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Why Joe Rogan’s Spotify Deal is GOOD for Musicians [Video]

Joe Rogan is taking his massively successful podcast to Spotify in an exclusive deal that is upending the entertainment business.

The Joe Rogan Experience is the most popular podcast on the planet. Each month, the show’s in-depth interviews earn 190 million downloads and generate over 300 million YouTube views. That engagement translates to a ton of cash for Rogan and every platform hosting his show, but soon fans will have only one place to turn for their JRE fix.

Spotify announced an exclusive partnership with Joe Rogan on Tuesday, May 19, that will bring both the audio and video version of his platform to the service by the end of 2020. News of the deal and Rogan’s rumored $100-million payday has upended every facet of the entertainment business, with executives and artists at every level wondering what the move means for the future of audio. After all, podcasting is huge, but is it 9-figures huge?

To put this deal into perspective, an artist promoting their music through Spotify would need at least 28 billion streams to earn that much money. Drake, the most successful artist in Spotify history, only crossed the 28 billion stream threshold in late 2019.

But the deal is done and there is no turning back. Artists will continue to complain, but we see a lot of good things developing as a result of this announcement. For starters, a more Spotify users raises the likelihood of increased streams and discovery. Then there is the video element to Rogan’s deal, which will require a massive UI update that creates a world of possibilities for all creators.

In this Music Biz News update, host James Shotwell breaks down Rogan’s deal and explores the many ways his Spotify partnership will help artists everywhere in time.

Get more of the latest music headlines and learn how to succeed as an artist by subscribing to our YouTube channel!

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How Coronavirus Is Changing Music Consumption [Video]

With every artist unable to tour for the foreseeable future due to coronavirus concerns, all eyes are on music streaming and the revenue it (hopefully) produces.

Coronavirus has left countless musicians off the road, out of work, and struggling to make ends meet. The dependency on album sales and streaming has never been as high as it is now, but startling data brought to light by Rolling Stone (and other sources) say that music streams are declining.

According to numbers from Alpha Data, the data analytics provider that powers the Rolling Stone Charts, streams in the United States actually fell last week, failing to offset a far more grim downturn in digital and physical album sales.

During the week of March 13 through March 19, the same week most businesses and restaurants were forced to close, streams dropped 7.6 percent, to under 20.1 billion. Programmed streams on services like Pandora dropped 9 percent to just under 3.5 billion, while on-demand streams (audio and video) dropped 7.3 percent to 16.6 billion.

The sales side of music did not far any better. Digital song sales dropped 10.7 percent to 3.9 million, which is the lowest one-week total since Alpha Charts began tracking the sales. Physical album sales plummeted 27.6 percent and digital album sales dropped 12.4 percent. Album sales declining is nothing new, but these changes are closer to jumping off a cliff than rolling down a hill.

What the charts fail to reveal, however, are the likely reasons for these changes. With businesses closed and more people working from home, commutes have temporarily dissipated. The vast majority of listening time for individuals can be attributed to time spent in their cars, but most have nowhere to go right now. People also have limited time to themselves at home, as everyone (spouses, partners, kids) is home together. Finding time to listen to an album in full or even music in general, is difficult.

But fear not! As host James Shotwell explains in the latest episode of Music Biz, there are still reasons to keep hopes high. Some areas of music are thriving in the streaming age, and there remains a huge audience of devoted music fans who are constantly seeking the next song that makes them feel good. Your music may very well end up being the soundtrack to someone’s quarantine, and that possibility is all the reason anyone should need to keep going.

More importantly, the panic and existential dread people feel right now is temporary. As people come to understand and accept our new reality they will once again turn to music. It’s music, not film or television or video games, that offers hope for a better tomorrow. You have a role to play in the recovery, and we are going to be with you every step of the way.

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Major Labels are now Generating over $1 Million Every Hour From Streaming

According to a new analysis of official fiscal numbers, Universal Music Group, Sony Music Group, and Warner Music Group jointly generated $22.9m, on average, every 24 hours in 2019.

The streaming business is big business. That isn’t news, per se, but it is often hard to quantify what constitutes success on most streaming platforms. Some artists consider reaching one-million plays on any song a significant milestone. In contrast, others may see it as a disaster, and those varying perspectives make the entire world of streaming confusing to most consumers. What is, for lack of a better description, good?

Money is a different topic. Everyone agrees that making a million dollars in ant amount of time is a good thing, but making that much per hour? That’s practically unbelievable.

Our friends at MusicBusinessWorldwide have been analyzing the official fiscal numbers of major record labels, and in doing so, they stumbled across a fantastic data point. Universal Music Group, Sony Music Group, and Warner Music Group jointly generated $22.9m, on average, every 24 hours in 2019.

