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Three Music Industry Lies Artists Need To Stop Believing

There is a lot of great advice on succeeding in the music industry, but there are a lot of lies as well. Let’s take a moment to separate fact from fiction before someone steers your career in the wrong direction.

The only thing the music industry has more of than artists is people who think they can help artists succeed. We choose to believe anyone offering advice is doing so because they genuinely want to help others. After all, why would someone purposefully offer lousy advice that could be detrimental to another person’s career?

The problem with offering advice, especially in an industry like music, is how rare any path to success works more than once. Artistic pursuits are built mainly on originality and creativity, which is why artists who become game-changing superstars are so rare. Not everyone has a clear vision for their career, and far less possess the unbreakable spirit needed to risk everything long enough to establish themselves as an undeniable talent. There is a reason we only have one Taylor Swift, one Kiss, and one Elton John. All three are examples of talented musicians that blazed a path entirely their own that has been repeated countless times by gifted people who never took the extra step needed to separate themselves from the rest of those following the lead of those who came before.

Our goal with this blog has always been to keep things as simple as possible. We would never advise you to copy another artist’s career because the likelihood that lightning strikes twice is incredibly low. We choose to focus on establishing a foundation for success with essential marketing and business knowledge in the hope it empowers your creative expression. We cannot make you a star, and anyone who is claiming they can is most likely selling you a lie.

With that in mind, here are three common lies sold to musicians on the rise all around the world. These ideas are discussed at conferences, on podcasts, and through blogs (un)like this one regularly, which is why so many foolishly believe they offer some magical solution to becoming a star. But trust us: No such magic exists.

“All you need is one great song.”

When people originally started telling artists that they only needed one great song, they were probably telling the truth. Before computers and the internet empowered anyone with a melody in their head to quickly release music, one great song could land you a record deal and number one single. If that single sold well, the success of your one great song could propel you into the music hierarchy long enough to make a little money, buy a house, and more or less sustain yourself until people came to their senses. The 1980s and 1990s were filled with musicians who blew up from a single song and never duplicated their success, but those instances became far less frequent with the rise of internet culture.

These days, one great song is all you needed to get started. One great song can turn heads and raise awareness for your music, but it is rarely enough to make you a star. Even Lil Nas X, who came out of nowhere with “Old Town Road” in 2019, needed several remixes of his hit to propel the song to its record-breaking streaks atop the Billboard charts. He also followed that song with “Panini,” which also performed incredibly well (aided, at least in part, by its own series of high-profile remixes).

The reason one great song isn’t enough is due to the marketplace. There is so much music being released all the time by artists from every corner of the planet that one song very rarely can establish a career. There will always be outliers, of course, but believing your song will make you one of the exceptions to the rule is a recipe for disaster. You need more than one great song. It would be best if you as had as many great songs as you can possibly write.

“You need to be on every social media platform.”

We have written extensively about the problems social media can create for artists. Social media is a time-consuming monster that must be fed frequently with original thoughts and ideas that may or may not convince someone to follow you. In the event you do earn a new follower, there is still no promise that an individual will become a financial supporter of your music or even become a fan of your creative output.

Experimenting with social media is the best method of participation. Launch accounts on any platforms that interest, but do not allow yourself to believe existing on social media is a necessity. The only place you need to be is where your fans already are, and the only people you need to worry about entertaining are the people already invested in your music. If you can get your current fans to engage with your tweets, new followers and fans will come in time. If your fans aren’t present or don’t participate, then getting people unfamiliar with your work will be incredibly difficult.

If something doesn’t work, delete your account and move on. You don’t have the time to be creating content for platforms that do not help your bottom line.

“You need to tour.”

Let’s get one thing straight: You don’t need to do anything that doesn’t make sense for your career. If you prefer releasing singles, then you shouldn’t worry about creating an album. If you prefer to record every instrument yourself with the help of a laptop, then you shouldn’t worry about building a band. If you have no interest in touring or it doesn’t make sense financially to hit the road, then you have no obligation to do so.

Will your fans always love your choices? Probably not. Will they respect you for taking care of yourself and consistently engaging with them, however, you are able? Absolutely.

Touring can be incredibly lucrative. Touring can also create a lot of debt. Make sure going on the road is right for you before you begin booking shows. If the numbers don’t add up or you don’t feel ready for it, then you have no obligation to tour.

