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Haulix Industry News News

How The HSRA Is Training The Next Generation of Music Leaders

Take an inside look at how Minnesota’s High School for Recording Arts Vocational Discovery program uses Haulix to teach students about the music industry.

GRAMMY Award-winning and NAACP Image Award-nominated group Sounds of Blackness are celebrating the release of their latest single, “Juneteenth Celebration,” with a little help from Haulix and the High School of Recording Arts. The track, written and produced by Music Director Gary Hines, was recorded at Atomic K Studios and Winterland Studios in Minneapolis earlier this year.

Promoting the new track is a group of students from the Vocational Discovery program, a paid extension of Minnesota’s High School For The Recording Arts in partnership with Rock The Cause Records. The students in this program use Haulix to share new releases with the industry at large and, in doing so, sharpen their skills for careers later in life. The “Juneteenth Celebration” campaign will include promotion to Gospel, Urban, College, and NPR radio formats and over 1300 Black American media contacts.

Sounds of Blackness, 2022

“What we’re really doing here is teaching these young people how to become communications specialists or communications occupations specialists,” explains Vick Vern Award-winning educator and Rock The Cause Records founder Scott Herold. “We use the Haulix platform to teach them business writing, [such as] writing press releases, media communications, how to service news stories, music, and video, to the media, how to build relationships with media contacts, and how to use Haulix as a tool to effectively—and more importantly, cost-effectively—deliver new media to radio, television, podcasters, and everyone we want to build relationships with who can benefit from the content we are providing to them.”

Over the last four years, more than 60 historically underserved populations of youths have learned to use Haulix as part of the school’s paid Vocational Discovery program. Students earn $15 per hour as paid interns for Rock The Cause Records and communicate daily with media professionals worldwide through the promotional distribution service.

“We mentor our young people to use Haulix because many of them are artists themselves,” says Herold. “They want to understand how to get their content to the media, and Haulix is a very cost-effect way to deliver that media. It’s also very user-friendly compared to other services. If you’re an independent artist or label, this is the best, most cost-effective way to share your music. The customer service is also fantastic. I can email the team on a Sunday night, and I will hear back right away. It’s a great way to learn about the industry.”

Herold’s efforts have already paid off. Since starting his program, Herold’s students have worked on promotional campaigns for more than three dozen releases from local and national artists. Students have also worked on film and book release campaigns.

While promoting the previous Sounds of Blackness single, “Time for Reparations,” HSRA students were able to secure airplay at more than 60 stations nationwide, including 26 BDS reporting. The song was also nominated for a 2022 NAACP Vision Award.

When asked if musicians ever question the involvement of his pupils, Herold laughs. “It’s always an interesting subject to broach because a lot of artists worry about you turning their album over to an intern instead of some top person, but when you explain the program and who these young people are, and the results they’re getting, most artists say, “You know what? It’s the 21st century, and I want to support those kids. After what we’ve seen in this country with the civil rights uprising, the killing of George Floyd, and the disparities we have in America today, many artists are on board. They realize that if they can help [these students] out and connect with them through their music, they want to do that.”

High School For The Recording Arts is a pioneering force in education. Dubbed “hip-hop high” for its first-in-the-world approach to connecting with at-risk youth through a hip-hop music program, the HSRA is a tuition-free school where students learn about the music business and other creative endeavors. You can learn more about the HSRA and its programs on the school’s official website.

“We’re always looking for new projects to work on,” adds Herold. “We’re also looking for other companies to partner with for careers for these young people. We have young people ready to work for other PR firms. We can take the first 90 or 120 days and have them paid for by a county or federal program, so you get an opportunity to know the intern before you bring them on permanently.”

He continues, “We’re also looking for donations from the private sector, like artists, musicians, or anyone that wants to support the program. You can reach me at rockstar@irockthecause.org or email me at scottherold@hsra.org.”

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Haulix Industry News News

This Week In Music (April 15, 2022)

From Spotify’s latest rebrand to Elon Musk’s multi-billion dollar offer to buy Twitter, we’ve gathered all the news you need to know in one easy-to-read place.

