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MUSIC PR 101: Don’t Pitch People Via Instagram

This may come as a surprise to some of you, but there are very few people who can be compelled to care about a band or song or product they don’t know just because of something they saw on Instagram. Maybe a friend of theirs tries a new restaurant and the resulting photograph leads to a future meal, or maybe a cool clip sells someone on an upcoming movie, but by and large there are very few people turning to Instagram for new media discovery. Of those that do use the image and video sharing platform for such efforts, only a tiny percentage are trying to make a living in writing, and only a part of that segment would even consider covering something solely because it caught their attention on Instagram.

It’s not you, but rather the platform you choose to use. Instagram is a place where people are able to see the world through the eyes of their friends, family, and any celebrity or brand they choose. There are discovery tools in place, and there are some who use them, but the majority of Instagram users tend to view the platform as way to better see what is happening in the lives of the people and groups they care about. Speaking from personal experience, there has never been a time when I thought the answer to my musical needs could be found on Instagram, but that doesn’t many people have tried to convince me otherwise. Take a look:

For clarity’s sake, this is the only time this band, or someone from this band, made an attempt to contact me. No emails were received, no tweets, no texts, not even a Facebook message. Their one and only approach was to contact me with a text based message delivered through private DM on a platform specifically designed to share photo and video. They couldn’t have given me a link if I asked for it, yet there they were, hoping for no rational reason whatsoever that their odd approach would make me want to give them a few minutes of my time. There is always something to be said for originality, but in this case it’s not enough to sell me.

And it’s not just bands I know. I have received messages from artists all over the world I have never heard of or from on any other platform. It’s as if these artists believe putting their all into one specific social network will somehow bring them great success, but in the case of pitching that is simply not true. I promised I would not make the name of the artist responsible for the following message known, but this is an actual pitch I received just last week:

“Hey UTGjames –

My name is ___ and I’m in an easycore band called _______. We play music along the lines of Four Year Strong and Set Your Goals, only with an added layer of pop punk. We have a new EP out soon, and I wanted to know if you would tell your followers about us and maybe write about us on your site? You can hear clips on our IG page. If you want to know more just give me your email and I will send everything over.”

There are a few problems with the message, including the fact my name is not actually ’UTGJames.’ That is my handle, but Instagram also makes it possible to see my real name, so the presence of my handle tells me this artist did not spend much time researching my work prior to contacting me. Second, they ask me to promote a band I know nothing about to my followers without giving me much, if any reason to do, and then proceed to ask for coverage on my ‘site.’ Again, the lack of a proper name tells me how little time was spent piecing together this pitch. The artist also appears to believe that the best way to introduce me to their music is in 15-second increments that they task me with seeking out on their feed, which speaks less to their talent as songwriters and more their ability to craft digital media clips. That is indeed a much-needed skill in 21st century promotion, but it doesn’t exactly make you a good musician.

Even if this person had written a perfectly worded pitch, the likelihood our interaction evolves into a full-blown coverage opportunity for their band is highly unlikely. I would first have to enjoy the artist’s music, tell them as much, provide an email, hope they follow-through, download their actual music, listen to their full songs, form thoughts worth sharing, and then – if all goes as well – start writing. There are simply too many steps and not nearly enough engagement to push me to do the heavy lifting as far as actual discovery is concerned.

In music, just as in life, time is precious. There are only so many hours in a day and you need to make the most of them, so you cannot waste time putting energy into fruitless endeavors. Pitching over Instagram is pointless. Journalists won’t take you seriously, and even if they do the time between initial contact and coverage could very from days to weeks, if not longer. Don’t waste your time trying to catch someone in a place no one else thinks to approach and use the traditional methods, like email, instead. Trust me, it will do far more for you and your career than Instagram ever could.

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5 Ways To Ensure Your Band Is Making The Most Of Instagram

Instagram has long been the go-to platform for anyone hoping to share photos and short videos of their lives with the internet, but in recent weeks the company has gone to new lengths improve brand relations and provide long-desired improvements to their platform (account toggling, video view counts). Social media tips and tricks are talked to death as is, but considering these new innovations now seems as good a time as any for a quick refresher on how artists can make the most of their IG marketing efforts. Whether you’re new to the platform (which probably means you’re also a new artist – HELLO!) or simply trying to figure out if having an IG account even matters for your musical endeavors, the followings tips offer easy to apply techniques that we guarantee will deliver results.

