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The Argument For Buying Sponsored Posts

In the age of social media, access comes with a cost. You can fight and complain, but sometimes, the price is worth the outcome. 

Anyone promoting music for two years or more will tell you that meaningful reach is increasingly hard to achieve. Regardless of how many followers you have or how many people like your pages and posts, getting updates to your fans is a challenge music professionals struggle with every day. Mailing lists can help cut through the noise, but the likelihood of convincing the vast majority of your audience to sign up for such messaging is low. 

Consumers like to believe that social media will tell them everything they need to know, but in many cases that isn’t true. The Haulix Facebook page, for example, has more than 2,000 Likes. Two years ago, any post we made would reach at least 25% of our audience (around 500 people). In today’s marketplace, however, the same posts reach 10% of our audience or less. 

How many people are exposed to your posts is based on a number of algorithms. Reach benefits from the total number of followers or likes your account has, of course, as well as the amount of engagement a post receives. Reach is negatively impacted when an account posts too often and when posts receive low levels of engagement.

But isn’t it possible that low engagement is the result of low reach? Of course it is, and that is where Facebook — as well as other social media platforms — hope to convert users into customers with sponsored posts.

Many in the music business have preached against purchasing reach for as long as such options have been available to musicians. Many believe purchasing reach goes against the DIY ethics that so many artists and industry vets built their careers upon because it circumvents the traditional or ‘natural’ discovery process. 

The problem is, natural discovery doesn’t exist in the world of algorithms. Spotify shows consumers what it thinks they want to hear and Facebook shows them what it thinks they want to see. Introducing new ideas takes a backseat to maintaining engagement/interest. Word of mouth may help get artists ahead, but getting in front of people who may become vocal supporters in the digital landscape is rarely something that occurs organically. 

With that in mind, musicians must choose to either pay for reach or work against a system that increasingly limits the amount of exposure platforms will provide. The latter is makes sense morally, but from a business standpoint, the former is the smarter choice.

When artists research sponsored post creation and utilize their knowledge to target the people most likely to engage with their content the likelihood of success is incredibly high. There are artists today, such as Virginia rapper Lucidious, who utilize direct marketing strategies for Facebook and Instagram — often through guides provided by those platforms — to grow their audience to the point their careers become full-time jobs. Musicians are now able to reach the point of sustainability in their careers without labels or publicists as long as they learn and implement the tricks to working within the social media system.

Make no mistake: Purchasing reach with no understanding of how to set up ads that reach the people most likely to support you financially will end badly. Facebook and all other social media platforms do not care how well your ads perform as much as they do whether or not you purchase ads. Reach is guaranteed, but conversion is not. 

And if you’re still on the fence, I get it. No one wants to pay for reach that should be given to them. If 100,000 people follow your account, then 100,000 people should be shown your latest update. That makes sense, in theory, and it sounds fair.

But zoom out a bit and put that idea into perspective. Most people like at least a dozen artists. People also love numerous brands, stores, and content creators, all of whom have updates they want to share, as well as countless people they choose to connect with online. If everyone was shown every post by every account they follow no one would be able to keep up. Quantity would overtake quality in a manner that negatively impacts everyone, and all sense of community in social media would be lost. Algorithms, for the most part, help make sense of the chaos that would otherwise exist without such measure being put into place. 

The truth is that sponsored posts are here to stay. You can rebel as much as you want, but those looking to get ahead should use this system to their advantage. Don’t invest heavily until you understand the tools. Once you do, the sky is the limit.

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What TikTok Users Want To Hear

TikTok is making superstars, but what kind of musicians are most likely to get ahead on the fastest-growing social media platform?

TikTok is an unstoppable force in the world of music. With more than one-billion downloads worldwide and over 500 million monthly users, TikTok has a sprawling community of creators who are actively shaping pop culture on a daily basis. From dances to jokes and even music, TikTok is at the forefront of social influence among young people, and that trends is likely to continue for the foreseeable future.

TikTok’s influence on music is perhaps its most interesting. Since helping Lil Nas X rise to history-making success with his hit song, “Old Town Road,” the platform has aided other unlikely stars in finding success. First came Blanco Brown and “The Git Up,” which is now a platinum-certified song, and then came the one-million-dollar deal Stunna Girl received after her track “Runway” went viral. More recently, fast-rising star Ashnikko found a burst of attention after TikTok users discovered her sexually-charged smash, “STUPID.” 

