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This Week In Music (August 26, 2022)

From the world’s first canceled AI musician to iHeartMedia’s Fortnite debut, we’ve gathered the biggest music news stories of the week.

If you’re reading this—congratulations! You’ve survived another month in 2022 and made it through the summer. Everywhere you look, kids are returning to school, temperatures are beginning to fall, and the sun is staying in bed a bit later each morning. The leaves will soon change, but first, we must survive the early fall album release bumrush that occurs every September and October. That’s right! The busiest time of year is here, and we’ll support you every step of the way.

We’re working hard on exciting new developments for Haulix that will be revealed in the coming weeks. These changes completely rethink our business and how we can help the music community connect. You probably have a lot of questions, but that’s all we can say for now.

We cannot ease your workload or give you more hours in the day, but we can help you stay informed. Below you’ll find the biggest stories of the week, all covered by the best outlets in tech and entertainment. Click around, learn what’s happening, and use the weekend to prepare for the end of the month.

But let’s be honest. There is no way we can hope to cover everything that happens. If you see a headline we missed that people need to know, please do not hesitate to send james@haulix.com an email. We’ll include your links in the next update.

The Biggest Music News Of The Week

The Sudden Rise And Fall of FN Meka, An AI Rapper

Presented in its worst possible light, the FN Meka controversy — in which Capitol signed, and then quickly dropped, a virtual rapper that used the N-word in its songs and was depicted in racially stereotypical scenarios in videos — seems like an inconceivable blunder. But a closer look at the details, along with conversations with sources close to the situation, suggests that, while inexcusable and loaded with oversights, Capitol’s role in the FN Meka fiasco may not have been as insensitive as it might seem.

However, above all, it is yet another glaring result of the lack of diversity throughout the music industry — not just at Capitol, not just at major companies, but everywhere.


TikTok Is Testing ‘Nearby,’ A Feature Highlighting Hyper-Local Content

After it was spotted in testing by several users, TikTok has confirmed that it’s currently experimenting with a new ‘Nearby’ content feed, in addition to the current ‘For You’ and ‘Following’ tabs.

As it sounds, TikTok’s Nearby feed displays content posted by users in your current location.

That could enable TikTok to showcase locally relevant updates which relate to your interests.

As explained by TechCrunch:

“For example, if your For You page often displays restaurant recommendations or must-see hiking spots, the Nearby feed should show you videos of restaurants and hiking trails that are near you.”


Deezer Revenue Grows Despite Lost Subscribers

Streaming service Deezer has published its latest financial results, revealing that its revenues grew by 12.1% year-on-year in the first six months of 2022.

That meant revenues of €219.4m ($219.6m) split between Deezer’s consumer business (up 12.2% to €155m) and its B2B revenues (up 7.9% to €57.6m). Its home country France accounted for €132.4m of Deezer’s revenues in the first half of this year though: 60.3% of the total, only slightly less than the 60.9% for the same period last year.

How about subscriber numbers? They actually fell from 9.7 million at the end of June 2021 to 9.4 million a year later. Deezer lost 200,000 net direct (consumer) subscribers over that time, and 100,000 B2B subscribers. The company says that’s because it implemented “a significant reduction of unprofitable spend in non-core long tail markets”, while exiting Russia earlier this year lost it 104,000 subscribers alone.

Deezer is predicting €455m of revenue for the calendar year 2022, up 14% year-on-year. As a reminder of the competition it faces, Spotify posted €2.86bn of revenues for Q2 2022 alone. Newly a public company, Deezer’s market cap is €486.5m at the time of writing.


iHeartMedia Plans to Host Metaverse Concerts In ‘Fortnite’ Virtual World

iHeartMedia has launched its first virtual world on Fortnitecalled iHeartLand, as the company extends its marketing investments into the metaverse and toward younger audiences.

iHeart, which brought in $954 million in revenue during the second quarter, first announced plans in January to launch its own branded virtual world on platforms like Roblox as part of the radio giant’s larger Web3 strategy. Wednesday’s launch of iHeartLand in Fortnite marks the first unveiling of iHeartMedia’s virtual world and will serve as the testing ground for future iterations of iHeartLand on other world-building games, executives told The Hollywood Reporter.

iHeartLand was created by the game developer Atlas Creative using Fortnite’s creative mode and includes a main stage, multiple mini-games and an iHeart “headquarters,” which features a recording studio and a replica of the tunnel entrance to iHeart’s headquarters in New York City.

