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Artist Advice Editorials News

Want to be discovered? Be a conversation starter

Everyone is a critic, but not everyone cares enough to say something.

There is no way to understate how the music business has changed in the last ten to fifteen years. Previous generations of musicians would bend over backward to connect with key critics and genre gatekeepers to establish their presence in the industry, but that approach to marketing has largely vanished since the rise of streaming and social media. That isn’t to say critics don’t matter because they absolutely do, but these days critics are a dime a dozen, and only a select few have enough authority that labels, PR, and indie acts alike will go out of their way to get their attention.

The funny thing is, even though there are more critics than ever before, getting those with a voice to notice you remains difficult. Everyone has the power to comment on everything via their phone or laptop, but our current internet culture encourages us to discuss the same thing as everyone else through trending topics. Coverage of Ariana Grande has a higher likelihood of garnering attraction from the masses than a feature on the next unknown artist that might change lives despite the fact everyone and their mother is already talking about Ariana Grande. It’s a strange catch-22 that the people who need attention the least attract the most press coverage, but that’s the nature of the beast that is music journalism.

The only thing that disrupts the system anymore are artists that force people who otherwise wouldn’t post about their work to pay attention because they position themselves for viral popularity. That can be accomplished through branding, appearance, lyrics, or something else altogether that sets a performer or group apart from everyone else in their field. It doesn’t have to be controversial to spark controversy, it just has to be interesting enough to warrant discussion.

Take Lil Nas X, for example. The Atlanta artist was relatively unknown when he uploaded his now incredibly popular song “Old Town Road” to Soundcloud in late 2018. However, the track’s country-trap sound caught the attention of music fans hunting for something new, and even those who didn’t love the material would share it simply because they wanted to discuss the oddity they had discovered. Those conversations lead to viral videos on the platform TikTok, which then lead to additional conversation around the artist and song.

Another example is Triple Crown Records group Heart Attack Man. Before releasing as much as a song from their Sophomore effort, Fake Blood, the band began creating a discussion for their record by claiming publicists and managers deemed it too violent, too dark, and too controversial. The group then built upon those efforts by warning fans to avoid their singles and videos if they were sensitive to violence and violent themes, so even before people heard the material they thought it was something unique. Their push to appear controversial went so far that they started and ran their own anti-Heart Attack Man group called Mothers Against Heart Attack, which has a Twitter account. When users click the group’s link to their newsletter, they are sent to Heart Attack Man’s newsletter instead.

The shared trait between Lil Nas X and Heart Attack Man’s recent success is the absence of traditional album and single promotion. There are no promoted posts, no YouTube ad buys, or magazine placements. Both Heart Attack Man and Lil Nas X are becoming household names because they took it upon themselves to do something they knew would stir conversation. They accepted the old saying that any press is good press and let the internet do what it does best: run wild with vague understandings about the things that momentarily holds its collective attention. Did they make people mad? Yes. Did they make people happy? Yes. Are both things ultimately good for the artists? Yes.

Anyone can buy exposure. The price point is low, but so is the likelihood of becoming successful based on promoted posts and advertising alone. The true key to success in today’s culture is being someone or some group that is able to get people talking about their efforts. All the paid promotion in the world cannot compete with word of mouth, so save your money and focus all you have on creating something that gets people talking.

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Artist Advice News Podcasts

Inside Music Podcast #145: Heart Attack Man (Eric Egan)

The Cleveland-based rock band’s frontman appears on Inside Music to discuss their upcoming Sophomore album.

If you read Haulix Daily on a regular basis, then you already know our love for Cleveland’s Heart Attack Man. From advice columns to videos, we’ve spent a lot of time and dedicated a lot of space to discussing the group’s unique approach to marketing and promotion. We’re doing even more of that today, but this time we’ve involved the man behind all that creative content.

On this episode of Inside Music, host James Shotwell calls Eric Egan of Heart Attack Man to discuss his unique approach to music marketing, as well as his band’s upcoming album. Heart Attack Man has a social media presence unlike any of their peers that solely relies on original ideas from Egan’s mind to drive engagement. Through creative videos and hilarious posts, Egan and his bandmates have built a community (the ‘Baby Carrot Gang‘) that is already busy promoting the band’s new album, despite the fact, almost no one has heard it. Eric tells James about the record, developing a fan base, and how he does his best to stay true to himself through all endeavors inside of music and out.

https://soundcloud.com/inside-music-podcast/145-heart-attack-man-eric-egan

Prefer video? We’ve got you covered:

You can subscribe to Inside Music on iTunes, as well as all major podcast platforms.

Want even more Heart Attack Man? Check out this video essay discussing the band’s marketing and what other artists can learn from their efforts:

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News

What Artists Can Learn From The Marketing Genius of Heart Attack Man

Music marketing has changed. Not long ago, artists hoping to stand out would turn to blogs with strong followings to premiere music and share insight into their records. That approach still works today, but with more artists and blogs than ever before, the return for any one piece of content has dramatically been reduced.

These days, artists hoping to make themselves known in a crowded genre need to be more creative than their peers, and that task extends beyond songwriting. Artists today also need to be producing engaging content, primarily social media updates, that generate interest in their music that extends beyond their follower content. That is because going “viral,” if you will, can do more to help someone grow their audience than any premiere or song release.

In 2018, one group making better content — and songs —  than practically anyone else in the alternative space is Triple Crown Records’ group Heart Attack Man. Take a listen to their music:

Hailing from Cleveland, Heart Attack Man consists of four young men whose presence on Twitter and other platforms has helped to catapult their unique take on rock and roll into the hearts of music fans and industry influencers around the world. Through clever videos and self-criticizing memes, the band has managed to develop a reputation for creativity that has encouraged many (including this author) to check out their music. Here’s one example of their social media presence, which was used to promote a recent show in Ohio:

At the time of publication, the video above has over 52,000 views (original tweet). The band only has roughly 3,300 followers on Twitter.

Heart Attack Man creates a lot of great content that isn’t meant to sell anything as well. Here’s one example, which takes aim at the repetitive nature of ‘music journalists’ in 2018:

That video has nearly 8,000 views (original tweet).

Heart Attack Man does not post a new video every day, but they are continually adding new content to their social pages that have the potential for widespread engagement. By making light of the industry as they know and experience it, the band is bringing people into their world and allowing them to join the unpredictable nature of working in music.

The catch to all of this is that you cannot duplicate what Heart Attack Man is doing and expect the same results. The reason these videos, as well as their other content, works for them is because it’s developed from their personal experiences. There is an authenticity to their creativity that we, as an audience, recognize without thinking about it. The only way to find similar success in your career is to develop marketing materials that are equally authentic. Use your experiences, thoughts, and opinions to shape the way people engage with you on a day to day basis. If they relate, the chance they check out your music will be great. If they don’t, who cares! There are plenty of potential fans out there.

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