Strategize first, post second.

Your band or solo music account is not your personal account and it should not be treated as such. Where the former offers spontaneous insight into your life, the latter needs to offer a far more focused look at your life. Before you can begin to do that in a meaningful way you should first decide what it is you want the world to see and how you want those images to reflect the music you create. Who are you as an artist? What do you represent? Be real with your audience and those who connect will engage regularly in the content you share. More importantly, they feel as if they know you in a way simply hearing your art does not allow.

When you do post, make sure you provide fans with quality content

The basic outline for musicians on Instagram is the same everywhere you look, and that’s because it works. You want to share your journey from the bottom to the top, along with all the highs and lows that ensure in between. You want to share the place where you write, the studio where you record, life in your van (be careful on this one), life on stage, life in the green room (this one too), and the day you make your big signing announcement, as well as various newsworthy tidbits like tours and song premieres. Your brand’s Instagram should sell your music through photos and video the way your music sells people when they hear it through speakers or headphones. This is the visual representation of yourself as an artist, and as more users begin to follow each post’s impact on your overall image will grow in perpetuity.

As always, communication is key.

Did you really think you could get away with simply posting images and videos on Instagram? Fans are going to react to the things you post and you should respond whenever possible. Talk to the people who care enough to talk to you (except the haters – never engage those trolls), and be sure to @them so they know you are speaking directly to them despite being connected solely through the internet.

Use meaningful hashtags. Yes, hashtags can and should have meaning.

We’ve all had our fair share of fun with #silly and #meaningless hashtag use, but if you want to make the most of your Instagram following you would be wise to take the pound sign a bit more serious moving forward. A hashtag can make people aware of a new album, tour, single, or any other development you could hope to market. 

Hashtags can also bring people together. Take defunct emo rock deities My Chemical Romance, for example. Their fans, the creatively named MCRmy, uses #MCRmy whenever posting about the band online. Fans then use this hashtag to connect with others who enjoy the group, which in turns strengthens the fan base as a whole. Black Veil Brides’ fans have used a similar technique, with followers of that group posting #BVBarmy in their tweets and IG posts. Again, fans connect with each other while also sharing fun or meaningful media related to the group. The brand is spread, as is news about new albums and tours, all while fans are connecting with one another and developing a community built upon mutual admiration for the band. Everyone wins!

Make your Instagram a unique destination

While Ingstgram does allow users to share posts on other social media platforms it’s important to remember that not everyone will be connected with your brand on every site or app. With that mind, you should make an effort to treat each online community as its own hub for your group. Do not assume the people on Facebook know about the promotion you have on your IG and do not assume people on IG will want to give you a ‘Like’ on Facebook. Some of them probably don’t even have a Facebook! 

Make your IG community a unique place to engage with your music and fans will begin to view it as something special, which it is. This will aide in developing your online community, as well as increase overall engagement with your audience. It also means more work, but it’s worth it.


James Shotwell is the Marketing Coordinator for Haulix. He is also a professional entertainment critic, covering both film and music, as well as the co-founder of Antique Records. Feel free to tell him you love or hate the article above by connecting with him on Twitter. Bonus points if you introduce yourself by sharing your favorite Simpsons character.

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Email Will Out-Live Social Media

“So what’s the next big thing online to get the word out?”

The singer from a popular hardcore band asked me this recently. They’re no slouch, with 5+ albums and a few European tours under their belt. But most smart bands are always looking ahead, no matter how big they are.

Years ago Facebook worked great, but now they charge you to reach all your “Likes.” Twitter is fun, but have you looked at your analytics to see how many people who actually see your updates? Toss in Snapchat, WhatsApp, Vine, Instagram, YouTube – what works? What’s the easiest way to reach your audience? What will work next month?

Email. Email will work.

Two amazing statitiscs:

According to this report from the Radicati Group, “there are three times more email accounts than Twitter and Facebook accounts combined.”

Chances are 99% people of your last gig had an email address. Think that many people were on Twitter or Instagram?

When your main “getting the word out” message is via networks that some people – believe it or not – aren’t using, you’re talking to a brick wall. Telling your fans “Follow us on Twitter and Facebook!” means nothing to people who aren’t on either.

And from Campaign Monitor, “you are six times more likely to get a click-through from an email campaign than you are from a tweet. 

Seriously – look at your analytics! Amongst the barrage of marketing messages, pleas for clicks and RTs and “share this” – this is 2015! It ain’t gonna get better in 2016, folks.