The users of TikTok are catapulting artists to the forefront of pop culture that may otherwise have never received a chance at stardom. Many of the biggest songs on the platform are from musicians with no deal, no touring experience, and only a small catalog of tracks. With the right users finding a track, virtually anyone can become the next star the platform gives to the world at large.

To help get you started, we studied the biggest hits on TikTok in October 2019 to find what, if anything, the songs have in common. Here’s what we learned:

Memorable lyrics are often key

The greatest songwriters from previous generations made an impact on culture with songs and albums that told elaborate, sprawling stories of the human condition. Some of those tracks may find an audience on TikTok as well, but most users are seeking out 4-16 bars that make an immediate impression on listeners. Lyrics that may seem silly or outright ridiculous to average music consumers often take TikTok by storm. Here’s just one example:

TikTok Loves Lyrics You Bring To Life

Going hand in hand with memorable lyrics are songs that are easily brought to life. That can mean direct call to action lines like those found in Blanco Brown’s “The Git Up” or a story that people can easily act out. Tongue-in-cheek lyrics tend to perform best, like these lines from rapper Lil Mayo:

People want to dance

Dancing is a huge part of the TikTok community. When users find a song that inspires them to move, trends begin that can change an artist’s career in a very short amount of time. Whether the dances are good or bad doesn’t matter nearly as much as the fun one has performing them, which is good news for every artist whose material has a great beat.

Don’t be afraid to switch it up

Sometimes the thing that makes a song popular on TikTok has nothing to do with the lyrics or the ability to dance. Kesh Kesh found success by sharing a song that includes a beat change in the opening moments that inspired an entire lane of TikToks where people surprise viewers with (often elaborate) outfit changes. Check it out:

You can never have too much bass

The majority of the viral songs on TikTok hail from the worlds of rap and EDM. Both areas of music are known for in your face production and lyricism, which fits well with the need all TikTok users have to make a quick impression on viewers. Bass-heavy tracks, as well as song that contain bass drops, have been known to take the platform by storm. 

Remember: TikTok clips are usually fifteen-seconds long. When looking for tracks to upload and share on the platform, try searching from the most memorable clips from your material that fit that time restriction. 

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How To Make The Most Of Spotify’s Canvas Tool

There are going to be a lot more looping videos on Spotify in the near future, and that’s good news for everyone.

Spotify is taking further steps to empower artists on its platform. This week, the streaming giant is expanding its Canvas visualization beta program to more of the ‘most active Spotify for Artists’ users. The company claims that adding a ‘high-quality [clip] to a track can increase streams, saves, artist profile visits, and shares.’

Canvas allows artists to create and feature looping visuals in the “Now Playing” area, which Spotify says is the most-viewed location in the Spotify mobile app. The clips last 3-8 seconds and can be updated as often as the artist desires. Here’s a Canvas clip in action for reference:

According to Spotify, “adding a high-quality Canvas to a track has increased streams by up to 120% and saves by up to 114%, in addition to lifts in artist profile visits and shares.”

The company adds, “It’s a way to get noticed and build a vision — and an excellent way to share more of who you are with your listeners, hopefully turning them into fans.”

But what makes a Canvas good, and how can artists on tight budgets compete with stylized visuals major labels can provide? Here are some tips to get you started:

Vertical video is king

Canvas uploads will be viewed by people holding their devices as they use the Spotify app. With this in mind, make sure the clips you upload are formatted for a vertical video presentation. 

Do not use your song title or artist name

That information is already present on the screen. There is something to be said for emphasizing your branding, of course, but Canvas is not the place to make that a priority. Canvas uploads should reflect the aesthetic of your music. Think of it as an extension of the music itself. It’s an expression of who you are as an artist, and you shouldn’t waste the limited space available to you with restating information that is already clearly available on the screen.

Avoid footage with talking, singing, or rapping.

Canvas clips are 3-8 seconds in length. If your clip features mouths moving they will rarely, if ever, sync up with the music. That could distract people, which in turn will make them lose interest in the song. 

Keep rapid cuts and flashing graphics to a minimum.

There are a number of people with sensitivities to strobe lights, as well as people who feel overwhelmed by quick edits. You want your Canvas to be as appealing as possible to as many people as possible, so try to avoid anything that might make people sick or otherwise uncomfortable.

Try telling a (very short) story.

