maryland raised, Natalie Camillo began her music industry trajectory during her studies at York College of Pennsylvania, majoring in Communications with a focus in Music Industry/Recording Tech and radio. As Program Director and reporting Metal Music Director at her college radio station, WVYC, she attended/networked at several CMJ and Intercollegiate Broadcasting System conferences. By mingling with industry professionals at said events, she secured internships with radio promotions firm Heavy Hitter Inc., Relapse Records and MetalSucks. She also interned in the sales/marketing department at WCYR 98.5 The Peak, an classic rock format FM station based in Hanover, PA, took part in onsite “street” marketing for The Syndicate and published news clips for Metal Insider, all before graduating in 2009. Upon graduation, Natalie took a position as a publicist at renowned boutique PR firm Adrenaline PR, and along with the team led by PR icon Maria Ferrero, represented artists such as Lamb of God, Dethklok, Motorhead, Ronnie James Dio, John 5, Twiztid and more, and massive events such as the Rockstar Energy Drink Mayhem Festival and Alternative Press Music Awards. After departing the company as Campaign Manager/Senior Publicist after 10 amazing, formative years, she accepted her current position as North American Public Relations Manager at esteemed Austria-based international rock and metal record label Napalm Records. Alongside her PR teammates in North America and Germany, Natalie currently represents premier artists such as Dee Snider, DevilDriver, Jinjer, Alestorm, Life of Agony, Candlemass, Mushroomhead, Warbringer and many others. Outside of her work at Napalm, she also serves on the Board of Trustees of the Great South Jersey Chorus, a 501(c)3 nonprofit, singer-managed organization. In her spare time, she enjoys spending time in nature, playing video games (PlayStation Nation), listening to a questionable amount of electro-pop and binging costume dramas, can be found spending countless hours scoring deals in thrift/consignment shops, and considers herself a certified RuPaul’s Drag Race superfan. You betta work!


Haulix LIVE! costs nothing to attend, but registration is required. Click here to reserve your spot today!

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Editorials Haulix News Recommendations

Haulix Recommends: Bury Tomorrow – ‘Cannibal’

UK metal favorites Bury Tomorrow take another step toward the upper echelon of heavy music with their fourth studio album.

Anyone who claims that rock and metal are dead is not paying attention. Guitar-driven music may not be the primary focus of radio or pop culture. Still, it’s hard to find anywhere on Earth without people grinding away in a practice space on songs they believe are unique. When the world is more chaotic than ever, rock and metal may be the only areas of music that can save the day. There is a release these genres make possible that no other type of sound can provide. They’re cathartic, but also revolutionary. They can start wars and soothe deep emotional wounds, often simultaneously, and few groups are doing a better job of delivering consistently enthralling material than Bury Tomorrow.

Already recognized as one of the most entertaining and prolific metal acts in the UK, Bury Tomorrow is a band that finds joy in the struggle for perfection. Their records take listeners on a journey from wide-eyed optimism of youth to the colder, more experienced perspective of adulthood without losing sight of hope. The group chooses to embrace the struggles of life as a necessity for improvement, both as a species and as a person. Their songs recognize the need to make the most of each moment that passes, and they urge listeners to make the most of whatever time they have left. 

Cannibal, the band’s explosive fourth studio album, continues this trend while focusing heavily on the importance of mental health. As vocalist Dani Winter Bates explains:

“This album is for me as well as for the fans,” Bates says. “It was a cathartic process to address some of the darkest moments I’ve had in my life. For some people, it’ll be a hard listen. But I thought I have to do this. If I’m going to go in, I’m going to go in. I’m not doing something half-arsed. There is nothing lyrically I would change on this entire album.”

Though it may feel apocalyptic at times, Cannibal is about survival. Bury Tomorrow wants fans to know they are more resilient than they realize. They need listeners to understand that enduring hard times ultimately leads us to better ones, and if we can believe in our ability to overcome whatever scares us, nothing is out of reach. 

While the world burns outside our doors and diseases spread like wildfire, Cannibal arrives when we need it most. It’s a relentlessly heavy and therapeutic record that listeners will celebrate for years to come. 

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Haulix News

Why The Sharing Your Creative Process Matters [Video]

As the Music Biz team transitions to a new office, we consider the importance of sharing our journeys with fans.