Wow! The second full week of April was one to remember. Every week in music is full of surprises, but this one took the cake. Whether you’re still blown away by the 521% rise in viewership for the CMT awards on Monday night or still fighting to get that new Harry Styles song out of your head, we won’t blame you for feeling a little tired today.

We cannot ease your workload or give you more hours in the day, but we can help you stay informed. Below you’ll find the biggest stories of the week, all covered by the best outlets in tech and entertainment. Click around, learn what’s happening, and use the weekend to prepare for the end of the month.

But let’s be honest. There is no way we can hope to cover everything that happens. If you see a headline we missed that people need to know, please do not hesitate to send james@haulix.com an email. We’ll include your links in the next update.


The Biggest Stories In Music This Week

Spotify Brings Live Audio to Main App, Rebrands Greenroom as Spotify Live

Spotify has announced it will integrate the live audio capabilities from its companion app, Spotify Greenroom, within the main Spotify streaming app. Greenroom will also rebrand as “Spotify Live” as part of these changes. At launch, Spotify’s main app will only feature live content from select original programming, while the standalone Spotify Live app will continue to allow independent creators to go live.

While both apps will now feature live content, there will be some differences, the company told TechCrunch.

Spotify Live will continue to work as Greenroom did, by allowing creators to interact with their audience in real time and serve as a creation mechanism for hosts. But live listening in the main Spotify app will not support the interactive features, like audience questions. Instead, it offers the ability for creators to reach a broader audience of Spotify’s 406 million global listeners.

For the time being, only Spotify’s own original programming will livestream in the main app, the company noted.


Virtual Avatar Company Genies Raises $150M at $1B Valuation 

Genies, a Los Angeles-based avatar startup with close ties to the music industry, raised $150 million in Series C funding led by Silver Lake and existing investors Bond, NEA and Tamarack Global, the company announced today. The deal values Genies at over $1 billion.

The six-year-old company has partnerships with Universal Music Group and Warner Music Group as their official avatar and digital goods NFT provider, and has partnered with artists including Cardi B, Justin Bieber, Rihanna, Shawn Mendes, J Balvin and Migos. Genies creates virtual identities for artists to use across the metaverse and releases digital wearables – such as a J Balvin space suit and a Mendes digital hoodie — for fans to collect and wear in the metaverse. Last year, Genies widened its ambition by launching a marketplace, The Warehouse, to allow individual designers to buy, sell and trade avatar designs.

“We believe avatar ecosystems are going to shape Web3 the same way that mobile apps defined Web2,” said CEO Akash Nigam in a statement. “In Web3, Gen Z avatar ecosystem builders are going to be the leaders of innovation and, through our creator tools, we strive to empower their wildest imaginations, ideas, and experiences as avatar creations.”


Live Nation’s Veeps Brings Livestream Concerts to IOS, Android, Roku, Etc.

Veeps, the streaming platform founded by Benji and Joel Madden of Good Charlotte and acquired by Live Nation, has announced a new series of consumer apps and slate of concerts to go with them.

Forthcoming livestreamed concerts include Kings of Leon from London’s O2 Arena, dance act Galantis from the stunning Red Rocks Amphitheatre in Colorado, the folk-rock duo Indigo Girls, Icelandic blues-rock band Kaleo), singer/songwriter LP, avant-metal singer Poppy and Guns N’ Roses’ Slash and his group with Conspirators.

The new products mean that viewers can receive the stream directly in their televisions without having to cast from a phone, screen-share or connect with cables; at the same time, the phone and tablet service has been upgraded to native app quality.

Veeps apps are available for free download on Apple TV, Roku, iOS, and Android.


Elon Music Makes $43 Billion Unsolicited Bid To Purchase Twitter

The richest person on Earth is looking to extend his stake in Twitter from 9% to 100%.

Elon Musk has made a controversial offer to buy Twitter Inc., saying the company has extraordinary potential and he is the person to unlock it.

The world’s richest person will offer $54.20 per share in cash, representing a 54% premium over the Jan. 28 closing price and a valuation of about $43 billion. The social media company’s shares soared 18% in pre-market trading.

Musk, 50, announced the offer in a filing with the U.S. Securities and Exchange Commission on Thursday, after turning down a potential board seat at the company. The billionaire, who also controls Tesla Inc., first disclosed a stake of about 9% on April 4. Tesla shares fell about 1.5% in pre-market trading on the news.