If we look at the last quarter of 2019, things get even crazier.

According to MBW’s number-crunching of corporately-reported recorded music numbers, Universal’s artists and labels generated $1.02bn from streaming in calendar Q4 2019; Sony’s generated $669m; and Warner’s generated $589m. In total, that meant the majors’ recorded music divisions collectively turned over $2.26bn from streaming in the fourth calendar quarter, which equates to $24.8m per day, or $1.03m every single hour.

Streaming revenue growth for Warner, Sony, and Universal year over year

Crazier still is the fact that these numbers are likely to continue growing in 2020. Growth in the streaming marketplace is slowing as the market saturates. Still, there remain many demographics and countries that streaming platforms are hoping to convert to subscribers in the years to come.

Where will it stop? More importantly, what will the artists making these numbers possible see from these massive revenue streams? We don’t have answers at this time, but we hope to have more information soon.

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How Many Spotify Streams Do You Need To Live Above The Poverty Line?

Spotify streaming royalties often upset artists, but how many plays does a musician need to live above the poverty line? We did the math.

The streaming wars are raging on. Spotify has more than one hundred million monthly subscribers worldwide, which places the platform far ahead of its peers, but Apple Music and Amazon Music are gaining millions of new users with each passing month. Whether or not the global economy can sustain the numerous streaming platforms won’t be decided for some time, but whether or not artists can survive the streaming economy is a hot topic that needs to be addressed.

Any industry expert will tell you that musicians today have it easy. There are more avenues for exposure than ever, recording music is (or can be) cheap, and an increasing number of artists are finding success outside the traditional label system. It is theoretically possible for anyone with access to a laptop and the ability to convey a melody to become a digital sensation who has fans all over the world without the aid of big label money (though, to be fair, big label money still makes a sizable difference).

Streaming payouts are a relatively new revenue stream for musicians. No one is suggesting artists survive on streaming royalties alone. Still, with physical media sales bottoming out and competition for tour revenue increasing, the money made from streaming can have a significant impact on an artist’s ability to develop, not to mention sustain themselves.

Still, every other week someone goes viral online and builds an entire career of the profits made from streaming royalties. The majority of these overnight sensations are young and without families to support, but they still have the cost of living expenses that need to be met. That got us to thinking: How many streams does it take to survive on streaming revenue alone?

According to the Assistant Secretary for Planning and Evaluation (ASPE), the poverty line for single-person households is $11,770. If we ignore how that figure would be hard for anyone to live on in a major city (and most mid-size cities), then we can round up to $12,000 and use streaming revenue calculators to figure out how many Spotify streams someone would need to sustain themselves.

At an average payout of $0.006 per song stream, a musician living in the United States needs 3,000,000 plays annually to have a gross income of $12,000. 

Of course, if the artist has a label deal the record company would get paid before the artist. Depending on the amount owed to the label, the artist may need millions of addition plays to see the same amount of income themselves.

But what about people with families? The ASPE puts the poverty line for a family of four (2 adults, 2 children) at $24,250. Using the same average royalty rate, a musician would need 6,062,500 Spotify streams to earn that amount of gross income.

These numbers get much bigger when the musician is part of a larger group. If a band has four members and all four have families where they were the sole source of income, the group would need to generate 24,250,000 Spotify streams to gross enough so each member’s family would be at or above the poverty line.

Again, no one is saying an artist should survive on streaming royalties alone. Some will be able to make it work, especially if they have a large following and low overhead, but most will need to create as many revenue streams as possible to survive. The key to a long career in music today is through the development of a community around an artist and their work that promotes purchasing merch, physical media, and concert tickets. That has always been true, and likely won’t change anytime soon.

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The Top Priority For All New Artists

Every artist has a unique journey to success in the music industry, but they should all start with the same goal.

Now is the best time ever to start a music career. The opportunities for exposure and success are at an all-time high, and virtually everyone can begin making money for their creative output as soon as it’s uploaded to the internet. Artists have never been as empowered to express themselves as they are right now, and that has made music as a whole far more interesting.

But regardless of who you are and the kind of music you seek to create, the goal of every musician starting today should be the same: Growth.

Jesse Cannon, music producer and author of numerous books geared at helping musicians succeed, says all new artists should prioritize growth until they have at least 20,000 monthly listeners on Spotify.

Why Spotify? If you asked a few years back, Cannon would have said the goal growth on Facebook or Twitter. Online metrics matter significantly in the industry, and having a sizable audience on any platform is a clear sign to the industry at large that people care about what you’re doing.

