Categories
News

Join the 2018 Music Writing Exercise this February!

Music journalist Gary Suarez developed a great exercise for music writers at every level of the profession in early 2015 that has since been revisited every year since. We plan to participate and hope the rest of you will as well. Here are the rules:

Each day in February, listen to 1 full album you’ve never heard, from start to finish. Once complete, write one tweet about the album you just heard and tag it with #MWE so others can follow your efforts.

You can choose any album you wish, but if you’re stumped please do not hesitate to ask us and other for recommendations. In fact, we may post some on here just in case.

Are you in? Tweet us and share your list. Here’s what we will be listening to:

Categories
News

What happens when you steal someone’s work?

We live in the age of content overload. It is impossible for most people to keep up with a single feed, let alone multiple accounts across numerous platforms. Add to this the thousands of websites publishing tens of thousands of articles, each vying for the almighty click, and it’s no wonder people in 2018 would still believe people might not notice plagiarism. After all, nobody has time for everything.

Professionals never plagiarize. Professionals believe their purpose is to create, so they would never think to copy the work of another because it could never be a fitting representation of their own creativity.

The amateur, however, lacks this mindset. The amateur wants to create and impress at the same. They take on more than they can handle and refuse to disappoint. They mean well but lack the ability to follow through on their commitments because they have not yet developed the skills needed to do so. They also haven’t been able to realize and/or admit this to themselves.

Here’s the reality of plagiarism in music writing in 2018…

Every music publicist worth working with has become a master of Google alerts and traditional online research. There is not a single post about their clients they cannot find because proving they got coverage for their client is crucial to their continued success. In short, they see everything.

When a new post appears that resembles or outright steals from another post, that publicist then contacts the author of the original post, as well as their editor. Together, those three decide how they wish to proceed.

There are three ways these situations tend to be handled:

1. No one does anything and the plagiarized post remains up.

2. The editor of the offending site is contacted and made aware of the situation, thus transferring the responsibility of taking action to them and their site.

3. The alleged plagiarizer is contacted directly, often by the publicist who discovered the similarities or the editor of the site whose content was stolen, demanding answers

Of these options, the second method of response tends to be the most beneficial. Once the editor of the offending site is made aware of the problem they typically remove the plagiarized post and confront their writer. More often than not, the offending writer is then removed from the site’s contributor pool.

…But the fallout does not end there.

The music industry is small, and the music journalism community is even smaller. It is not a lie to say everyone knows everyone, even if they don’t know them on a personal level. As soon as plagiarism allegation arise the offender – otherwise known as the plagiarizer – may find it difficult to continue pursuing their work in music writing. After all, what site would want to work with someone who steals other writers’ work? What publicist or label or artist would want someone incapable of creating original content to cover their latest release?

Many who plagiarize claim they did so not out of a desire to mislead, but rather to make their deadlines and otherwise please those who demand they produce content. While this reasoning is understandable to an extent it does not make stealing okay or otherwise acceptable. It is far more professional to admit you are incapable of meeting a deadline or otherwise finishing something you were assigned than it is to lie about how you completed the work. Lies will get you nowhere in the business. Just don’t it.

Categories
Job Board News

Music Industry Job Board (January 29, 2018)

New openings:

Coordinator, Digital Revenue (Sony – Franklin, TN)

The digital revenue team at Provident Label Group works hand-in-hand with online partners to expand our artists’ reach across the digital landscape. We’re looking for someone with a passion for faith-based music, someone whose attention to detail, proven organizational skills, self-motivation and great attitude will help the cogs run smoothly.

If you’re a highly detail-oriented individual who can manage complex spreadsheets…

If you can meet deadlines and adapt quickly to changes…

Then consider this rewarding position as Digital Revenue Coordinator who can coordinate processes to streamline promotions for digital service providers and provide administrative support for Digital Revenue staff.

Millennial Music Brand Ambassador (Care2Rock – Denver, CO)

Do you care about causes and want to help build businesses that support them?

If so, then Care2Rock is calling on you! Care2rock is looking to hire a team of motivated millennials to tell others about our mission-driven brand. Care2rock is a new high tech music learning platform where students take live online lessons at the click of a button. Our teachers are triple vetted (background checked, interviewed, and reference checked) before they are approved to teach on our platform. But best of all, our site also provides free lessons for youth in foster care and hospitalized youth. So every lesson taken on our site benefits a child in need with the gift of music!

Marketing Associate, Media Operations (Pandora – Oakland, CA)

Pandora is looking for a Marketing Associate to join the growing Marketing team in Oakland, CA on a contract basis. This role will be responsible working with Marketing team members to execute direct response, performance, and brand media campaigns and strategies.

Music Contract Administrator (Netflix – Los Angeles)

Netflix seeks an experienced Music Contract Administrator to help support our expanding slate of Originals content (Series, Film, Documentary, Comedy, Unscripted and Kids programming). This role will have broad responsibility for managing the tracking, organization, distribution, and processing of a high volume of contracts for the Music Team, from signature to distribution, archiving, processing and arranging for payment.

Music Clearance Specialist (Netflix – Los Angeles)

As a seasoned Music Clearance Specialist, you love music and everything about the music process for audiovisual production. You know the ins-and-outs of the music industry and music licensing, including the significance of master use, synchronization and public performance licenses and the essential rights that must be covered in each deal. You know everyone in the industry: record companies, publishers, music supervisors, music libraries, production houses, music editors, artists, songwriters and managers. You know exactly who to call to expedite negotiations. You think having multiple quotes (synch and master) for the same song makes complete sense, you’re used to clearing songs with as many as 5 or more rightsholders, and you’re not fazed by split territory deals. You know what action to take when a rightsholder redlines or stamps your quotes and why it’s important to do so. You know who to contact for that obscure track from the 1970s and, if necessary, you’re ready to suggest alternate tracks if it doesn’t clear, even if you’re not in a “creative” role in the traditional sense. You are the first to caution against a “fill in the blank” or “cut and paste” approach to music clearances; in fact, you understand that there is much nuance to each deal and there is no detail that is too small or insignificant. You’re not intimidated by a high volume of clearances and you’re able to combine pace with a high level of precision and professionalism. The music production process for original content is second nature to you – from script to budget to on-camera and through to delivery, reviewing and negotiating licenses forms and compiling cue sheets – you’ve mastered it all and feel comfortable working independently through the process. You have the nuts-and-bolts, now are you ready to be part of the Netflix team?

Music & Theatre Marketing Lead (Stubhub – San Francisco, CA)

We’ve got an incredible opportunity specifically within the Music & Theatre genre, our fastest growing business unit. The Marketing Genre Lead translates business goals into a holistic marketing strategy that is grounded in an understanding of our customer and leverages the marketing channels, brand and product marketing to drive the right audience at the right time. He or she will be responsible for partnering with the business and marketing team to identify growth opportunities for the genre, define the integrated marketing plan on what events/moments to prioritize and ultimately oversee the execution of the plan. This critical leader should be the team captain in supporting and representing marketing across the genre and energizing the marketing team to maximize efforts, while having fun, sharing best practices across the global business and scanning the horizon for our next incredible opportunity.

Tour Photographer and Social Media Manager (Triple 8 Management – Dallas, TX)

Triple 8 Management is seeking an experienced candidate to help design and manage social media branding and photography for a client. The candidate will need experience in photography, branding, videography, and copywriting, along with heavy experience in social media marketing and branding.

Tour Guide, Chicago Theatre (The Madison Square Garden Company – Chicago, IL)

The Tour Guide will present the behind-the-scenes tour of The Chicago Theatre in an informative, entertaining professional manner to scheduled groups of guests. Responsibilities include memorization of a script verbatim, answering patron questions with detail and poise to ensure an overall positive guest experience.

Operations Manager, Google Play (Google – Mountain View, CA)

The Movies & TV Content Operations team in Google Play is looking for an Operations Program Manager, to develop and run processes for managing content distribution in the cloud. In this role, you will create and manage digital workflow, business processes for offer and content management, and more.

Manager, Music Production (Media Networks – Glendale, CA)

The Music Manager is responsible for multiple music productions and creative functions in a fast paced, high volume department. Ideal candidates will have a production and asset management background with a passion for music.

Coordinator, Music Services (Viacom – NYC)

This position will oversee two critical areas of productivity for the Music Services team. The first will be to act as the sole contract manager for all work-for-hire deals related to the acquisition of new music for the music library, and the second will be to assume the day to day product management for music platform.