Latin Music Revenue In The US Experiences Double-Digit Growth For Sixth Consecutive Year

RIAA’s just-out year-end U.S. Latin music revenue report for 2021 shows a sixth consecutive year of double-digit growth for the genre, with revenue up 35% from 2020 to $886 million, the highest recorded figure (before adjusting for inflation) in history. According to RIAA, Latin music’s level of growth outpaced that of the overall recorded music business, as recently reported. Latin’s share of total U.S. music revenue also continues to grow, from 5.4% in 2020 to 5.9% in 2021.

Streaming, accounting for 97% of Latin music revenue in 2021, saw a 36% gain from 2020 to a best-ever $857 million, driven by paid subscriptions’ 69% share of streaming revenue, itself up 35% to $593 million. Making up 9% of Latin music streaming revenue is radio’s share from digital and customized services such as SiriusXM and Pandora, which grew 22% to $77 million in 2021 following a slight decline in 2020.

“Latin music continues to rise, powering the overall music market and connecting with fans in a historic way,” RIAA Chief Operating Officer Michèle Ballantyne says. “In a year when Bad Bunny was the most streamed artist in the world, stars like Becky G and Anitta pumped out chart-topping hit after chart-topping hit, and audiences joyfully flocked to Latin-powered stadium and arena shows as live performance ramped back up, Latin label teams and artists continue soaring to new heights.”


BONUS: Ambient Music Isn’t A Backdrop. It’s an Invitation To Suspend Time.

This week, The New York Times ran a length essay from critic Isabelia Herrera on ambient music and the role it plays in our lives/culture. It’s a fascinating deep dive that benefits from Isabella’s willingness to share personal struggles she’s experienced as of late. Don’t miss it!


SONG OF THE WEEK: Zach Bryan – “Late July”

Have you ever heard a voice and knew immediately that your life was about to change? That’s how we felt the first time someone showed us the talents of Zach Bryan. A self-made man writing songs of love and loss set in middle America, Bryan is gearing up to lease an epic, 31-track debut album later this year. “Late July” is one of many songs off that record, and it has been tugging at our heartstrings for days. Enjoy:

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Haulix Industry News News

We’re Going To Music Biz 2022!

The Haulix team is headed to Nashville this May, and we’re bringing a few friends along to discuss the future of music promotion.ong.

After two long years of Zoom meetings and Clubhouse discussions, the music industry can finally gather again in person. The 2022 Music Biz Conference is taking place in Nashville next month, and we are joining in on the fun.

Yes, the Haulix team is headed to Music Biz for the first time since 2016, and we’re bringing along some friends to help us shed light on the future of music promotion. Our Director of Customer Engagement, James Shotwell, will lead a panel titled ‘Building On Borrowed Lines’ to help kickoff Music Biz on Monday, May 9. Here’s the pitch:

Remember the day Facebook and Instagram went offline? For several hours, two of the biggest platforms for promotion and information disbursement were nowhere to be found, leaving social media managers, artists, and labels everywhere scrambling. These “borrowed lands” that we’ve come to depend on for engagement were suddenly gone, and nobody knew when—or if—they would return.

Building On Borrowed Lands will examine the ongoing debate over where artists and their teams focus their community-building efforts. A panel of experts in marketing and publicity will discuss the ever-evolving challenge of reaching people in the digital space, including the best places for engagement, the value of owning your content, and the timeless tips for success that still work today.

Joining James for this panel will be Gayle Thompson of EverythingNash.com and Alex McGinnis of 10 and 8 Management.

You may have experienced other music conferences, but believe us when we say that Music Biz is something special. Set in the heart of Nashville, this annual gathering unites professionals at every stage in their careers for a week-long learning and community-building opportunity. The connections you make here, not to mention the lessons you can learn, have the power to alter your career in radical ways.

Ready to commit? Register today! Join us for four days of industry-defining conversations and connections, including continued discussions of how we can support those among us who are still struggling and address our individual needs for professional & personal growth.

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Haulix News Podcasts

Inside Music Podcast Ends After Seven Years, 237 Episodes

The first-ever Haulix podcast, Inside Music, is saying farewell after more than two hundred episodes exploring life in the modern entertainment business.