3-8 seconds is not very long, but there are many ways to make something that grabs and holds listeners’ attention in that amount of time. After all, .gifs are equally as short and they’re widely considered currency in internet culture. Take up the challenge of creating content that seamlessly loops, or perhaps string together all the Canvas clips for your album to tell a single story. Think outside the box. Be weird. 

People love a theme.

If storytelling is not your strength, try using canvas to tie your music together with a theme. Pull from your artwork or branding to create visuals that leave a lasting impression on viewers. For example, if you have flowers on your cover art, try using flowers throughout the Canvas loops created for the individual tracks.

Focus on the middle.

What people see at the edge of your Canvas clip will depend on the device they are using to view the loop. With this in mind, keep the most important content of your video centered in the frame. That way, everyone who views the clip is guaranteed to see what you created in full.

Update often.

Canvas loops should not be considered a one and done scenario. Some artists have found success by changing their loops every week, while others rotate visuals on a bi-weekly or monthly basis. Keep listeners on their toes by giving them new content to discover on a regular basis.

Don’t be an idiot.

People of all ages, genders, and ethnicities use Spotify to discover music. Creating Canvas clips containing violence, sex, or anything insensitive will get your content pulled and limit the potential reach of your music. In certain cases, Spotify may even delete your account. 

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One Music Marketing Trick Every Artist Should Avoid [Video]

The internet has created countless avenues to promote their music, so why would anyone invest money in people who are not crazy about their songs?

Music marketing is a tricky business. What works for one person may work for others, but there are no guarantees. You could write the best song anyone has ever heard, gain tons of engagement online, and still remain anonymous to the masses. It’s chaos.

If you are trying to promote your music right now you may feel desperate. You may feel like you would give anything to get the attention and promotion that only influencers can create. You may spend hours on Google looking up articles like this one seeking a solution.

If that is where you find yourself right now, I’m sorry. It shouldn’t be as hard to get the attention of music fans as it is, but that is life. You can curse the sky and copy the tricks of others, but there is one avenue for music promotion that should be avoided at all costs.

Never, under any circumstances, should you pay for press coverage. Ignore blogs and podcasts and video makers who claim they can make you a star in exchange for a small investment in their business. It is a hoax that has been perpetuated by numerous people since the dawn of music journalism, and it is increasingly prevalent in the digital age.

There are countless avenues for exposure today, and there are people in positions of influence who will take interest in your music. It may take time to find them, but they do exist. Influencers asking for money in exchange for promotion do not care about you, and there is a high likelihood that they never will. Why would you want to give that person money to spread a lie?

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A Step-By-Step Guide To Making The Most of Your Next Single Release

Your next single release should be the biggest moment of your career to date. Whether or not that turns out to be the case is entirely up to you.

In the streaming era, singles matter as much — if not more — than albums. A single song can determine whether or not someone gives the rest of your music a chance, if they see you on tour, or if they ever think of you again. You have one chance to convert listeners, and most of the time that chance is the first thirty-seconds (or less) of any song you choose to promote.

With this in mind, it is very important that you treat each single release as if it is the biggest thing to ever happen. Your singles should be events that are promoted heavily and celebrated thoroughly. Everyone should know you have a new song, even if they don’t get around to streaming the track themselves. 

Thanks to our pal Jesea Lee from High Road Publicity, we now have a seven-step guide to maximizing the value of a single release. Check it out:

Set a release date with enough lead time!

Most artists don’t have enough content to fill two months of promotion for a single song. Maybe you’re the exception, but generally speaking, four to six weeks is an ideal timeframe to promote new music. That allows you time to make sure everyone who cares about your career and many who don’t are made aware of your plans. 

Create a Spotify pre-save campaign.

Streaming is king, so you might as well bow down and acknowledge the reign Spotify has over the music business. Pre-saves ensure people don’t forget your new music is released, and they only take a few minutes to create. SmartURL is a tool which allows you to create different geo-redirect links for music & more. It is completely free, although some features are restricted to registered users only (registration is free!). SmartURL has a tool called ‘Pivot’, which will allow you to put all of your URL links into one landing page, such as iTunes/ Google/Amazon/Spotify, etc, and your fans can then choose their favorite service and be redirected to it. If you’re looking to only set up a pre-save, there is a specific ‘Pre-Save’ tool. This is open to registered users. To set up a pre-save on Spotify you’ll need the URI of your release.