Supervisor, Music Operations (Carnival Cruise Line – Miami, FL)

We are currently seeking a Music Operations Supervisor. The Music Operations Supervisor is responsible for creating flawless entertainment experiences for our guests that are fun, memorable and engaging using music as the medium. Provides coaching and direction to shipboard teams in rehearsal and on board through effective communication, goal setting, and change management skills; they take a wholistic view of the ship’s music products (DJs, live music and background music) and create (and execute) plans to enhance these products, and additionally, the Leader is expected to innovate and offer up new ideas for better engaging our teams, our guests, and industry players to better elevate the Carnival brand Establish and communicate goals based on product objectives to assigned group of shipboard teams and their team leaders. Monitor and analyze guest satisfaction scores for the fleet, and in conjunction with on board shoreside management, develop and implement solutions for improving the quality of the music product on board. Develop in-depth knowledge of guest demographics and communicate ways our product can best serve them. Coach and manage the process of conducting musician performance reviews and related leader functions. Effectively manage change and create positive team member experience. Operate within assigned budget while looking for ways to decrease expense and innovate new ideas. Continually analyze processes and products and develop strategies for improving future results. Build and foster strong relationships within and outside of Entertainment Department (both shipboard and Shoreside).

Content Development Representative (UMG – San Francisco, CA)

Universal Music Group is currently seeking College & Lifestyle Marketing Representatives in New York City, Los Angeles, and San Francisco specializing in Content Development. The College Marketing Reps play an extremely important role in the development of Universal Music’s emerging artists as well as some of the most well-known artists in the music industry today. The ideal candidate not only has top notch videography and editing skills, but is a key tastemaker that is heavily involved in many campus and community activities.

Partner Engineer, Music (Facebook – Menlo Park, CA)

Facebook’s mission is to give people the power to build community and bring the world closer together. Through our family of apps and services, we’re building a different kind of company that connects billions of people around the world, gives them ways to share what matters most to them, and helps bring people closer together. Whether we’re creating new products or helping a small business expand its reach, people at Facebook are builders at heart. Our global teams are constantly iterating, solving problems, and working together to empower people around the world to build community and connect in meaningful ways. Together, we can help people build stronger communities — we’re just getting started. Partner Engineering is a global team of software engineers who work closely with our strategic partners and world-class engineering and product teams to define, launch, and scale platform products. In this unique partner-facing engineering team, you will use your excellent technical and business skills to deliver solutions that drive value for our community, our partners, and Facebook.

Catalog Coordinator, Production/Administration (WMG – Nashville, TN)

Our Nashville office is very team oriented. This is an important role in supporting the administration of Songwriters copyrights and cataloging their music correctly and efficiently. This role also encompasses handling all audio production needs in the Nashville office.

This person will be working inside of the administrative team and liaising with the Creative team as well in our office.


Older listings (7+ days)

Music Sync Specialist (Another Music Library – Chicago, IL)

Another Music Library is looking for someone to head our Chicago Branch, with 3+ years of experience in music sync licensing sales to market and pitch our growing catalog of independent artists, songs and production music to TV/Film Music Supervisors, Advertising Agencies, Broadcast & Cable Networks, Gaming Companies, Post Production/Edit Facilities, Production Companies, and Trailer Houses. This is a ‘commission only’ position with a great commission rate.

This is an exciting and intensive role to build collaborative creative relationships for the company while also working directly with existing clients based on the east coast of the United States. The role requires a minimum of 3 years of experience with well-established relationships and a quality reputation as a creative and attentive problem solver.

This position requires a highly motivated, self-reliant candidate, who works well independently and will be working from home to build and maintain relationships with Another Music Library’s clientele.

Project Manager, Urban Music (The Recording Academy – Los Angeles, CA)

We are looking for someone with broad and deep knowledge and appreciation of R&B, rap and reggae music who is equally enthusiastic about administrative details, process and database management, committee management, and community outreach.

Sales Operations and Strategy Manager (iHeartRadio – NYC)

The Sales Operations & Strategy Manager will have the opportunity to think strategically and develop key processes, procedures and communications that facilitate operational planning and execution. This position requires extensive cross-group coordination at all levels, excellent communication skills, compelling presentations and comprehensive business review materials that span all the various functions. The position will participate in overall strategy discussions and facilitate business execution.

Integrated Channel Engagement Manager (The Buntin Group – Nashville, TN)

As the Integrated Channel Engagement Manager (Media Planning Supervisor) you will be the day-to-day media account lead for a single client. With account service support, you will be responsible for fielding client requests, attending client meetings and leading development and execution of channel/media strategies for Digital, Broadcast, and Print Media. You will translate marketing/media objectives into strategic media plan development action steps, and manage the Associate(s) through various projects. The Channel Engagement Manager is the primary point of contact for clients on stewardship requests and is responsible for having a firm grasp of both strategic and functional media knowledge. This role offers frequent client contact, ownership of the integrated plan, and the opportunity to lead project management and cross-media integration.

Sales Leader (Cumulus Media – Grand Rapids)

We are seeking a talented Outside (B2B) Sales Representative who thrives in a fast-paced working environment. We are identifying highly competitive individuals with a proven track record of over-achieving sales goals. In return, we offer a unique career opportunity: one where you are given a challenging mission, world-class tools to help you succeed, and the chance to realize your full potential as a sale’s professional.

Marketing Account Manager (Crowd Surf – Nashville, TN)

An account manager will be responsible for managing relationships between Crowd Surf and its clients and artists. This person will oversee the positive and constant growth of online statistics and subscribers, maximize online content, create relationships between artists, platforms, products and fans/consumers and increase, as well as help create additional revenue streams for our clients.

Marketing Specialist (Sony – NYC)

As a member of the Marketing department, this individual will work to develop opportunities to increase audience and revenue around Sony Music’s Hip-Hop/R&B/Urban music catalog.

Marketing Director, Urban Music (UMG – Santa Monica, CA)

Universal Music Group is seeking a Director, Urban Marketing to join Universal Music Enterprises (UMe), the centralized catalog division of UMG, in Santa Monica, California. This is a fulltime position with AIP bonus eligibility.

In this role, you will work directly with Universal artists and their representatives as well as executive staff and departments within UMe to market Urban music products. You’ll recommend, assess, and oversee marketing strategies and their impact on business and creative objectives. You’ll also work with external partners and be responsible for securing their support and participation in campaigns.

Director, Global Artist Brand Management (WMG – Burbank, CA)

The Director, Global Artist Brand Management is responsible for developing and leading the marketing strategy for the artist and their brand, over all forms of media. Primary goals are to maximize visibility for catalogue artists and monetize WMG assets, with an increased focus on streaming and digital platforms, as well as the traditional physical formats. Serving as the primary source of information, inspiration and consumer connection on assigned artist projects is the Director, Global Artist Brand Management’s main focus. They work with key Warner Music Catalogue affiliates around the world to build dynamic and unified marketing campaigns for our catalogue artists.

Percussion Artist Marketing Manager (D’Addario & Company, Inc – Farmingdale, NY)

This position will report directly to the Global Director of Artist Relations and be based out of our headquarters in Farmingdale, Long Island.

In this role, the Artist Marketing Manager (AMM) will help reach our goal of positioning Evans and Promark as maverick brands that offer the most cutting-edge and innovative products to drummers all over the world. The AMM will help create and implement the go-to-market strategy for artist marketing—elevating Evans and Promark through artist engagement across product, marketing, promotions and direct sales to consumers. The AMM be responsible for continuing D’Addario’s legacy of world-class service while identifying new growth opportunities for both the artists endorsed by these brands and the brands themselves.

Most importantly, the successful candidate will understand the company culture as a family business that is run by the family and its employees as part of an extended family. We have established a continuous improvement culture that takes enormous pride in bringing musicians the finest crafted tools for their trade, inspiring performance along the way.

Senior Advertising and Music Marketing Associate (Downtown Music Publishing – NYC)

We are looking for a Senior Advertising and Music Marketing Associate to join our New York City team. This unique individual will report directly to our EVP and will primarily focus on, amongst many things, promoting and licensing the Downtown catalog to advertise and brand clients on the East Coast.