Haulix.com has announced the end of Inside Music, its first-ever podcast series. The show’s final episode featuring musical guest Rivers Of Nihil debuted online at the end of September 2021.

“Creating Inside Music was my first attempt at podcasting. I didn’t know what I was doing at the time, but thanks to patient guests and trusting leadership, we found our way to great conversations that I will always cherish.”

– James Shotwell, Inside Music host.

The Inside Music Podcast launched as a Haulix production in 2014 to help people better understand the lives of music professionals, both on stage and off. Across the show’s more than 200 episodes, guests included everyone from platinum-selling rapper Jack Harlow to iconic producer Butch Vig. Additional guests have included BABYMETAL, Celldweller, Bryan Garris (Knocked Loose), Tilian Pearson (Dance Gavin Dance), Phil Bozeman (Whitechapel), among hundreds more.

A full statement from the Inside Music Podcast team reads as follows:

Inside Music began as a desire to see what was possible with the podcasting medium. Over seven years and hundreds of conversations, you helped us build a tiny community of curious music consumers that kept us passionate about our creation.

It is hard to pinpoint when we knew it was time for the show to end, but we believe some things in life you just know. We wrestled with whether or not to push for another milestone. After all, episode 250 or 300 isn’t that far away, but we can’t convince ourselves to create something we’ve internally laid to rest. 

Don’t worry, however, because we have many more wonderful productions on the horizon. You can currently hear our team’s collaborative efforts on High Notes, the music industry’s leading recovery podcast. We have additional programming planned for 2022, but we can’t talk about it yet.

To everyone who ever gave us an hour of conversation or thirty seconds of listening—thank you. We will never forget this time in our lives, and thanks to the internet, the show will live on. Every episode will be available to stream anywhere you get podcasts for as long as possible. 

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Haulix Industry News News Podcasts

High Notes Season Three: Part 2 Debuts Online

The music industry’s first recovery-focused podcast, High Notes, returns with five new stories now available everywhere.

Haulix is proud to announce the release of High Notes season three: part 2. The critically-acclaimed music recovery podcast continues its successful run with five new episodes featuring guests from across the musical spectrum. Included in this latest season are Art Alexakis of Everclear, Andy Black of Black Veil Brides, Mike Hansen of Hotel Etiquette, singer-songwriter Morgan Wade, and Monarch frontman Ryan Williams (ex-Red Sun Rising). All episodes are available now everywhere you find podcasts.

Subscribe to High Notes on Spotify!

“We’re excited to be back,” says James Shotwell, host and Director of Customer Engagement at Haulix. “These five episodes are some of the best we’ve made. It took a little longer than expected to finish production than expected, but we used that time to make each episode special. Where we go from here is anyone’s guess, but I speak for our entire team when I say that making this series is a source of great pride. We hope it helps you or someone you know feel a little less alone, even if only for a moment.”


Episode guide for High Notes season three — part 2:

HN 3.6: Art Alexakis (Everclear)

Art Alexakis is a modern rock icon. For nearly three decades, Art and his bandmates in Everclear have been writing the great American songbook, greatly informed by Art’s personal experiences. His appearance on this episode details his life before Everclear, back when he was living in San Francisco with his first wife. Art recounts an event that changed his life trajectory and the temptations he continues to wrestle with today.

HN 3.7: Andy Biersack (Black Veil Brides)

Andy Biersack, sometimes known as Andy Black, is recognized worldwide as the face of modern alternative music. Black and his band, Black Veil Brides, have played everywhere and sold more records than many of their genre peers, all while learning harsh lessons about life in the fast lane. Black’s appearance on the show focuses largely on a tumultuous time for the band in the early 2010s and how industry pressures can lead young talent astray. It’s a story that Black expands on in his autobiography, They Don’t Need To Understand, which is available now wherever you purchase books.

HN 3.8: Mike Hansen (Hotel Etiquette)

Michael Hansen, known to friends as Mike, began his life in and around music as a member of the straight edge community. Through a litany of experiences and personal revelations, Mike decided to break edge and experiment with various substances, each offering a different lesson on life. It was fun until it wasn’t, and that’s when Mike turned to his wife for support. Together, the two found a new lifestyle that fits their needs, which Mike details in this episode.