Players will get to explore the virtual island, play the games, take selfies on the red carpet and view performances on the main stage, called State Farm Park, which is expected to host 20 events in the next year with musicians and popular iHeart podcasters. At launch, the mini games will include a car racing game on an iHeart-shaped racetrack, an obstacle course set in the clouds, a building game and a musical chairs–esque game that requires players to jump from various colored tiles and avoid landing on certain colors. Playing these games will give users the chance to earn “gold,” which is a currency specific to iHeartLand on Fortnite and can be spent on items like fireworks and Boogie Bombs, a grenade-like object that forces players’ avatars to dance.


SONG OF THE WEEK: Lorna Shore – “Cursed To Die”

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How To Grow Your TikTok Following In 30 Days Or Less [Video]

Most people enjoy watching TikTok content, but far less like making it. If you relate to that sentiment—this post is for you.

TikTok changed everything. If you still think of TikTok as “the dancing app,” you should know every time you share that thought, people begin perceiving you as the old man from the mid-2000s Six Flags ads.

More than 60% of Gen-Z uses TikTok for more than an hour each day. Millennials may not use it as heavily, but the more than 40% of them that log on monthly watch, on average, more than 12 hours of content.

If you’re anything like the Haulix team, then two things are true:

1. You love TikTok.

Not a day passes without you opening Bytedance’s hit video-sharing app and scrolling for minutes on end in search of the next video that captures your imagination. You probably share the best videos with your friends, and they do the same in return.

2. You cannot commit to making TikTok content.

As much as we love consuming TikToks, we shy away from publishing content ourselves. We’ve made dozens of videos on TikTok and TikTok strategy, but our personal channels on the platform are underutilized.

In this Music Biz update, host James Shotwell issues a 30 days challenge to all musicians and music professionals hoping to adapt to the times and become an active participants on TikTok. With very few rules, James lays out a strategy for growth and community engagement that anyone capable of watching this video can conquer.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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This Week In Music (August 19, 2022)

From audio reactions on Spotify to the latest streaming scam, we’ve gathered the need-to-know music news of the week.

Welcome to the thirty-third Friday of 2022. We are over 3/5 of the way through the year for those keeping count. While kids head back to school and temperatures begin to cool, the music industry is preparing for an incredibly busy fall release and tour season. We feel for you if you’ve got dates or records to promote. It’s a warzone out there, but still—we wouldn’t do anything else.

We’re working hard on exciting new developments for Haulix that will be revealed in the coming weeks. These changes completely rethink our business and how we can help the music community connect. You probably have a lot of questions, but that’s all we can say for now.

We cannot ease your workload or give you more hours in the day, but we can help you stay informed. Below you’ll find the biggest stories of the week, all covered by the best outlets in tech and entertainment. Click around, learn what’s happening, and use the weekend to prepare for the end of the month.

But let’s be honest. There is no way we can hope to cover everything that happens. If you see a headline we missed that people need to know, please do not hesitate to send james@haulix.com an email. We’ll include your links in the next update.

The Biggest Music News Stories Of The Week

Spotify Testing Audio Reaction In Vietnam

Swedish music streaming platform Spotify is working on a new feature to let users post audio comments or reactions to music playlists.

A Reddit user in Vietnam first spotted this Spotify experiment, reports The Verge.

“So what do you think? Record an episode to share your thoughts on the playlist,” read the interface.

Below the notification is a record button to start the audio recording.

There are also some simple editing options like being able to add background music and tags.

The reaction feature seems to be accessible via a microphone icon on the playlist’s page, the report noted.

“We are currently running a limited test of in-app audio creation, but have no further details to share at this time,” the company was quoted as saying.


Audiomack Introduces ‘Premier Access’ For Fans

Artist-first music streaming and discovery platform Audiomack announced the debut of Premiere Access, a industry-leading feature that allows artists to reward their biggest fans by making a unreleased projects available on Audiomack before the general release.