Manager, Rights Management (The Orchard – NYC)

As a Manager on the Rights Management team, you’ll oversee a team that works to resolve rights issues pertaining to client content. You’re highly proficient in using YouTube’s CMS, and impeccably accurate and detail-oriented while able to manage multiple deadlines and prioritize appropriately. You’re a fearless problem-solver that proactively pinpoints, reports on, and resolves issues that arise pertaining to your daily tasks, and you thrive on driving a project or issue through to completion. You’re an excellent communicator who provides a high level of service both internally and externally, and you understand the importance of having processes and procedures. You lead by example, knowing that junior team members are watching and learning from you. You’re driven, positive, and enthusiastic about joining a team where collaboration is key, and want to be part of a company at the forefront of the music and digital space!

Entertainment Coordinator (Gank – Toledo, OH)

We are an up and coming Entertainment company that deals with artist, event and media management, clothing line, PR firm and a Record label all in one.

At this time we are looking to hire full time and part-time employees. The benefits are endless, the pay is weekly and the exposure and experience are priceless.

However, to attain all of this, we are needing you to partake in a 60 day unpaid with perks and commission based minimal internship, to prove yourself before hire.

If you meet the above qualifications and understand that the first 60 days are unpaid with perks and some commission based, please contact us on the below with a paragraph about yourself, availability and what you would like to get out of this position.

Product Owner (CDBaby – Portland, OR)

Join the best team in the independent music world! The Product Owner represents CD Baby (and other AVL brands) stakeholder interests and works closely with development as part of an Agile development process, Scrum specifically. In this role, you will lead the tactical implementation of product development as well as working with the key business stakeholders and Product Manager to define overall product requirements, vision and long-term strategic roadmap. Candidates with music industry experience strongly preferred.

Music Partner Operations Lead (Facebook – TBD)

We are seeking a Music Partner Operations Lead to manage technical operations and global product support functions for record labels. Candidates will have extensive operational experience with labels including catalog ingestion, data reconciliation, and development of supporting systems. They will also be data driven and flexible to frequent changes. They are expected to think creatively about ambiguous issues and are passionate about problem-solving. They will also be able to work successfully across teams and regions.

Categories
News

How to conduct great, original interviews 

Music writers today are inundated with requests for coverage from artists and their representatives on a daily basis. There are far too many for one person to ever do them all, and most would not be worth the effort anyway. This is not a slant against artists or writers, rather an acknowledgment that conducting a good interview is hard. Real hard.

I statistic I just made up claims only one in five interviews conducted with musicians ever result in new, interesting information being uncovered. The majority of interviews tend to cover promotional points as if they are being read off a checklist. The basic outline of these conversations goes something like this:

– How are you?

– How is the tour?

– Where do you like to tour?

– When are you recording again?

– Are you working on material right now?

– Do you have any crazy stories to share?

– How can people stay connected to you online?

Some questions may be added or subtracted based on circumstance. None of these questions are inherently terrible, but they also limit responses to information that could easily be found in a press release or social media update.

In order to make your interview deserving of attention, you need to uncover something deeper and more human in your interviews. To help you do this, I would like to remind you of something:

Musicians and celebrities, at any level, are just people.

Now I know that sounds obvious, but all too often journalists treat the subjects of their interview like a business rather than another person. The questions outlined above are not that far removed from the following:

– How’s business?

– Is your latest product performing well?

– What do you like about this product?

– When can we expect another product?

– Are you working on something right now?

– Is there anything consumers don’t know about your business?

– How can we learn more about your products?

Great interviews strip away the idea of celebrity altogether and share the unique perspective on life possessed by an individual or group. That may sound difficult, but in reality, it is one of the easiest things to capture. All you have to do is this:

Don’t ask questions. Have a conversation.

Treat the people you interview as if they were someone you started talking to simply because you were curious. Cover the necessary bases of promoting whatever it is they are looking to promote, but also strive to understand the person behind the art. Ask about the influencing or motivating factors in their life and explore why those things have such an impact on them. Ask if they creativity comes easy or if it is a daily challenge. Ask them if they are content. Ask them what they need and want. Ask them the kind of thing you would ask anyone whose happiness and well being you are concerned about because ultimately that is the real reason for the interview in the first place: You care about this person or group, for whatever reason, and you hope more people will as well.

Allow your interview subject space and opportunity to be themselves and I promise – people will surprise you.

Categories
Job Board News

Music Industry Job Board (January 22, 2018)

New openings: 

Music Sync Specialist (Another Music Library – Chicago, IL)

Another Music Library is looking for someone to head our Chicago Branch, with 3+ years of experience in music sync licensing sales to market and pitch our growing catalog of independent artists, songs and production music to TV/Film Music Supervisors, Advertising Agencies, Broadcast & Cable Networks, Gaming Companies, Post Production/Edit Facilities, Production Companies, and Trailer Houses. This is a ‘commission only’ position with a great commission rate.

This is an exciting and intensive role to build collaborative creative relationships for the company while also working directly with existing clients based on the east coast of the United States. The role requires a minimum of 3 years of experience with well-established relationships and a quality reputation as a creative and attentive problem solver.

This position requires a highly motivated, self-reliant candidate, who works well independently and will be working from home to build and maintain relationships with Another Music Library’s clientele.

Project Manager, Urban Music (The Recording Academy – Los Angeles, CA)

We are looking for someone with broad and deep knowledge and appreciation of R&B, rap and reggae music who is equally enthusiastic about administrative details, process and database management, committee management, and community outreach.

Sales Operations and Strategy Manager (iHeartRadio – NYC)

The Sales Operations & Strategy Manager will have the opportunity to think strategically and develop key processes, procedures and communications that facilitate operational planning and execution. This position requires extensive cross-group coordination at all levels, excellent communication skills, compelling presentations and comprehensive business review materials that span all the various functions. The position will participate in overall strategy discussions and facilitate business execution.

Integrated Channel Engagement Manager (The Buntin Group – Nashville, TN)

As the Integrated Channel Engagement Manager (Media Planning Supervisor) you will be the day-to-day media account lead for a single client. With account service support, you will be responsible for fielding client requests, attending client meetings and leading development and execution of channel/media strategies for Digital, Broadcast, and Print Media. You will translate marketing/media objectives into strategic media plan development action steps, and manage the Associate(s) through various projects. The Channel Engagement Manager is the primary point of contact for clients on stewardship requests and is responsible for having a firm grasp of both strategic and functional media knowledge. This role offers frequent client contact, ownership of the integrated plan, and the opportunity to lead project management and cross-media integration.

Sales Leader (Cumulus Media – Grand Rapids)

We are seeking a talented Outside (B2B) Sales Representative who thrives in a fast-paced working environment. We are identifying highly competitive individuals with a proven track record of over-achieving sales goals. In return, we offer a unique career opportunity: one where you are given a challenging mission, world-class tools to help you succeed, and the chance to realize your full potential as a sale’s professional.

Marketing Account Manager (Crowd Surf – Nashville, TN)

An account manager will be responsible for managing relationships between Crowd Surf and its clients and artists. This person will oversee the positive and constant growth of online statistics and subscribers, maximize online content, create relationships between artists, platforms, products and fans/consumers and increase, as well as help create additional revenue streams for our clients.

Marketing Specialist (Sony – NYC)

As a member of the Marketing department, this individual will work to develop opportunities to increase audience and revenue around Sony Music’s Hip-Hop/R&B/Urban music catalog.

Marketing Director, Urban Music (UMG – Santa Monica, CA)

Universal Music Group is seeking a Director, Urban Marketing to join Universal Music Enterprises (UMe), the centralized catalog division of UMG, in Santa Monica, California. This is a fulltime position with AIP bonus eligibility.

In this role, you will work directly with Universal artists and their representatives as well as executive staff and departments within UMe to market Urban music products. You’ll recommend, assess, and oversee marketing strategies and their impact on business and creative objectives. You’ll also work with external partners and be responsible for securing their support and participation in campaigns.

Director, Global Artist Brand Management (WMG – Burbank, CA)

The Director, Global Artist Brand Management is responsible for developing and leading the marketing strategy for the artist and their brand, over all forms of media. Primary goals are to maximize visibility for catalogue artists and monetize WMG assets, with an increased focus on streaming and digital platforms, as well as the traditional physical formats. Serving as the primary source of information, inspiration and consumer connection on assigned artist projects is the Director, Global Artist Brand Management’s main focus. They work with key Warner Music Catalogue affiliates around the world to build dynamic and unified marketing campaigns for our catalogue artists.

Percussion Artist Marketing Manager (D’Addario & Company, Inc – Farmingdale, NY)

This position will report directly to the Global Director of Artist Relations and be based out of our headquarters in Farmingdale, Long Island.