And yes, 10’s of thousands of social media followers looks great. But take a look at the Bit.ly links of some media outlets (by adding a + sign to the end of the URL); some have six-figure followers and can’t even get 1% of their audince to click a link. If less than 1% of your fans are clicking, what’s that make the other 99% of your followers?

If you’re looking to magically convert your 10,000 Twitter Followers and 50,000 Facebook "Likes” to email subscribers, good luck. Remember, if you’re “fortunate" to have 1% of your fans click on ANYTHING (let alone a link to join an email list), it’s going to take months to grow your list from your social media following.

But you should start doing that now. Remember, MySpace was the #1 music site online in 2006 and now it’s gone. Do you think we’ll still be talking about Twitter and Facebook in 2020? There’s a chance we might not, but you can be sure that email will still be around.

And those “Likes” may not be.


Seth Werkheiser is the quiz master of metal trivia at Skulltoaster. He’s also the founder of some music sites you may have heard of, including Noise Creep (2009) + Buzzgrinder (2001). He’s anti-Facebook, anti-clickbait, and anti-growth hacking. You should most definitely follow him on Twitter. Yes, right now.

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Advice: Stop putting more barriers between you and your fans

(Photo credit: Tracy Vanessa / Mezzic)

In the 90s it was all about getting your music into big box stores like Best Buy, Tower Records, and Circuit City. Distribution wins! But those stores didn’t really care about your music or your label or your scene. Sure, you sold a bunch of CDs through them in the 90s, but where does that leave you today? Who bought those albums?

Then the iTunes store comes along in 2003. Quick! Get your music on there, just like every other band and label. Upload your music, adjust your meta-data, sit back, and sell to people in parts of the world that you’ll never visit.

Again, iTunes doesn’t really care about your music – they just need to sell iPhones and watches at enormous profit. You’re a reference number in a database that gets cut a check every month. And for all those digital sales, Apple has a record of everyone who bought your album. That’d be nice list to see, right? Too bad.

Now we have streaming. And Apple Music! None of them really care about your band, either. They’re all busy are bolstering algorithms to suggest new music selections, all in the hopes of converting people to $10/mo subscribers. They’ve got lots of data (emails, listening habits, favorite albums) but none for you!

I got an email not too long ago from Ken MODE. Their singer emailed everyone who bought their last album on BandCamp, saying they had a new album out, and linked to their new album pre-order.

Imagine that, huh? Someone bought your old album, and when you had a new one available you sent them an email. Not just a Tweet (which gets lost in the noise of cat photos and political turmoil), not just a Facebook update (which might not even reach your fans because Facebook wants your $$$), but an email delivered to someone’s inbox.

It’s like when you had a show in your small town – you gave a flyer to your friends who were at your last show. You put up fliers in places where your friends would see them, like at record shops, and cafes.

So, you know who your ardent fans are, right? Point them to your own digital sales store (you can set one up using Big Cartel or Limited Run, or just use BandCamp). Sell direct to to your fan, then you’ll have their email address. Then the next time you have a release you’ll know who to reach contact (and not just a few dozen music blogs who are all copying and pasting 20 press releases every hour).

Of course that doesn’t mean stop uploading to iTunes and everywhere else (yet). I get it. But start selling direct to your biggest fans. Get their mailing address, then reward those fans after the sale with a free-shirt in the mail, or a sticker pack or something. In order to delight the people who love what you do, you have to make sure you can discover who those people are in the first place – and Apple, Spotify, and BestBuy sure ain’t going to help you build your email list.

Seth Werkheiser is the quiz master of metal trivia at Skulltoaster. He’s also the founder of some music sites you may have heard of, including Noise Creep (2009) + Buzzgrinder (2001). He’s anti-Facebook, anti-clickbait, and anti-growth hacking. You should most definitely follow him on Twitter. Yes, right now.

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Five Ways Musicians Should Be Using Periscope

Have you heard about the latest social media trend? It’s called ‘live broadcasting,’ and right now there are two companies dominating the marketplace. One is called Meerkat, and until a few weeks ago many believed it would be the industry leader. Now that title belongs to Periscope, which was acquired prior to launch by Twitter in January, and just last week the highly-publicized mobile app was released to the public.

Pericope, like Meerkat, works by allowing users to live broadcast their life to the world by downloading the iOS app and connecting through Twitter. Your followers get a push notification and can watch your livestream, all free of charge.