Never let anyone tell you there is only one way to succeed. There are countless ways to excel in the music business, including numerous methods that have yet to be discovered. The best path anyone can take is the one that makes the most sense to them. That way, even if things don’t work out, you did things your way, and that’s more than many creatives can claim.

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Artist Advice Business Advice Editorials Industry News News

The Top Priority For All New Artists

Every artist has a unique journey to success in the music industry, but they should all start with the same goal.

Now is the best time ever to start a music career. The opportunities for exposure and success are at an all-time high, and virtually everyone can begin making money for their creative output as soon as it’s uploaded to the internet. Artists have never been as empowered to express themselves as they are right now, and that has made music as a whole far more interesting.

But regardless of who you are and the kind of music you seek to create, the goal of every musician starting today should be the same: Growth.

Jesse Cannon, music producer and author of numerous books geared at helping musicians succeed, says all new artists should prioritize growth until they have at least 20,000 monthly listeners on Spotify.

Why Spotify? If you asked a few years back, Cannon would have said the goal growth on Facebook or Twitter. Online metrics matter significantly in the industry, and having a sizable audience on any platform is a clear sign to the industry at large that people care about what you’re doing.

These days, however, Spotify is the most sought-after platform for strong performance stats. After all, the streaming giant is where digital engagement transforms into money. Every stream on Spotify counts towards an artist’s income. When labels, management, and the like are looking for new talent, Spotify is the place most turn to gauge an artist’s value.

When asked for more information, Cannon said 20,000 was indicative of an artist having “buzz beyond those of us who talk about [music] all day.” Meaning, an artist with a large Spotify following confirms the general public has discovered and taken an interest in their music. There are many artists that critics and industry professionals love who may never reach a following that large, so it’s important — from a business standpoint — to know music consumers are embracing someone.

Cannon further suggested that artists should avoid releasing or working on albums until they hit the 20,000 listener goal. Until that time, Cannon recommends releasing singles regularly. Consistently giving people a new reason to care or give you a chance is a proven tactic for developing an audience. Until people are willing to wait for something that could take a long time to complete, stick with singles as a means of showcasing your talent.

Careers are built on fans. In the age of the internet, engaging with listeners is incredibly easy. You can tweet at people, post to Facebook, share stories on Instagram, create videos for YouTube, and maintain a mailing list, among other things, without spending a dime. Growth on any platform is excellent, but growth on Spotify makes a difference that other digital communities cannot. Focus your efforts, build a community, and in time you will have the audience needed to support a full-time career.

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Music Biz 101: Drew Holcomb and The Power of Authenticity [VIDEO]

There will always be a market for shallow songs with catchy hooks, but career musicians like Drew Holcomb know that the path to long-term success requires an embrace of one’s authentic self.

A quick Google search will tell you that being an authentic means being someone people view as being genuine. In the world of music, artists who embrace their journey are genuine. It doesn’t matter if you come from money or the middle of nowhere, as long as you share your highs, your lows, and everything in between you can establish yourself as someone who is telling real stories in a market filled with lies.

But let’s be honest: Lies can sell. Virtually everyone enjoys a good pop song about making money, having money, falling in love, or heartache. There are universal desires and pains that people relate to regardless of their authenticity, but songs lacking that element of realness rarely help an artist achieve long-term success in music.

Drew Holcomb is proof that being your authentic self can lead to a long and prosperous career in music. For more than a decade, Drew has been writing, recording, and touring outside the traditional label system. He has never topped the Billboard charts or headlined Coachella, but he has developed a deeply engaged relationship with his audience that supports multiple projects, as well as a monthly record club and a (currently sold out) music festival. Drew plays to sold-out crowds on a regular basis and rarely, if ever, has to compromise his artistic vision for what someone else deems to be “the right thing” to do instead. He is, in short, living the dream.

Recently, while promoting his new single “Dragons” and the album of the same name it hails from, Drew spoke with Haulix about his career and how he’s managed to flourish outside the normal music industry structure. We took that insight and used it to create the latest video in our ongoing Music Biz 101 educational series, which you can now view below:

Drew will also be appearing on an upcoming episode of our podcast, Inside Music. You can subscribe to that series on iTunes or you can stream it on any podcast app.