In this role, the Artist Marketing Manager (AMM) will help reach our goal of positioning Evans and Promark as maverick brands that offer the most cutting-edge and innovative products to drummers all over the world. The AMM will help create and implement the go-to-market strategy for artist marketing—elevating Evans and Promark through artist engagement across product, marketing, promotions and direct sales to consumers. The AMM be responsible for continuing D’Addario’s legacy of world-class service while identifying new growth opportunities for both the artists endorsed by these brands and the brands themselves.

Most importantly, the successful candidate will understand the company culture as a family business that is run by the family and its employees as part of an extended family. We have established a continuous improvement culture that takes enormous pride in bringing musicians the finest crafted tools for their trade, inspiring performance along the way.

Senior Advertising and Music Marketing Associate (Downtown Music Publishing – NYC)

We are looking for a Senior Advertising and Music Marketing Associate to join our New York City team. This unique individual will report directly to our EVP and will primarily focus on, amongst many things, promoting and licensing the Downtown catalog to advertise and brand clients on the East Coast.

Manager, Rights Management (The Orchard – NYC)

As a Manager on the Rights Management team, you’ll oversee a team that works to resolve rights issues pertaining to client content. You’re highly proficient in using YouTube’s CMS, and impeccably accurate and detail-oriented while able to manage multiple deadlines and prioritize appropriately. You’re a fearless problem-solver that proactively pinpoints, reports on, and resolves issues that arise pertaining to your daily tasks, and you thrive on driving a project or issue through to completion. You’re an excellent communicator who provides a high level of service both internally and externally, and you understand the importance of having processes and procedures. You lead by example, knowing that junior team members are watching and learning from you. You’re driven, positive, and enthusiastic about joining a team where collaboration is key, and want to be part of a company at the forefront of the music and digital space!

Entertainment Coordinator (Gank – Toledo, OH)

We are an up and coming Entertainment company that deals with artist, event and media management, clothing line, PR firm and a Record label all in one.

At this time we are looking to hire full time and part-time employees. The benefits are endless, the pay is weekly and the exposure and experience are priceless.

However, to attain all of this, we are needing you to partake in a 60 day unpaid with perks and commission based minimal internship, to prove yourself before hire.

If you meet the above qualifications and understand that the first 60 days are unpaid with perks and some commission based, please contact us on the below with a paragraph about yourself, availability and what you would like to get out of this position.

Product Owner (CDBaby – Portland, OR)

Join the best team in the independent music world! The Product Owner represents CD Baby (and other AVL brands) stakeholder interests and works closely with development as part of an Agile development process, Scrum specifically. In this role, you will lead the tactical implementation of product development as well as working with the key business stakeholders and Product Manager to define overall product requirements, vision and long-term strategic roadmap. Candidates with music industry experience strongly preferred.

Music Partner Operations Lead (Facebook – TBD)

We are seeking a Music Partner Operations Lead to manage technical operations and global product support functions for record labels. Candidates will have extensive operational experience with labels including catalog ingestion, data reconciliation, and development of supporting systems. They will also be data driven and flexible to frequent changes. They are expected to think creatively about ambiguous issues and are passionate about problem-solving. They will also be able to work successfully across teams and regions.


Older listings (7+ Days)

Production (Hopeless Records – Van Nuys, CA)

We are looking for a production person to join our growing team! This role is a part of the operations department and is responsible for managing our physical production and logistics (recorded music and merchandise) worldwide. We are looking for someone who is passionate about the Hopeless Records roster of artists and is always willing to go the extra mile to make sure that our releases are accurate and delivered on time. Strong attention to detail, excellent problem-solving skills, and ability to work under pressure and strict deadlines is imperative.

Digital Marketer (UMG – Philadelphia, PA)

Fame House, a Universal Music Group company, is looking for a Digital Marketer to join our team in Philadelphia, PA. As a Digital Marketer, you will have the opportunity to work with some of the most successful artists and entertainment companies in the world, and to work with emerging digital music and entertainment technologies. Successful candidates must have a high degree of comfort juggling multiple tracts of work, while discerning key information across a high volume of client communication. Must be comfortable working flexible hours when needed to cover night and weekend client activities.

Founded in January 2011, Fame House is an award-winning digital strategy agency with offices in Philadelphia, New York and Los Angeles that’s built to uniquely serve the needs of the modern music industry. Fame House’s early foresight into crafting services around the new opportunities of connecting artists and fans online led them to help establish a new key role within the music ecosystem serving artists alongside labels, management companies, event companies and agents.

The Digital Marketer reports into a Marketing or Account Manager and is responsible for a specific list of accounts and/or projects. In addition to crafting and executing marketing campaigns, he or she must contribute creative, innovative ideas to marketing plans and campaigns and is responsible for delivering against the campaign and client goals. The Digital Marketer will be an Account Lead for select clients, for which he or she acts as both the client’s primary point of contact at Fame House as well as the FH team member responsible for the account’s success. He or she will manage interns and Digital Marketing Assistants and may have other team members with dotted lines into him/her.

Music Operations, Artist Relationship (Apple Music – Santa Clara Valley, CA)

Apple Music Operations is looking to drive Artist support across the iTunes & Apple Music ecosystem. Be part of history by driving the technical development of artist tools and resources, and by building a team to build artist support. This role will require extensive advocation of artist needs across various functions as well as with internal International business teams.

Production Manager (AEG Presents – Denver, CO)

The Manager Production advances all event details for all shows. The Production Manager will be responsible for the production team and to set a plan in motion to execute the show as per the agreed terms in the contract. The Production Manager will adhere to a budget to ensure all costs are being tracked and monitored. They will ensure that all the needs of the show and performer are met.

Marketing Manager, Concerts and Special Events (TN Performing Arts Center – Nashville)

The Marketing Manager for Concerts and Special Events is responsible for managing the media and advertising needs for interested clients who come in through Programming, Event Sales and Services, TPAC Presents Series and War Memorial Auditorium (WMA) Presents series.

This is a very important role because it’s an increasingly more vital bridge between Programming, Event Sales and Services and Marketing. The position also oversees the development, recruitment and management of other ancillary audience-development strategies.

Music Industry Journalist (3Encores – Remote)

We are looking for someone that can cover and write about the latest news in the music industry. Do you have a passion for music? Are you looking for more exposure for your writing? We want someone that can utilize their words to create artwork. This will start as a non-paid position but gain exposure and a following while you write great content. Do this and you will be offered a position with us.

Operations Manager, Ravinia’s Steans Music Institute (Ravina Festival – Highland Park, IL)

The Operations Manager for Ravinia’s Steans Music Institute (RSMI), Ravinia’s summer music conservatory, reports to the Administrative Director of RSMI (Adm. Director) and, under the Adm. Director’s supervision, interfaces with RSMI faculty, fellows, and staff to manage the daily operations of RSMI, including hiring, training, scheduling, and supervising up to 10 seasonal staff members. This position also coordinates the logistics of all travel and concert operations of RSMI, including overseeing the proper care and usage of John D. Harza Building facilities and equipment and the residential homes used during the RSMI season.

The Operations Manager has the unique opportunity to participate in many aspects of artistic and organizational production while developing relationships with RSMI’s fellows and faculty in residence. The fellows are typically conservatory and university students at the beginning of their professional careers and the faculty includes several Ravinia performers and world-renowned musicians.

Music & Theatre Marketing Lead (eBay – San Francisco)

The Genre Marketing Lead, is the ultimate strategist, facilitator and collaborator between Marketing and the North American businesses under our new genre vertical structure. We’ve got an incredible opportunity specifically within the Music & Theatre genre, our fastest growing business unit. The Marketing Genre Lead translates business goals into a holistic marketing strategy that is grounded in an understanding of our customer and leverages the marketing channels, brand and product marketing to drive the right audience at the right time. He or she will be responsible for partnering with the business and marketing team to identify growth opportunities for the genre, define the integrated marketing plan on what events/moments to prioritize and ultimately oversee the execution of the plan. This critical leader should be the team captain in supporting and representing marketing across the genre and energizing the marketing team to maximize efforts, while having fun, sharing best practices across the global business and scanning the horizon for our next incredible opportunity.

Research and Insights Manager, YouTube Music (Google – San Bruno, CA)

The Research and Insights manager plays a pivotal role in supporting the YouTube Subscriptions Music Business (SVOD) Marketing team through analysis of primary, secondary and behavioral research data. This role will be responsible for extracting actionable insights from both behavioral and attitudinal data that will shape the understanding of how YouTube Music marketing and communications resonate with YouTube’s core target audiences, as well as inform and validate strategic direction.