Here’s what the founders of Periscope had to say about the inspiration for this product:

Just over a year ago, we became fascinated by the idea of discovering the world through someone else’s eyes. What if you could see through the eyes of a protester in Ukraine? Or watch the sunrise from a hot air balloon in Cappadocia? It may sound crazy, but we wanted to build the closest thing to teleportation. While there are many ways to discover events and places, we realized there is no better way to experience a place right now than through live video. A picture may be worth a thousand words, but live video can take you someplace and show you around.

For broadcasters, Periscope lets you share an experience with others. Press a button, and instantly notify your followers that you’re live. Whether you’re witnessing your daughter’s first steps or a newsworthy event, Periscope offers an audience and the power of a shared experience. Most mobile broadcasting tools feel far from live. Broadcasters on Periscope are directly connected to their audience, able to feel their presence and interact. Going live on Periscope means more than a blinking red dot.

For viewers, Periscope gives you a new set of eyes and ears. Travel the world and step into someone else’s shoes. See what they see, hear what they hear, and hopefully feel what they feel. Watching a broadcast isn’t a passive experience like television. On Periscope, viewers influence the broadcaster by sending messages, and expressing their love by tapping the screen to send hearts.“

While adoption of this new social media format is still on the rise, now is as good atime as there will ever be for musicians to signup and begin building their community. Unlike several recent social media platforms that quickly rose in popularity only to disappear seemingly overnight, Periscope (and Meerkat) offers something that actual changes the way we are able to connect with one another. It’s not about profiles and photo-swapping, but cultivating instantaneous communities around events happening all over the world in real time. It’s about engaging with others, regardless of location, to experience life in a truly unique way with very few barriers to entry. Like Facebook and Twitter before it, Periscope has found a way to make the world seem a bit smaller, and in doing so the founders created a scalable business model that will likely see large growth in the months ahead.

We have said this many times before, but every musician needs to view their career like that of a small business. They may have the highest quality products and the best customer service, but unless they know how to market and publicize their efforts they will find establishing a lasting presence in the industry next to impossible. The age of social media has made it incredibly easy for anyone to become a successful marketer as long as they know how to engage with people online, and with the rise of Periscope there is yet another way for brands, bands, and people to connect and raise awareness for their work. The ways to do this are essentially limitless, but we have gathered five ideas that will go a long way toward further engaging with fans through the use of live broadcasting:

Weekly Updates (Same time, different place)

There are a number of artists who currently make and release updates for fans on a weekly or monthly basis, but the vast majority of them rely on YouTube to host this content. Furthermore, they spend days or weeks recording content, then several more hours editing everything together before sharing said recaps with fans. With the rise of services like Periscope and Meerkat, musicians can now broadcast their updates in real time directly to whatever fans choose to tune in as long as they are somewhere with cell service. Instead of spending hours recording and editing, artists can establish a regular broadcast schedule and spend for more time marketing their appearances. Both services catalog every recording, so anyone who misses a broadcast will be able to catch up at their own pace. This means everyone who would have watched on YouTube will still be able to tune in when they’re able while those who are able to watch live can now directly engage with the artist in real time. Double win.

Scenes from the road/Scenes from the studio

There is no career like that of a musician on the rise. From spending hundreds of hours on the open road, to playing clubs that look like rejected sets from the last Quentin Tarantino film, and even time spent in the studio (wherever that may be), there are hundreds or even thousands of sights musicians see that the vast majority of their fans will never have a chance to witness. The immediacy of Periscope allows for musicians to share their perspective on life, be it while hanging backstage before a gig in Iowa or in the midst of pre-production for their next studio album, with the power of their cell phone. There is no need for a laptop that limits mobility, or a state-of-the-art camera whose footage will require a large amount of extra work to make perfect for the internet. Musicians can (and should) turn on Periscope periodically, if only for five or ten minutes, to allow fans to dive a bit deeper into their reality. What does the half day drive across rural Texas in mid-July look like? Artists can show their fans with only a few seconds worth of effort. What about the view of the crowd from the main stage at Coachella? Again, in just a few seconds that view can be shared with the world? What about the first time you hear the first edit of your new single? Periscope makes sharing the reaction on your face, as well as the sound you are hearing, a breeze.