“Artists deserve the most powerful tools possible to build their work into financially thriving enterprises,” Audiomack VP of Product Charlie Kaplan said. “Music companies have the opportunity and obligation to enable creators to explore diverse means of monetization and help realize their work’s financial potential.”

For musicians on Audiomack, Premiere Access offers a brand-new revenue stream that goes beyond standard streaming. Now that they are signed up for the Audiomack Monetization Program (AMP), artists can upload their work to Audiomack, use the Premiere Access function, and choose the duration of exclusivity for their release’s backers.


Bad Bunny Tops 2022 Billboard Latin Music Awards Finalists

Puerto Rican hitmaker Bad Bunny leads the list of finalists for the 2022 Billboard Latin Music Awards, with a staggering 23 nods across 13 categories. (The only other artist to ever score that many is Ozuna in 2019.)

Bad Bunny is up for artist of the year, tour of the year, Hot Latin Songs artist of the year, male, and top Latin album of the year for his chart-topping album Un Verano Sin Ti, which is back at No. 1 on the Billboard 200 chart this week for an eighth nonconsecutive frame on top.

Following Bad Bunny is Colombian star Karol G with 15 entries in 11 categories, a record number of nods for a female artist. (The old record was held jointly by Jenni Rivera, who had 12 nods in 2014, and Shakira, who had 12 in 2018.) Karol G’s categories include artist of the year and Hot Latin Songs artist of the year, female, as well as Hot Latin Song of the year, vocal event, for her Becky G collab “MAMIII.”


Artists Are Manipulating Metadata To Game Spotify’s Algorithms

What if tagging the wrong artist pages was not just a headache to resolve but also a money-making scheme?

What if obscure artists were profiting by purposely tagging big-name artists as primary collaborators, thus reaching said artists’ fanbases via algorithmic music delivery systems like Spotify’s Release Radar?

This is the story of an artist/record label, variously known as Diversify and Variegate.


SONG OF THE WEEK: Chuggaboom – “Should Have Been”

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Industry News News

BEWARE! New Scam Targets Independent Musicians On Spotify

A group of deceptive independent musicians recently uncovered a secret way to game one of Spotify’s most popular playlists for new music discovery.

We make a lot of content about scams in the music industry, and for a good reason. Nothing infuriates more than people taking advantage of dreamers for selfish personal gain. People shouldn’t be afraid to trust others with their aspirations, especially on Spotify of all places, but such is the world we live in.

Billboard recently reported on a new scam involving independent artists who leverage the following of other independent musicians for personal gain. These performers upload songs to Spotify with other, larger artists tagged as featured on the music. That tag gets the attention of Spotify’s algorithm, which then takes the material and distributes it to the release radar of people who follow or frequently listen to the more popular artist (who—to be clear—is not actually on the track in question).

When fans realize they’ve been lied to, the artist perpetuating the myth has already earned another stream for their song. Multiply that by hundreds if not thousands of incidents, and deceptive musicians could easily see a sizable boost in their streaming revenue through continual use of this tactic.

There’s a related problem that also needs addressing. Major label artists do not have to worry about similar scams being attempted with their likeness. As Music Biz host James Shotwell details in his latest video, Spotify has a manual review process to ensure the top of the charts cannot be fooled by deceptive business practices. That forces us to ask: Why don’t independent artists get the same treatment?

No views Aug 18, 2022 Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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How Hammer King Found Their Place In Heavy Metal

Ahead of their fifth studio album, Kingdemonium, Hammer King frontman Titan Fox reveals the secrets to heavy metal success in 2022.

Have you heard about Hammer King? They’re not the biggest band in the world, but they’re on their way. For the better part of a decade, Hammer King has been working toward global domination with an incendiary take on heavy metal that emphasizes storytelling and precision musicianship over commercial viability. Their latest record, Kingdemonium, continues this trend with an unforgettable collection of tracks that challenges the listener while still delivering on the unique promise of the band.

People have a skewed perspective of the music landscape. There may be more musicians competing for attention and sales, but that doesn’t necessarily mean there is more great music to consume. If anything, listeners have to dig deeper to find relevant music, and that requires time many aren’t willing or able to make.