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Inside Music Podcast #140: FiXT Records

On this episode of INSIDE MUSIC, host James Shotwell chats with FiXT Records co-founder James Rhodes about his label’s big plans for 2019. Rhodes talks about the FiXT approach to finding and recruiting talent, as well as the role FiXT plays in developing talent during an age when many argue record labels are no longer necessary. The discussion continues with talk of social media tactics, the benefits of multi-album deals versus single releases, and what trends we expect to see in the business as the year carries on.

In other news, Inside Music is now available on YouTube! Click here to stream the latest episode on our official channel. You can also subscribe to the show on iTunes, as well as any other podcast streaming service.

https://soundcloud.com/inside-music-podcast/140-fixt-records-james-rhodes

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Inside Music Podcast #137: Goin’ DIY with Connor Skelly

On this episode of INSIDE MUSIC, host James Shotwell calls Beyond The Music founder Connor Skelly to discuss DIY with a catch. Instead of discussing bands finding success outside the traditional music business system, James and Connor chat about professionals who take their careers into their own hands and start something themselves. Connor recently quit his job with this very goal in mind, and though he’s only been at a few weeks he’s already seen some amazing results. Connor tells James of the trials he faced when trying to start something new and even offers advice to those hoping to follow in his footsteps.

In other news, Inside Music is now available on YouTube! Click here to stream the latest episode on our official channel. You can also subscribe to the show on iTunes, as well as any other podcast streaming service.

https://soundcloud.com/inside-music-podcast/137-going-diy-with-connor-skelly

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What Artists Can Learn From The Marketing Genius of Heart Attack Man

Music marketing has changed. Not long ago, artists hoping to stand out would turn to blogs with strong followings to premiere music and share insight into their records. That approach still works today, but with more artists and blogs than ever before, the return for any one piece of content has dramatically been reduced.

These days, artists hoping to make themselves known in a crowded genre need to be more creative than their peers, and that task extends beyond songwriting. Artists today also need to be producing engaging content, primarily social media updates, that generate interest in their music that extends beyond their follower content. That is because going “viral,” if you will, can do more to help someone grow their audience than any premiere or song release.

In 2018, one group making better content — and songs —  than practically anyone else in the alternative space is Triple Crown Records’ group Heart Attack Man. Take a listen to their music:

Hailing from Cleveland, Heart Attack Man consists of four young men whose presence on Twitter and other platforms has helped to catapult their unique take on rock and roll into the hearts of music fans and industry influencers around the world. Through clever videos and self-criticizing memes, the band has managed to develop a reputation for creativity that has encouraged many (including this author) to check out their music. Here’s one example of their social media presence, which was used to promote a recent show in Ohio:

At the time of publication, the video above has over 52,000 views (original tweet). The band only has roughly 3,300 followers on Twitter.

Heart Attack Man creates a lot of great content that isn’t meant to sell anything as well. Here’s one example, which takes aim at the repetitive nature of ‘music journalists’ in 2018:

That video has nearly 8,000 views (original tweet).

Heart Attack Man does not post a new video every day, but they are continually adding new content to their social pages that have the potential for widespread engagement. By making light of the industry as they know and experience it, the band is bringing people into their world and allowing them to join the unpredictable nature of working in music.

The catch to all of this is that you cannot duplicate what Heart Attack Man is doing and expect the same results. The reason these videos, as well as their other content, works for them is because it’s developed from their personal experiences. There is an authenticity to their creativity that we, as an audience, recognize without thinking about it. The only way to find similar success in your career is to develop marketing materials that are equally authentic. Use your experiences, thoughts, and opinions to shape the way people engage with you on a day to day basis. If they relate, the chance they check out your music will be great. If they don’t, who cares! There are plenty of potential fans out there.

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How Artists are Creating Albums with Haulix

The internet has given us many gifts. Among them, the ability to connect with like-minded people from all over the world ranks as one of the best. Anyone with access to the internet can find people with similar interests and work together to build something great.

Brockhampton, the Billboard-topping rap group/boy band, is a good example. The members found one another through an online music forum and began working on music together before they had met in person. That initial connect has since spawned multiple albums, numerous sold-out performances, and press from seemingly every important entertainment publication in existence.