These days, however, Spotify is the most sought-after platform for strong performance stats. After all, the streaming giant is where digital engagement transforms into money. Every stream on Spotify counts towards an artist’s income. When labels, management, and the like are looking for new talent, Spotify is the place most turn to gauge an artist’s value.

When asked for more information, Cannon said 20,000 was indicative of an artist having “buzz beyond those of us who talk about [music] all day.” Meaning, an artist with a large Spotify following confirms the general public has discovered and taken an interest in their music. There are many artists that critics and industry professionals love who may never reach a following that large, so it’s important — from a business standpoint — to know music consumers are embracing someone.

Cannon further suggested that artists should avoid releasing or working on albums until they hit the 20,000 listener goal. Until that time, Cannon recommends releasing singles regularly. Consistently giving people a new reason to care or give you a chance is a proven tactic for developing an audience. Until people are willing to wait for something that could take a long time to complete, stick with singles as a means of showcasing your talent.

Careers are built on fans. In the age of the internet, engaging with listeners is incredibly easy. You can tweet at people, post to Facebook, share stories on Instagram, create videos for YouTube, and maintain a mailing list, among other things, without spending a dime. Growth on any platform is excellent, but growth on Spotify makes a difference that other digital communities cannot. Focus your efforts, build a community, and in time you will have the audience needed to support a full-time career.

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Spotify takes aim at Apple: “It’s time to play fair.”

A new video from Spotify criticizes the company’s control over the mobile market with the blistering message, “Apple comes between you and the music you love to listen to.”

The streaming wars are never-ending. A decade after the launch of Spotify, consumers have more choices than ever when it comes to streaming providers. There are dozens of companies competing for billions in potential revenue, and the two biggest names are currently locked in a brawl that seems unlikely to be resolved anytime soon.

This week, Spotify was integrated into Siri, the AI assistant included with all Apple devices. Why it took so long for such an obvious thing to happen confused many, but Spotify laid out the truth in a blistering indictment of Apple and its numerous platforms in a video featuring their signature animations. Check it out:

The video can be summarized in one blistering comment:

“We don’t love it when Apple comes between you and the things you love to listen to.”

Spotify’s video explains how Apple sets itself up to be a “referee and player” in the world of audio streaming. The company sites the 30% subscription fee the app store requires Spotify to pay as proof of this claim, as well as the fact Apple does not allow subscription through any other means. Spotify also accuses Apple of using its position of power to continually move the goalposts of the streaming business in a way that benefits its platform, Apple Music. Additionally, they accuse the company of hiding their deals, including the three months of free premium service given to all new subscribers.

At the time of this post on October 8, Apple has not yet responded to Spotify’s claims.

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Spotify surpasses 230 million monthly users, 108 million subscribers

In a new call with investors, Spotify revealed continued, if slow, growth.

It’s good to be king. Spotify was the first to make a big splash with music streaming, and their early entry into the marketplace helped propel the Swedish company to the top of the food chain. These days, the term Spotify has become synonymous with streaming. “You can find them on Spotify” means, “you can stream their music online.” That’s an excellent place to be, and the latest stats for the music company show the good times are far from over.

Spotify held its Q2 earnings call with investors earlier this week. During the update, the company announced it had passed 232 million monthly active users, up 29% since this time last year. Spotify also boasts 108 million paid subscribers, up 31% year over year. An infographic detailing all the latest developments at the company was also released. Check it out:

The biggest announcements of Spotify’s Q2 earnings report.

Apple Music is Spotify’s closest competitor. At the beginning of July, Apple Music announced it had just surpassed the 60 million subscriber mark, which leaves Spotify with a substantial lead. However, the new data from Spotify reveals a slowing adoption rate for subscribers. The cause for that slowdown is not clear, but market saturation and increased competition are two likely factors contributing to the change.

Spotify has a lot of developments on the horizon that the company hopes will raise the growth rate, including additional podcast content and a device for automobiles that will eliminate the need for terrestrial radio in vehicles. You can learn more about the device, which has been dubbed the ‘car thing,’ in the Music Biz News clip below.

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How to Succeed on Spotify in Two Steps

Streaming has made a significant impact on songwriting. So much so, that the entire music industry is trying to catch up to ‘The Spotify Sound.’

No one knew what Spotify would do to the music business. People were quick to assume the easy of access to the majority of all recorded music would lure people away from physical media, but no one thought to consider the ripple effect that seismic shift in consumer behavior would create.

Physical sales of music were on the decline before Spotify launched, but the now ten-year-old company and its competitors in the streaming market have also created a drop in download sales. A few niche formats found success in the early 2010s, specifically vinyl and cassette tapes, but those trends have also fizzled as streaming continues to gain momentum.