HN 3.9: Morgan Wade

Morgan Wade is the future of country music. A singer/songwriter who has lived more life than most can fit into her years, Wade brings a mature perspective to life in the modern age. Her appearance on the show takes listeners back to a blurry New York night that found Wade waking up face down in a parking lot. That night, coupled with several contributing factors, served as a much-needed wake-up call for the songwriter who was still barely in her twenties. Wade recounts her decision to make a change and everything she gained with her new lifestyle.

HN 3.10: Ryan Williams (Monarch)

Ryan Williams rose to international attention with his band Red Sun Rising, but the group’s success came at a cost that went unpaid for far too long. Now, Williams is beginning again with Monarch, an exciting new project built from the ground up with a sober mind and a lifetime of experiences. Williams’ appearance on the show details the dizzying times that led him to get sober, as well as how recovery impacts creativity.


High Notes is produced in partnership with heartsupport the Global Recovery Initiatives Foundation. The show is hosted by James Shotwell and produced by Laura Haggard, who also serves as a programming consultant for the series. Liam Dellamonica handles marketing.

Every season of High Notes and the podcast’s recent Season of Mist-themed miniseries are available now wherever you listen to Podcasts. You can search for the show on your favorite platform or click here to find direct links. Previous guests include Brian “Head” Welch of KoRn, Phil Labonte of All That Remains, Justin Furstenfeld of Blue October, Anthony Green of Circa Survive, and Heidi Shepherd of Butcher Babies.

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Editorials Haulix News Recommendations

Haulix Recommends: The Best New Music of July 23, 2021

From the cathartic anthems of Capstan to the raw rock fury of Heavy Water, there is something for everyone among this week’s new music releases.

The world is changing. After a year of forced isolation, artists and fans are finally starting to reconnect. Dozens of great albums are hitting shelves every week, and we know that nobody has time for everything. We want to help you find the can’t miss albums and keep you up-to-date on the records everyone will be talking about next week. We realize that documenting every new release would be virtually impossible, but here you will find several new albums from Haulix clients that we feel deserve your time and support. This is the new music you need to hear:

Capstan – SEPARATE (Fearless Records)

Many alternative groups are written off for what people perceive to be childish or immature lyrics. Critics of the genre seem to feel that upbeat heavy music is best when marketed toward teenagers who know nothing of the world at large. Capstan argues that alternative music is for everyone. SEPARATE is an album born from feelings of isolation and loneliness. It came to life amid a pandemic, just a short period after the band’s guitarist and songwriter began divorce proceedings. All the pain, confusion, and frustrations of those two life-changing events are channeled into this record, and the result is a wonderfully cathartic ode to the resilience of the human spirit.


Sleep Waker – Alias (UNFD)

Rock music is angry again. After years of the genre’s biggest names churning out regurgitated versions of the same tired anthems about overcoming obstacles and persevering through hard times, a new crop of musicians is refusing to fall in line. Sleep Waker writes music for people trying to find meaning in the chaos of existence. Their songs rally against the dying of hope and community with ferocious vocals and thunderous production. Every track off Alias is just as likely to spark a revolution as they are to incite mosh pits. You need the release this album can provide. The last year has left us all feeling a little shaken, but Alias offers a chance to purge those emotions for good. Let go.


Heavy Water – Red Brick City (Silver Linings)

With a name like Heavy Water, you know the music must be good. Saxon’s Biff Byford and his son Seb Byford spent 2020 working together on the material that would become Red Brick City. The result is a ten-song collection of classic rock inspired music that marries gritty modern rock edge with the rough and tumble blues that helped birth the genre. It’s the kind of album you expect to find sitting on someone’s shelf between titles from Led Zeppelin and The Who, and the tracks have the same level of staying power. The pandemic will eventually end, but Red Brick City will be spinning on stereos for years to come.