Thankfully, marketing and publicity can still do wonders for the right talent. There are no guarantees in this life, but an artist or group can find a promotional partner that helps them achieve the impossible—get noticed. Hammer King has done that by partnering with Napalm Records and Freeman Promotions. By surrounding themselves with people who understand their vision, the group can focus more on their craft, knowing the other work is being handled with their best interest at heart.

In this Music Biz update, host James Shotwell chats with frontman Titan Fox V about the new record, evolving as a musician, and thinking globally about music with deep personal meaning. It’s an engaging and inspiring chat that lasts just under ten minutes. Enjoy!

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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This Week In Music (August 12, 2022)

From Spotify’s ticket deals to WMG’s Meta agreement, we’ve gathered the need-to-know music news of the week.

We’re publishing this post on August 12, which means everyone reading it has survived the dog days of summer amid the hottest year on record. Stretching July 3-August 11 each year, the dog days are known for their unbearable heat. 2022 is certainly not short on sunny days, so we hope you’re finding ways to keep cool.

We’ve spent the last several weeks working on exciting new developments for Haulix that will be revealed in the months ahead. These changes completely rethink our business and the ways we are able to help the music community connect. You probably have a lot of questions, but that’s all we can say for now.

We cannot ease your workload or give you more hours in the day, but we can help you stay informed. Below you’ll find the biggest stories of the week, all covered by the best outlets in tech and entertainment. Click around, learn what’s happening, and use the weekend to prepare for the end of the month.

But let’s be honest. There is no way we can hope to cover everything that happens. If you see a headline we missed that people need to know, please do not hesitate to send james@haulix.com an email. We’ll include your links in the next update.

The Biggest Music News Stories Of The Week

Weezer Cancels Broadway Shows Citing ‘Low Ticket Sales’

Weezer canceled its September Broadway residency due to “low ticket sales and unbelievably high expenses,” frontman Rivers Cuomo announced.

The Los Angeles rock band had planned a six-night stand at the Broadway Theatre to celebrate its “SZNZ” project, which consists of four 2022 releases that correspond with the four seasons.

“I just learned that our Broadway shows have been cancelled (due to low ticket sales and unbelievably high expenses.) I’m very sorry to be telling you this now after we’ve already invested so much time, thought, and emotion,” Cuomo, 52, wrote on the band’s Discord server Wednesday.


Instagram Begins Copying BeReal, Its Latest Competitor

Instagram appears to be missing the essence of why people even enjoy BeReal, even though Instagram is obviously riffing off of BeReal and not Frontback. BeReal is arguably more like Wordle than it is like Instagram or Frontback, despite the two-camera aspect being entertaining (which other writers have also pointed out). BeReal is more about the daily habit of sharing something with your pals than it is about the actual images.

Reportedly, Instagram adopts the Stories feature while Snapchat introduces it. Due to TikTok’s excessive popularity, Instagram switched to short-form videos. Here’s another for the list right now. Reels, Instagram’s TikTok clone, now has a function called Dual that enables simultaneous recording with both the front and rear cameras. This feature was discreetly added this week.

It has a striking visual resemblance to BeReal, the popular social app that has been around for two years and is presently ranked No. 1 on the App Store. BeReal bills itself as the anti-Instagram and was founded in France by former GoPro employees Alexis Barreyat and Kévin Perreau.


WMG Inks Revenue-Sharing Deal with Meta

Warner Music Group has become the latest major music company to announce a fresh licensing deal with Meta. The agreement will enable WMG and its artists to receive a portion of revenue from the use of licensed music on Facebook creators’ posts.

The deal was confirmed by Warner Music Group CEO Steve Cooper during an earnings call on Tuesday (August 9), nearly two weeks after rival Universal Music Group revealed that it had formed a similar partnership with the Facebook owner.

It appears that UMG’s deal with Meta was struck in calendar Q2; Warner’s quickly followed in early Q3.

Meta recently announced that it will start directly sharing a proportion of advertising revenue with music rights holders for certain user-generated video content on Facebook that is 60 seconds or longer.