Other pre-save link generators exist. Find the service that best meets your needs and use it.

Update your Spotify profile.

When your new single comes out, and the world is finally paying attention, how will people know who you are and what you’re all about? Spotify profiles can feel sparse at first, but you can make the most of them by adding thoughtful bios, tour dates, and plenty of pictures for your fans to enjoy. If you have the budget, please consider hiring someone to help create a bio and other content for your page.

Submit for Official Spotify Playlist Consideration and Release Radar.

Playlists are the new mixtapes. Placement on popular playlists can turn unknown musicians into viral sensations overnight, sell tickets, and get people talking about your music. Spotify has a great tool for playlist submission that will get your song in front of curators who oversee some of the platform’s most popular playlists. Here’s how it works:

  1. Log in or sign up to Spotify for Artists using a desktop computer.
  2. On the ‘Home’ section, click ‘Get Started’ next to the music you’d like to submit.
  3. If it’s an album or EP, choose one release to submit.
  4. Complete the playlist submission form, giving as much information as possible about the track.

Reach Out to Press and Independent Playlists

You know what is louder than you screaming into the void known as internet about your new material? Dozens of people screaming into the void about your new material.

Haulix is used by thousands of artists to reach tastemakers in all corners of the world with fully-customizable promo pages that compliment the music being shared. You can sign up today for a one-month trial, upload your contacts, and immediately begin promoting your music to people in positions of influence throughout the industry.

If you need help finding independent playlist curators, try this post or this one.

Tease on socials. 

Your creativity outside of writing and recording will likely determine how much traction your new single receives online, especially from people unfamiliar with your work. Create and share teaser clips, video clips, memes, song lyrics, behind the track information, and anything else you can think of to promote the song’s upcoming release. If you need help coming up with content ideas, especially if you have a limited budget, we recommend learning from artists like Heart Attack Man and Hot Mulligan. Both bands keep their names circulating throughout their music scene without needing to constantly release polished music videos or studio tracks. Just be yourself (in the most creative way possible).

Prepare your release day social posts

The last thing you want to happen on release day is to find yourself scrambling for content. At least five days in advance of your single release, take time to craft a series of social media posts that are unique to each of your channels. Know what you’re going to post to Instagram, Twitter, and Facebook, as well as when you’re going to post it. That way, when the day comes, you can focus all your energy on engaging with listeners in real time. 

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How to Throw Multiple Listening Parties for $100 or Less [VIDEO]

Listening parties can engage fans, grow your community, and raise awareness about your next release like nothing else in music.

There is no promotional event as incredible as a listening party. For an hour or more, fans gather together to experience the latest release from their favorite artist. The energy and excitement in these gatherings are electric. Everyone there is present because the artist’s catalog does something for them that nothing else in music or beyond can duplicate. Listening parties are a celebration of music’s power to move people, and you deserve to have them for your next release.

But there is a problem. Historically speaking, listening parties are often considered an expensive affair. You have to rent a space, be it a bar or venue, promote the event, create and distribute marketing materials, and perhaps pay for refreshments. Fans have often had to pay for the experience as well, be it through tickets or drinks.

We have a solution. For less than $100, you can plan and execute numerous listening parties all over the world on the same night. We can walk you through everything you need, but it’s up to you to find an audience. The plan below will only work if you have devoted fans who want to see you succeed. If you have those, then follow these steps to create an event no one will forget:

First off, you need to communicate with your fans. Whether this is accomplished through a newsletter or private Facebook group for key followers doesn’t really matter. Tell your audience you are seeking devoted fans willing and able to host small get together for your upcoming release. The only requirements they need to meet are a location for the event, the ability to host the event when you plan for it to take place, a computer, and speakers capable of playing music loud enough for everyone to hear your music. Be selective with your choices. The fans you choose will be representing you and your music for the duration of the event.

Haulix is the platform you will use to share your music with party hosts.

Next, you need a Haulix account. Haulix is the industry standard for music promotion, and right now they are offering one month of service free to everyone who signs up. Visit the Haulix website, pick a plan that works for you (we recommend Beast Mode to begin), and complete your registration. Haulix is the platform you will use to discreetly share your new music with listening party hosts. The service also allows you to control the number of times the music can be played, when people have access to music, and more.

The Promos screen is where you upload your music.