Hookers & Blow – Hookers & Blow (Golden Robot)

Originally formed in 2003 as an excuse to drink for free in Hollywood by long-time Guns N’ Roses keyboardist Dizzy Reed and Quiet Riot guitarist Alex Grossi, Hookers & Blow have reached icon status among fans of the Hollywood Strip music scene. The band’s debut covers album is full of staples and deep cuts from rock’s biggest names, including The Rolling Stones, Tom Petty, and Led Zepplin. Each cut honors the legacy of the tracks while finding fresh energy in their presentation. It’s not hard to close your eyes while listening and picture yourself rubbing shoulders with your fellow rock fans at a dingy nightclub in the early hours of the morning while the band rips through yet another incredible set. In that sense, Hookers & Blow offer music fans a kind of time machine capable of reconnecting you with the moments when rock made you feel the most alive, and you would be foolish to miss out.


Necrogod – In Extremis (Transcending Obscurity)

The latest promising metal act to rise from Sweden has brought sonic devastation and engrossing storytelling to In Extremis, their fantastic new record. We’re pretty the amount of noise that Necrogod creates with only two members goes against the laws of nature. It’s a punishingly brutal affair from start to finish, and it’s elevated by brilliant structural decisions, including surprising tempo changes and fiery solos. In Extremis is the type of record that keeps you on your toes throughout. It’s a rich and propulsive exploration of darkness. So, if you love your music heavy, Necrogod may offer your favorite release of the year.


New Music Friday recommendations feature a collection of new releases from Haulix clients chosen by the company staff. Join Haulix today and gain immediate access to the industry’s leading digital promotional distribution platform: http://haulix.com/signup.

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Editorials Haulix Industry News News Recommendations

Haulix Recommends: The Best New Music of July 9, 2021

From the return of The Maine to the debut of Domination Campaign, there are several can’t miss new music releases this week.

The world is changing. After a year of forced isolation, artists and fans are finally starting to reconnect. Dozens of great albums are hitting shelves every week, and we know that nobody has time for everything. We want to help you find the can’t miss albums and keep you up-to-date on the records everyone will be talking about next week. We realize that documenting every new release would be virtually impossible, but here you will find several new albums from Haulix clients that we feel deserve your time and support. Here is the new music you need to hear:

Domination Campaign – Onward To Glory (Prosthetic)

There is an undercurrent of aggression running throughout Onward To Glory that may cause listeners to drive fast, act reckless, and completely stop caring about the opinions of others. Domination Campaign has crafted an album for the battles we face in life. Each song plays like a call to arms, commanding listeners to get off their butts and make something of themselves. It’s engaging and propulsive to such an extreme extent that you cannot help being impressed at the band’s ability to maintain such a high level of energy throughout the record. You won’t need coffee or Red Bull after Onward To Glory enters your life. All you need to do is figure out what you’re going to accomplish first. 


The Maine – XOXO: From Love & Anxiety In Real Time (Photo Finish / 8123)

The members of The Maine are outliers in the world of alternative music. After sneaking into the late-era neon phase of pop-rock with sugary sweet songs about young love and bad decisions, The Maine blossomed into touring professionals with a knack for infectious songwriting. They outlasted virtually every one of their peers by refusing to play by the established rules of the corporate music industry. The Maine owns their branding, their songs, and their legacy. They choose their destiny, and their fans help them make it a reality. XOXO: From Love & Anxiety In Real Time is another entry in an arguably flawless catalog, and to the surprise of absolutely no one, it’s incredibly good.


Empty Heaven – Getting The Blues (self-released)

There is no other artist like San Antonio’s Empty Heaven. An amalgamation of synthesizers and punk distilled with heavy literary influence, empty Heaven crafts genre-blurring songs about life and the concept of existence. You never know where the tracks will take you, but that’s part of the fun. Empty Heaven has the unique ability to make you think while also making you want to move your feet. It’s like listening to Aristotle ponder life’s biggest questions while simultaneously serving as the DJ for a party taking place in a middle-class American basement that is known online as a popular DIY venue. Suffice to say, Getting The Blues is the sound of the underground. 


Lost Symphony – Chapter III (Self-released)

Lost Symphony exists at the crossroads of heavy metal and classical music. It’s a place where anything is possible, yet only a few groups dare explore. Every release is a big, bold, and expansive composition carefully constructed with the hope of sparking your imagination. It’s not hard to close your eyes during Chapter III and find yourself exploring a strange alternate reality filled with mythical beings and life-altering quests. It’s kind of like a choose your own adventure novel, only with a better soundtrack.