Meta’s decision follows years of debate over how social media platforms like Facebook and TikTok pay publishers and record labels for the use of their music in videos and how these platforms protect the copyrights of licensed songs.


Spotify Tests Selling Tickets Directly To Fans

Spotify’s testing a new website to sell concert tickets directly to fans, as first reported by Music Ally. The site, dubbed Spotify Tickets, currently has a limited selection of upcoming US-based concerts for participating artists like Limbeck, Tokimonsta, and Annie DiRusso.

Spotify already partners with Ticketmaster, Eventbrite, and See Tickets to sell tickets through its new Live Events Feed, where you can browse nearby shows and purchase tickets through a third party. The new Spotify Tickets site, however, lets you buy tickets through Spotify itself.

As pointed out by TechCrunch, the site’s legal page states the company sells tickets “on behalf of third parties which can include venues, event promoters, fan clubs and artists as their disclosed ticketing agent.” This means that Spotify doesn’t set the prices of its tickets, and that it will also charge customers a booking fee that it will disclose during checkout.


Germany’s Music Business Is Growing, Up 5.5% YOY

The numbers are in. Germany’s record business generated revenues of $1 billion (€967 million) in the first six months of this year from physical music sales and streaming.

That total revenue figure of €967 million (on a retail basis) marked an increase of 5.5% compared to the same period last year for the world’s fourth largest recorded music market.

According to new figures, for H1 2022, published by German Music Industry Association (BVMI) today (August 11), Germany’s revenue haul was driven by audio streams.

Audio streaming grew 9.1% YoY in the first half of the year and now accounts for 73.3% of the recorded music market’s total revenues.


SONG OF THE WEEK: Fit For A King – “End (The Other Side)”

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How Brymir Brought Finnish Metal To The Masses [Video]

Ahead of their new album, Voices In The Sky, Brymir chats with Haulix about the secret to their global success.

Finding your sound takes time. For Brymir, the Finnish metal greats spent multiple records pursuing a sonic direction that didn’t fit their personal aspirations. The band believed a ‘folk’ friendly sound would help them find success, but in recent years found a much more powerful marketing tool in honest and personal storytelling.

With their latest release, Voices In The Sky, Brymir tackle the world around them and the chaos it breeds. The material touches on everything from our relationship with nature to interpersonal conflicts and the wide range of feelings they can produce.

In this Fast Five interview, Brymir frontman Viktor Storm Gullichsen chats with Music Biz host James Shotwell about his band’s ongoing evolution and how embracing change has made all the difference in their career. The pair also discuss song length, Brymir’s writing process, and what the rest of 2022 holds for these wide-eyed metal masters.

Music Biz is brought to you by Haulix, the music industry’s leading promotional distribution platform. Start your one-month free trial today and gain instant access to the same promotional tools used by BMG, Concord, Rise Records, Pure Noise Records, and hundreds more. Visit http://haulix.com/signup for details.

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BeReal: Authentic Music Marketing [Video]

With social media app BeReal gaining popularity, it’s time artists rethink their approach to engaging fans online.

What if social media was simple? No filters, no videos, and definitely no ads—just you and the people you want to see sharing content with one another. If that sounds like something you want, then BeReal is for you.

As our friends at Hypebot succinctly explain, BeReal is a photo-sharing app that prompts users to post one unfiltered photo daily.

The app sends a push notification [ Time to BeReal.] to all users at a random time daily. Users in the same time zone get it simultaneously and have two minutes to take a picture and share it with their followers.

BeReal uses the front and back cameras of the user’s phone to chronicle the user and what they are doing simultaneously.

In addition to the two-minute window, the app has no filters, thus forcing you to—you guessed it—BeReal.

You can find BeReal on the AppStore.

Why does this app matter?

New social media platforms rarely garner global attention, so that alone warrants giving BeReal a moment of consideration. Beyond that, the app has garnered more than 30 million downloads worldwide, many of which are Gen Z users. Analysts suspect this is due to an underlying need for genuine personal connection in an increasingly fragmented and filtered world.

How can BeReal help me?

BeReal offers all users the simplest path to recurring content creation.