The problem for many trying to develop a band or group through the internet is sharing ideas without allowing incomplete tracks to reach the public. Soundcloud has no security measures beyond easily shareable links. YouTube has the same problem. WeTransfer and Dropbox are good, but they still require a lot of effort to access material, hear it, download it, update it, upload the changes, and share it once more.

Haulix is a superior solution. Though known as a hub for new and pre-release music promotion, Haulix is also used by many music professionals to aid in the development of songs by allowing artists and their team to share material still being refined without fear of piracy.

Let’s use an example to further illustrate this approach:

Red Springs is a metal band featuring members located all over the world. The vocalist lives in Chicago, but the bassist and drummer live in London. The lead guitarist is from Spain, and the rhythm guitarist makes their home in Southern California. Getting together for practice is no easy feat, but getting together to write and work on new material is financially impossible.

To make their metal dreams come true without risking member changes or extreme debt, Red Springs use Haulix to share new and incomplete ideas. The drummer and bassist record scratch tracks and upload those files to Haulix as a new promo. Once complete, they invite the other members of the band to stream, download, and review the material. The other members then use their unique access links to engage with the ideas.

From there, each member of the band can add their own part to the material or choose to create and upload an idea of their own. Those members then share their latest work with the group, allowing everyone to access the content and work on new ideas or suggestions on their own time.

Once their latest material is complete, the band can schedule studio time or work on properly recording their material themselves. They can continue using Haulix to save songs as they are complete, and in doing so push their band forward without worrying about conflicting schedules or time zones.

Every new Haulix account receives one-month of service for free. You can visit the company website to review their plans and find the one that best suits your needs. Cancel anytime during that first month, and you will not be charged.

Have questions? Email james@haulix.com for more information.

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How to keep shirt costs low without risking the quality of your merch

There are many ways to get attention for your band, but regardless of what tips and tricks you may have picked up throughout your experience in music, there is nothing that can impact your careers like a great hook or brilliant melody. This is not a theory or a thought, but instead proven fact that has worked for artists trying to make it in every corner of the music business. Everything else that follows, from touring to merchandise, must take a back seat to songwriting.

All that aside, artists still need to make money. Music sales have dipped across the board over the last decade, and with streaming services like Spotify and Apple Music on the rise, it seems like the amount of money most artists see from their new releases will continue to dwindle for the foreseeable future. Great music still sells, yes, but only a fool would rely solely on the strength of their music sales to support themselves in the entertainment business. Merchandising beyond albums and singles is an absolute must in today’s music business, and the one item every artist can use to generate income while trying to craft that perfect song is a t-shirt. There are a billion ways to customize shirts, some far more expensive than others, but by considering the following tips, you can keep costs low while furthering your marketing:

BASIC TIPS

  • Two-sided designs cost more than those with a design appearing on either the back or front.
  • Shirts requiring the use of many inks (colors) will cost more than those created using a single ink.
  • Dark fabric often costs more than light fabric because more layers of ink must be applied for the design to stick

THINGS TO CONSIDER

Large designs can make a significant impact.


Why incur the cost of creating a two-sided shirt design when you can make a more meaningful, more cost-effective impression with a large, single side design. The vast majority of printers charge the same rate for a design measuring 3”x5” as they do for those measuring 12”x12”. That said, not everyone is a fan of big designs so it would be wise to check with your fan base before moving forward with any plan.

Stop printing on both sides.

The occasional two-sided shirt design can be cool, but trying to cover both sides of every shirt you create will only raise the overall cost of merchandise. Using the knowledge you gained from the tip above regarding design sizes, artists should think twice before incurring a potentially unnecessary extra expense.

Use fewer ink colors.

Fans of alternative and punk music have been one of the leading forces behind a recent trend toward more color-heavy shirts. Bands like A Day To Remember and Asking Alexandria have found great success with shirts featuring cartoonish designs and many bright colors. Similar branding efforts may work for smaller artists as well, but those musicians should first consider the additional costs incurred from use of multiple inks. The number rises with each color, and unless artists plan on ordering a large number of shirts up front (500+) the upfront cost may be more than some are willing to pay for a few extra colors. Our advice is this: Keep it simple. Try and use one color whenever possible unless you know the idea you have is going to be a hit with listeners.

Order more shirts.