Manager, Music Licensinghttps (Viacom – Hollywood, CA)

The Manager of Music and Licensing Strategy will work closely with VP to formulate licensing strategy and negotiate favorable rates for  the use of music and other third-party elements in Paramount Network and TV Land content, including scripted, reality, documentary, short form digital, marketing and/or advertising content. The Manager of Music and Licensing Strategy will be at the forefront of the production process communicating regularly with production (in-house and/or third party), production management, creative, Marketing, business development, Business and Legal Affairs, and IP Litigation teams pushing forward strategy and securing clearances to achieve the creative vision.

Music Sync Specialist (Another Music Library – Los Angeles)

Another Music Library is looking for someone to head our Los Angeles Branch that has 3+ years of experience in music sync licensing sales, to market and pitch our growing catalog of independent artists, songs and production music to TV/Film Music Supervisors, Advertising Agencies, Broadcast & Cable Networks, Gaming Companies, Post Production/Edit Facilities, Production Companies, and Trailer Houses.

This is an exciting and intensive role to build collaborative creative relationships for the company while also working directly with existing clients based on the east coast of the United States. The role requires a minimum of 3 years of experience with well-established relationships and a quality reputation as a creative and attentive problem solver.

This position requires a highly motivated, self-reliant candidate, who works well independently and will be working from home to build and maintain relationships with Another Music Library’s clientele.

Installation Coordinator (Dynamic Media – Sterling Heights, MI)

We are a small company positioned as a leader in the business background music and messaging industry. The Installation Coordinator is responsible organizing and managing installation projects. This position will assist with a variety of operational tasks to ensure equipment is ordered and ready for each job while providing a high-quality customer experience. You will be working with both customers and installers/technicians to schedule and complete installation projects across all U.S. zip codes.

Music Publishing Licensing Assistant (Wixen Music Publishing – Calabasas, CA)

Wixen Music Publishing, Inc. in Calabasas, CA seeks to add an entry-level, full-time licensing assistant to its licensing/copyright department.

Music & Creative Arts Coordinator (Salvation Army – Biloxi, MS)

Plans and administers various Music and Creative Arts classes, seminars, institutes, conferences, etc., at The Salvation Army Ray & Joan Kroc Corps Community Center (RJKCCC); establishes and maintains at least three arts groups; trains leaders to assume established groups; monitors, schedules and/or teaches instrumental, drama, mime, dance, vocal, piano classes, etc.; maintains the library of resources and materials; maintains mailing list of the Center’s Music and Creative Arts instructors and groups. Plans, develops, monitors, conducts and strengthens Corps music and worship ministries for all ages. Teaches music theory, arts programs, and leads band practice so that performances during Corps worship services and other programs are creative, enjoyable, spiritual, and support the evangelical mission of The Salvation Army; ensures that all equipment and instruments are properly maintained; performs vocally and/or instrumentally in various music programs. Performs other related work as required.

Director, TV Licensing – Music (Audio Network – NYC)

Audio Network is a leading provider of high-quality production music and a first-choice partner for TV production companies and broadcast channel providers worldwide.

We are an innovative, independent music company that has more than once been listed by the Sunday Times as one of the U.K,’s fastest growing companies and have been steadily expanding globally for the last 14 years. With our terrific and dedicated teams in London, Amsterdam, L.A., New York, Sydney, Toronto and Munich, together with our network of over 700 renowned composers and artists all over the world, Audio Network is a globally operating music company breaking down boundaries to deliver authentic and creative music solutions for our industry-leading business partners.

The company continuously invests in its people and always strives to make Audio Network a great place to work.

To move forward with our successful expansion in the United States and to strengthen our top position in the international market, we are looking for a highly motivated, experienced and dedicated Director, TV Licensing for our New York office.

Sound Designer (Saugatuck Center for the Arts – Saugatuck, MI)

The MSW Sound Designer shall work alongside professional Equity and non-Equity theatre personnel. He or she shall perform each and every duty and obligation with due diligence and to the best of his/her knowledge, skill, judgment and ability. The Sound Designer is expected to devote such amounts of time, energy and skill as may be necessary to perform the duties required hereunder. Hours are dependent on tech rehearsal times and may include nights and weekends.

Director, Online Marketing (WMG – NYC)

Responsible for developing comprehensive digital strategies for marketing artist releases from Label Services artists and label clients.

VP, Content Licensing (Bleacher Report – NYC)

The VP, Content Licensing is responsible for developing and implementing Bleacher Report’s content licensing strategy to achieve revenue and brand objectives. We are looking for an entrepreneurial and experienced candidate with a track record of success and established relationships with potential partners, preferably in Sports/Music and/or digital media/OTT. This individual will work very closely with the B/R Content team to identify and evaluate potential opportunities (domestically and internationally), and to leverage the full breadth of B/R’s short-form and long-form storytelling capabilities including text, video, and social.

Assistant Chair, Professional Music Department (Berklee – Boston, MA)

Berklee College of Music is seeking applications for the position of Assistant Chair of the Professional Music Department . As one of the largest majors at the College, Professional Music is an established program that offers a “design-your-own major/entrepreneurial approach” for students. The Department works closely with students to individualize their undergraduate program of study to be directly aligned with career goals. Further, the Department offers innovative instruction, regularly engages with music industry professionals, sponsors visiting artists and annual events, oversees Berklee Revelation Records (a student-run initiative) and provides opportunities for experiential learning.

The Assistant Chair will serve as an academic and administrative leader of the Department—working under the direction and supervision of the Chair. This is a 12-month administrative position with a renewable contract.

The Assistant Chair will be an experienced administrator and teacher with professional experience in music-related career environments. S/he will have evidence of industry engagement, strong leadership qualities, and managerial and organizational skills. S/he will have excellent communication and interpersonal skills and the ability to work collaboratively with a wide variety of constituencies on- and off-campus. The ideal candidate will be forward thinking and possess a commitment to the education of music students.

Marketing & Vibe Manager (Hard Rock International – Atlantic City, NJ)

From a brand that rocks the world, a career that will rock yours! The Hard Rock portfolio of iconic brands includes a growing number of hotels and casinos around the world. To support these ongoing expansion efforts, we are seeking highly motivated team members who possess an entrepreneurial spirit and thrive in a fast-paced, continuously evolving work environment.

Come join the band at the Hard Rock Hotel Palm Springs, a 163+ room upscale hotel, located in beautiful Palm Springs, CA! We are seeking a Marketing & Vibe Manager to support marketing, music and culture initiatives for the Hotel. The Marketing & Vibe Manager manages creative projects from concept to completion, while maintaining integrity of brand voice and translating marketing objectives into creative strategies to drive revenue and build brand awareness. This person builds business/market share by utilizing brand music programs to leverage as Hard Rock’s differentiator in the hospitality space.

Categories
News Podcasts

Inside Music Podcast #118: Music writing will never die! (with Molly Hudelson)

On this episode of INSIDE MUSIC, host James Shotwell calls writer Molly Hudelson to discuss what makes a great story in the world of music journalism. Molly and James also discuss their evolving music tastes, the state of music writing today, and whether or not their dreams can become lifelong careers.

https://soundcloud.com/inside-music-podcast/118-music-writing-will-never-die-with-molly-hudelson

Categories
Job Board News

Music Industry Job Board (January 15, 2018)

New openings:

Production (Hopeless Records – Van Nuys, CA)

We are looking for a production person to join our growing team! This role is a part of the operations department and is responsible for managing our physical production and logistics (recorded music and merchandise) worldwide. We are looking for someone who is passionate about the Hopeless Records roster of artists and is always willing to go the extra mile to make sure that our releases are accurate and delivered on time. Strong attention to detail, excellent problem-solving skills, and ability to work under pressure and strict deadlines is imperative.

Digital Marketer (UMG – Philadelphia, PA)

Fame House, a Universal Music Group company, is looking for a Digital Marketer to join our team in Philadelphia, PA. As a Digital Marketer, you will have the opportunity to work with some of the most successful artists and entertainment companies in the world, and to work with emerging digital music and entertainment technologies. Successful candidates must have a high degree of comfort juggling multiple tracts of work, while discerning key information across a high volume of client communication. Must be comfortable working flexible hours when needed to cover night and weekend client activities.