Once your Haulix account is activated, you will need to add your music to the service. Log in to your account and click the Promos tab at the top of the screen. Create a new promo with the music you plan to share through your listening parties. Be sure to add artwork, release information, and any other details you feel fans should know.

After your music is uploaded, begin creating introduction clips for your listening parties. Audio or video introductions are acceptable, but video content adds a personal touch. You may even want to make different videos for each event. That allows you the opportunity to specifically address each crowd by mentioning their cities or states, which again, helps create a connection with those in attendance. You can add the videos to your Haulix promo or upload them to YouTube (leaving them unlisted).

Promo invitations grant party hosts access to your music.

With all your materials complete, deliver the videos and event details to each listening party host with personalized messaging that reinforces dates, times, and any other particulars. Then you need to use Haulix to invite your hosts to engage with the materials you uploaded. You can find a step-by-step guide for sharing music on Haulix using the company’s help site.

After the event, be sure to send thank you notes to the hosts and any attendees. Personalize the messages to ensure people know you appreciate the work and time they dedicated to promoting your work. You should also consider revoking access to the materials through Haulix to ensure the album or single does not leak in advance of its release.

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Four Simple Tricks For Reaching Tastemakers

Everyone wants to discover the next superstar artist, and every young artist wants to be the next big thing. We’ll help you stand out in four steps or less. Just make sure the music is good.

It has never been easier to share your music than it is right now. At the same time, however, it has never been more challenging to reach the people in positions of influence. With the barrier to entry into the music marketplace at an all-time low, aspiring talent has flooded the industry with music they believe could change the world. No one has time to listen to everything, but everyone who is anyone receives constant requests for their attention.

As a music critic and journalist myself, it is not unusual to receive more than one-hundred emails per day. During busier times of the year, such as October, that number can quickly rise above the two-hundred email mark. I want to claim that I find time to listen to everything, but that would be a lie. I look at what I know first, and then I try new things, but only if there is enough time (and there is rarely enough time).

When I speak at conferences and colleges, musicians and aspiring music professionals ask how they can cut through the noise. They yearn for a simple, secret solution that the public doesn’t know about, but no such tool or trick exists. What I tell them instead is what works for me, which is not unlike what works on everyone else. The advice may seem simple, but it is useful.

First impressions matter

You would not believe the number of artists who blindly send their music to tastemakers every single day without as much as an introductory email. These releases, by and large, go unheard. Why should I spend time listening to someone I don’t know who shows no interest in knowing me? People prefer to work with people they know and believe in, so make yourself known and give them a reason to believe in you.

Email is an excellent place to start, but social media might be even better. Engage with posts from tastemakers you hope to reach and let them know you appreciate their work. Don’t worry about selling yourself as much as making a good impression. If you can do that you will be miles ahead of the competition.

Send links, not files

As I said before, most tastemakers receive over one-hundred emails a day, and those explicitly working in artist discovery tend to receive countless more. As a result, everyone’s inbox space is limited. The only thing attaching song files to an email will accomplish is earning your letter a one-way ticket to the recipient’s trash can.

Comparisons can be enticing

Artists like to believe they are the only person/group on the planet capable of making the kind of music they create. There may be some truth to that, but you probably have more in common with other artists than you realize. Everyone is writing about either themselves versus the world, themselves versus nature, or themselves versus themselves. There are only so many stories to tell. You are likely influenced by many who have written songs about the same things you now hope to discuss. By using smart comparisons, you make it quicker for industry professionals to understand the type of music you’re creating. The faster they can understand you and your sound, the better.

Use a promotional distribution platform

The concept of “faking it til you make it” is a good approach to the music business. Industry professionals want to work with artists who know how to sell their music and how to manage the business of music.

There are numerous ways to send music to industry professionals. You can use file-sharing services or streaming platforms, but most don’t make a great lasting impression on listeners. If you want to present your art in a manner that reflects who you are as a creator, then you need a promotional distribution service.

Haulix offers a secure way to share streams and downloads of your latest release through email invitations and promotional web pages customized to reflect your talent. Not only will you be sharing your music using a service that the industry recognizes, but you will be doing so in a way that places the focus on you. Your promotional page will have no third-party ads and minimal Haulix branding. Your pages will represent you, and they can be customized to do that in many ways (cover art, background images, videos, bio, tour dates, etc.).

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Music Marketing 101: Work The Line

Clever digital marketing will get you far in the music business, but creative real-world marketing still matters.