The latest evolution resulting from the age of streaming concerns songwriting. With most streaming platforms counting a play after consumers have listened to the track for thirty-seconds, more emphasis than ever is being placed on the way songs begin. There is also added emphasis on the runtime of tracks, as well as the volume of material being released.

On this episode of Music Biz 101, host James Shotwell explains the phenomenon know as ‘The Spotify Sound’ and offers a two-step solution to writing songs that generate a high volume of streams.

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What is the ‘Spotify Sound,’ and how is it changing music?

Spotify has changed the music business in many ways, including a few that you may have never considered.

There are many streaming services in the world, but none of them can compare to the size and influence of Spotify. With more than one-hundred million subscribers, the Swedish based company has nearly double the audience of its closest competitor (Apple Music). The company has grown so popular, in fact, that it has become a kind of shorthand for streaming music. People say, “Do you use Spotify,” instead of, “do you subscribe to a streaming music platform?”

Spotify has revolutionized how artists make money from their music. The company pays, on average, between $0.006 and $0.0084 per song stream. A single stream is counted when the listener has played thirty-seconds of the track. If the listener finishes the song, that’s great, but it doesn’t change the amount of money the stream earns for the artist.

With this in mind, it’s easy to understand why many industry experts claim Spotify has changed the sound of music. The ‘Spotify Sound,’ as it has been dubbed, refers to artists who waste no time getting to the heart of their song. The days of lengthy introductions or slow-burning tracks has been replaced by immediate choruses or other attention-grabbing tactics.

Another element of the ‘Spotify Sound’ is the length of a song, which again is a result of the company’s approach to compensating talent. If a play is counted after thirty-seconds of listening time, then artists are not incentivized to make longer songs. The more financially informed approach would be to record more material that is shorter, thus earning more money. A five-minute song earns as much as a two-minute song, but listeners can play multiple two-minute songs in the same amount of time, which means they can earn more money.

A glance at the Spotify and Billboard charts shows the impact of the company’s influence. “Old Town Road,” which has spent three months topping charts, is less than two minutes in length. The remix, which helped catapult the song into the pop stratosphere, runs just over two and a half minutes long.

Artists who have adapted to the influence of the ‘Spotify Sound’ are seeing success on the platform. In a recent digital feature from PBS, two members of the group Frenship credited their efforts to match the changing trends for the success they found with their hit “Capsize.” Check it out:

Other platforms have different rules for what counts as a play. Some services require a certain percentage of the song to be enjoyed before a play is counted, while others have a higher minimum for time spent listening. Both methods of counting plays encourage the same thing. Artists should make shorter, catchier songs if they want to earn big from streaming services.

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Music accounts for 5% of all YouTube content — and 20% of all views

Despite being one of the lowest paying streaming platforms, artists worldwide can see their careers change overnight through YouTube.

The study by Pex showcases categories on YouTube that are dominant drivers of growth and engagement for the platform. The study examined the performance of publicly available videos on YouTube for a period ending December 31, 2018. The results reveal that YouTube has over 5.2 billion videos, 1 billion hours of content, and 29 trillion views.

To put that figure into perspective, it would take 41,666,667 days of nonstop watching to view everything that was available on YouTube when the study was completed. Even more content is available now.

According to the data Pex shared, YouTube saw around 621 hours of content uploaded every minute in 2018, or roughly 10 hours of content every second. That’s even higher than the 500-hour estimate shared by CEO Susan Wojcicki earlier this year. Unsurprisingly, the length of these videos has increased each year since the restriction lifted.

Youtube videos are getting longer, and ads are largely to blame.

The reason for the change of the average video length is likely the result of YouTube’s advertising deal with creators. YouTube shares a portion of the revenue for ads shown during the video with that clip’s creator, but the service limits how many ads can be displayed based on the length of the accompanying video. Longer videos, therefore, equal more ads, which means more money for creators (even if their viewers are frustrated).

Gaming is the fastest-growing category on YouTube thanks to the popularity of services such as Twitch, but music still has the lead.

The average length of a music video on YouTube is 6.8 minutes, with an average of 2,411 views per minute and 16,397 views per video. That’s compared to the gaming category’s average of 24.7 minutes per video with only 121 views per minute and 2,987 views per video.

Music is the category with the shortest videos, but it generates the most views per average video. The music category received 20% of all total views on YouTube last year — but makes up only 5% of YouTube’s content. Music and Entertainment are the two YouTube categories that deliver the highest returns, but YouTube doesn’t want you to know that because both entertainment and music videos often require the company to pay royalties. YouTube does not want to share revenue anymore than it needs to, which is likely why the streaming giant has been investing heavily into original content.

The less YouTube needs major labels and movie studios, the better, at least for YouTube.

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