Founded in January 2011, Fame House is an award-winning digital strategy agency with offices in Philadelphia, New York and Los Angeles that’s built to uniquely serve the needs of the modern music industry. Fame House’s early foresight into crafting services around the new opportunities of connecting artists and fans online led them to help establish a new key role within the music ecosystem serving artists alongside labels, management companies, event companies and agents.

The Digital Marketer reports into a Marketing or Account Manager and is responsible for a specific list of accounts and/or projects. In addition to crafting and executing marketing campaigns, he or she must contribute creative, innovative ideas to marketing plans and campaigns and is responsible for delivering against the campaign and client goals. The Digital Marketer will be an Account Lead for select clients, for which he or she acts as both the client’s primary point of contact at Fame House as well as the FH team member responsible for the account’s success. He or she will manage interns and Digital Marketing Assistants and may have other team members with dotted lines into him/her.

Music Operations, Artist Relationship (Apple Music – Santa Clara Valley, CA)

Apple Music Operations is looking to drive Artist support across the iTunes & Apple Music ecosystem. Be part of history by driving the technical development of artist tools and resources, and by building a team to build artist support. This role will require extensive advocation of artist needs across various functions as well as with internal International business teams.

Production Manager (AEG Presents – Denver, CO)

The Manager Production advances all event details for all shows. The Production Manager will be responsible for the production team and to set a plan in motion to execute the show as per the agreed terms in the contract. The Production Manager will adhere to a budget to ensure all costs are being tracked and monitored. They will ensure that all the needs of the show and performer are met.

Marketing Manager, Concerts and Special Events (TN Performing Arts Center – Nashville)

The Marketing Manager for Concerts and Special Events is responsible for managing the media and advertising needs for interested clients who come in through Programming, Event Sales and Services, TPAC Presents Series and War Memorial Auditorium (WMA) Presents series.

This is a very important role because it’s an increasingly more vital bridge between Programming, Event Sales and Services and Marketing. The position also oversees the development, recruitment and management of other ancillary audience-development strategies.

Music Industry Journalist (3Encores – Remote)

We are looking for someone that can cover and write about the latest news in the music industry. Do you have a passion for music? Are you looking for more exposure for your writing? We want someone that can utilize their words to create artwork. This will start as a non-paid position but gain exposure and a following while you write great content. Do this and you will be offered a position with us.

Operations Manager, Ravinia’s Steans Music Institute (Ravina Festival – Highland Park, IL)

The Operations Manager for Ravinia’s Steans Music Institute (RSMI), Ravinia’s summer music conservatory, reports to the Administrative Director of RSMI (Adm. Director) and, under the Adm. Director’s supervision, interfaces with RSMI faculty, fellows, and staff to manage the daily operations of RSMI, including hiring, training, scheduling, and supervising up to 10 seasonal staff members. This position also coordinates the logistics of all travel and concert operations of RSMI, including overseeing the proper care and usage of John D. Harza Building facilities and equipment and the residential homes used during the RSMI season.

The Operations Manager has the unique opportunity to participate in many aspects of artistic and organizational production while developing relationships with RSMI’s fellows and faculty in residence. The fellows are typically conservatory and university students at the beginning of their professional careers and the faculty includes several Ravinia performers and world-renowned musicians.

Music & Theatre Marketing Lead (eBay – San Francisco)

The Genre Marketing Lead, is the ultimate strategist, facilitator and collaborator between Marketing and the North American businesses under our new genre vertical structure. We’ve got an incredible opportunity specifically within the Music & Theatre genre, our fastest growing business unit. The Marketing Genre Lead translates business goals into a holistic marketing strategy that is grounded in an understanding of our customer and leverages the marketing channels, brand and product marketing to drive the right audience at the right time. He or she will be responsible for partnering with the business and marketing team to identify growth opportunities for the genre, define the integrated marketing plan on what events/moments to prioritize and ultimately oversee the execution of the plan. This critical leader should be the team captain in supporting and representing marketing across the genre and energizing the marketing team to maximize efforts, while having fun, sharing best practices across the global business and scanning the horizon for our next incredible opportunity.

Research and Insights Manager, YouTube Music (Google – San Bruno, CA)

The Research and Insights manager plays a pivotal role in supporting the YouTube Subscriptions Music Business (SVOD) Marketing team through analysis of primary, secondary and behavioral research data. This role will be responsible for extracting actionable insights from both behavioral and attitudinal data that will shape the understanding of how YouTube Music marketing and communications resonate with YouTube’s core target audiences, as well as inform and validate strategic direction.

Manager, Music Licensinghttps (Viacom – Hollywood, CA)

The Manager of Music and Licensing Strategy will work closely with VP to formulate licensing strategy and negotiate favorable rates for  the use of music and other third-party elements in Paramount Network and TV Land content, including scripted, reality, documentary, short form digital, marketing and/or advertising content. The Manager of Music and Licensing Strategy will be at the forefront of the production process communicating regularly with production (in-house and/or third party), production management, creative, Marketing, business development, Business and Legal Affairs, and IP Litigation teams pushing forward strategy and securing clearances to achieve the creative vision.

Music Sync Specialist (Another Music Library – Los Angeles)

Another Music Library is looking for someone to head our Los Angeles Branch that has 3+ years of experience in music sync licensing sales, to market and pitch our growing catalog of independent artists, songs and production music to TV/Film Music Supervisors, Advertising Agencies, Broadcast & Cable Networks, Gaming Companies, Post Production/Edit Facilities, Production Companies, and Trailer Houses.

This is an exciting and intensive role to build collaborative creative relationships for the company while also working directly with existing clients based on the east coast of the United States. The role requires a minimum of 3 years of experience with well-established relationships and a quality reputation as a creative and attentive problem solver.

This position requires a highly motivated, self-reliant candidate, who works well independently and will be working from home to build and maintain relationships with Another Music Library’s clientele.

Installation Coordinator (Dynamic Media – Sterling Heights, MI)

We are a small company positioned as a leader in the business background music and messaging industry. The Installation Coordinator is responsible organizing and managing installation projects. This position will assist with a variety of operational tasks to ensure equipment is ordered and ready for each job while providing a high-quality customer experience. You will be working with both customers and installers/technicians to schedule and complete installation projects across all U.S. zip codes.

Music Publishing Licensing Assistant (Wixen Music Publishing – Calabasas, CA)

Wixen Music Publishing, Inc. in Calabasas, CA seeks to add an entry-level, full-time licensing assistant to its licensing/copyright department.

Music & Creative Arts Coordinator (Salvation Army – Biloxi, MS)

Plans and administers various Music and Creative Arts classes, seminars, institutes, conferences, etc., at The Salvation Army Ray & Joan Kroc Corps Community Center (RJKCCC); establishes and maintains at least three arts groups; trains leaders to assume established groups; monitors, schedules and/or teaches instrumental, drama, mime, dance, vocal, piano classes, etc.; maintains the library of resources and materials; maintains mailing list of the Center’s Music and Creative Arts instructors and groups. Plans, develops, monitors, conducts and strengthens Corps music and worship ministries for all ages. Teaches music theory, arts programs, and leads band practice so that performances during Corps worship services and other programs are creative, enjoyable, spiritual, and support the evangelical mission of The Salvation Army; ensures that all equipment and instruments are properly maintained; performs vocally and/or instrumentally in various music programs. Performs other related work as required.

Director, TV Licensing – Music (Audio Network – NYC)

Audio Network is a leading provider of high-quality production music and a first-choice partner for TV production companies and broadcast channel providers worldwide.

We are an innovative, independent music company that has more than once been listed by the Sunday Times as one of the U.K,’s fastest growing companies and have been steadily expanding globally for the last 14 years. With our terrific and dedicated teams in London, Amsterdam, L.A., New York, Sydney, Toronto and Munich, together with our network of over 700 renowned composers and artists all over the world, Audio Network is a globally operating music company breaking down boundaries to deliver authentic and creative music solutions for our industry-leading business partners.

The company continuously invests in its people and always strives to make Audio Network a great place to work.

To move forward with our successful expansion in the United States and to strengthen our top position in the international market, we are looking for a highly motivated, experienced and dedicated Director, TV Licensing for our New York office.

Sound Designer (Saugatuck Center for the Arts – Saugatuck, MI)

The MSW Sound Designer shall work alongside professional Equity and non-Equity theatre personnel. He or she shall perform each and every duty and obligation with due diligence and to the best of his/her knowledge, skill, judgment and ability. The Sound Designer is expected to devote such amounts of time, energy and skill as may be necessary to perform the duties required hereunder. Hours are dependent on tech rehearsal times and may include nights and weekends.