Waiting in lines is an essential part of the live music experience. Be it a club show or an arena gig; music fans stand in lines to enter virtually every show they attend. The most dedicated followers often line up hours before anyone else to ensure they get to stand as close to their musical heroes as possible. That kind of devotion is an essential part of fandom, and it provides up and coming musicians a great opportunity to build their following.

When tours come through your region with lineups that relate to the music you perform, you should be working the line. In the simplest terms, working the line refers to a face-to-face promotional effort where musicians engage with music fans waiting to attend a show. It’s simple, effectively free, and can yield new followers of your career.

Many musicians work the line in three simple ways:

  1. The performers carry signs or wear shirts promoting their music. That way, everyone who sees them also sees their logo.
  2. Musicians will often carry a phone or portable MP3 player with high quality (over the ear) headphones. With each person they encounter, the musician will ask them to give their music a chance. They will also have CDs and download cards available for anyone who may feel compelled to make a purchase on the spot.
  3. After sharing their music, artists will ask consumers to sign up for their mailing list or to follow them on social media. That way, everyone who takes an interest in their music is contacted at least one additional time in the future. 

Some musicians think outside the box. Recently, I was walking by a venue in Grand Rapids, MI, when I spotted the following message written in chalk under an overpass:

Grand Rapids’ rapper Beatrat has the right idea when it comes to music promotion.

When fans line up for shows at that venue, the crowd often stretches under that same overpass. Considering there are no billboards or businesses in that space, this message from Beatrat is likely to garner some attention. It may not be pretty and it may not be the best possible representation of the music, but it is effective.

If you’re not working the lines outside venues in your area to promote your music then you letting dozens or more potential fans slip through your fingers. Step outside your comfort zone, learn how to talk about your music, and put yourself out there.

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Three common marketing mistakes artists make online [VIDEO]

Digital marketing is an essential element of music business success, and there are certain things everyone must do to get ahead.

Music is all about self-expression. A great song can tell the world who you are, what you feel, and what you believe matters most in life. That same material can make an impact on listeners that literally changes how they see the world around them. Music is a wonderful thing in that way, but to reach people, you need to know how to market your creativity.

Digital marketing is the backbone of music promotion today. It is impossible to imagine an artist getting ahead without having a strong presence online. Before you can reach the masses with your ideas, however, there are a few essential marketing concepts you need to understand.

First and foremost, consistent branding is what separates musicians people remember from the ones who are forgotten. There are way more good musicians no one remembers than there are great musicians everyone can easily recognize. The reasons for this are numerous, but more often than not, branding is at the center of it all. A great brand makes you seem more professional, more talented, and altogether better.

As for the other two elements, you’ll need to watch the latest episode of our video series, Music Biz 101. Embedded below, the video finds host James Shotwell breaking down the essential elements of successful digital marketing that many artists overlook when attempting to promote themselves online.

Don’t allow yourself to become another musician no one remembers. Watch this episode of Music Biz 101 and get to work!

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PSA: Your band does not belong on LinkedIn

LinkedIn is the place where professionals from every industry connect, but the platform has nothing to offer groups trying to promote their new release.

Social media plays an essential role in music today. Every artist has at least one account. Most have several, and if they’re smart, they create unique content for each. 

Gary Vaynerchuk, one of the web’s most prolific business strategists, says people should share 100 pieces of content per day on social media. That is a lot of work, especially if you are creating content for platforms with nothing to offer your career.

LinkedIn is no place for bands. Musicians balancing their passion for performance with the need to work a day job may find it useful for networking, but it is no place for music promotion.

That should be obvious. No aspect of LinkedIn or its marketing is meant to engage musicians. Some could argue it barely engages the music industry at large. Still, not a week goes by without musicians — or worse, bands — send invitations to industry professionals at all levels of the business.

This does not convey “I understand the internet.”

Using LinkedIn to promote your music with a profile could even be detrimental to your career. Label executives and A&R reps are seeking talent that knows how to leverage social media for success. A profile on LinkedIn for your music career reveals a lack of understanding. It says, “Hey world, I’m flailing. Please give me attention because I don’t know how to capture your eyes and ears.”

Instead of adding more social media profiles to your brand, focus your efforts on the platforms where people are already engaging with your music and similar artists. Specifically, work on maximizing your presence on Facebook, Twitter, and Instagram before going anywhere else. That is where the online masses are engaging with content, and that is where the chance of discovery is highest. 

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