Users do not worry about lighting, filters, or trending sounds. The only thing that matters is capturing the present moment.

For artists, that means a once-daily opportunity to share your activity with fans. No more, no less. The two minutes you have to capture a photo is all the effort you must put into remaining active on BeReal.

Compare that to expert suggestions that people on TikTok post multiple times daily, and BeReal suddenly likes far more appealing.

Let’s talk strategy. How do I maximize the impact of my presence?

To be clear: BeReal does not have native advertising.

There are no promoted posts or explore pages packed with influencer content meant to sell false ideas of high-quality fast food or overnight weight loss.

To succeed on BeReal, you must play by the rules.

In other words, be real. Be as real as humanly possible. Share your journey, warts and all, anytime the opportunity presents itself.

Chipotle is a great example. Most people wouldn’t suspect a fast-casual chain to participate in a filter-free social media world, but the burrito company is one of the biggest brands on BeReal.

Don’t you have any tips and tricks?

Serendipity is the occurrence and development of events by chance in a happy or beneficial way.

BeReal may seek to capture the mundane, but your life is not mundane! Depending on when the prompt arrives, you may be able to capture tour life, studio life, the writing process, video shoots, or any one of a hundred important but small moments in your career. Those microdoses of your life and career will help your fans feel closer to you, and that bond will strengthen your community.

The best BeReal strategy is essentially no strategy. Be yourself. Be vulnerable like you are through your craft, and people will respond.

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Industry News News

This Week In Music (August 5, 2022)

From the end of Spotify’s Car Thing to the impending launch of TikTok Music, we’ve gathered all the music news you need to know.

Can you believe it’s August? We are seven full months into 2022, and most haven’t had enough time to catch their breath, let alone catch up on music news. If you have been reading, it’s most likely related to your work. That’s understandable. We do the same.

We cannot ease your workload or give you more hours in the day, but we can help you stay informed. Below you’ll find the biggest stories of the week, all covered by the best outlets in tech and entertainment. Click around, learn what’s happening, and use the weekend to prepare for the end of the month.

But let’s be honest. There is no way we can hope to cover everything that happens. If you see a headline we missed that people need to know, please do not hesitate to send james@haulix.com an email. We’ll include your links in the next update.

The Biggest Music News Stories Of The Week

Spotify Discontinues Its ‘Car Thing’ Less Than Two Years After Launch

Spotify has unceremoniously stopped making the dash-mounted “Car Thing,” its first hardware device, the company announced this week.

The change was announced as part of Spotify’s latest earnings release for shareholders, which said that developing the Car Thing cost €31 million (approximately $32 million USD) and that its overall gross margin was “negatively impacted by our decision to stop manufacturing Car Thing.” Spotify told TechCrunch:

Based on several factors, including product demand and supply chain issues, we have decided to stop further production of Car Thing units. Existing devices will perform as intended. This initiative has unlocked helpful learnings, and we remain focused on the car as an important place for audio.

Announced in April last year, the short-lived device first went on sale in the United States in February for $89.99. It was designed to be an in-car dash-mounted music and podcast player to provide a more seamless and personalized listening experience, especially in the large number of cars that do not support modern in-car infotainment systems or Apple CarPlay.


Concord Music Acquires Australian Publisher Native Tongue

Concord is expanding its interests in the Australasian market by acquiring a key independent music publisher in the region, Native Tongue.

With offices in both Australia and New Zealand, Native Tongue has its own roster of songwriters and also represents a significant network of other publishers from around the world in the Australasian market. And for more than ten years now, that has included Concord Music.

The company’s founder, Chris Gough, went into semi-retirement in 2014, with the business being managed day to day by his children Jaime and Chelsea. They will now head up what will be known as Concord Music Publishing ANZ, as Managing Director and Senior VP respectively.

Confirming the deal, Chris Gough says: “Jaime and Chelsea along with our wonderful team of people have grown the company significantly in recent years. This is the next step, providing our home-grown writers with a truly international organisation capable of maximising their potential worldwide”.


Soundcloud Confirms Global Workforce Layoffs Totaling Nearly 20% of Staff

SoundCloud will be laying off approximately 20% of its global workforce citing “a significant company transformation” and the current economic and financial landscape.