Director, Online Marketing (WMG – NYC)

Responsible for developing comprehensive digital strategies for marketing artist releases from Label Services artists and label clients.

VP, Content Licensing (Bleacher Report – NYC)

The VP, Content Licensing is responsible for developing and implementing Bleacher Report’s content licensing strategy to achieve revenue and brand objectives. We are looking for an entrepreneurial and experienced candidate with a track record of success and established relationships with potential partners, preferably in Sports/Music and/or digital media/OTT. This individual will work very closely with the B/R Content team to identify and evaluate potential opportunities (domestically and internationally), and to leverage the full breadth of B/R’s short-form and long-form storytelling capabilities including text, video, and social.

Assistant Chair, Professional Music Department (Berklee – Boston, MA)

Berklee College of Music is seeking applications for the position of Assistant Chair of the Professional Music Department . As one of the largest majors at the College, Professional Music is an established program that offers a “design-your-own major/entrepreneurial approach” for students. The Department works closely with students to individualize their undergraduate program of study to be directly aligned with career goals. Further, the Department offers innovative instruction, regularly engages with music industry professionals, sponsors visiting artists and annual events, oversees Berklee Revelation Records (a student-run initiative) and provides opportunities for experiential learning.

The Assistant Chair will serve as an academic and administrative leader of the Department—working under the direction and supervision of the Chair. This is a 12-month administrative position with a renewable contract.

The Assistant Chair will be an experienced administrator and teacher with professional experience in music-related career environments. S/he will have evidence of industry engagement, strong leadership qualities, and managerial and organizational skills. S/he will have excellent communication and interpersonal skills and the ability to work collaboratively with a wide variety of constituencies on- and off-campus. The ideal candidate will be forward thinking and possess a commitment to the education of music students.

Marketing & Vibe Manager (Hard Rock International – Atlantic City, NJ)

From a brand that rocks the world, a career that will rock yours! The Hard Rock portfolio of iconic brands includes a growing number of hotels and casinos around the world. To support these ongoing expansion efforts, we are seeking highly motivated team members who possess an entrepreneurial spirit and thrive in a fast-paced, continuously evolving work environment.

Come join the band at the Hard Rock Hotel Palm Springs, a 163+ room upscale hotel, located in beautiful Palm Springs, CA! We are seeking a Marketing & Vibe Manager to support marketing, music and culture initiatives for the Hotel. The Marketing & Vibe Manager manages creative projects from concept to completion, while maintaining integrity of brand voice and translating marketing objectives into creative strategies to drive revenue and build brand awareness. This person builds business/market share by utilizing brand music programs to leverage as Hard Rock’s differentiator in the hospitality space.


Older listings (7+ days) 

Writer, Apple Music & iTunes (Apple – Culver City, CA)

Looking for a seasoned music writer with a deep background in entertainment journalism, marketing, and copywriting. This person will be primarily focused on supporting Apple Music, Beats 1, and iTunes—by writing and editing copy, partnering with creatives and cross-departmental leads; and trafficking assignments with internal and external writers. As the position requires competency with a number of publishing tools and workflows in a fast-paced production schedule, organizational and project management skills are a must.

Senior Marketing Manager (San Francisco Symphony)

The Senior Marketing Manager has the responsibility for all facets of the marketing campaign.  He/she supervises the Marketing Coordinator and Audience Development Initiative Coordinator while fostering a strong collaborative relationship with other Managers and the Marketing team as a whole.

Senior Coordinator Music Clearance (Paramount Pictures – Hollywood, CA)

This position is responsible for overseeing aspects of music clearance for Domestic and International marketing as assigned by the Exec Director, Worldwide Music Clearance.

Manager, Dance/Electronic Music (Spotify – NYC)

The Label Relations team manages hundreds of label relationships across the globe with a network of managers in different Spotify territories. This position will serve as primary contact for our Dance and Electronic Music from Independent label partners, specifically in the US. The Label Relations Manager will focus on developing & maintaining excellent relationships with Spotify’s content providers by enabling them to maximize the service as both a sales and promotional platform.

Managing Music Director (Various Locations)

Camp Jam is currently accepting Managing Director applications for its Rock N Roll Music Camps held in Chicago, Orange County, and Washington DC.

Are you a hard-working, fun-loving musician with a passion to share your knowledge with some of the best kids in the world!? Are you looking for a healthy, reliable supplementary income stream? Do you have a flexible schedule, smartphone and availability M-F 9am-5pm? Well, Camp Jam might just be the most rewarding and energizing gig you will ever experience! We are currently looking for a great individual to join our Staff as a Managing Director.

Music Cataloging and Metadata Associate (University of North Texas – Denton, TX)

The University of North Texas Libraries is seeking to hire a Library Production Associate to join our Music Library team. The Library Production Associate will provide Senior-level paraprofessional support for the Music Library.

Director of Music (Kickstarter – NYC)

Kickstarter is seeking a Director of Music to engage with musicians and grow Kickstarter’s presence within in the Music landscape.

Music Ambassadors – VOLUNTEER (Carnegie Hall – NYC)

Carnegie Hall seeks Music Ambassador volunteers to assist with staff support, information guides, greeters, The Shop at Carnegie Hall, Carnegie Hall tours, and outreach. Music Ambassadors enjoy many benefits, including complimentary tickets, access to exclusive events, and discounts at the Shop at Carnegie Hall. Applications are considered on a rolling basis as needed.

Executive Content Editor (ASOS – Paris, FR)

This role is a great opportunity to learn the ropes of online editorial writing. She/he will assist the French Editors (menswear and womenswear) in all fields of work. Her/his main focus will be localization (translating content with an editorial touch) but the right person will seize this opportunity to also contribute editorial ideas and stories. The Editorial executive works with the international site and editorial team as well as the UK creative, development, CC, CRM and magazine teams to deliver the most relevant, highly engaging and shareable content for the homepage, apps, newsletters and other channels.

Music and Marketing Coordinator (Spotlite Media – Los Angeles)

Spotlite Media is looking for a highly motivated individual to work in our music and marketing department. You will be wearing several hats while balancing the needs of the company and artists. Your main focus will be on assisting the VP of Marketing and Content. You have a passion for music and interest in learning all sides of the business.

Video Producer/Editor (iHeartMedia – Miramar Beach, FL)

iHeartMedia is looking for a hard-working and creative Video Producer/Editor to help us grow our audience across our iHeartLatino digital and social platforms. The ideal candidate is a storyteller at heart – both visually and narratively. You will be responsible for ideating creative concepts and turning them into engaging videos optimized for our platforms. The ideal candidate also has experience as a video producer, writer, editor and is used to collaborating across teams to make content that is new, interesting and highly shareable. This role requires you to work on multiple projects at once with the ability to manage them yourself while never compromising the level of creativity.

iHeartLatino is iHeartMedia’s Hispanic platform, which builds on the company’s unique position as the number one Hispanic reach medium in the U.S. Anchored by the iHeartRadio Fiesta Latina mega-concert, the iHeartLatino platform aggregates the entire portfolio of iHeartMedia’s vast array of Hispanic targeted products.

Music Contract Administrator (Netflix – Los Angeles)

Netflix seeks an experienced Music Contract Administrator to help support our expanding slate of Originals content (Series, Film, Documentary, Comedy, Unscripted and Kids programming). This role will have broad responsibility for managing the tracking, organization, distribution, and processing of a high volume of contracts for the Music Team, from signature to distribution, archiving, processing and arranging for payment.

This is not your traditional Contract Administrator role you will manage vital components of our music contract administration process, not just “contract management,” and have visibility into all facets of our music business and the larger scope of Netflix’s expansion. If this sounds intriguing, read on for the details…

As a seasoned Music Contract Administrator, you know the ins-and-outs of the music industry, and its jargon is second nature to you. You know exactly what it takes to use music in a production, you understand the significance of master use and synchronization licenses and you know what a composer agreement and music supervisor agreement covers. Your organizational skills are unparalleled and in your view, there’s no contract detail that’s too small or insignificant. Your expert eye for detail means you know how to review music agreements (be they master use or synchronization licenses, composer agreements, music supervisor agreements, producer or songwriter agreements) for the key information needed for contract administration purposes, and flag any critical information that’s missing.

Categories
News

How to download Haulix promos on iPhone

Haulix users can now download promos directly to their iPhones, NO APP REQUIRED! This quick tutorial shows how to access, download, and open promos from your mobile device.