Trivium – In The Court Of The Dragon (Roadrunner)

New Music Friday is usually reserved for albums. There are far too many singles for us to highlight every song released every week by one of our clients, but every now and then, attract comes along that we must discuss. Trivium returns just a year after their last album with a brand new song that is sure to be played on a loop by metal fans worldwide. If anyone out there still doubts the talent or appeal of this band, “In The Court Of The Dragon” will convert them. It’s a sprawling tale of blood, death, and dragons that combines all the qualities that make Trivium’s music so great. The video is also a short film. Check it out!


New Music Friday recommendations feature a collection of new releases from Haulix clients chosen by the company staff. Join Haulix today and gain immediate access to the industry’s leading digital promotional distribution platform: http://haulix.com/signup.

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Haulix Industry News News Podcasts

High Notes Podcast Announces Season 3 Release Date, Shares Teaser Trailer

The critically-acclaimed recovery podcast will celebrate its first anniversary with ten new episodes.

Haulix.com has revealed a July 28 launch for the upcoming third season of High Notes, the popular music-recovery series hosted by James Shotwell. The ten-episode third season will feature notable musicians from rock, hip-hop, and beyond discussing their journeys to sobriety at length, along with suggestions for others hoping to get clean.

News of High Notes’ upcoming season initially broke through the podcast’s Twitter account. You can watch a trailer for the new season below:

Guests for the new season remain a mystery at this time. The video above includes clips from three new episodes, but High Notes is withholding the identities of the voices heard in the video for the time being.

“We’re excited to be back,” says James Shotwell, host and Director of Customer Engagement at Haulix. “To cap off an incredible first year of High Notes with a new season is a dream come true. A year ago, nobody knew if this show would find an audience. We thought our friends would listen, but we never dreamed we’d hear from people all over the world who are connecting to the stories shared on our show. If we can make one person feel less alone, then I think we’ve done something special.”

High Notes is produced in partnership with heartsupport the Global Recovery Initiatives Foundation. The show is hosted by James Shotwell and produced by Landon Defever. Radio host Laura Haggard serves as a programming consultant for the series. 

Seasons one and two of High Notes are available now wherever you listen to Podcasts. You can search for the show on your favorite platform or click here to find direct links. Previous guests include Brian “Head” Welch of KoRn, Justin Furstenfeld of Blue October, Anthony Green of Circa Survive, and Haley Butters of Absinthe Father.

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Editorials Haulix Industry News News Recommendations

Haulix Recommends: The Best New Music of May 28, 2021

From the crushing new EP by Of Mice & Men to unexpected and unplugged Gwar recordings, there is something for everyone among this week’s new music releases.

Life will probably never be the same as it was before the COVID pandemic took the world by storm. Mourning the loss of the world we knew is normal, but it’s important to recognize all the good that continues to exist. Each new week brings us music that has the potential to change countless lives, and this week’s batch of new releases is no exception. There are too many good records for us to mention, but here are four we believe everyone should experience. This is the best new music of the week.


Of Mice & Men – Bloom EP (Sharptone)

Few bands successfully transition from Warped Tour headliners to mainstream rock phenoms. Even less undergo this evolution without losing the sound that made fans love them in the first place. Of Mice & Men have accomplished both, and they’ve done so while releasing the best music of their career. 2021 marks a new experiment in how the band releases music. They no longer think about their songs as being contained to albums. Instead, they’re giving fans new music as regularly as possible, and this latest batch of tracks is nothing short of exceptional. Come for the crushing heaviness and stay for the urgent, heartfelt lyricism. You won’t regret it.


Gwar – Disc With No Name (Pit Records)

Anyone who tells you they are coming out of the last year unchanged is probably lying. Every last one of us spent the last year longing for things we took for granted and regretting things we chose not to do. We often wondered if we would ever get to do the things we love again, and thankfully, it looks like we will. Gwar is no exception. The aliens that are hell-bent on ruling us pathetic humans are sharing something unexpected on Disc With No Name. It’s a collection of unplugged and fully reimagined performances that capture the beauty of the brutality that makes Gwar unique. You’ve never heard of death threat sound as beautiful as it does on this recording, and the fact it arrives just before the band can return to the road and slay audiences everywhere is the icing on an already great cake.