Live Chats

I didn’t really cover this in the introduction, but Periscope and Meerkat both allow for viewers to engage with broadcasters. This makes live chats, regardless of geographic location, incredibly simple. Whether it’s a planned event or something musicians do while killing time between sound check and the start of a show, live chats allow fans around the globe to see and interact with artists. The ease of setup and launch makes it possible to field questions regularly, which in turn create more opportunities for fans to engage with their favorite artists. Maybe a fan can’t make the show today, but thanks to the freedom provided by the platform they may have another opportunity to ask their question sometime in the near future. It’s up to the artist to decide how often they make themselves available, of course, but with such ease of connectivity the decision to not engage with fans on a regular basis seems a bit foolish.

Surprise acoustic performances

Due to the sometimes poor sound quality that comes with recording concerts from the audience, it may be a while before Periscope works all that well for artists hoping to share their live performance with fans. In the meantime, musicians can make the most of the platform by hosting impromptu acoustic performances for fans. Have one member, or even an onlooker, hold a phone set to broadcast while the band performs something stripped down for anyone able to tune in. The video will be catalogued for prosperity, but those able to witness in real time will feel part of something special. They may wake up with a musician’s song in their head and the knowledge that artists will no be performing anywhere near them for months, but in a moment’s notice they can be connected to a performance happening anywhere in the world. That kind of instant gratification is hard to come by in any industry, and it definitely should not be taken for granted.

Scavenger Hunts

This one will require musicians to think outside the box a bit, but it is worth the effort. While on tour, musicians can use Periscope to broadcast their location while exploring a city or town prior to an event. This broadcast serves as a clue for a scavenger, and fans in the area can then use the broadcast to find the musician and collect their reward (concert tickets, merchandise, etc). This could be a great way to build additional interest in a show, as well as sell a few last minute tickets. The opportunity to get free stuff will be more than enough to hook fans, but getting to meet their favorite musician will add another level of excitement to the whole affair.

James Shotwell is the Marketing Coordinator for Haulix. He has over a decade of music industry experience and spend the majority of his free time writing about various aspects of the entertainment business. If you need another talking head in your life, please consider following him on Twitter. You should also follow Haulix on Twitter.

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ADVICE: Six Tips For Improving Your Black Friday Sales

Hello, everyone! Thank you for finding time in your schedule to spend a few minutes with us. This week has focused heavily on ways artists can keep merchandise costs low while furthering their overall reach, and this post is a continuation of that effort. If you’re feeling burnt out on this topic, don’t fret. We’ll be back to our regular series of interviews and editorials next week.

This site exists to promote the future of the entertainment industry, and to do that we need input from people like you and your entertainment-loving friends. If you have any questions about the content in this article, or if you have an artist you would like to see featured on this blog, please contact james@haulix.com. We can also be found on Twitter and Facebook.

Today is the day before Thanksgiving, which means we are less than two full days from the official start of the year’s busiest shopping season. Christmas is right the corner, and if you’re smart you’ve already begun putting thought into the various sales and discounts you are able to offer fans during this time. If not, there’s still time to get prepared, and we’re here to offer a little help.

We cannot guarantee a boom in sales this holiday season. In fact, we cannot guarantee a rise in the number of sales you see at all. What we can do, however, is help ensure your marketing and sales efforts are top notch. To do that, follow these tips:

Check your inventory. Twice.

Your goal with holiday sales should be to liquidate as much of the merchandise you have in stock as possible while still making a healthy profit on each product sold. Before you can do this to the best of your abilities you need to know what you have available, and how much of it is in stock. Running out of something during your holiday sale will cause headaches for everyone, and that goes double if you run out of something because you forgot to check your inventory prior to launching your sale. The back and forth required to straighten out orders that cannot be fulfilled may cause you to lose future sales, as well as those you are forced to cancel. Prevent this mess from ever happening and do inventory first. Do it twice, in fact, and ask someone else to check your work.

Promote your entire sale, as well as individual items.

You want people to use your discounts to buy more than they usually would, but often those attempting to promote a store-wide sale forget the impact that promoting key items one at a time can have on consumers. You should still mention store-wide discounts, of course, but you should also make room to highlight individual items. If you’re offering 25% off everything online, you should promote the sale as how it impacts items like shirts or vinyl. Create images for Instagram and other networks that highlight how the discount impacts the cost of single items, that way people can more easily understand what a great deal you are giving them. Likewise, you can use Twitter to promote various items and their price after discounts throughout the holiday weekend.