Haulix is a web-based platform used for promoting music.

We make it really easy to create branded promo web pages. Whether you’re a record label, publicist, or rising independent talent, we offer a product that not only keeps your music safe, but also allows for high-quality streaming, customizable page design, and an automated system to issue takedowns on unwanted links. We also offer in-depth analytics tools, as well as the ability to store and organize your press contacts. We even offer watermark services.

Sign up for Haulix today and receive your first month free: http://haulix.com

Categories
News

You need a back-up plan in music. Always.

Everyone who dreams of working in music rarely pictures the day they will lose their dream position. Having spent the better part of fifteen years working in the business of music I have seen people at every level of success have the security of employment pulled out from under their feet. Some were in bands who imploded after pushing themselves too hard in too short of time, while others were brilliant marketing and publicity professionals whose employer could no longer afford their talent. Others still were let go simply because their employer realized they could hire younger, equally driven talent for less.

The is a power discrepancy in the music industry that is almost impossible to overcome. The people who have made a business out of entertainment recognize there are far more people who would love to work in music than the industry could ever support and they take advantage of that to pay workers less, demand more, and often little – if any – guarantee of long-term employment. Even the best workers will find themselves unemployed from time to time, possibly through no direct fault of their own, and each time they will have to find the strength within themselves to start over again.

With this in mind, it is important for every aspiring professional to keep back-up career plans in their mind at all times. Many professionals often have two or even three such plans, including at least one that exists outside the entertainment industry. This is not because those professionals wish to leave music. Quite the opposite, in fact. The driven professionals making the industry move today are largely hoping to continue working in music for as long as possible, but those who have put five, ten, or even more years into a music career know nothing last forever. There is always another unemployment check. There is always a need for a portfolio and/or resume.

Back-up plans for music should involve what some professionals would describe as pivot roles. A pivot role is any job that you can easily transition to using the skills you currently have at your disposal. For marketing professionals, publicity is often considered a pivot role. The same can be said for production and management jobs in relation artists.

Pivot roles make sense as back-up plans because you theoretically know the basics of your new role before you even begin. Your current efforts have allowed you to network with others in that role and you’ve seen them work. If your relationships are strong these same peers will help you seek work, and some will even answer any questions you have about getting started.

This isn’t written to scare you or to speak ill of this business. The simple truth is that no one in music is ever guaranteed their position for very long. The number of professionals who hold a single role for five years or more is fairly small, and those who make it ten years are practically unheard of. If you want to make music a lifelong pursuit than you need to develop a diverse set of skills and remain open to the possibility of change (because it’s coming whether you accept it or not). You cannot count on your job to be there tomorrow because sometimes it won’t, and the same can be said for fans, followers, or anything else tied to this business.

The only things that last are the connections we make with our fellow professionals and the skills earned through experience. Don’t take either for granted.

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Job Board News

Music Industry Job Board (January 8, 2018)

New openings:

Writer, Apple Music & iTunes (Apple – Culver City, CA)

Looking for a seasoned music writer with a deep background in entertainment journalism, marketing, and copywriting. This person will be primarily focused on supporting Apple Music, Beats 1, and iTunes—by writing and editing copy, partnering with creatives and cross-departmental leads; and trafficking assignments with internal and external writers. As the position requires competency with a number of publishing tools and workflows in a fast-paced production schedule, organizational and project management skills are a must.

Senior Marketing Manager (San Francisco Symphony)

The Senior Marketing Manager has the responsibility for all facets of the marketing campaign.  He/she supervises the Marketing Coordinator and Audience Development Initiative Coordinator while fostering a strong collaborative relationship with other Managers and the Marketing team as a whole.

Senior Coordinator Music Clearance (Paramount Pictures – Hollywood, CA)

This position is responsible for overseeing aspects of music clearance for Domestic and International marketing as assigned by the Exec Director, Worldwide Music Clearance.

Manager, Dance/Electronic Music (Spotify – NYC)

The Label Relations team manages hundreds of label relationships across the globe with a network of managers in different Spotify territories. This position will serve as primary contact for our Dance and Electronic Music from Independent label partners, specifically in the US. The Label Relations Manager will focus on developing & maintaining excellent relationships with Spotify’s content providers by enabling them to maximize the service as both a sales and promotional platform.

Managing Music Director (Various Locations)

Camp Jam is currently accepting Managing Director applications for its Rock N Roll Music Camps held in Chicago, Orange County, and Washington DC.

Are you a hard-working, fun-loving musician with a passion to share your knowledge with some of the best kids in the world!? Are you looking for a healthy, reliable supplementary income stream? Do you have a flexible schedule, smartphone and availability M-F 9am-5pm? Well, Camp Jam might just be the most rewarding and energizing gig you will ever experience! We are currently looking for a great individual to join our Staff as a Managing Director.

Music Cataloging and Metadata Associate (University of North Texas – Denton, TX)

The University of North Texas Libraries is seeking to hire a Library Production Associate to join our Music Library team. The Library Production Associate will provide Senior-level paraprofessional support for the Music Library.

Director of Music (Kickstarter – NYC)

Kickstarter is seeking a Director of Music to engage with musicians and grow Kickstarter’s presence within in the Music landscape.

Music Ambassadors – VOLUNTEER (Carnegie Hall – NYC)

Carnegie Hall seeks Music Ambassador volunteers to assist with staff support, information guides, greeters, The Shop at Carnegie Hall, Carnegie Hall tours, and outreach. Music Ambassadors enjoy many benefits, including complimentary tickets, access to exclusive events, and discounts at the Shop at Carnegie Hall. Applications are considered on a rolling basis as needed.

Executive Content Editor (ASOS – Paris, FR)

This role is a great opportunity to learn the ropes of online editorial writing. She/he will assist the French Editors (menswear and womenswear) in all fields of work. Her/his main focus will be localization (translating content with an editorial touch) but the right person will seize this opportunity to also contribute editorial ideas and stories. The Editorial executive works with the international site and editorial team as well as the UK creative, development, CC, CRM and magazine teams to deliver the most relevant, highly engaging and shareable content for the homepage, apps, newsletters and other channels.

Music and Marketing Coordinator (Spotlite Media – Los Angeles)

Spotlite Media is looking for a highly motivated individual to work in our music and marketing department. You will be wearing several hats while balancing the needs of the company and artists. Your main focus will be on assisting the VP of Marketing and Content. You have a passion for music and interest in learning all sides of the business.

Video Producer/Editor (iHeartMedia – Miramar Beach, FL)

iHeartMedia is looking for a hard-working and creative Video Producer/Editor to help us grow our audience across our iHeartLatino digital and social platforms. The ideal candidate is a storyteller at heart – both visually and narratively. You will be responsible for ideating creative concepts and turning them into engaging videos optimized for our platforms. The ideal candidate also has experience as a video producer, writer, editor and is used to collaborating across teams to make content that is new, interesting and highly shareable. This role requires you to work on multiple projects at once with the ability to manage them yourself while never compromising the level of creativity.

iHeartLatino is iHeartMedia’s Hispanic platform, which builds on the company’s unique position as the number one Hispanic reach medium in the U.S. Anchored by the iHeartRadio Fiesta Latina mega-concert, the iHeartLatino platform aggregates the entire portfolio of iHeartMedia’s vast array of Hispanic targeted products.

Music Contract Administrator (Netflix – Los Angeles)

Netflix seeks an experienced Music Contract Administrator to help support our expanding slate of Originals content (Series, Film, Documentary, Comedy, Unscripted and Kids programming). This role will have broad responsibility for managing the tracking, organization, distribution, and processing of a high volume of contracts for the Music Team, from signature to distribution, archiving, processing and arranging for payment.

This is not your traditional Contract Administrator role you will manage vital components of our music contract administration process, not just “contract management,” and have visibility into all facets of our music business and the larger scope of Netflix’s expansion. If this sounds intriguing, read on for the details…

As a seasoned Music Contract Administrator, you know the ins-and-outs of the music industry, and its jargon is second nature to you. You know exactly what it takes to use music in a production, you understand the significance of master use and synchronization licenses and you know what a composer agreement and music supervisor agreement covers. Your organizational skills are unparalleled and in your view, there’s no contract detail that’s too small or insignificant. Your expert eye for detail means you know how to review music agreements (be they master use or synchronization licenses, composer agreements, music supervisor agreements, producer or songwriter agreements) for the key information needed for contract administration purposes, and flag any critical information that’s missing.

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