There is a myth in the world of entertainment that claims people only care about the final product. Consumers, people will tell you, only want the best version of whatever you’re trying to give them. They don’t care about how things are made or how long it takes to make them good. Your customers want what they want, and you better give it to them as quickly as possible.

That is a lie. In the world of entertainment, the journey to making something is as important as the final product. Fans gravitate towards artists that are able to express thoughts or feelings the audience recognizes, but may struggle to share. That connection is at the core of every great artist-fan relationship. The creatives that make a career out of their pursuits do so by keeping fans involved in their journey. They show them how they do what they do, and in doing so, inspire others to do things they may have otherwise not.

Music Biz, the YouTube channel for this blog, exists to share insight into the entertainment business. We create videos on music news and marketing, as well as lessons learned from famous musicians. Our goal is to help the next generation of performers better understand and navigate this complicated industry because we believe education is the key to success.

Recently, several Music Biz viewers reached out about changes they were witnessing with our content. The format remains the same, but the look of our videos is evolving, and many wanted to know what was driving the choices made behind the scenes. That lead us to create the following clip, which shares everything we’ve been foolishly keeping to ourselves.

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Haulix Recommends: Tyler Carter – ‘Moonshine’ (Acoustic)

A career musician who has already proven his talent several times over, Tyler Carter returns with his most intimate work to date.

There is a saying that suggests the only way to be successful in business is to diversify your offerings. Consumers are easily distracted, people say, so you should never rely on what has worked in the past when considering where you will go moving forward. That idea applies to music as well. A great song or sound may get you far, but you can always go further by keeping listeners on their toes. Many artists may attempt to expand, but few pull it off as well as Tyler Carter.

A staple of the modern alternative scene, Tyler Carter is a musical chameleon whose signature croon has given the world anthems that will outlive us all. He’s got the kind of voice you would expect to hear at pop radio, especially in the era of artists such as blackbear and Jon Bellion, but he’s best known as a hard rock vocalist. The majority of his time is spent with Issues, an abstract metal act that combines a variety of sonic influences to challenge the perception of metal without completing alienating fans of the genre. It’s a challenging line to walk, but Carter and his bandmates make it look easy. Case in point, the band’s 2019 album was one of the year’s most celebrated releases. Not just in metal, but in music as a whole.

But Carter is more than a one-band man. His talent in various groups is equally matched by his brilliant solo career, which has admittedly taken a backseat to some of his more high-profile projects (such as Issues). When working alone, Carter has more room to experiment and develop as a songwriter. His solo material allows him to fully express himself as he asserts creative control over each song rather than being a contributing part of a whole. The results are often more cathartic than any other material he releases.

Carter’s latest release, Moonshine (Acoustic), is a stripped-down take on his 2019 solo record that features a pair of new recordings. The first, a new track titled “Escape My Love,” offers a beautiful ode to someone who doesn’t understand the power they possess. It’s mostly a love song, but also something of an anthem for anyone who hides from mirrors and feels like they don’t deserve the things everyone else gets in life. Carter wants those individuals he will always be there for them, as will the people who love them.

The second new offering is a cover of Fleetwood Mac’s timeless hit, “Landslide.” The challenge with covering a beloved song is finding a way to meet expectations while putting a fresh spin on a track people have heard countless times. Carter’s take is simple and airy. It’s a showcase of his vocal talents as much as it is an exercise in restraint. He resists the urge to go “too big” in preference of making sure the message resonates. It’s a massive success.

With Moonshine (Acoustic), Tyler Carter cements his place as one of music’s most exciting vocalists. He’s a crooner at heart, and it shows throughout this release. “Glow,” for example, brings the hazy chaos of a late-night rendezvous between lovers into a beautiful place that is undeniably compelling. “Good Things,” on the other hand, finds happiness in the simple joys of life. There is no topic Carter is afraid to tackle, nor a single track where his soulful voice fails to connect with the listener. We didn’t need more proof of Tyler Carter’s talent, but if anyone remains on the fence, this record will convert them.

Haulix Recommends is a recurring feature where the Haulix staff chooses one or more recent releases from their clients. Click here to discover more great music being promoted through Haulix.

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