Speaking of promotion, think about paying for it.

I’m about to say something most artists hate to hear: Paying for promoted posts on Facebook and Twitter can have a positive impact on your reach, as well as your overall sales. It would be wonderful if this were not the case, and that those who could not afford paid promotion on social networks saw their sales work just as well, but years of research has made it clear that is not the case. Thankfully, the cost of entry into paid promotions is low. For as little as five dollars you can have a guaranteed reach to hundreds, if not thousands of people who have previously enjoyed your music enough to give you a Like/Follow online. Whether or not they take advantage of the message being conveyed will depend on how you choose to present yourself, but at least you know your efforts are reaching those who are most likely to jump on them.

Create specific Twitter search streams for particular items you sell.

This one is a bit more time-consuming than other tips, but it can help you bring in a lot of new consumers who may have otherwise not checked your store. There are numerous tools that allow you to create and save Twitter search streams. Find one you like and use it to track people tweeting about shopping/looking for things like ‘new vinyl’ or ‘cool band t-shirts.’ It’s likely these people already have an artist or genre in mind when they send these messages, but you can still reply with links to your store and music. If they don’t respond, oh well. If they do, you’ve got a potential new consumer/fan.

Make the most of SEO

We’ve talked about this before, but keywords are becoming increasingly important when it comes to how people find your content online. Use a tool such as the Google Keyword tool to better understand how your customers are searching, then modify your own store to reflect what you have learned. It is important to know which keywords are mostly used during the holidays, such as ‘sales,’ ‘top gifts,’ ‘cyber Monday,’ and ‘black Friday.’

Make sure everything is working before promoting your sale.

This one may seem obvious, but every year there are a handful of musicians who see their site, or at least parts of their site, crash amidst the sudden upswing in view brought on by the holiday shopping season. Before you push your sale live, make sure every item on your store is properly listed and that every sale is working correctly. If there is a code word needed, make sure you test it out prior to sharing it online.

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We have plans to share additional merchandising tips for bands in the weeks ahead. If you have an idea for a column, or if you have a question about merchandising and branding that you want us to answer, please email james@haulix.com and share your thoughts. We look forward to hearing from you.

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How To Receive 20,000 Plays In One Week Without Spending A Dime

Hello, everyone! We are happy to have you join us this afternoon. Our friend Lueda shared with us a story this morning about her recent promotional efforts that was so inspiring we felt we had to share it with you as well. Whether you’re an artist looking for affordable promotion solutions, or a label hoping to get more exposure for your talent without going broke, the following post will have something for you.

This blog exists to promote the future of the music industry, and to do that we need input from people like you and your music-loving friends. If you have any questions about the content in this article, or if you have an artist you would like to see featured on this blog, please contact james@haulix.com and share your thoughts. We can also be found on Twitter and Facebook.

The past few days, I been working on a blog post for Arms and Sleepers‘ new single “Swim Team,” but with each passing moment, the stats on the Soundcloud player for the single keep changing drastically. And here I am now, thinking “Screw it!” because I just want to celebrate all that’s happened in one short week.

Last week, we announced the upcoming Arms and Sleepers record Swim Team, which is out on Fake Chapter Records on October 28th, and premiered the title track on Earmilk. Since then, many publications, blogs, radio stations and friends have been approached with the news (no press releases – just good ol’ personal emails), and the results speak for themselves: the band has received coverage all across North America and Europe, and the single reached over 21,000 plays in one short week, growing steadily at 3-4k plays each day. For comparison, AAS’ pervious single, “Hurry Slowly” (which is easily one of the highlights of the album) reached 12,000 plays in 5 months.

“20,000 Plays In One Week” is my very own “Power Level 9000!!!” because I am beyond ecstatic over what’s happened. I would say I’m surprised, but I have seen what a good marketing plan and publicity can do for an artist over the years I’ve been working in the music industry. There is no doubt that in my mind that hiring a publicist is one of the most important things a band or artist can do to take their careers to the next level.

The magic formula? A solid marketing plan and hard work. I couldn’t be prouder of what’s happened this past week, and I can’t wait to see what happens with this campaign in the next few months. Hit me up if you have any questions, via email or @alueda!

Lueda Alia is a music industry professional and freelance entertainment writer with years of experience working directly with artists on the rise. She maintains a great personal blog, as well as Made Of Chalk (which we featured on this blog earlier this year).

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