Alestorm – Live In Tilburg (Napalm Records)

It takes a very skilled group of musicians to take a concept as silly as drunken pirate metal and make audiences view it as a legit art form. Alestorm is the only band up to the challenge. After a year without concerts, the band celebrates their return to touring with a live record that captures their performative madness. Consider this a drinking album for people who aren’t ready to return to crowds but deeply desire to be amongst metalheads again. It also works as a perfect marketing tool for the band’s upcoming tour dates. We’ll see you in the pit.


Chris Campbell – Orison (Innova Recordings)

Most music is trying to sell you an idea or lifestyle. The songs you hear on the radio or recommended through algorithmic playlists try to figure out what you want and then sell it to you. It’s a good racket if you can manage to write things that are both catchy and vague enough to be twisted into an auditory sales funnel, but it’s not for everyone. Chris Campbell, for example, has almost nothing to sell. His music asks that we take a look within. He’s writing meditative arrangements meant to deepen your understanding of self. Orison is a seven-track exploration of consciousness and awareness that pleads with us to break from society and focus — at least momentarily — on our well-being as individuals. Campbell understands that we need one another to get by, but first, we must learn to love ourselves. Orison is the soundtrack for overdue self-care and healing. Please don’t take it for granted.


New Music Friday recommendations feature a collection of new releases from Haulix clients chosen by the company staff. Join Haulix today and gain immediate access to the industry’s leading digital promotional distribution platform: http://haulix.com/signup.

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Haulix Recommends: The Best New Music of April 30, 2021

From Dropkick Murphys to Tetrarch, there is something for everyone among this week’s best new releases.

Life will probably never be the same as it was before the COVID pandemic took the world by storm. Mourning the loss of the world we knew is normal, but it’s important to recognize all the good that continues to exist. Each new week brings us music that has the potential to change countless lives, and this week’s batch of new releases is no exception. There are too many good records for us to mention, but here are four we believe everyone should experience. This is the best new music of the week.

Dropkick Murphys – Turn Up That Dial (PIAS)

What more needs to be said about Dropkick Murphys? The Boston punk outfit has outlasted nearly every one of their peers, thanks to a fierce commitment to fan engagement and constant progression. Their latest combines heartfelt odes to simpler times and Punk anthems for a new generation that refuses to submit to society’s demands. At this point, it seems evident that Dropkick Murphys would rather die on stage than retire, and honestly, we aspire to that level of commitment in our craft. Long live Ken Casey. Long Live Al Barr. Long live DKM.


The Undertaking! – Funeral Psalms (Solid State)

When you add an exclamation point to your name, you better make good on the promise of delivering something worth shouting about. The Undertaking! does just that with their Solid State Records debut, Funeral Psalms. The ten-track offering leaves little room for interpretation, as the band pours every thought and emotion they have regarding the human experience into the record. Their relentless, in-your-face approach to songwriting will rattle your bones and help your soul break free from the confines of a culture that demands you put in eight hours every day working a job you hate to pay bills for the things you need to survive. This is retaliation. It is a work of art intended to incite change in whatever form that may be, and it couldn’t arrive at a better time.


Tetrarch – Unstable (Napalm Records)

Unstable finds Tretrach fulfilling their destiny. The forward-thinking metal band has been called the next big thing by every influential publication known to man. That kind of praise and adoration can make some skittish, but not Tetrarch. Unstable find the group honing their already impressive skills while finding creative new ways to drive home urgent messages regarding the finite nature of our existence. The record pulls back the curtain on mental health and economic anxiety to explore how growing up in the chaos of our world can inform our every waking thought. Some artists shy away from these topics because they view music as an escape, but Tetrarch sees it as a form of medicine. Through their art, Tetrarch is making it okay for everyone to admit they’re not okay, and that catharsis could very well usher in a better world for us all.


New Music Friday recommendations feature a collection of new releases from Haulix clients chosen by the company staff. Join Haulix today and gain immediate access to the industry’s leading digital promotional distribution platform: http://haulix.com/signup.

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