“During this difficult time, we are focused on providing the support and resources to those transitioning while reinforcing our commitment to executing our mission to lead what’s next in music,” reads a statement by a rep for SoundCloud.

Earlier this year, SoundCloud began detailing changes to the company with the aim of providing increased levels of artist-focused support by incrementally upping monetization and providing additional distribution tools for artists at all levels of their careers. In this year alone, the company has teamed up with Pandora and Splice, acquired artificial intelligence company, Musiio, and also entered a joint venture with management and creative services company, Solid Foundation.


Rest In Peace: Mo Ostin

The music industry is paying tribute to powerhouse record executive Mo Ostin who died “peacefully in his sleep” on Sunday evening, according to a statement from Warner Records. He was 95 years old.

Ostin oversaw the careers of a long list of marquee talent: The Kinks, Jimi Hendrix, Joni Mitchell, Neil Young and Prince among them.

Born in New York to Russian immigrants, Ostin’s early years in the business were spent at the jazz label Verve. In 1960, when Frank Sinatra started his own record label, Reprise, he hired Ostin as its administrative vice president. Reprise was eventually bought by Warner Records.

In 1970, Ostin became president of Warner Bros. Records. Under his leadership, the company was home to both mainstream pop stars like James Taylor and Fleetwood Mac to edgier artists such as Frank Zappa and The Sex Pistols.


TikTok Music is Coming

ByteDance may be preparing for a global launch of TikTok Music service, according to trademarks filed in several countries found by TechCrunch. The China-based conglomerate has filed TikTok Music trademark in countries like the U.K.SingaporeNew ZealandMexicoMalaysia and Costa Rica.

This comes after a Business Insider report last week, which pointed toward a “TikTok Music” trademark filing in the U.S. ByteDance had also filed another trademark in Australia under a similar name.

All of these trademark filings include similar text about the application’s functionality of listening to music, creating playlists, commenting on songs and participating in karaoke.

The trademark application says it would allow “users to purchase, play, share, download music, songs, albums, lyrics, quotes, create, recommend, share his/her playlists, lyrics, quotes, take, edit and upload photographs as the cover of playlists, comment on music, songs and albums.”

ByteDance already operates a music streaming service called Resso in India, Brazil and Indonesia, and a former ByteDance employee told us it had previously considered bringing this service to more markets under a “TikTok Music” title. Specifically, it had been considering launches in mature markets like the U.K. and Australia, the source said.


SONG OF THE WEEK: Lamb Of God – “Omens”

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How To Buy And Sell Concert Tickets On TikTok

A new partnership with Ticketmaster pushes TikTok further into the musical space, and fans everywhere are reaping the rewards.

TikTok is where the vast majority of human beings go to discover music.

There is no typo in that sentence. TikTok is a global phenomenon, and in three short years, it has helped hundreds, maybe even thousands of acts elevate their careers.

Everyone is looking at TikTok for music, meaning everyone selling music wants a piece of the action.

Ticketmaster and TikTok are partnering to launch an in-app feature that lets users discover events through the popular short-form video app. With this new partnership, TikTok users can buy tickets for events they’re interested in directly through TikTok. Creators can now search for relevant Ticketmaster events and add destination links to their videos. Ticketmaster says the new feature will only be available to select creators at launch and will scale to more users over time.

Eligible creators can now select the “Add link” option after tapping and selecting the new Ticketmaster option before posting a video. Creators can search for any event on Ticketmaster and select “Add to video” to add the link. Once creators share their video, it will display the event link on the bottom-left, allowing viewers to click and purchase tickets via an in-app browser.

Many artists and personalities have already signed on to begin using the ticketing mini app including Demi Lovato, OneRepublic, Usher, the Backstreet Boys, WWE and more, Ticketmaster says.

News of Ticketmaster’s partnership with TikTok comes less than six months after a similar partnership was launched with Snapchat. It’s clear the ticketing giant is staying atop trends in consumer behavior, but the adoption rate remains to be seen.

Would you purchase concert tickets on TikTok? Email james@haulix.com and let me know!

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