We touched on this a bit in the tip above, but one way musicians can lower the cost of their merchandise is to increase the number of shirts they order at one time. The price due up front will rise, but the cost per unit will drop, which in turn raises the revenue potential for your order. 100 shirts are better than 50, but 500 shirts at a time would be an ideal place to start. Of course, if you don’t have an engaged audience large enough to support such an order, then you should keep things small.

Consider offering shirts for a limited time only.

One way to cut out virtually all costs from merchandise orders is to create the exact number of items needed. Most print shops will tell you the per unit cost on whatever design you wish to print, as well as the number of units you must purchase to lower that cost. With this information in hand, artists can launch shirt designs that are available for a limited time as pre-sale only items. Once the purchasing period ends, artists can order the exact amount of shirts needed without having to make any investments out of pocket.

Think twice about upgrading your shirt choice to a fashion brand.

One determining factor in how well your merchandise will sell is how comfortable that item is perceived to be. There was a time not that long ago when artists with shirts printed on any type of fabric would sell, but in an age where brands like American Apparel exist this is no longer the case. There is a demand for high-quality material, and if you meet that demand you will give listeners another reason to consider purchasing your

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Inside Music Podcast #135: Running a Label with Save Your Generation Records

On this episode of INSIDE MUSIC, host James Shotwell chats with Tony from Save Your Generation records about the realities of running a label in the modern era. Changing trends in the business have placed many small labels in difficult positions, but SYG has thrived thanks in no small part to a community it has cultivated through its releases. Tony shares insight into how that happened, as well as how he approaches each release. If you ever wanted to start a label of your own, this is the episode to enjoy.

In other news, Inside Music is now available on YouTube! Click here to stream the latest episode on our official channel. You can also subscribe to the show on iTunes, as well as any other podcast streaming service.

https://soundcloud.com/inside-music-podcast/135-running-a-label-with-save-your-generation-records

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The near-mythical power of cutting yourself some slack

Time. It’s the one thing we all want that is always fleeting and impossible to replenish. The luckiest among us realize the value of time in their teen years, but most don’t appreciate it’s true nature until some great loss occurs in the mid to late twenties. Whatever the case may be for you, it’s likely you feel your time to quote/unquote ‘make it’ in music is constantly slipping through your fingers. Every day it seems there is a new, younger hitmaker finding success. That yodeling kid from Wal-Mart went from viral fame to releasing a (really freaking good) hit single distributed by a major label in under a month — all before he’s old enough to take a driver’s education course.

Here’s the thing you have to remember: You don’t have to find success at a young age to become successful in life. There are no age restrictions on happiness. The digital age has presented new opportunities for overnight success, as has reality television, but that kind of exposure the associated success comes from chance, and you cannot rely on luck to get you through this life. At the risk of sounding pessimistic, it just doesn’t make sense. The universe cares not for your flights of fancy and the things you wish you were, nor will it ever bend over backward to assist you in the day to day struggles of being a functional human being.

So, if viral success isn’t the ideal path, then the only one that remains is the same one traveled by every person working in music today. Success in this industry is, by and large, earned through years of handwork and dedication to your craft. It’s the result of treating others well and always doing your part, regardless of whether or not others did the same. Success, for lack of a better description, is the sum of everything you’ve done over the entirety of your time in music.

With this in mind, you may think you need to work harder than ever. We’ve been conditioned to believe that any waking hour not spent working on something that helps us inch closer to our goals is time wasted. After all, someone somewhere is no doubt chasing the same dream as you or I and they’re probably working on something incredible, right? That’s what my brain tells me.

The fact of the matter is that whether you pull an all-nighter tomorrow or not isn’t nearly as important as your longterm commitment to this field. Success in music, especially the kind of success that leads to a legitimate career (with benefits, etc.), takes time. There is no way around it. There is also no rush because there is no endpoint. There will never be a day when you reach a professional peak, and the sky suddenly disappears. There will always be another thing to make, pitch, sell, or whatever it is you wish to do with your life. Always.

Do not be afraid to rest. Take the night off if you need it. Heck, unless you’re getting paid to do something feel free to take as much time as you need whenever you need it. Those who are indeed called to this industry can never stay away for long, and in time you’ll feel that passion you’ve been searching for return. This journey we are on lasts a lifetime if you want it to, but you have to take care of yourself. No one else can do that for you.

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